{"title":"ALTERNATIVE ROCK","description":"","products":[{"product_id":"fn385-bressa-creeting-cake-bressa-creeting-cake-album1997","title":"Bressa Creeting Cake - Bressa Creeting Cake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN385 Bressa Creeting Cake - Bressa Creeting Cake (1997)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNever released before on vinyl, this expanded double LP edition of the bands' self-titled debut also features tracks from the \u003cstrong\u003ePapa People EP\u003c\/strong\u003e plus b-sides and rarities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll too rarely does a musical group come along with all the right bits intact and just enough of the wrong bits there to make you sit up and really take notice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmerging on the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elabel in the late 90s,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas heralded as a young band \"brimming with ideas\". Their self-titled 1997 debut album - made up of 15 tracks swinging between psychedelic and progressive rock (including single \u003cem\u003e\u003cstrong\u003eNervous Wreck\u003c\/strong\u003e\u003c\/em\u003e) received acclaim.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHaving already made serious wobbles in the airwaves over student radio with a string of demo recordings. Stretching their prodigious talents into a full album's worth of tunes, this young band revel in the chance to show us exactly what they're capable of. And that, my friends, is a lot.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRight from the calypso swing of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/em\u003e\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ekick into the playful pop inventiveness that stands as the album's major mood. The vast array of styles on the album include plenty of psychedelic tinges and a hint of progressive rock, but the band don't get stuck in any one place for long over fifteen songs. And those frivolous moments like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare balanced out by more earnest tracks such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYou and I\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLyrically, both Edmund Cake and Geoff Creeting string words together with no small amount of flair. 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Ed Cake has released a solo album and produced\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEgyptian Tanker\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou \u0026amp; I\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGreasy Grandma\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuperstation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Chip That Sells Millions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eZenax\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocketship\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRotten Old Bitch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePapa People\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocky Mountain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAn Early Microscope\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePeyton Farquhar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWood For Her\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBeer Ginka\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAll The Cars\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGulfo Benga\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBilly Two (Clean cover)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRing Ring (Abba Cover)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Bressa Creeting Cake","offers":[{"title":"Vinyl 2LP","offer_id":37011226984599,"sku":"FN385lp","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BressaCreetingCakeFrontCover.jpg?v=1721978051"},{"product_id":"fn434-pavement-slanted-and-enchanted-1999","title":"Pavement - 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Throughout it's highly pop-infectious on the fuzzy likes of the lyrically sweet and sour What Do With Love?, the yelping Denial Song, and the bubblegum electropop of opener It's Love.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut there's many an affecting moment here, too. Like the sweetly devotional My Only Friend (a relative of his earlier love song Not Given Lightly), the mortality-contemplating This Mortal Coil and Becoming Something Other, a lyrically disarming dirge which addresses the recent passing of his father.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElsewhere Knox offers the worryingly titled throwaway I Wanna Look Like Darcy Clay, gets in some brass backing on The Hell Of It and the Lust For Life-grooved Ghost.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWidening musical horizons show in the last of the 13 tracks, Laughter, a song of limpid melody showing a hitherto undetected influence on this first-generation Kiwi punk-rocker - Bach.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs its cover shows, Beat is an album with heart. Which makes it quite the best thing Knox has done in ages.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e4\/5 Stars - Russell Baillie - NZ Herald\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eITEM DETAILS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/flyingout.co.nz\/collections\/chris-knox\" title=\"Chris Knox\"\u003eChris Knox\u003c\/a\u003e\u003cbr\u003eTitle: Beat\u003cbr\u003eYear: 2000\u003cbr\u003eCat #: FN444\u003cbr\u003eFormats: Digital\u003c\/p\u003e\n\u003cp\u003eBand Members: Chris Knox\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e‚\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's Love\u003c\/li\u003e\n\u003cli\u003eThe Man In The Crowd\u003c\/li\u003e\n\u003cli\u003eMy Only Friend\u003c\/li\u003e\n\u003cli\u003eThe Hell Of It\u003c\/li\u003e\n\u003cli\u003eWhen I Have Left This Mortal Coil\u003c\/li\u003e\n\u003cli\u003eEveryone's Cool\u003c\/li\u003e\n\u003cli\u003eThe Pulse Below The Ear\u003c\/li\u003e\n\u003cli\u003eWhat Do We Do With Love?\u003c\/li\u003e\n\u003cli\u003eI Wanna Look Like Darcy Clay\u003c\/li\u003e\n\u003cli\u003eDenial Song\u003c\/li\u003e\n\u003cli\u003eBecoming Something Other\u003c\/li\u003e\n\u003cli\u003eGhost\u003c\/li\u003e\n\u003cli\u003eLaughter\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chris Knox","offers":[{"title":"CD","offer_id":36921692618903,"sku":"FN444cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ChrisKnox_BeatFrontCover.jpg?v=1775267292"},{"product_id":"fn452-garageland-scorpio-righting-2001","title":"Garageland - Scorpio Righting (CD)","description":"\u003cp\u003eFN452 Garageland - Scorpio Righting (2001)\u003c\/p\u003e\n\u003cp\u003eThey make sparkling sing-a-long pop... relentlessly melodic\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLife is So Sweet\u003c\/li\u003e\n\u003cli\u003eGet Some\u003c\/li\u003e\n\u003cli\u003eBeen Around\u003c\/li\u003e\n\u003cli\u003eCrazy\u003c\/li\u003e\n\u003cli\u003eSuperstars\u003c\/li\u003e\n\u003cli\u003eCarry Me South\u003c\/li\u003e\n\u003cli\u003eHigh Way\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eRock And Roll Heart\u003c\/li\u003e\n\u003cli\u003eBelieve In You\u003c\/li\u003e\n\u003cli\u003eWho The Hell Do You Think You Are?\u003c\/li\u003e\n\u003cli\u003eShine\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Garageland","offers":[{"title":"CD","offer_id":36920540364951,"sku":"FN452cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Garageland_ScorpioRightingFrontCover.jpg?v=1721977997"},{"product_id":"fn505-the-mint-chicks-screens-2009","title":"The Mint Chicks - Screens (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eScreens\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis the third studio album from Portland, Oregon-based \"troublegum pop\" group The Mint Chicks. It was originally released on March 16, 2009 on Flying Nun Records.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Mint Chicks","offers":[{"title":"Vinyl LP","offer_id":36867121381527,"sku":"FN505lp","price":0.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/4551711.jpg?v=1599694752"},{"product_id":"fn509-deerhoof-deerhoof-vs-evil-2011","title":"Deerhoof - Deerhoof Vs. Evil (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN509 Deerhoof - Deerhoof Vs. Evil ‎(2011)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"...you'll keep returning to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVs. Evil\u003c\/strong\u003e\u003c\/em\u003e for its winningly alien hooks, its pop moments...an absolute joy.\"-\u003cstrong data-mce-fragment=\"1\"\u003eMojo\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection class=\"review\" data-mce-fragment=\"1\"\u003e\n\u003csection class=\"review\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThink back to when you were 16. No one could tell you what to do. You were a force to be reckoned with - filled with the undeniable feeling that you could take on anything and win. Having formed in 1994,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas now reached that fateful age and by rites it's their turn to go out and challenge the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof Vs. Evil\u003c\/strong\u003e\u003c\/em\u003e. The musical equivalent of hormones raging out of control, it explodes out of the speakers with its gawky triumph and inflamed sentimentality. These are songs that practically demand that you dance and sing along.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe same way a rebellious teen turns tough and irrational, right from the start you know you're hearing a daring band, unafraid of the consequences of failing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSelf-recorded, mixed and mastered in rehearsal spaces and basements with no engineers or outside input,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof Vs. Evil\u003c\/strong\u003e\u003c\/em\u003e dresses up\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewell-known reckless exuberance and splashes their sonic colours into the most unexpected combinations. It is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eode to their adolescence, and after one listen you know it's going to be a \"Sweet 16.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e \u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003csection class=\"review\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eQui Dorm, Nom s Somia\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBehold a Marvel in the Darkness\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Merry Barracks\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNo One Asked to Dance\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLet's Dance the Jet [Instrumental]\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuper Duper Rescue Heads!\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMust Fight Current\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSecret Mobilization\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHey I Can\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eC'moon\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Did Crimes for You\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlmost Everyone, Almost Always\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/section\u003e","brand":"Deerhoof","offers":[{"title":"CD","offer_id":36866687238295,"sku":"FN509cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/811oiD1yhAL._SX522.jpg?v=1599694255"},{"product_id":"fn524-the-verlaines-untimely-meditations-2012","title":"The Verlaines - Untimely Meditations (CD)","description":"\u003cp\u003eFN524 The Verlaines - Untimely Meditations (2012)\u003c\/p\u003e\n\u003cp\u003eAlbum number nine in the 30-year career of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.flyingnun.co.nz\/artist\/12\/show_group\"\u003e\u003cstrong\u003eThe Verlaines\u003c\/strong\u003e\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUntimely Meditations\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esees singer-guitarist proving yet again his position as one of New Zealand's finest songwriters.\u003c\/p\u003e\n\u003cp\u003eSo, what to expect from these \"Untimely Meditations\"? Like most Verlaines albums there are no two songs alike. But there is a theme throughout of expressing what it is to be born into this time and place. It is outspoken and confrontational.\u003c\/p\u003e\n\u003cp\u003eRecorded at Albany Street Studios, Dunedin over a period of 18 months on and off, Downes assembled his core live band (Tom Healy - guitar, Darren Steadman-drums, Stephen Small -keyboards, Rob Burns -bass) along with an assortment of guest musicians to produce 10 songs that show a keen ear for a pop tune, but are not afraid to challenge.\u003c\/p\u003e\n\u003cp\u003eLyrically and musically inventive,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUntimely Meditations\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis expansive both in sound and style as Downes orchestrates and deftly crafts post-punk, classically influenced compositions, satire and a touch of cabaret. Combined with subtle humour and Downesdrawl, these meditationsare stories that explore the personal, the political and social.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eUntimely Meditations\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a sound that is captivating, clever, funny and pulls no punches.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Born Again Idiot\u003cbr\u003e2 Dark Riff\u003cbr\u003e3 Diamonds \u0026amp; Paracetamal\u003cbr\u003e4 Beauty Is The Truth\u003cbr\u003e5 Pets * * *\u003cbr\u003e6 James, Jimmy, Nuisance, Hemi\u003cbr\u003e7 On The Patches\u003cbr\u003e8 A Call From The Decades Past\u003cbr\u003e9 Last Will \u0026amp; Testament\u003cbr\u003e10 What Sound Is This?\u003c\/p\u003e","brand":"Verlaines","offers":[{"title":"CD","offer_id":36838739443863,"sku":"FN524cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FNCD524_-_The_Verlaines_-_Untimely_Meditations_JPG.jpg?v=1599616325"},{"product_id":"fn567-grayson-gilmour-otherness-2017","title":"Grayson Gilmour - Otherness (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe first thing you hear is a note.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt might be a plucked piano string or some celestial harp, it’s impossible to tell, but it is echoing to infinity, like a sonar signal bouncing off the cosmos, creating an irregular percussive rhythm as it moves through space. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOtherness\u003c\/em\u003e his third record with Flying Nun Records, follows on from 2014’s critically acclaimed ‘Infinite Life!’ (\u003cstrong data-mce-fragment=\"1\"\u003enominated for both NZ Music Award and the 2015 Taite Prize\u003c\/strong\u003e) and \u003c\/span\u003eover a 15 year music career,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGrayson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas built himself a dedicated fan base and admiration from music critics across New Zealand and internationally for not just his solo work but his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand his more recent film and TV work. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the first moments of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOtherness\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eGrayson Gilmour\u003c\/strong\u003e’s wonderfully rich new album, he has given an object lesson in how intimately word and sound can be entwined. These aren’t just a few cool samples splashed around some nice songs. This is a place where song and sound are inseparable. And that intricate weave of tone and imagery continues through 43 minutes of music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGilmour\u003c\/strong\u003e has had plenty of practice at this. He began making recordings in his teens, if not earlier. His first releases were handmade things: home-recorded and presented in inky packages, meticulously photocopied, folded and glued. As time went on these grew more sophisticated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough an accomplished player on all the traditional rock instruments – piano, guitar, drums, bass – he has a more specialised gift for making music out of things that weren’t instruments to start with: found sounds, sonic detritus, which he has been known to copy back and forth between two old cassette recorders, until they develop a patina, a kind of acoustic cortex. Sometimes these will become the textural and rhythmic foundations for songs. On \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtherness\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e such building blocks are enmeshed with electronics and those more traditional instruments, to which he also adds live strings. The results are lush, surprising and ever-shifting.\u003c\/span\u003e\u003c\/p\u003e\nBut if \u003cstrong\u003eGilmour\u003c\/strong\u003e is more sonically inventive than ever, he has also become more direct in the way he expresses himself; more generous with his melodies, more open with his emotions. His singing has never been more prominent or assured. Above all, Otherness is an album of glorious pop songs – yearning, heart-tugging, romantic – encased in beautiful sound worlds.\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hundred Waters\u003cbr data-mce-fragment=\"1\"\u003e2. Blow Back\u003cbr data-mce-fragment=\"1\"\u003e3. Twenty-One Tattoo\u003cbr data-mce-fragment=\"1\"\u003e4. Better Life\u003cbr data-mce-fragment=\"1\"\u003e5. Be A Beacon\u003cbr data-mce-fragment=\"1\"\u003e6. Otherness\u003cbr data-mce-fragment=\"1\"\u003e7.Sundowning\u003cbr data-mce-fragment=\"1\"\u003e8. Slow Hope\u003cbr data-mce-fragment=\"1\"\u003e9. Artery \/ Don't Let It Get You!\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP (Milky Clear Vinyl)","offer_id":36768355319959,"sku":"FN567lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson_Gilmour_-_Otherness.jpg?v=1721977431"},{"product_id":"fn575-aldous-harding-party-2017","title":"Aldous Harding - Party (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas produced with the award-winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Parish (PJ Harvey, Sparklehorse\u003c\/strong\u003e) in Bristol, a world away from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Zealand home. As well as contributions from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParish\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfume Genius’s Mike Hadreas\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elends vocals to the aforementioned I\u003cem data-mce-fragment=\"1\"\u003emagining My Man\u003c\/em\u003e and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwell Does The Skull\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eIgniting interest with her eponymous debut album released just two years ago,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003equickly became a name murmured on many lips. She’s known for her sinister torch songs, gentle laments and eerie odes delivered with a charismatic combination of hubris, shrewd wit and quiet horror.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintroduces a new talent to the stark and unpopulated dramatic realm where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScott Walker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereside. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e1. Blend\u003cbr data-mce-fragment=\"1\"\u003e2. Imagining My Man\u003cbr data-mce-fragment=\"1\"\u003e3. Living The Classics\u003cbr data-mce-fragment=\"1\"\u003e4. Party\u003cbr data-mce-fragment=\"1\"\u003e5. I’m So Sorry\u003cbr data-mce-fragment=\"1\"\u003e6. Horizon\u003cbr data-mce-fragment=\"1\"\u003e7. What If Birds Aren’t Singing They’re Screaming\u003cbr data-mce-fragment=\"1\"\u003e8. The World Is Looking For You\u003cbr data-mce-fragment=\"1\"\u003e9. Swell Does The Skull\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aipyvUAXtJI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36767897092247,"sku":"FN575lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/995e81de-4636-43f6-8561-bdcb069800be.png?v=1721977370"},{"product_id":"fn579-sneaky-feelings-progress-junction-2017","title":"Sneaky Feelings - Progress Junction (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFN579 Sneaky Feelings - Progress Junction ‎(2017)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHow do you explain a near thirty-year gap between albums? Perfectionism maybe ….. tardiness certainly…… but it is well worth the wait.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e, one of the original Dunedin Sound bands formed in the early 1980s return with a brand-new album of original songs.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e were drawn to a wider variety of musical styles than most early Flying Nun bands and were one of the first to experiment in the recording studio. Perhaps what drove the band to push the limits of a pop band has been the fact that all four members write songs. And while the band may have not played much over the years, the individual members have continued to hone their songwriting skills.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe twelve songs on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e were recorded over two years in bass player John Kelcher’s Christchurch studio. There was no plan when the band began recording, the four members just had a bunch of songs that suited the \u003c\/span\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e sound and feel. As band put the album together they experimented by weaving in snippets of audio from New Zealand radio archives.  Voices from the past started talking to the present.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrue to the lost New Zealand egalitarian dream, each band member contributed three tracks, and although there was no grand design, each song reflects on an aspects of New Zealand life.  The album starts with an invitation from the owner of a junk shop to inspect his treasures (\u003c\/span\u003e\u003cem\u003eDo You Like That Style?\u003c\/em\u003e\u003cspan\u003e) and ends with Ghosts walking out of an abandoned town (\u003c\/span\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003cspan\u003e).  In between there are end of life decisions to be made at a retirement home (\u003c\/span\u003e\u003cem\u003eCastle of Dreams\u003c\/em\u003e\u003cspan\u003e), celebration of friendship and summer (\u003c\/span\u003e\u003cem\u003eSummer Song\u003c\/em\u003e\u003cspan\u003e), a warning against unnecessary entanglements (\u003c\/span\u003e\u003cem\u003eOther People's Lives\u003c\/em\u003e\u003cspan\u003e), a plea for academics to stay true to their calling (\u003c\/span\u003e\u003cem\u003eDon't Come Down\u003c\/em\u003e\u003cspan\u003e), and earthquakes……All the usual rock and roll subjects ….….. but are the band’s new preoccupations signs of maturity or symptoms of middle age decline?   Do they amount to progress?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWondering where the striking cover came from? \u003cstrong\u003eKelcher\u003c\/strong\u003e found a photo of four hard-living West Coast miners from the 1940s staring straight at the camera. When the band saw this haunting image it was like the past was staring straight at them – it had to be the cover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eDo You Like That Style?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCastle of Dreams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSummer Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eI Don't Blame You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCan't Get You High\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMettle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOther People's Lives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYou Never Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEyes On The Horizon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFirst Family\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDon't Come Down\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProgress Junction\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36732621226135,"sku":"FN579cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/b73ad8fb-0b4e-4843-9f44-f81da62c7d84.jpg?v=1721977361"},{"product_id":"fn588-the-courtneys-the-courtneys-2017","title":"The Courtneys - The Courtneys","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eVancouver three-piece \u003cstrong\u003eThe Courtneys'\u003c\/strong\u003e excellent 2013 self-titled debut reissued on \u003cstrong\u003eFlying Nun Records.\u003c\/strong\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eConsistently propelling itself forward, this collection of eight songs is drenched in summer hooks propelled by fuzzed out guitars and vocals that are both nonchalant and introspective. Relatable topics such as money, romance, and sci fi are coupled with a lo-fi urgency that doesn’t outstay it’s welcome.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough inspired by classic \u003cstrong\u003eFlying Nun\u003c\/strong\u003e and C86 era bands, as well as \u003cstrong\u003eTeenage Fanclub\u003c\/strong\u003e, \u003cstrong\u003ePavement,\u003c\/strong\u003e and \u003cstrong\u003eEddy Current Suppression Ring\u003c\/strong\u003e, The Courtneys’ sound is not tied to one single era. A penchant for pop craft collides with the trio’s underlying punk aesthetic, resulting in slacker rock that’s at once sweet and subtle. The songs are the result of a passionate collaborative songwriting process that combines drummer\/lead singer Jen Twynn Payne's (Cute Courtney) heartfelt lyrics, which are delivered with a powerful vocal style, Courtney Loove's (Classic Courtney) dreamy power-pop inspired guitar riffs, and Sydney Koke's (Crazy Courtney) driving basslines.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is clear to hear why\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Courtneys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efelt at home in New Zealand when they first toured there in the summer of 2015 and joined the Flying Nun roster. Their commitment to the fine balance of pop and idiosyncratic indie guitar music finds lineage between\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e, L\u003cstrong data-mce-fragment=\"1\"\u003eook Blue Go Purple\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Bats\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewhile diving deeper into the fuzzy world of the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBailterspace\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNu Sundae\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eManion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInsufficient Funds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e90210\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDelivery Boy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eK.C. Reeves\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDead Dog\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSocial Anxiety\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFN588 The Courtneys - The Courtneys (2017)\u003c\/span\u003e\u003c\/p\u003e","brand":"The Courtneys","offers":[{"title":"Vinyl LP","offer_id":36732136751255,"sku":"FN588LP","price":39.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":38252440912023,"sku":"FN588CD","price":17.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a3320012150_10.jpg?v=1599609427"},{"product_id":"fn584-dog-power-dog-power-2018","title":"DOG Power - DOG Power (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN584 DOG Power - DOG Power (2018)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDOG Power was formed in 2017 by indie pop, singer-songwriter Sam Perry and experimental musician Henry Nicol in Christchurch, with Perry and Nicol relocating Belgrade, Serbia, out of a desire for the freedom to make their music their life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConnecting over a shared fascination with fashion, glamour, cinema and the avant-garde, Perry and Nicol started working together in the underground venue\/recording studio LOG Recording in 2017. Nestled in between Christchurch’s abandoned 40,000 person stadium and the city’s discrepant industrial zone, work began on what would eventually become DOG Power’s first release.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntrigued by rock’n’roll, as well as non-musical and monotonous sounds, DOG Power’s music is rooted in their use of samples, live percussion, drum machines, synthesisers and guitars which lay a foundation for Perry’s deep, sonorous voice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaking equal ques from Sade and The Stooges, Serge Gainsbourg and Suicide, the seven songs on their self-titled recorded debut span genres, encompassing everything from industrial electronica to baroque pop, super-sonic rock’n’roll to something out of a seventies spy film… One directed by David Lynch.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Sam Perry’s poetry and presence, DOG Power make music that can only be described as cinematic.\u003c\/p\u003e","brand":"DOG Power","offers":[{"title":"Vinyl LP","offer_id":36731466154135,"sku":"FN584lp","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/EP1-Cover-Art.jpg?v=1721977340"},{"product_id":"fn587-aldous-harding-designer-2019","title":"Aldous Harding - Designer (Vinyl)","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDesigner\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e finds the New Zealander \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e hitting her creative stride. After the sleeper success of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/products\/fn575-aldous-harding-party-2017\"\u003eParty\u003c\/a\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e(internationally lauded and winner of Taite Music Prize 2018, two NZ Music Awards and a Silver Scroll nomination), \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParty\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is an overriding sense of an artist confident in their work, with contributions from Huw Evans (\u003cstrong data-mce-fragment=\"1\"\u003eH. Hawkline\u003c\/strong\u003e), Stephen Black (\u003cstrong data-mce-fragment=\"1\"\u003eSweet Baboo\u003c\/strong\u003e), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting \u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e rich and timeless songwriting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QyZeJr5ppm8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36615130579095,"sku":"FN587lp","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUS_HARDING_-_DESIGNER.jpg?v=1622510180"},{"product_id":"fn592-sneaky-feelings-the-mercury-moment-2020","title":"Sneaky Feelings - The Mercury Moment (CD)","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eSometimes there’s a pause in the darkening; just after the twilight, just before night finally sets in. A mercury moment of silvers and greys. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing a rare performance on Waitangi Day (February 6), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e announce their first new album since 2017’s critically acclaimed album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Mercury Moment\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the quartet’s new album due out \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eApril 17\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is a potent exploration of extinction, redundancy and disappointed dreams as the four songwriters cast their attention on the current state of the world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver a songbook of twelve songs, Matthew Bannister, David Pine, Martin Durrant and John Kelcher ruminate on the “ludicrous hopes and bleak future” of humanity that is being avoided. As stark realities are shared, a nonchalant musical backdrop accompanies the songs with chilling indifference.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the band’s feature on the iconic \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDunedin Double\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1982), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e have existed in a lane of their own design, adding a lush, harmony-infused ingredient to the sounds coming out of Dunedin throughout the 1980s and onwards. Their majestic single ‘\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHusband House\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ climbed to #16 on the NZ chart in 1985, solidifying itself in the cultural canon of New Zealand as a staple.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings’\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e most recent album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e received wide praise from critics at home, including Sunday Star Time’s Jack Barlow who dubbed it “a vibrant and fresh offering from one of New Zealand’s finest” to William Dart (RNZ New Horizons) who referred to the album as “the unexpected renaissance of one of my favourite bands of all time.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36397549551767,"sku":"FN592cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/SNEAKY_FEELINGS.jpg?v=1721977209"},{"product_id":"the-clean-unknown-country-1996","title":"The Clean - Unknown Country (Vinyl)","description":"\u003cp\u003e FN349 The Clean - Unknown Country (1996)‎\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded and mixed in two sessions during 1996,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eyet again prove to be masters of musical innovation, three guys who can only amaze when they come together and throw all their ideas down on tape. And as a mood of supreme grooviness is all-pervading on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnknown Country\u003c\/strong\u003e\u003c\/em\u003e, this is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat their most timeless.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnknown Country\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecould well be\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e's best album ever. The odd pop songs focus on the tension and the release that characteristic of psychedlic rock although 'Champagne and Misery' stays close\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean'\u003c\/strong\u003es canon, 'Wipe Me I'm Lucky' experiments shyly, and 'Walk Walk' is warped like a cartoon soundtrack.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Pierre Scaruffi, The History of Rock Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgour on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnknown Country\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eThe Clean always wanna try something different, but on this LP, we were obsessed with the idea. Tracks like “Wipe Me, I’m Lucky” and “Franz Kafka at the Zoo” are fine examples of the approach, I reckon. Quite a long way from “Tally Ho!” and “Beatnik”!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed. Might also explain all the instrumentals!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade during the Balkan War, hence the reference. And for the freaks, I think “Balkans” is the only Clean track ever to not actually feature The Clean playing. It’s all Alan Starrett, as we removed the backing track.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Scott on\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eUnknown Country:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album is very different from our other albums. We didn’t go into the studio with many “song” ideas—a lot of it was written on the spot. I really enjoyed recording this as it was free of expectation. We weren’t playing much live at the time. It does contain some of my favourite Clean songs such as “Twist Top,” “Wipe Me, I’m Lucky,” and “Valley Cab.” Certainly our most experimental album.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Wipe Me, I'm Lucky\u003cbr data-mce-fragment=\"1\"\u003e2. Champagne \u0026amp; Misery\u003cbr data-mce-fragment=\"1\"\u003e3. Changing Your Head\u003cbr data-mce-fragment=\"1\"\u003e4. Balkans\u003cbr data-mce-fragment=\"1\"\u003e5. Clutch\u003cbr data-mce-fragment=\"1\"\u003e6. Franz Kafka At The Zoo\u003cbr data-mce-fragment=\"1\"\u003e7. Whisk\u003cbr data-mce-fragment=\"1\"\u003e8. Indigo Blue\u003cbr data-mce-fragment=\"1\"\u003e9. Chumpy\u003cbr data-mce-fragment=\"1\"\u003e10. Get The Liquid\u003cbr data-mce-fragment=\"1\"\u003e11. Happy Lil Fella\u003cbr data-mce-fragment=\"1\"\u003e12. Tweezer\u003cbr data-mce-fragment=\"1\"\u003e13. Rope\u003cbr data-mce-fragment=\"1\"\u003e14. Twist Top\u003cbr data-mce-fragment=\"1\"\u003e15. Cooking Water\u003cbr data-mce-fragment=\"1\"\u003e16. Valley Cab\u003cbr data-mce-fragment=\"1\"\u003e17. Wall Walk\u003cbr data-mce-fragment=\"1\"\u003e18. Balkans\u003c\/div\u003e","brand":"The Clean","offers":[{"title":"Vinyl LP","offer_id":39020831932567,"sku":"MRG739LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheClean-UnknownCountry.jpg?v=1721976994"},{"product_id":"the-clean-mr-pop-2009-2021reissue","title":"The Clean - Mister Pop (Vinyl)","description":"\u003cp\u003e\u003cspan\u003eIn 1978, \u003cstrong\u003eThe Clean\u003c\/strong\u003e were the seeds of New Zealand punk. In the years since, they have carved out a big sandbox for everyone to play in, and \u003c\/span\u003e\u003cspan\u003etheir influence resonates not only in NZ but around the world. A group \u003c\/span\u003e\u003cspan\u003ethat thrives when free of expectations, The Clean’s Robert Scott, Hamish Kilgour, and David Kilgour are, as Tape Op described, “a casually wonderful band.”\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgour on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMister Pop\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eMister Pop began in Brooklyn, NY, at Gary Olson’s Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing “he’s a factory man,” so I dried off and went down and wrote “Factory Man” while thinking heavily of The Kinks. Rainy and Geva from Haunted Love did some great work on backing vocals for “Loog” and “Dreamlife.” And old friend and longtime Clean collaborator Alan Starrett makes an appearance on “Moonjumper.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Scott on\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eMister Pop\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eI remember thinking at the start of the NY sessions with Gary Olson, “Is this the start of a new album?” We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on “Tensile,” one of my faves along with the pure pop of “Dreamlife.” “Loog” was a fun song to put together. “Asleep in the Tunnel” is written \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eabout being stuck in traffic in a tunnel under the Hudson River in NY.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in 2009 on \u003cstrong\u003eArch Hill Recordings\u003c\/strong\u003e (in NZ), \u003cstrong\u003eThe Clean's\u003c\/strong\u003e - \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eMister Pop\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eis being reissued again \u003cspan\u003eon vinyl, including an exclusive NZ only Opaque Green vinyl version. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e1. Loog\u003cbr\u003e2. Are You Really on Drugs?\u003cbr\u003e3. In the Dreamlife U Need a Rubber Soul\u003cbr\u003e4. Asleep in the Tunnel\u003cbr\u003e5. Back in the Day\u003cbr\u003e6. Moonjumper\u003cbr\u003e7. Factory Man\u003cbr\u003e8. Simple Fix\u003cbr\u003e9. Tensile\u003cbr\u003e10. All Those Notes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TfIRuhmY1eI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Clean","offers":[{"title":"Vinyl LP","offer_id":39020985417879,"sku":"MRG325","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheClean-MisterPop.jpg?v=1721976985"},{"product_id":"chills-the-scatterbrain","title":"The Chills - Scatterbrain (Vinyl)","description":"\u003cp\u003eNew studio album from the Dunedin (NZ) songsmiths helmed by the enigmatic \u003cstrong\u003eMartin Phillipps\u003c\/strong\u003e with artwork by \u003cstrong\u003eTrees’\u003c\/strong\u003e David Costa.\u003c\/p\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Chills\u003c\/strong\u003e release their seventh studio album ‘Scatterbrain’, a glorious self-examination of \u003cstrong\u003eMartin Phillipps’\u003c\/strong\u003e songwriting hot (ish) on the heels of the hugely successful ‘Snowbound’ (2018) and the critically-acclaimed movie ‘The Chills: The Triumph And Tragedy Of Martin Phillipps’ a year later.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e“It’s about artistic integrity, self-realisation, self-acceptance and a reflection on mortality.” \u003cstrong\u003eThe Guardian\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eNow in 2021, Phillipps is now taking stock of things – everything. Yes, everything. The result is this triumphant new Chills’ album ‘Scatterbrain’, a thought-provoking and evocative take from a man who has lived through good times and bad.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA mature and honest reflection on life, destiny and the fate of our times delivered in beautiful melodies with Phillipps’ trademarked incisive turn of phrase.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eViewed from the perspective of a man understanding his age and indeed his own mortality, the new album takes a mature look at matters arising with a side order of perspective.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends…\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e“This is what a living legend looks and sounds like” \u003cstrong\u003eRolling Stone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e“An architect of New Zealand’s fabled Dunedin sound” \u003cstrong\u003ePitchfork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eTrack List\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eSide A\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA1 Monolith\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA2 Hourglass\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA3 Destiny\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA4 Caught In My Eye\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA5 You're Immortal\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eSide B\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB1 Little Alien\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB2 Safe and Sound\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB3 Worlds Within Worlds\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB4 Scatterbrain\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB5 The Walls Beyond Abandon\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e","brand":"The Chills","offers":[{"title":"Vinyl LP (Sky Blue Col Vinyl)","offer_id":39291665547415,"sku":"FIRELP581","price":65.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP (Deep Sea Marble Colour)","offer_id":39291665514647,"sku":"FIRELP581X-1","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Chills_Scatterbrain.jpg?v=1727255246"},{"product_id":"milk-iii-2021-pre-order","title":"Milk - III (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e When \u003cstrong\u003eReuben Samuel Winter\u003c\/strong\u003e (Waitaha\/Kāi Tahu\/Te Aupōuri\/Te Rarawa\/Ngāti Kuri) passed away in September 2020, he left a hole in the New Zealand music community that will never be filled. But like the generous soul he was, he has left behind a glorious gift to us all in \u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e is not the last album that \u003cstrong\u003eReuben\u003c\/strong\u003e recorded, but it is a masterpiece and a culmination of a life immersed in music. A life spent experimenting in a plethora of eclectic genres, and constantly leading the charge of weirdness from the vanguard of the New Zealand underground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e was recorded in January 2019 at \u003cstrong\u003eRed Bull Studios\u003c\/strong\u003e, recorded, and engineered by \u003cstrong\u003eBen\u003c\/strong\u003e \u003cstrong\u003eLawson\u003c\/strong\u003e, with countless layers of overdubs recorded at \u003cstrong\u003eReuben’s\u003c\/strong\u003e home in Titirangi. It features an eclectic cast of musicians including \u003cstrong\u003eReuben Winter, Lachlan Smith, James Thorrington, Emma Hall-Phillips, Victoria Chellew, Charlie (Opi), Jong-Yun J.Y. Lee\u003c\/strong\u003e and \u003cstrong\u003ePeter Ruddell.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e is being released on black vinyl LP and \u003ca href=\"https:\/\/flyingnun.bandcamp.com\/album\/iii\"\u003eBandcamp\u003c\/a\u003e on 20th April, 2021 via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e, with all profits split between \u003cstrong\u003eFibromyalgia Aotearoa New Zealand\u003c\/strong\u003e and Reuben's whānau and future fund. Reuben struggled silently with fibromyalgia and chronic pain for close to a decade, and this incurable and invisible illness affected his hauora on all levels.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ian Jorgensen (A Low Hum) and Reuben's whānau approached Flying Nun late last year and asked if we'd be interested in putting Milk III out on vinyl. We felt very honoured to be asked, and jumped at the opportunity. Reuben's music needs to be shared; it will never stop inspiring creativity in others. Not only is Milk III a sonic masterpiece, Reuben was, and still is, an integral part of New Zealand's independent music community and the impact of his art will be felt for a long time into the future.\" — \u003c\/em\u003e\u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/30729250_782417745287956_3044921737423618048_o_480x480.jpg?v=1615346698\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe concepts for this work have been present in \u003cstrong\u003eReuben\u003c\/strong\u003e for years. The distinctly layered crunching guitars, the melodies that worm their way into your ears, and bite through them, the complex orchestration and arrangements within each track, lift this record up from being another incredible album from a man with a back catalogue of extraordinary albums to his name, to a stunning reflection of the fire that burned within \u003cstrong\u003eReuben\u003c\/strong\u003e throughout his entire life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReuben\u003c\/strong\u003e's altruism surpassed him, he pushed the limits of what kinds of sounds can come out of this country, and inspired a whole generation of musicians. In saying that, if there is one thing that this album does above all else, it manages to articulate the particular brand of darkness that hovers over this country.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e, like it’s maker, cannot be wholly characterized by the darkness it contains. In fact, the presence of this darkness makes the moments of creative purity, of oneness of sound, of light all the more profound. To write about pain with such honesty is what makes this album worthy of absolute attention.\u003c\/p\u003e\n\u003cp\u003eThis record is not a hastily thrown together posthumous release. Every second of sound, every word, every multi-layered overdub was carefully considered, and lovingly crafted by \u003cstrong\u003eReuben\u003c\/strong\u003e. It shows an insight into who \u003cstrong\u003eReuben\u003c\/strong\u003e was in the last few years of his life. A man brave enough to stare his own pain in the face, and who was kind enough to share himself wholly with anyone who would listen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eSIDE A\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDOPEHEAD\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMAPLE\u003c\/li\u003e\n\u003cli\u003e'78\u003c\/li\u003e\n\u003cli\u003eRAM RAID\u003c\/li\u003e\n\u003cli\u003eSTOLEN VALOR\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eSIDE B\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCRIT+\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWIFI USER\u003c\/li\u003e\n\u003cli\u003eAN IMPORTANT MESSAGE\u003c\/li\u003e\n\u003cli\u003eSHIRTS\u003c\/li\u003e\n\u003cli\u003eA LETTER TO SILENT HEAVEN\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eApril 20, 2021 \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Milk","offers":[{"title":"Vinyl LP","offer_id":39479916036247,"sku":"FN597LP","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/MILKIIIFRONTCOVER.png?v=1725491310"},{"product_id":"fugazi-in-on-the-kill-taker-1993","title":"Fugazi - In On The Kill Taker (Vinyl)","description":"\u003cp\u003e\u003cem\u003eI\u003c\/em\u003e\u003cem\u003en on the Kill Taker\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis like scrubbing your face with steel wool. It finds the band relying on rusty guitar shards that scrape, seethe, and hiss, further removing itself from the sound of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e13 Songs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRepeater\u003c\/em\u003e. Harsh and grating, \u003cstrong\u003eFugazi\u003c\/strong\u003e surprisingly produces sheer noise at times, best witnessed in the lengthy closing of \"23 Beats Off\" and the unintentional Gremlins homage that opens \"Walken's Syndrome.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Lally's\u003c\/strong\u003e bass and \u003cstrong\u003eBrendan Canty's\u003c\/strong\u003e drums are relegated to acting as a guide; they're pushed -- but not squashed -- down in the mix, allowing for Ian MacKaye and \u003cstrong\u003eGuy Picciotto's\u003c\/strong\u003e guitars to take control, corrosively so. It's probably Fugazi's least digestible record from front to back, but each track has its own attractive qualities, even if not immediately perceptible.\u003c\/p\u003e\n\u003cp\u003e\"Facet Squared\" and \"Public Witness Program\" open the record furiously, but the majority of the following \"Return the Screw\" is hardly audible, aside from occasional vocal tantrums. A good amount of time is spent alternating between low-key guitar noodling and intrusive bursts of aggression. They're smart with their sequencing, placing the gentle instrumental \"Sweet and Low\" (the only track where Lally plays a prominent role) after the exhaustive cacophony of \"23 Beats Off,\" and generally piecing together a set of rather diverse tracks that flows well. Picciotto's anti-Hollywood rant on the properly titled \"Cassavetes\" is a classic Fugazi moment, as is his similarly name-dropping \"Walken's Syndrome.\"\u003c\/p\u003e\n\u003cp\u003eBuried at the end of the record are two excellent lurchers, MacKaye's \"Instrument\" and Picciotto's \"Last Chance for a Slow Dance.\" Not Fugazi's finest hour, but one of its most daring and rewarding.\u003c\/p\u003e\n\u003cp\u003e— Andy Kellman,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eAll Music Guide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fugazi","offers":[{"title":"Vinyl LP","offer_id":39689835020439,"sku":"DIS70LP","price":56.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":47548923085044,"sku":"0","price":30.0,"currency_code":"NZD","in_stock":false},{"title":"Vinyl (Import)","offer_id":47933107994868,"sku":"0","price":44.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FugaziInontheKilltaker.jpg?v=1617333513"},{"product_id":"nick-cave-and-the-bad-seeds-no-more-shall-we-part-2001","title":"Nick Cave and the Bad Seeds - No More Shall We Part (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNo More Shall We Part’ was released in April 2001 and was the eleventh studio record by \u003cstrong\u003eNick Cave \u0026amp; The Bad Seeds.\u003c\/strong\u003e · The album came after a 4-year gap from recording, following the much acclaimed ‘\u003cem\u003eThe Boatman’s Call\u003c\/em\u003e’ album and was met with mostly positive reviews. · The album showcases the virtuoso talents of The Bad Seeds, with elaborate instrumental sections on nearly every track. Also, Cave’s lyrics are less obscure than usual and he sings in a wider vocal range than he had previously. Features backing vocals from Kate and Anna McGarrigle. · Vinyl transfer approval overseen by \u003cstrong\u003eMick Harvey\u003c\/strong\u003e during Summer 2014 and cut at Abbey Road studios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs I Sat Sadly By Her Side\u003cbr\u003eAnd No More Shall We Part\u003cbr\u003eHallelujah\u003cbr\u003eLove Letter\u003cbr\u003eFifteen Feet of Pure White Snow\u003cbr\u003eGod Is in the House\u003cbr\u003eOh My Lord\u003cbr\u003eSweetheart Come\u003cbr\u003eThe Sorrowful Wife\u003cbr\u003eWe Came Along This Road\u003cbr\u003eGates to the Garden\u003cbr\u003eDarker With the Day\u003c\/span\u003e\u003c\/p\u003e","brand":"Nick Cave \u0026 The Bad Seeds","offers":[{"title":"Vinyl","offer_id":39798256042135,"sku":"LPSEEDS11","price":56.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/NickCaveandtheBadSeeds-NoMoreShallWePart.jpg?v=1618202443"},{"product_id":"nick-cave-and-the-bad-seeds-your-funeral-my-trial-1986","title":"Nick Cave and the Bad Seeds - Your Funeral...My Trial (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFourth studio album by the band which was originally released as a double EP and later issued on CD with a varied running order and the bonus track, 'Scum'. \u003cstrong\u003eNick Cave\u003c\/strong\u003e himself regards 'Your Funeral, My Trial' as one of his favourites and is certainly one of the band's most accessible and varied works to date.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYour Funeral, My Trial\u003cbr data-mce-fragment=\"1\"\u003eStranger Than Kindness\u003cbr data-mce-fragment=\"1\"\u003eJack's Shadow\u003cbr data-mce-fragment=\"1\"\u003eThe Carny\u003cbr data-mce-fragment=\"1\"\u003eShe Fell Away\u003cbr data-mce-fragment=\"1\"\u003eHard On for Love\u003cbr data-mce-fragment=\"1\"\u003eSad Waters\u003cbr data-mce-fragment=\"1\"\u003eLong Time Man\u003cbr data-mce-fragment=\"1\"\u003eScum\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Nick Cave and the Bad Seeds","offers":[{"title":"Vinyl","offer_id":39798744154263,"sku":"LPSEEDS4","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/NICKCAVE_THEBADSEEDS-YOURFUNERAL...MYTRIAL.jpg?v=1618204760"},{"product_id":"nirvana-bleach-1989","title":"Nirvana - Bleach (Vinyl)","description":"\u003cp\u003e\u003cspan\u003eOriginally recorded over three sessions with producer \u003cstrong\u003eJack Endino\u003c\/strong\u003e at Seattle’s Reciprocal Recording Studios in December 1988 and January 1989, \u003c\/span\u003e\u003cstrong\u003e\u003ccite\u003eBleach\u003c\/cite\u003e\u003c\/strong\u003e\u003cspan\u003e was released in June of ‘89 and remains unequivocally\/unsurprisingly Sub Pop’s very favourite \u003cstrong\u003eNirvana\u003c\/strong\u003e full-length. The album initially sold 40,000 copies, but was brought into the international spotlight following the release and worldwide success of their 1991 sophomore effort, \u003c\/span\u003e\u003cstrong\u003e\u003ccite\u003eNevermind\u003c\/cite\u003e\u003c\/strong\u003e\u003cspan\u003e. 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You can love someone all you want, you can be the best of friends, lovers, whatever, and they can not feel the same way back, or they can but maybe they don't want to do anything about it. And it sucks and it hurts, but it's okay and you gotta respect that. OK?”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVera\u003c\/b\u003e \u003cb\u003eEllen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is an expert when it comes to clear and concise songwriting; every note and beat is exactly the required dose. While you wait for your next helping of this songwriting genius, wrap your eyes and ears around \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYOU!\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uWZgJumtDoE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe video for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eYOU!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was shot in a single day in Wellington, New Zealand with Vera’s friends — co-director \u003c\/span\u003e\u003cb\u003eSamuel Austin\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e and production assistant \u003c\/span\u003e\u003cb\u003eBella\u003c\/b\u003e \u003cb\u003eGuarrera\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003cb\u003eHelena\u003c\/b\u003e \u003cb\u003eAnthony\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003e(the star of the video) and Vera were best friends in high school, we were real pranksters and spent every waking hour at each other's side. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e“We hadn't seen each other in a while and spent the whole time during the shoot laughing uncontrollably, it was like no time had passed. The video explores a kind love and ends in terrible heartbreak when a more attractive suitor steals Helenas heart with a lip bite and the offer of a matching leather jacket.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eTRACKLISTING\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE A\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlways Always \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eTelegram 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt's Your Birthday\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eYuppie Farm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eYOU!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eCrack The Whip\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt's Good, It's Simple\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSIDE B\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Want 2 B Boy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Language of Flowers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eGodspeed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eStuck w Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeart in Reaction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhere The Sun\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eJoy\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVera\u003c\/b\u003e \u003cb\u003eEllen’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e upcoming \u003c\/span\u003e\u003cb\u003eFlying\u003c\/b\u003e \u003cb\u003eNun\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e debut, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eIt’s Your Birthday\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, was written over the space of a few years. It chronicles the highs and lows of Vera’s early twenties, and is integral to the artist’s growing process. Each song hits some kind of unforgettable, yet relatable, touch stone in \u003c\/span\u003e\u003cb\u003eVera’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e life:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I feel pulled back to those moments whenever I play the songs. Some of it was written when I was broke living behind a sheet in a lounge in Hollywood, some inspired by the characters both beautiful and dark (mostly both) I met in Los Angeles, some when I felt rejection in the lowest pits of my stomach and also when I felt so much elation I thought it couldn't be possible to be any higher, some when l was so homesick I wanted to puke, some in the throws of love and other heartbreak. The stuff of life.” \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e“If you listen through it tells a story of where I was to where I am. Not that anything is ever truly resolved or figured out. It makes me happy having this body of work to give some meaning to some really dark places I have been in the last few years. Places that otherwise felt like a string of random unconnected feelings and events. If all my diaries burn, at least I will have this album.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVera\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e had about 12 demos which she sent to her friends Dad, \u003c\/span\u003e\u003cb\u003eMark\u003c\/b\u003e \u003cb\u003eAustin\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. In January of 2020, Vera and Mark recorded it over a couple of days with the help of some friends at \u003c\/span\u003e\u003cb\u003ePyramid\u003c\/b\u003e \u003cb\u003eClub\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Vera went back to America in February and that was sort of meant to be the end of it, but fortunately for the rest of us and due to the global pandemic, Vera ended up coming back to New Zealand and was able to add songs and extra instrumentation to the album throughout the year. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e“If you can imagine, you're twenty years old and you write about some dreadful personal turmoil, and now you're twenty five and you think, let me just share that with everyone I know and a few strangers while we are at it. If I am honest, I'm a little terrified about having this record out in the world. It feels very exposing. At this point I may as well become a nudist.” \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eIt's Your Birthday\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is Vera’s gift to the world, but Vera wants to be the kind of uncle that \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ealways\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e shows up with a gift on your birthday, so it shan't be the last.\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Vera Ellen","offers":[{"title":"Vinyl LP (Limited Edition Orange Vinyl)","offer_id":40211335348375,"sku":"FN600LP-C1","price":51.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":40211295273111,"sku":"FN600LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FN600LPVeraEllen-It_sYourBirthday-FrontCoverNOSTICKERJPG.jpg?v=1721975091"},{"product_id":"the-cure-kiss-me-kiss-me-kiss-me","title":"The Cure - Kiss Me Kiss Me Kiss Me (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"row\" id=\"product_box\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"single-product-description-wrapper col-xl-9 col-lg-9 col-md-6 col-sm-12 col-xs-12\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"row\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"col-xl-12 col-lg-12 col-md-12 col-sm-12 col-xs-12 text-xl-left text-lg-left text-md-left text-sm-left text-center\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"single-description\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeventh studio album from Britain's new romantic legends \u003cstrong\u003eThe Cure\u003c\/strong\u003e. \u003cem\u003eKiss Me, Kiss Me, Kiss Me\u003c\/em\u003e was originally recorded between 1986 and 1987, and was the band's most successful album to date. It's an eclectic collection of songs that found Robert Smith reaching further into pop territory than he had on previous albums. The song writing is unrestrained, taking everything The Cure had done in the past and rolling it into one gigantic, sprawling album. Includes the songs: \"Catch,\" \"Why Can't I Be You?,\" and \"Just Like Heaven.\" Eighteen tracks in all. Released on 180 gram double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003e1 The Kiss\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e2 Catch\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e3 Torture\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e4 If Only Tonight We Could Sleep\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e1 Why Can't I Be You?\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e2 How Beautiful You Are...\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e3 The Snake Pit \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e4 Hey You !!! \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e1 Just Like Heaven \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e2 All I Want \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e3 Hot Hot Hot !!! \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e4 One More Time \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e5 Like Cockatoos \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e1 Icing Sugar \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e2 The Perfect Girl \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e3 A Thousand Hours \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e4 Shiver and Shake \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e5 Fight \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MI0a9hTh5AU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"breadcrumb-container\" class=\"\"\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"bread-crumb-label\" class=\"breadcrumb bg-dark\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"pl-0 col-lg-6 col-md-6 col-sm-6 col-xs-6 text-center text-xl-left text-lg-left text-md-left breadcrumb-item\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content-wide\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"color-white display-block content-wide\" id=\"bread-crumb-label-content-left\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Cure","offers":[{"title":"Vinyl LP","offer_id":40408873402519,"sku":"4787565","price":87.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/thecurekissme.jpg?v=1622695721"},{"product_id":"the-smiths-the-queen-is-dead-2012","title":"The Smiths - The Queen is Dead (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDigitally remastered edition of this 1986 album from the legendary British quartet. The Queen Is Dead is The Smiths' great leap forward, taking the band to new musical and lyrical heights. Opening with the storming track, the album is harder rocking record than anything the band had attempted before. Johnny Marr has created here a wide range of guitar styles that provide a musical bed for Morrissey's best set of lyrics. From which is crafted some of their finest, most affective songs, particularly \"The Boy With the Thorn In His Side\" and the epic \"There Is a Light That Never Goes Out,\" two masterpieces that provide the foundation for a remarkable album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Queen Is Dead (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eFrankly, Mr. Shankly (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eI Know It's Over (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eNever Had No One Ever (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eCemetary Gates (2011 Remastered Version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBigmouth Strikes Again (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eThe Boy with the Thorn in His Side (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eVicar in a Tutu (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eThere Is a Light That Never Goes Out (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eSome Girls Are Bigger Than Others (2011 Remastered Version)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Smiths","offers":[{"title":"Vinyl LP","offer_id":40408877334679,"sku":"2564665887","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/smiths.jpg?v=1622768536"},{"product_id":"reb-fountain-iris-2021","title":"Reb Fountain - IRIS (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #577c11;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eThe perfect extension of her 2020 self-titled record, \u003cstrong\u003e\u003cem\u003eIRIS\u003c\/em\u003e\u003c\/strong\u003e elevates \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eFountain\u003c\/a\u003e’s\u003c\/strong\u003e music to new heights. \u003cstrong\u003eReb\u003c\/strong\u003e effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic and anthemic tunes that create an instant and indelible impression. Written during lockdown in 202, \u003cstrong\u003eReb\u003c\/strong\u003e has said on the album \u003cem\u003e“Writing a song a day to keep myself grounded and productive during lockdown, \u003cstrong\u003eIRIS\u003c\/strong\u003e provided me an opportunity to speak my unspoken, to reflect what I have seen and experienced from within and to bear witness.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDiving into the deeper meaning of the album’s namesake, \u003cstrong\u003eReb\u003c\/strong\u003e says \u003cem\u003e“Iris is in many ways an unsung hero, known as the goddess of the rainbow, sea and sky, she acts as bridge between the gods to humanity with little of her own story known. So many stories go unheard, so many aspects of our humanity are unsung; visibility is a contested and inequitable space where what is essential and of beauty is often ‘invisible’. I wanted and needed to give voice to this essential human spirit; to conjure and hold and commune with the very real, valid and invaluable voices within and around me.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLr-EBfbo8o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003eThe above single ‘\u003cem\u003eBeastie’\u003c\/em\u003e is about choosing who you want to be, but also taking responsibility for who you are; the many faces and facets, the tales and tethers, the imbalance and inhumanity, the privilege and the power — and becoming awake to it all. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003eOn writing \u003cem\u003eBeastie\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e says\u003cem\u003e “Botham Jean had just been murdered in his own apartment, mass incarceration and systemic racism in the criminal justice system had me grief-stricken, the massacre of worshippers in Christchurch broke my heart, the All Blacks would win, the All Blacks would lose and male violence against women would hit an all time high — and amidst all this I heard this phrase “Is That Us?”. It was less a question more reaching for belonging; would we buy that? Can we call it ours? Do we like it? Is this who we want to be? Can we collectively agree this is us?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e continues \u003cem\u003e“Dehumanizing one another is a horribly human behaviour, and one we all have the potential to entertain or interrupt. It’s easy to relegate evils to the ‘shameful past’; harder to confront our own current inhumanity, especially if one's identity comes with benefits or losses.  In Beastie, I wanted my eyes open and to speak in solidarity with resistance. In the absence of resistance we are complicit. If you say nothing, nothing at all, nothing comes to light.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e‘Beastie\u003c\/em\u003e’ explores varying voices, and offers the listener an opportunity to inhabit and witness their many selves, their roles and their choices.  In the video for \u003cem\u003e‘Beastie’\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e wanted to play with those themes; knowing all acts are political, and subversion, resistance and truth\u003cem\u003e “can and should be consciously embedded as meaning in our art and our daily lives.”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e and her band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) were offered a beautiful space to film in called \u003cstrong\u003eEverybody’s\u003c\/strong\u003e in Auckland’s inner city. They wanted to make a one-shot band video that traversed the multi-level space, so enlisted long-time collaborator \u003cstrong\u003eLola\u003c\/strong\u003e \u003cstrong\u003eFountain-Best\u003c\/strong\u003e to direct the scene, with \u003cstrong\u003eJono\u003c\/strong\u003e \u003cstrong\u003eDrew\u003c\/strong\u003e on DOP duties.\u003c\/p\u003e\n\u003cp\u003eIn May 2020, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e released her self-titled album via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun Records\u003c\/strong\u003e to much critical acclaim.\u003cstrong\u003e  \u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e won the 2021 \u003cstrong\u003eTaite Music Prize\u003c\/strong\u003e, was shortlisted for the \u003cstrong\u003eSilver Scroll\u003c\/strong\u003e \u003cstrong\u003eAward\u003c\/strong\u003e for her song ‘\u003cem\u003eDon’t You Know Who I Am’,\u003c\/em\u003e and the album \u003cstrong\u003e\u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e was nominated for \u003cu\u003efive\u003c\/u\u003e \u003cstrong\u003eNew Zealand Music Awards\u003c\/strong\u003e; Album of the Year, Best Alternative, Best Solo Artist, Best Album Artwork and Best Engineer.\u003c\/p\u003e\n\u003cp\u003eThe award-winning songwriter, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. Throughout 2020, \u003cstrong\u003eReb\u003c\/strong\u003e and her all-star band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) astounded audiences around the country on her sold out album release tour, joined \u003cstrong\u003eCrowded\u003c\/strong\u003e \u003cstrong\u003eHouse\u003c\/strong\u003e on their 13 date ‘\u003cem\u003eTo The Island Tour’\u003c\/em\u003e, performed at \u003cstrong\u003eSplore\u003c\/strong\u003e, and honoured the great \u003cstrong\u003eNick\u003c\/strong\u003e \u003cstrong\u003eCave\u003c\/strong\u003e at the sold out Auckland Town Hall shows ‘\u003cem\u003eThe Boy Next Door’\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e was born in San Francisco and immigrated with her family from North America to Lyttelton — the quiet port town out of Christchurch that’s been fundamental to New Zealand’s alt-folk scene, raising artists like \u003cstrong\u003eMarlon Williams, \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003eAldous Harding\u003c\/a\u003e\u003c\/strong\u003e, and \u003cstrong\u003eDelaney\u003c\/strong\u003e \u003cstrong\u003eDavidson\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIRIS \u003c\/em\u003e\u003c\/strong\u003eis out via \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e on the 1st of October, 2021 on vinyl, CD and digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePsyche\u003c\/li\u003e\n\u003cli\u003eFoxbright\u003c\/li\u003e\n\u003cli\u003eInvisible Man\u003c\/li\u003e\n\u003cli\u003eHeart\u003c\/li\u003e\n\u003cli\u003eBeastie\u003c\/li\u003e\n\u003cli\u003eFisherman\u003c\/li\u003e\n\u003cli\u003eSwim To The Star\u003c\/li\u003e\n\u003cli\u003eLacuna\u003c\/li\u003e\n\u003cli\u003eIris\u003c\/li\u003e\n\u003cli\u003eIntermission\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Reb Fountain","offers":[{"title":"Gatefold Vinyl LP (Transparent Turquoise Vinyl)","offer_id":40218825261207,"sku":"FN598LP-C1","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":40218825293975,"sku":"FN598LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/IRISCOVER1400X1400.png?v=1725244179"},{"product_id":"angel-olsen-whole-new-mess-2020","title":"Angel Olsen - Whole New Mess (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cropable\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"At least nine of the eleven songs on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshould sound familiar to anyone who has heard All Mirrors, \u003cstrong\u003eOlsen’s\u003c\/strong\u003e grand 2019 masterpiece that earned high honours on prestigious year-end lists and glossy spreads in stylish magazines. “Lark,” “Summer,” “Chance”—they are all here, at least in some skeletal form and with slightly different titles. But these are not the demos for All Mirrors. Instead,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis its own record with its own immovable mood, with Olsen working through her open wounds and raw nerves with just a few guitars and some microphones, isolated in a century-old church in the Pacific Northwest. If the lavish orchestral arrangements and cinematic scope of All Mirrors are the sound of Olsen preparing her scars for the wider world to see,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the sound of her first figuring out their shape, making sense for herself of these injuries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYears earlier, while making My Woman at the legendary Electro-Vox in Los Angeles, Olsen struck up a sudden and deep friendship that transcended work with Michael Harris, the studio’s head engineer. She recognized a kindred spirit—someone more interested in the wider world and intense connections than his unexpected position of power in the music industry. Since those sessions, Harris and Olsen kept in close touch, visiting one another at home and catching up during long calls. “We see each other very clearly, without words,” says Harris. “And the guiding light of our working relationship has always been emotionality—what’s there, or what’s not there.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith that rapport in mind, Olsen asked Harris to help find a studio where she could sit still with these thoughts, a space where, as she puts it, “vulnerability exists.” They asked around and settled on The Unknown, the Catholic church that Mount Eerie’s Phil Elverum and producer Nicholas Wilbur converted into a recording studio a decade ago in the small town of Anacortes, Washington. Situated on a small finger of land that juts toward the Pacific Ocean, Anacortes would act as kind of harbour for Olsen, limiting distractions as she tried to burrow inside of these songs for 10 days in late October 2018.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsidered alongside All Mirrors,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a poignant and pointed reminder that songs are more than mere collections of words, chords, and even melodies. They are webs of moods and moments and ideas, qualities that can change from one month to the next and can say just as much as the perfect progression or an exquisite chord. In that sense, these 11 songs—solitary, frank, and unflinching examinations of what it’s like to love, lose, and survive—are entirely new. This is the sound of Angel Olsen, sorting through the kind of trouble we’ve all known, as if just for herself and whoever else needs it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE A:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eToo Easy (Bigger Than Us)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(New Love) Cassette\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(We Are All Mirrors)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(Summer Song)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWaiving, Smiling\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE B:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTonight (Without You)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLark Song\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImpasse (Workin’ For The Name)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChance (Forever Love\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhat It Is (What It Is)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Angel Olsen","offers":[{"title":"Vinyl LP","offer_id":40464794976407,"sku":"JAG354LP","price":48.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44908963004660,"sku":"JAG354CD","price":32.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/angel.jpg?v=1623370127"},{"product_id":"sleaford-mods-all-that-glue-2020","title":"Sleaford Mods - All That Glue (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJason Williamson\u003c\/strong\u003e and \u003cstrong\u003eAndrew Fearn\u003c\/strong\u003e stepped out of 2019 with a Top Ten album under their belt, their biggest sold-out tour to date and the swagger of a band that have never been more relevant, topically challenging and downright entertaining.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSleaford Mods\u003c\/strong\u003e are set to continue their onslaught into 2020 with the release of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAll That Glue\u003c\/b\u003e\u003c\/em\u003e, a collection of songs spanning the last seven years of the bands career; an array of crowd-pleasers, B sides, unheard tracks and rarities for fans and the curious.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the past few years, Sleaford Mods have become one of the most intractable British pop stories. 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On\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMulti-Love\u003c\/b\u003e\u003c\/em\u003e, Unknown Mortal Orchestra frontman and multi-instrumentalist Ruban Nielson reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align. Where Nielson addressed the pain of being alone on II,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMulti-Love\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etakes on the complications of being together.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMulti-Love\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eadds dimensions to the band’s already kaleidoscopic approach, with Nielson exploring a newfound appreciation for synthesizers. The new songs channel the spirit of psych innovators without ignoring the last 40 years of music, forming a flowing, cohesive whole that reflects restless creativity. Cosmic escapes and disco rhythms speak to developing new vocabulary, while Nielson’s vocals reach powerful new heights. “It felt good to be rebelling against the typical view of what an artists is today, a curator,” he says. “It’s more about being someone who makes things happen in concrete ways. Building old synthesizers and bringing them back to life, creating sounds that aren’t quite like anyone else’s. I think that’s much more subversive.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile legions of artists show fidelity to the roots of psychedelia, Unknown Mortal Orchestra shares the rare quality that makes the genre’s touchstones so vital: constant exploration.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMulti-Love\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis out 5\/26 on Jagjaguwar.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003e\u003cem\u003eSIDE A:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMulti-Love\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eLike Acid Rain\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eUr Life One Night\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eCan’t Keep Checking My Phone\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eExtreme Wealth and Casual Cruelty\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eThe World is Crowded\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eStage or Screen\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eNecessary Evil\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003ePuzzles\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ByYvTra8zWw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown Mortal Orchestra","offers":[{"title":"Vinyl LP","offer_id":40408731123863,"sku":"JAG262LP","price":50.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":43585622311156,"sku":"JAG262CD","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/umo.jpg?v=1721973953"},{"product_id":"unknown-mortal-orchestra-sex-food-2018","title":"Unknown Mortal Orchestra - Sex \u0026 Food (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003eThe follow-up to their critically acclaimed record Multi-Love, Sex \u0026amp; Food sees UMO mastermind Ruban Nielson tap into both familiar and unexpected territory.\u003c\/p\u003e\n\u003cp\u003eThe delightfully shape-shifting album filters real-deal serious themes such as \"What are we consuming? How is it affecting us, and why does everything feel so bad and weird sometimes?” through a vibrant sonic lens that spans battered drum-machine funk, doomy and thrashing rock, and pink-hued psychedelic disco. It’s not a dark record, per se. Even the album’s title, Sex \u0026amp; Food, focuses on two of the most undeniably pleasurable experiences in life; positivity despite the strangeness of our times.\u003c\/p\u003e\n\u003cp\u003eSex \u0026amp; Food was recorded in a variety of locales from Seoul and Hanoi to Reykjavik, Mexico City, and Auckland, not to mention Nielson's home base studio in Portland. It is a practical musical travelogue, traversing the world as well as a wide spectrum of human experience. Nielson grapples with new, sometimes dismal realities, but succeeds in pulling the epiphanies from the chafe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ch3\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5\u003eSIDE A:\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eA God Called Hubris\u003c\/li\u003e\n\u003cli\u003eMajor League Chemicals\u003c\/li\u003e\n\u003cli\u003eMinistry of Alienation\u003c\/li\u003e\n\u003cli\u003eHunnybee\u003c\/li\u003e\n\u003cli\u003eChronos Feasts on His Children\u003c\/li\u003e\n\u003cli\u003eAmerican Guilt\u003c\/li\u003e\n\u003cli\u003eThe Internet of Love (That Way)\u003c\/li\u003e\n\u003cli\u003eEveryone Acts Crazy Nowadays\u003c\/li\u003e\n\u003cli\u003eThis Doomsday\u003c\/li\u003e\n\u003cli\u003eHow Many Zeros\u003c\/li\u003e\n\u003cli\u003eNot in Love We're Just High\u003c\/li\u003e\n\u003cli\u003eIf You're Going to Break Yourself\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Unknown Mortal Orchestra","offers":[{"title":"Vinyl LP","offer_id":40408729878679,"sku":"JAG322LP","price":50.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":43575827857652,"sku":"JAG322CD","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/sexandfoodo.jpg?v=1721973951"}],"url":"https:\/\/www.flyingnun.co.nz\/collections\/alternative-rock.oembed","provider":"Flying Nun ","version":"1.0","type":"link"}