1992
saw the Able Tasmans entering the eighth year of their musical career
and releasing their third full album for Flying Nun, Somebody Ate
My Planet.
The Auckland-based group has gone through a number of line-up and mood changes
since they first surfaced in 1984 as a trio whammying things up for the kids on the
dancefloor with a very '60s fun organ-bass-drums sound and songs with titles like
"Nelson the Cat?!!".
"Nelson" was one of six songs which appeared on the Ables' 1985 debut EP for
Flying Nun, The Tired Sun. The EP featured the quietly expanding Ables line-up,
with the original trio of Graeme Humphreys (keybaords and vocals), Dave Beniston (bass)
and Craig Baxter (drums) being augmented by Peter Keen on vocals and future Headless
Chicken, Anthony Nevison, who lent a hand on guitar and vocals.
Recorded with thanks to 'the marvels of modern steam recording' at Auckland's
Progressive Studio over Easter, 1985, The Tired Sun was a lively psych-out, admired for
its strong singing and punchy upbeat feel.
The following year, the Able Tasmans released the sparse and eccentric 7" single
"Buffalos", which was backed with "Relapse", a song performed by Peter
Keen's first band, Raucous Laughter. The classic organ pop frolic "Carolines"
also appeared on the Radio B compilation, Outnumbered By Sheep in 1986.
The Ables released their first full-length album in 1987, A Cuppa Tea And A Lie Down --
which featured an expanded line-up of six people. Leslie Jonkers (who was responsible for
the front cover art of of The Tired Sun and had been writing Ables tunes since the early
days without appearing on stage!) was playing organ, and Peter Keen was now full-time on
vocals and Graeme Humphreys playing guitar and singing. Dave Beniston still played bass
but Stuart Greenway replaced the Australia-bound Craig Baxter on drums. Additional
instrumentation ]was provided by Jane Leggott (flute) and Dave Tennent (some guitar). The
Ables confused plenty of people by including 23 associates (from studio and live sound
engineers to album cover artists and dancers -- the band was now involved with providing
music for the Te Kani Kani dance group) in the group photo on the back of the album...
2.
A Cuppa Tea... remains the Able Tasmans most eclectic recording to date. In Melody Maker,
the album was described as "a strange beast indeed... winding, melodic, theatrical,
folky, with more than a string of acerbic guitars in its tail... Jaunty tunes, blissful
rock-outs, sixties throwbacks with whining violins and catchy cowboy singalongs."
It was three years and more line-up changes (naturally) until a new Able Tasmans
recording appeared on Flying Nun. Released in 1990, Hey Spinner! was a denser album, with
tunes that continued the Ables' curious line in lyrical kiwiana -- a trend begun on the
previous album, which had built local geography and custom into songs like "And We
Swam the Magic Bay" and "Evil Barbeque". Hey Spinner! matched these with
"Grey Lynn" and "Michael Fay" -- a Dickensian tale where "It was
Christmas day/When Michael Fay gave all his money away".
The band line-up now featured the songwriting core of Humphreys, Jonkers and Keen, with
former Verlaine Jane Dodd playing bass and Craig Mason, longtime Ables associate and
singer-guitarist in Auckland's Sombretones, on drums. Another new full-time member and
longtime associate was Ron Young, adding a curtain of analogue synth nonsense and more
vocals to the songs. The Ables' Hey Spinner! sound was rounded out by regular live
clarinetist, Donald Nichols, and extra trumpet, cello and violin.
The "baroque folk rock" ©Colin Hogg of Hey Spinner!
gave way to something a little wilder and weirder by the time of
the 1 992 release, Somebody Ate My Planet. The album, recorded with
the same settled line-up as Hey Spinner! at Auckland's Lab Studio
with engineer Victor Grbic, sees the Able Tasmans fully extending
their sound over eleven songs packed with warm noise and cool ideas.
It's the best commie astronomer clever lover environmentally friendly
rock you'll enjoy in a good while -- proof that the Able Tasmans
have grown to a position where they're comfortable and popular musical
adventurers on this planet, even if "somebody" is making
a mess of their own...