Graeme Downes -
"Hammers and Anvils"
Welcome
to Graeme Downes’ first solo album! Its taken a while and it’s a
bit of long story how it came into being, but here goes. First up
there’s a bit of background.
Verlaines
If you don’t know Graeme’s
previous work with the Verlaines then here’s a quick overview:
Formed (in any sort of meaningful
way) in 1981 as a three-piece, the Verlaines soon began their recording
career with the fledgling Flying Nun label. This relationship continued
through the 80’s spawning several singles and albums (see discography
below). All the while through this period Downes was studying at Otago
University, completing a Bachelor of Music degree and then embarking on a
Phd in 1987. As the Phd was nearing completion the band got a little more
full on and signed with LA-based label Slash. Two albums were completed
with Slash Records before parting ways. Returning to NZ the band recorded
what (at that point anyway) was to be it’s final album, "Over the
Moon"(1996) which was released by Sony NZ though never released in
the States. For all intents and purposes the band called it a day in ’97,
with drummer Darren Steadman leaving for the UK. The band has never
officially broken up and have recently performed at the Otago Arts
Festival 2001 in Dunedin, as part of a series of concerts celebrating
Dunedin bands, with performances by the Chills, Snapper, Dead C and many
others. The concerts were in association with San Francisco radio station
KFMU and were broadcast live on the internet. By coincidence the band are
all pretty much back in the same city but there are no plans to reform for
anything more than the occasional performance.
Hammers and Anvils
…Graeme’s movements…
After recording "Over the Moon"
Graeme found himself broke and jobless. An offer came up at a Rock
and Roll Polytechnic in Auckland, so he left Dunedin and headed
north. Graeme’s departure, coinciding with Darren’s (to the UK),
meant that the band was effectively over, but naturally this didn’t
mean that the songs stopped coming. Despite the pressures of full-time
employment Graeme kept hammering away and demo-ing songs on the
trusty 4-track, piling up a backlog of material. What to do with
it next was the question. Enter Peter van der Fluit and Mike O’Neill
(both of Screaming Mee Mees fame).
…Who’s on this record anyway?…
Well it’s Graeme’s picture on the album cover,
because he’s written and performed everything on it, but it’s really
been the result of the efforts of a 3-man team. Peter van der Fluit
came on board as a colleague at the school with Graeme in 1998.
He raised the possibility of recording Graeme’s songs over the summer
break (Jan ‘99) in a little suburban digital studio co-owned by
Pete and Mike O’Neill. Mike was soon on board helping out with the
engineering. The summer break saw them take the first faltering
steps in what would eventually become Hammers and Anvils. It took
a while longer than the summer to finish it of course - everyone
was learning the technology as they went, experimenting with sounds
etc and, as the studio was a semi-commercial operation work on the
album took place on the odd evening and weekends in between clients.
From the beginning this project was both an experiment and a labour
of love—just making the best album they could for the hell of it.
By September 1999 the album was
nearly finished. The studio had grown to be a full-time concern and had
shifted premises. Disaster struck in October when the newly installed,
state-of-the-art hard drive suffered a horrifying meltdown. Some, but not
all, of the album was backed up - there’s a lesson here kids. Maybe half
of the completed work went to the digital happy-hunting ground.
After a period of depression, the
boys spent much of the summer recording large chunks of the album for the
second time. In hindsight it was a blessing in disguise as they managed to
improve a lot of it in the process. By March it was finished. What to do
with it?
…Back in Dunedin…
By the beginning of 2000 Graeme was in Dunedin
again, having taken up a position as a lecturer back at Otago University,
overseeing their newly created Rock Music degree. Naturally this
meant he was busy as hell getting things up and running and the
album was left on the back burner for a while. Initially the boys
were gong to release it themselves but eventually put that idea
in the too-hard basket. By mid year they started to put out some
feelers, with Gerard Cosloy of Matador Records USA, soon stepping
up to say "yeah, let’s do it" (God bless him). Of course
you’re reading this now in mid-2001, so yeah, it took a while to
get things sorted with release schedules and one or two hiccups
at the NZ end but hey, it’s finally here and that’s all that matters.
…What
next…
Well, all things are going according
to plan, the album will be released worldwide (excluding Australasia)
by Matador Records, with NZ/Australia covered by Flying Nun Records/FMR.
Graeme will concentrate on touring New Zealand during September/October
before heading to the United States (and anywhere else that wants
him) through November to January. Graeme already has the next album
in hand and hopes to start recording in June. That’s more than far
enough ahead for him to be looking at the moment! Let’s get Hammers
and Anvils down the birthing canal before we consider anything
else. Graeme and his fellow producers are very proud of the album,
having carried it along this far. They wait now to see what the
world makes of it.
Verlaines Discography
via Flying Nun
Dunedin Double EP
(3 songs) 1983
Death and the Maiden
single 1984
10 O’Clock In Afternoon
EP 1985
Doomsday 12
inch single
Hallelujah All The Way Home
album 1986
Bird Dog album
1987
Some Disenchanted Evening
album 1989
Juvenilia, album
1987 Compilation of early singles and EP’s
via Slash
Ready to Fly
album 1991
Way out Where
album 1993
via Sony NZ
Over the Moon
album 1996
Songs on compilations:
a number of songs on various Flying
Nun compilations, also
"Heavy 33" on No
Alternative
"Some Fantasy" (Wayne Elsey/Doublehappys)
on Red Hot and Bothered
Graeme Downes solo releases:
"Patience is Gone" (cowritten/performed
w/- Barbara Manning) on Barbara Manning in New Zealand 1998
"Two Fat Sisters" (Clean) on
God Save the Clean, Flying Nun 1998
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