{"title":"ACOUSTIC (New)","description":"","products":[{"product_id":"fn566-aldous-harding-aldous-harding-2016","title":"Aldous Harding - Aldous Harding (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN566 \u003cstrong\u003eAldous Harding\u003c\/strong\u003e - \u003cstrong\u003eAldous Harding\u003c\/strong\u003e (2016) released on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e these days is an international, award winning artist. With this album, her self titled debut, you get a taste of her brilliance, as an emerging artist and why, from the outset, she caught the eye of locally and internationally renowned record labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe started in Lyttelton, a port town on the outskirts of Christchurch, New Zealand. There s\u003cspan data-mce-fragment=\"1\"\u003ehe kept sailors in check with cheek and a strong-songed tongue. S\u003c\/span\u003ehe caught the ear of locals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Edwards\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDelaney Davidson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eplaying under her own name, Hanna Harding, alongside band The Eastern.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAldous Harding's lead single, Hunter, has been characterised by Harding as a gothic fairytale. This is folk music, simple and bleak with Hardings fragile coo reminiscent of retiring, 60s-era folk singers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVashti Bunyan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLinda Perhacs\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHunter\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/em\u003eseems to occupy a place outside of time, opening with the refrain, He's a hunter, he's a good man\/Be brave when he brings you nothing home and closing with a vision of blood streaming down a river.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eStop Your Tears\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHunter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo Bitten Hearts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Groan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBeast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo Peace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMerriweather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Bones of Courage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F4R0K6iYJ2A\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36769100693655,"sku":"FN566lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/aldous-harding-aldous-harding.jpg?v=1721977449"},{"product_id":"fn575-aldous-harding-party-2017","title":"Aldous Harding - Party (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas produced with the award-winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Parish (PJ Harvey, Sparklehorse\u003c\/strong\u003e) in Bristol, a world away from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Zealand home. As well as contributions from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParish\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfume Genius’s Mike Hadreas\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elends vocals to the aforementioned I\u003cem data-mce-fragment=\"1\"\u003emagining My Man\u003c\/em\u003e and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwell Does The Skull\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eIgniting interest with her eponymous debut album released just two years ago,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003equickly became a name murmured on many lips. She’s known for her sinister torch songs, gentle laments and eerie odes delivered with a charismatic combination of hubris, shrewd wit and quiet horror.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintroduces a new talent to the stark and unpopulated dramatic realm where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScott Walker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereside. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e1. Blend\u003cbr data-mce-fragment=\"1\"\u003e2. Imagining My Man\u003cbr data-mce-fragment=\"1\"\u003e3. Living The Classics\u003cbr data-mce-fragment=\"1\"\u003e4. Party\u003cbr data-mce-fragment=\"1\"\u003e5. I’m So Sorry\u003cbr data-mce-fragment=\"1\"\u003e6. Horizon\u003cbr data-mce-fragment=\"1\"\u003e7. What If Birds Aren’t Singing They’re Screaming\u003cbr data-mce-fragment=\"1\"\u003e8. The World Is Looking For You\u003cbr data-mce-fragment=\"1\"\u003e9. Swell Does The Skull\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aipyvUAXtJI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36767897092247,"sku":"FN575lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/995e81de-4636-43f6-8561-bdcb069800be.png?v=1721977370"},{"product_id":"nick-drake-bryter-layter-2013","title":"Nick Drake - Bryter Layter (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe second album from \u003cstrong data-mce-fragment=\"1\"\u003eNick Drake\u003c\/strong\u003e came in 1970, and while not quite as melancholy as his debut, Five Leaves Left, there are certain brooding qualities that continued to propagate the \u003cstrong data-mce-fragment=\"1\"\u003eNick Drake\u003c\/strong\u003e mystique. Horns, flute, and strings arrangements lift such songs as \"At the Chime of a City Clock\" and \"Hazy Jane I\" and \"II\" out of the realm of sad, folk-guitar music into something jazzier and lighter, while the beautiful piano and simple guitar of \"One of These Things First\" laments what could have been without sounding like a song of despair. But two tracks featuring\u003cstrong data-mce-fragment=\"1\"\u003e John Cale\u003c\/strong\u003e on various instruments (such as viola and harpsichord) have the dark fragility of \"Pink Moon\": The lovely \"Fly\" is a fragile apparition, and \"Northern Sky\" is a dreamy, brooding plea for long-lasting love. Definitely not the same mood music as his starker work, but still a fine showcase for \u003cstrong data-mce-fragment=\"1\"\u003eNick Drake\u003c\/strong\u003e. Musicians include:\u003cstrong data-mce-fragment=\"1\"\u003e Richard Thompson, guitar; Dave Pegg, bass; Dave Mattacks, drums; John Cale, keyboards and viola; Ray Warleigh, viola and flute; Pat Arnold and Doris Troy, vocals It was remastered by John Woo\u003c\/strong\u003ed at Abbey Road studios from the original 40 year old analogue master tapes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eIntroduction\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eHazey Jane II\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the Chime of a City Clock\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eOne of These Things First\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eHazey Jane I\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eBryter Layter\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eFly\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003ePoor Boy\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eNorthern Sky\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eSunday\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Nick Drake","offers":[{"title":"Vinyl LP","offer_id":43799327113460,"sku":"3734755","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/nickdrake.jpg?v=1622695479"},{"product_id":"reb-fountain-iris-2021","title":"Reb Fountain - IRIS (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #577c11;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eThe perfect extension of her 2020 self-titled record, \u003cstrong\u003e\u003cem\u003eIRIS\u003c\/em\u003e\u003c\/strong\u003e elevates \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eFountain\u003c\/a\u003e’s\u003c\/strong\u003e music to new heights. \u003cstrong\u003eReb\u003c\/strong\u003e effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic and anthemic tunes that create an instant and indelible impression. Written during lockdown in 202, \u003cstrong\u003eReb\u003c\/strong\u003e has said on the album \u003cem\u003e“Writing a song a day to keep myself grounded and productive during lockdown, \u003cstrong\u003eIRIS\u003c\/strong\u003e provided me an opportunity to speak my unspoken, to reflect what I have seen and experienced from within and to bear witness.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDiving into the deeper meaning of the album’s namesake, \u003cstrong\u003eReb\u003c\/strong\u003e says \u003cem\u003e“Iris is in many ways an unsung hero, known as the goddess of the rainbow, sea and sky, she acts as bridge between the gods to humanity with little of her own story known. So many stories go unheard, so many aspects of our humanity are unsung; visibility is a contested and inequitable space where what is essential and of beauty is often ‘invisible’. I wanted and needed to give voice to this essential human spirit; to conjure and hold and commune with the very real, valid and invaluable voices within and around me.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLr-EBfbo8o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003eThe above single ‘\u003cem\u003eBeastie’\u003c\/em\u003e is about choosing who you want to be, but also taking responsibility for who you are; the many faces and facets, the tales and tethers, the imbalance and inhumanity, the privilege and the power — and becoming awake to it all. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003eOn writing \u003cem\u003eBeastie\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e says\u003cem\u003e “Botham Jean had just been murdered in his own apartment, mass incarceration and systemic racism in the criminal justice system had me grief-stricken, the massacre of worshippers in Christchurch broke my heart, the All Blacks would win, the All Blacks would lose and male violence against women would hit an all time high — and amidst all this I heard this phrase “Is That Us?”. It was less a question more reaching for belonging; would we buy that? Can we call it ours? Do we like it? Is this who we want to be? Can we collectively agree this is us?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e continues \u003cem\u003e“Dehumanizing one another is a horribly human behaviour, and one we all have the potential to entertain or interrupt. It’s easy to relegate evils to the ‘shameful past’; harder to confront our own current inhumanity, especially if one's identity comes with benefits or losses.  In Beastie, I wanted my eyes open and to speak in solidarity with resistance. In the absence of resistance we are complicit. If you say nothing, nothing at all, nothing comes to light.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e‘Beastie\u003c\/em\u003e’ explores varying voices, and offers the listener an opportunity to inhabit and witness their many selves, their roles and their choices.  In the video for \u003cem\u003e‘Beastie’\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e wanted to play with those themes; knowing all acts are political, and subversion, resistance and truth\u003cem\u003e “can and should be consciously embedded as meaning in our art and our daily lives.”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e and her band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) were offered a beautiful space to film in called \u003cstrong\u003eEverybody’s\u003c\/strong\u003e in Auckland’s inner city. They wanted to make a one-shot band video that traversed the multi-level space, so enlisted long-time collaborator \u003cstrong\u003eLola\u003c\/strong\u003e \u003cstrong\u003eFountain-Best\u003c\/strong\u003e to direct the scene, with \u003cstrong\u003eJono\u003c\/strong\u003e \u003cstrong\u003eDrew\u003c\/strong\u003e on DOP duties.\u003c\/p\u003e\n\u003cp\u003eIn May 2020, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e released her self-titled album via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun Records\u003c\/strong\u003e to much critical acclaim.\u003cstrong\u003e  \u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e won the 2021 \u003cstrong\u003eTaite Music Prize\u003c\/strong\u003e, was shortlisted for the \u003cstrong\u003eSilver Scroll\u003c\/strong\u003e \u003cstrong\u003eAward\u003c\/strong\u003e for her song ‘\u003cem\u003eDon’t You Know Who I Am’,\u003c\/em\u003e and the album \u003cstrong\u003e\u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e was nominated for \u003cu\u003efive\u003c\/u\u003e \u003cstrong\u003eNew Zealand Music Awards\u003c\/strong\u003e; Album of the Year, Best Alternative, Best Solo Artist, Best Album Artwork and Best Engineer.\u003c\/p\u003e\n\u003cp\u003eThe award-winning songwriter, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. Throughout 2020, \u003cstrong\u003eReb\u003c\/strong\u003e and her all-star band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) astounded audiences around the country on her sold out album release tour, joined \u003cstrong\u003eCrowded\u003c\/strong\u003e \u003cstrong\u003eHouse\u003c\/strong\u003e on their 13 date ‘\u003cem\u003eTo The Island Tour’\u003c\/em\u003e, performed at \u003cstrong\u003eSplore\u003c\/strong\u003e, and honoured the great \u003cstrong\u003eNick\u003c\/strong\u003e \u003cstrong\u003eCave\u003c\/strong\u003e at the sold out Auckland Town Hall shows ‘\u003cem\u003eThe Boy Next Door’\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e was born in San Francisco and immigrated with her family from North America to Lyttelton — the quiet port town out of Christchurch that’s been fundamental to New Zealand’s alt-folk scene, raising artists like \u003cstrong\u003eMarlon Williams, \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003eAldous Harding\u003c\/a\u003e\u003c\/strong\u003e, and \u003cstrong\u003eDelaney\u003c\/strong\u003e \u003cstrong\u003eDavidson\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIRIS \u003c\/em\u003e\u003c\/strong\u003eis out via \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e on the 1st of October, 2021 on vinyl, CD and digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePsyche\u003c\/li\u003e\n\u003cli\u003eFoxbright\u003c\/li\u003e\n\u003cli\u003eInvisible Man\u003c\/li\u003e\n\u003cli\u003eHeart\u003c\/li\u003e\n\u003cli\u003eBeastie\u003c\/li\u003e\n\u003cli\u003eFisherman\u003c\/li\u003e\n\u003cli\u003eSwim To The Star\u003c\/li\u003e\n\u003cli\u003eLacuna\u003c\/li\u003e\n\u003cli\u003eIris\u003c\/li\u003e\n\u003cli\u003eIntermission\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Reb Fountain","offers":[{"title":"Gatefold Vinyl LP (Transparent Turquoise Vinyl)","offer_id":40218825261207,"sku":"FN598LP-C1","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":40218825293975,"sku":"FN598LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/IRISCOVER1400X1400.png?v=1725244179"},{"product_id":"tiny-ruins-olympic-girls-2019","title":"Tiny Ruins - Olympic Girls (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eA rare blend of eloquent lyrical craft and explorative musicianship, the songs of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/tiny-ruins\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTiny Ruins\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/a\u003eare etched into the memories of crowds and critics worldwide. Traversing influences that cross genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop and ebullient psychedelia.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eBorn in Bristol and raised in West Auckland, Fullbrook's debut LP\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSome Were Meant For Sea\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(2011) features her alone, and was quickly celebrated by radio playlists and blogs worldwide. The album’s clutch of “gorgeous vignettes” (BBC) put the artist on the map, and she took to the road from her home in New Zealand to tour extensively through the UK, Europe and North America – a passage repeated many times since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSecond album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBrightly Painted One\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eearned more accolades, championed by the New York Times, NPR and David Lynch, and winning Best Alternative Album at the New Zealand Music Awards in 2014. “An album of quiet, devastating beauty,” wrote Pop Matters. The album saw Fullbrook join forces with producer Tom Healy, whom, alongside long-time tourmates bassist Cass Basil and drummer Alex Freer, Fullbrook has worked and toured with ever since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“...an album that both bruises the heart and lifts the soul...songwriting that demonstrates a novelist’s eye for detail.” - Uncut review of Brightly Painted One\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile spanning continents, \u003cstrong data-mce-fragment=\"1\"\u003eTiny Ruins\u003c\/strong\u003e became a sought after collaborator. A New York recording session culminated in the EP\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e Hurtling Through\u003c\/strong\u003e\u003c\/em\u003e (2015) with indie-rock legend \u003cstrong data-mce-fragment=\"1\"\u003eHamish Kilgour\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e), while 2016 single \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDream Wave\u003c\/strong\u003e\u003c\/em\u003e was recorded and produced by award-winning cult filmmaker and musician \u003cstrong data-mce-fragment=\"1\"\u003eDavid Lynch\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A tranquil, pared-back track [with] a gradually rising sense of the macabre… very special indeed.” - \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Line of Best Fit\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuilding on the sparse minimalism and mesmerising songwriting of earlier releases, third album \u003cem\u003e\u003cstrong\u003eOlympic Girls\u003c\/strong\u003e\u003c\/em\u003e comprises a taut and agile quiver of songs, dancing with explorative instrumentation and a pop sensibility that springs with life.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"product-description rte spaced-row reading-column\"\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003cbr\u003e1.     Olympic Girls\u003cbr\u003e2.     School of Design\u003cbr\u003e3.     How Much\u003cbr\u003e4.     Sparklers\u003cbr\u003e5.     Holograms\u003cbr\u003e6.     Kore Waits in the Underworld\u003cbr\u003e7.     Bounty\u003cbr\u003e8.     One Million Flowers\u003cbr\u003e9.     My Love Leda\u003cbr\u003e10.  Stars, False, Fading\u003cbr\u003e11.  Cold Enough To Climb\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Tiny Ruins","offers":[{"title":"Vinyl LP","offer_id":40408751538327,"sku":"942190363735","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/GIRLS.jpg?v=1721973964"},{"product_id":"angel-olsen-whole-new-mess-2020","title":"Angel Olsen - Whole New Mess (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cropable\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"At least nine of the eleven songs on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshould sound familiar to anyone who has heard All Mirrors, \u003cstrong\u003eOlsen’s\u003c\/strong\u003e grand 2019 masterpiece that earned high honours on prestigious year-end lists and glossy spreads in stylish magazines. “Lark,” “Summer,” “Chance”—they are all here, at least in some skeletal form and with slightly different titles. But these are not the demos for All Mirrors. Instead,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis its own record with its own immovable mood, with Olsen working through her open wounds and raw nerves with just a few guitars and some microphones, isolated in a century-old church in the Pacific Northwest. If the lavish orchestral arrangements and cinematic scope of All Mirrors are the sound of Olsen preparing her scars for the wider world to see,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the sound of her first figuring out their shape, making sense for herself of these injuries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYears earlier, while making My Woman at the legendary Electro-Vox in Los Angeles, Olsen struck up a sudden and deep friendship that transcended work with Michael Harris, the studio’s head engineer. She recognized a kindred spirit—someone more interested in the wider world and intense connections than his unexpected position of power in the music industry. Since those sessions, Harris and Olsen kept in close touch, visiting one another at home and catching up during long calls. “We see each other very clearly, without words,” says Harris. “And the guiding light of our working relationship has always been emotionality—what’s there, or what’s not there.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith that rapport in mind, Olsen asked Harris to help find a studio where she could sit still with these thoughts, a space where, as she puts it, “vulnerability exists.” They asked around and settled on The Unknown, the Catholic church that Mount Eerie’s Phil Elverum and producer Nicholas Wilbur converted into a recording studio a decade ago in the small town of Anacortes, Washington. Situated on a small finger of land that juts toward the Pacific Ocean, Anacortes would act as kind of harbour for Olsen, limiting distractions as she tried to burrow inside of these songs for 10 days in late October 2018.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsidered alongside All Mirrors,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a poignant and pointed reminder that songs are more than mere collections of words, chords, and even melodies. They are webs of moods and moments and ideas, qualities that can change from one month to the next and can say just as much as the perfect progression or an exquisite chord. In that sense, these 11 songs—solitary, frank, and unflinching examinations of what it’s like to love, lose, and survive—are entirely new. This is the sound of Angel Olsen, sorting through the kind of trouble we’ve all known, as if just for herself and whoever else needs it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE A:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eToo Easy (Bigger Than Us)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(New Love) Cassette\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(We Are All Mirrors)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(Summer Song)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWaiving, Smiling\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE B:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTonight (Without You)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLark Song\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImpasse (Workin’ For The Name)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChance (Forever Love\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhat It Is (What It Is)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Angel Olsen","offers":[{"title":"Vinyl LP","offer_id":40464794976407,"sku":"JAG354LP","price":48.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44908963004660,"sku":"JAG354CD","price":32.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/angel.jpg?v=1623370127"},{"product_id":"bon-iver-22-a-million","title":"Bon Iver - 22, A Million (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e22, A Million\u003c\/strong\u003e \u003c\/em\u003eis part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album’s 10 poly-fi recordings are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard as coincidence. If \u003cstrong\u003eBon Iver\u003c\/strong\u003e, \u003cem\u003e\u003cstrong\u003eBon Iver\u003c\/strong\u003e\u003c\/em\u003e built a habitat rooted in physical spaces, then \u003cem\u003e\u003cstrong\u003e22, A Million\u003c\/strong\u003e\u003c\/em\u003e is the letting go of that attachment to a place.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ch3\u003eTrack Listing:\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e22 (OVER S∞∞N)\u003c\/li\u003e\n\u003cli\u003e10 d E A T h b R E a s T ⚄ ⚄\u003c\/li\u003e\n\u003cli\u003e715 - CR∑∑KS\u003c\/li\u003e\n\u003cli\u003e33 “GOD”\u003c\/li\u003e\n\u003cli\u003e29 #Strafford APTS\u003c\/li\u003e\n\u003cli\u003e666 ʇ\u003c\/li\u003e\n\u003cli\u003e21 M◊◊N WATER\u003c\/li\u003e\n\u003cli\u003e8 (circle)\u003c\/li\u003e\n\u003cli\u003e____45_____\u003c\/li\u003e\n\u003cli\u003e00000 Million\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Bon Iver","offers":[{"title":"Vinyl LP","offer_id":40408742756503,"sku":"JAG300LP","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/22amill.jpg?v=1725244162"},{"product_id":"bon-iver-for-emma-forever-ago-2011","title":"Bon Iver - For Emma, Forever Ago (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cropable\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003cspan\u003e is the debut studio album by American indie folk band Bon Iver. It was first self-released in July 2007, and later saw wide release on the Jagjaguwar label in February 2008. The album is principally the work of singer-songwriter\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJustin Vernon\u003c\/strong\u003e\u003cspan\u003e. Whilst living in Raleigh, North Carolina, Vernon fell ill with mononucleosis and a liver infection, and grew frustrated with his songwriting and life. He left Raleigh and drove to his father's remote hunting cabin an hour northwest of his hometown, Eau Claire, Wisconsin, hoping to be alone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album was recorded at the cabin between late 2006 to early 2007. Vernon abandoned his old songwriting methods and instead focused on wordless melodies that he later set to words, which he felt evoked a more subconscious meaning. The record's lyrical subjects include lost love and mediocrity. His folk-infused songs include heavy choral arrangements, featuring Vernon's falsetto, and horns. He hunted his own food and spent much of his time isolated. Though he did not intend to make an album, he received strong encouragements from friends and decided to self-release\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ein July 2007. After several performances and online exposure, he was signed to Jagjaguwar later that year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e attracted wide acclaim from music critics, achieving a spot on dozens of end-of-the-year lists, as well as several awards. It became a major commercial success for Jagjaguwar, an independent label, and has been certified platinum by the Recording Industry Association of America (RIAA), for combined sales, streaming and track-sales equivalent of over one million units. \"Skinny Love\" became the album's best-performing single and also went gold. Vernon gathered together several musicians to form a band to tour with. The album's touring cycle lasted two years, ending in late 2009, and visited several countries and music festivals worldwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eFlume\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eLump Sum\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSkinny Love\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Wolves (Act I and II)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBlindsided\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCreature Fear\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eTeam\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eFor Emma\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eRe: Stacks\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cstrong\u003e﻿Release Date: 2013 (Reissue)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003cstrong\u003eOriginally self released July 8 2007, and later in 2008 on Jagjaguwar. \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Bon Iver","offers":[{"title":"Vinyl LP","offer_id":40464830136471,"sku":"JAG115LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BonIverForEmma.jpg?v=1725243885"},{"product_id":"big-thief-two-hands","title":"Big Thief – Two Hands (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehad only just finished work on their 3rd album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eU.F.O.F\u003c\/strong\u003e.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– “the celestial twin” – days before in a cabin studio in the woods of Washington State. Now it was time to birth\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esister album – “the earth twin” –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e. 30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eset up their instruments as close together as possible to capture their most important collection of songs yet. Where\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elayered mysterious sounds and effects for levitation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003egrounds itself on dried-out, cracked desert dirt.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIn sharp contrast to the wet environment of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esession, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands \u003c\/i\u003e\u003c\/strong\u003ehad to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. With raw power and intimacy,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efolds itself gracefully into\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Thief’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eimpressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cem\u003eRock And Sing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eForgotten Eyes\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Toy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTwo Hands\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThose Girls\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eShoulders\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNot\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolf\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReplaced\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCut My Hair\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e﻿Release Date: 11 October 2019\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UIcVwH47uxQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/div\u003e","brand":"Big Thief","offers":[{"title":"Vinyl LP","offer_id":41174585835671,"sku":"4AD0180LP","price":54.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/5d514161aec43.jpg?v=1633751151"},{"product_id":"nick-drake-five-leaves-left-reissue","title":"Nick Drake – Five Leaves Left (Vinyl)","description":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"celwidget\" data-csa-c-id=\"i5q8rs-zg8jr6-mz7lt4-lh7l1c\" data-cel-widget=\"dpx-product-description_csm_instrumentation_wrapper\" cel_widget_id=\"dpx-product-description_csm_instrumentation_wrapper\"\u003e\n\u003cdiv id=\"descriptionAndDetails\" class=\"a-section a-spacing-extra-large\"\u003e\n\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-id=\"bxy25l-pp61e3-4imwc0-uzado0\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIt's little wonder why \u003cstrong\u003eDrake\u003c\/strong\u003e felt frustrated at the lack of commercial success his music initially gathered, considering the help he had on his debut record. Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend \u003cstrong\u003eRobert Kirby\u003c\/strong\u003e to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eThe result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, \u003cem\u003e\u003cstrong\u003eFive Leaves Left\u003c\/strong\u003e\u003c\/em\u003e is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of \"The Thoughts of Mary Jane,\" which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination \"Way to Blue,\" while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on \"Three Hours\" and the lovely \"'Cello Song,\" to name two instances, so effective. Danny Thompson is the most regular side performer on the album, his bass work providing subtle heft while never standing in the way of the song -- kudos well deserved for Boyd's production as well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eTime Has Told Me\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRiver Man\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThree Hours\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWay to Blue\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDay Is Done\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCello Song\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThoughts of Mary Jane\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMan in a Shed\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFruit Tree\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSaturday Sun\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nick Drake","offers":[{"title":"Vinyl LP","offer_id":42006243082484,"sku":"B0018490-01","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/nd_fll__82011.1618456132.jpg?v=1636156621"},{"product_id":"big-thief-dragon-new-warm-mountain-i-believe-in-you","title":"Big Thief - Dragon New Warm Mountain I Believe In You (Vinyl)","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003cstrong\u003eDragon New Warm Mountain I Believe in You\u003c\/strong\u003e\u003c\/em\u003e is a sprawling double-LP exploring the deepest elements and possibilities of \u003cem\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003c\/em\u003e. To truly dig into all that the music of \u003cstrong\u003eAdrianne Lenker,\u003c\/strong\u003e \u003cstrong\u003eMax Oleartchik, Buck Meek, \u003c\/strong\u003eand\u003cstrong\u003e James Krivchenia\u003c\/strong\u003e desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. In Upstate New York, Topanga Canyon, The Rocky Mountains, and Tucson, Arizona, Big Thief spent 5 months in creation and came out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up \u003cem\u003e\u003cstrong\u003eDNWMIBIY\u003c\/strong\u003e\u003c\/em\u003e, a fluid and adventurous listen. The album was produced by drummer \u003cstrong\u003eJames\u003c\/strong\u003e \u003cstrong\u003eKrivchenia\u003c\/strong\u003e who initially pitched the recording concept for DNWMIBIY back in late 2019 with the goal of encapsulating the many different aspects of Adrianne’s songwriting and the band onto a single record.\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll 4 of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. When Max’s mom asked on a phone call what it feels like to be back together with the band playing music for the first time in a year, he described to the best of abilities: “Well it’s like, we’re a band, we talk, we have different dynamics, we do the breaths, and then we go on stage and suddenly it feels like we are now on a dragon. 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Perhaps the most rock 'n' roll moment for Tiny Ruins yet, the track is grounded in a weighty rhythm section - almost as if \u003cstrong data-mce-fragment=\"1\"\u003eAlex Freer \u003c\/strong\u003eand \u003cstrong data-mce-fragment=\"1\"\u003eCass Basil \u003c\/strong\u003ehave been finally unleashed. The duelling acoustic and electric guitars of \u003cstrong data-mce-fragment=\"1\"\u003eHollie Fullbrook\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eTom Healy\u003c\/strong\u003e circle overhead before the chorus opens up wide to a view of the harbour itself and a realisation that, 'you carry on - the tide is a radar - breathing on, like it or not.' A song with a strong pull \u0026amp; loudly beating heart, 'Dorothy Bay' continues the saga taking place on the coves of Little Muddy Creek, with more chapters to follow in the much anticipated new album \u003cem data-mce-fragment=\"1\"\u003eCeremony\u003c\/em\u003e due out on April 28th.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTracklisting: \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Dogs Dreaming\u2028\u003cbr\u003e2. Daylight Savings\u2028\u003cbr\u003e3. Driving \u0026amp; Soaring\u2028\u003cbr\u003e4. In Light Of Everything\u2028\u003cbr\u003e5. Out Of Phase\u20286. Dorothy Bay\u2028\u003cbr\u003e7. Seafoam Green\u003cbr\u003e\u20288. Earthly Things\u2028\u003cbr\u003e9. Dear Annie\u003cbr\u003e\u202810. Sounds Like\u2028\u003cbr\u003e11. The Crab\/Waterbaby\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/s4feBg1lmrU\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Tiny Ruins","offers":[{"title":"Vinyl LP","offer_id":43783346749684,"sku":"UMV003","price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/fde7a841-8809-7f3c-1248-5792db8b80c4.png?v=1721905084"},{"product_id":"tess-liautaud-blue-mind","title":"Tess Liautaud - Blue Mind (Vinyl)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFranco-American, now Aotearoa's folk sweetheart \u003cstrong\u003eTess Liautaud's\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003esophomore album \u003c\/span\u003e\u003cb\u003eBlue Mind\u003c\/b\u003e\u003cspan\u003e is released Friday October 25th on Vinyl \u0026amp; CD, featuring the stunning \u003c\/span\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=zPJVmPjPe6c\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DzPJVmPjPe6c\u0026amp;source=gmail\u0026amp;ust=1726697370758000\u0026amp;usg=AOvVaw3Je70SPQ4Ri9ApAUW_YJzp\" target=\"_blank\"\u003e\u003cspan\u003eHere Go The Lovers.\u003c\/span\u003e\u003c\/a\u003e\u003c\/b\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eBlue Mind\u003c\/strong\u003e includes new indie-folk \u003c\/span\u003e\u003cspan\u003esingle\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/music.drm.co.nz\/black-machine\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/music.drm.co.nz\/black-machine\u0026amp;source=gmail\u0026amp;ust=1726697370758000\u0026amp;usg=AOvVaw1uu_JOlOJFCuJF6QO4TebD\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan\u003eBlack Machine\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e, \u003c\/strong\u003e\u003cspan\u003ebringing to mind the likes of Wilco and Mazzy Star with a lifting bass line, sliding guitar, pedalling banjo, and melancholic lyrics. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/music.drm.co.nz\/black-machine\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/music.drm.co.nz\/black-machine\u0026amp;source=gmail\u0026amp;ust=1726697370758000\u0026amp;usg=AOvVaw1uu_JOlOJFCuJF6QO4TebD\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cspan\u003e\u003cem\u003e''Songs are meditations, a little drop of medicine for the songwriter and for anyone else who cares to listen. It follows the arc of two characters as their relationship loses balance, the heavy weight, the drowning, the searching, the breaking free \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eand eventually the finding''\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eŌtautahi's \u003cstrong\u003eLeather Jacket Records\u003c\/strong\u003e are releasing an exclusive \u003cstrong\u003edeep blue marble\u003c\/strong\u003e variant, a one-off limited edition of just 50 copies! \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cstrong\u003eTess Liautaud — Blue Mind\u003c\/strong\u003e. Available as:\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003eBlue Marble Vinyl featuring a gatefold sleeve with lyric Insert\u003cbr\u003eCD featuring a double-pocket sleeve with lyric booklet\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zPJVmPjPe6c?si=gLEg3mZ9PjbyZXyY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Blue Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Here Go The Lovers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Black Machine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Gold Digger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. The Way It’s Meant to Rain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Ember\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Sleepless in Christchurch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Wanna Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Come Knocking\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. 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What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it’s a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice.\u003c\/p\u003e\n\n\u003cp\u003eOne of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself. In Travelling, celebrated music critic Ann Powers seeks to understand the paradox of Mitchell – at once both elusive and inviting – through her myriad journeys. 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