TAKE one band from Dunedin, a stripper from Auckland,
and two of the world's most renowned independent record labels... throw 'em all together
and you have "Crystalator".
The band from Dunedin is Dimmer. Formed by Straitjacket Fits songwriter
Shayne P Carter in mid-1994, Dimmer has burst into life in a couple
of mutant musical forms as a vehicle for Shayne's twisted pop songwriting
and increasingly powerful guitaring. The first line-up of the group
saw Shayne joined by drummer Peter Jefferies and bassist Lou Allison.
After capturing a couple of sonic blasts of song on tape in Dunedin,
this Dimmer were thrown into disarray when Lou announced she was
pregnant and heading home to England to raise her child and Peter
resumed his own solo career with a tour of America. What was a lonely
guy to do? Well lonely guys were thick on the ground and Shayne
soon enlisted drummer Dean and bassist Heazlewood
for Dimmer 95's live activities. But those guys lived in Auckland,
which is more than a bike ride away from the Dimmer practice room...
so despite a few fiery turns at places like Strawberry Fields, Big
Day Out and the Orientation circuit, Dimmer were back in hiding.
And there Shayne has been for the past few months, writing furiously
and playing bedroom rock with a handful of the Dunedin alumni and
a couple of promising newcomers.
Those two record labels -- New Zealand's Flying Nun and Seattle's
Sub Pop, once home of Nirvana, Mudhoney and the dreaded G word,
now using their clout as possibly the world's most influential indie
to spread a gospel based on talents as diverse as arch-angsters
Sebadoh, retro-cowpokes Supersuckers and lounge lizards Combustible
Edison. Meeting at Austin music-fest, SouthxSouthwest, Flying Nun
slipped Sub Pop a tape and the Americans were hooked.
What hooked them? "Crystalator", an instrumental electro-blender named after
a stripper. Its needle-like guitar hook rips paint off walls and the song swings with the
rhythmic thunder that made Jefferies his name. "Dawn's Coming In", a sparser
ache that breathes up close in your ear.
This fits the ultimate rock'n'roll format of seven inch vinyl single too perfectly. The
intensity is palpable yet complementary on both sides of the disc. Out on both sides of
the world -- Sub Pop handling the top half, Flying Nun the bottom corner, the Brazilians
left to their football...
And a classic it is too.