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He was really flexible and open-minded about the collaborative process.\" \u003c\/em\u003e\u003cstrong\u003eJefferies\u003c\/strong\u003e tape manipulations are all over the record, \u003cem\u003e\u003c\/em\u003etransforming the pitches and timbres of his piano and drums as well as \u003cstrong\u003eLonie's\u003c\/strong\u003e guitar and violin. The two men worked out the music in \u003cstrong\u003eLonie's\u003c\/strong\u003e house, overlooking the ocean and Otago Peninsula. This setting translated into music that suggests tidal pulses, avian voices, and open skies, natural forces that balance the brittle nerviness of tracks like \u003cem\u003e\u003cstrong\u003eInteralia\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eTarantella\u003c\/strong\u003e\u003c\/em\u003e. \u003cstrong\u003eJefferies\u003c\/strong\u003e has gone on to use the transformational techniques at work on this LP time and again, and he also returned to instrumental music on \u003cem\u003eSubstatic, \u003c\/em\u003ebut he's never made another record that feels like \u003cstrong\u003eAt Swim 2 Birds\u003c\/strong\u003e\u003cem\u003e.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- Bill Meyer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Comes with download card\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Introduction \u003cbr\u003e2. Thief With The Silver \u003cbr\u003e3. Piano (One) \u003cbr\u003e4. Interalia \u003cbr\u003e5. At Swim 2 Birds \u003cbr\u003e6. Tarantella \u003cbr\u003e7. Where The Flies Sleep \u003cbr\u003e8. The Standing Stone \u003cbr\u003e9. Aerial \u003cbr\u003e10. Short Was Fast \u003cbr\u003e11. Piano (Two)\u003c\/p\u003e","brand":"Peter Jefferies \u0026 Jono Lonie","offers":[{"title":"Vinyl LP","offer_id":37656685314199,"sku":"FN070lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/PeterJefferies_JonoLonie_AtSwim2BirdsFrontCover.png?v=1721978187"},{"product_id":"fn079-the-bats-daddys-highway-1987","title":"The Bats - Daddy's Highway (Vinyl)","description":"\u003cp\u003eThe 1987 debut album from New Zealand indie-pop pioneers \u003cstrong\u003eThe Bats\u003c\/strong\u003e, \u003cem\u003e\u003cstrong\u003eDaddy's Highway\u003c\/strong\u003e\u003c\/em\u003e has now been re-issued and remastered.\u003c\/p\u003e\n\u003cp\u003eThis album is full of the haunting beauty and bittersweet melodies the four-piece have become so loved for. One of the outstanding New Zealand albums from the 1980s, from the lo-fi pop hook of \u003cstrong\u003e\u003cem\u003eNorth by North\u003c\/em\u003e\u003c\/strong\u003e through to the gentle drone of \u003cstrong\u003e\u003cem\u003eTragedy\u003c\/em\u003e\u003c\/strong\u003e, \u003cem\u003e\u003cstrong\u003eDaddy's Highway\u003c\/strong\u003e \u003c\/em\u003edisplays a quietly powerful sound that immediately tugs you in. There is a quirky energy throughout - such as \u003cstrong\u003e\u003cem\u003eBlock of Wood\u003c\/em\u003e\u003c\/strong\u003e - that also glows with shimmering harmonies, whispered vocals, reeling basslines and a sweet sense of despair that is as catchy as it is thought-provoking.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklisting\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlock Of Wood\u003c\/li\u003e\n\u003cli\u003eMiss These Things\u003c\/li\u003e\n\u003cli\u003eMid City Team\u003c\/li\u003e\n\u003cli\u003eSome Peace Tonight\u003c\/li\u003e\n\u003cli\u003eHad To Be You\u003c\/li\u003e\n\u003cli\u003eDaddy's Highway\u003c\/li\u003e\n\u003cli\u003eTreason\u003c\/li\u003e\n\u003cli\u003eSir Queen\u003c\/li\u003e\n\u003cli\u003eRound And Down\u003c\/li\u003e\n\u003cli\u003eTake It\u003c\/li\u003e\n\u003cli\u003eNorth By North\u003c\/li\u003e\n\u003cli\u003eTragedy\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Bats","offers":[{"title":"Vinyl Lp","offer_id":37343836536983,"sku":"FN023lp","price":50.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Bats_-_Daddy_s_Highway_Vinyl_LP_CD.jpg?v=1727255419"},{"product_id":"fn109-skeptics-iii-1987","title":"Skeptics - III (CD)","description":"\u003csection class=\"section\"\u003e\n\u003cdiv class=\"wrapper\"\u003e\n\u003cp\u003eFN109 Skeptics - III (1987)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII\u003c\/strong\u003e showcases the band’s abrasive and haunting sound as well as their pioneering, embracing nature of early sampling technology in a time when jangle guitar pop was prominent on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. Despite being left-of-centre, \u003cstrong\u003eSkeptics\u003c\/strong\u003e \u003cstrong\u003eIII\u003c\/strong\u003e made an impact in New Zealand due to the controversial video for \u003cstrong\u003e\u003cem\u003eAffco\u003c\/em\u003e\u003c\/strong\u003e named after a meat work company in the North Island. The video shows graphic footage of an animal slaughter house and was banned from national television.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAffco\u003c\/li\u003e\n\u003cli\u003eFeeling Bad\u003c\/li\u003e\n\u003cli\u003eAgitator\u003c\/li\u003e\n\u003cli\u003eTurnover\u003c\/li\u003e\n\u003cli\u003eLa Motta\u003c\/li\u003e\n\u003cli\u003eNotice\u003c\/li\u003e\n\u003cli\u003eRain\u003c\/li\u003e\n\u003cli\u003eLuna\u003c\/li\u003e\n\u003cli\u003eCrave\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Skeptics","offers":[{"title":"CD","offer_id":37344833142935,"sku":"FN109cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Skeptics-IIIFrontCover.jpg?v=1721978162"},{"product_id":"fn105-straitjacket-fits-hail-1988","title":"Straitjacket Fits - Hail (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eShayne\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCarter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCollie\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eformed\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/straitjacket-fits?view=no-usf\"\u003eStraitjacket\u003c\/a\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/straitjacket-fits?view=no-usf\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/straitjacket-fits?view=no-usf\"\u003eFits\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ein in 1986 after the demise of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/doublehappys\"\u003eDoublehappys\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand were joined by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrew\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBrough\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWood\u003c\/strong\u003e. The reissue of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eHail\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis deeply tinged with sadness following the recent loss of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrew\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBrough\u003c\/strong\u003e; gifted songwriter and guitarist of not only\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStraitjacket\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFits\u003c\/strong\u003e, but also\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/bike\"\u003eBike\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand Dunedin band\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Blue Meanies\u003c\/strong\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrew’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emusical impact is undeniable and it’s unimaginable to think of a world without his contributions to New Zealand music.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStraitjacket\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFits’\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edebut release, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLife In One Chord\u003c\/em\u003e\u003c\/strong\u003e EP appeared in 1987 and the album\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eHail\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas released in 1988. Both were recorded at\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLab\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein Auckland with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTerry\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMoore\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChills\u003c\/strong\u003e). \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003e“[The songs] ‘Hail’ and ‘Grate’ suggested a monolithic guitar monster future and, while that is part of what can be found on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHail\u003c\/strong\u003e, there is a remarkable diversity of song and sound on show. The oft-described\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eShayne\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCarter\u003c\/strong\u003e\/\u003cstrong\u003eAndrew\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBrough\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eduality of sour\/hard and sweet\/soft is a simplified observation of what is a much deeper and richer stew of ideas and sounds.”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ereflects\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFlying\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNun\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRecords\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efounder,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRoger Shepherd\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eHail\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an album that beautifully showcases the many strengths of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStraitjacket\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFits\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the early part of their development. It is a record full of furious off-piste guitaring and startling vocals anchored by a granite hard rhythm section but that also showcases gentler melodic material including a cover of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLeonard\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCohen’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e‘\u003cem\u003eSo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLong\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMarianne\u003c\/em\u003e’. But generally the songs are more experimental in nature with a considerable range of material from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrew\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBrough’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estandout ‘\u003cem\u003eFabulous\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThings’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto the vigorous guitar noise of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eShayne\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCarter’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e‘\u003cem\u003eGrate’\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eHail\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a documentation of a band on the up, a band flexing its potential and oozing confidence and optimism. With\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eHail\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ethe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStraitjacket\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFits\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewere well on their way to giving the rock ‘n’ roll thing their very best shot.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eITEM DETAILS\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/straitjacket-fits\"\u003eStraitjacket Fits\u003c\/a\u003e\u003cbr\u003eTitle: Hail\u003cbr\u003eLabel: \u003ca href=\"http:\/\/www.flyingnun.co.nz\/\"\u003e\u003cspan\u003eFlying Nun Records\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/a\u003eYear: 1988\/2020\u003cbr\u003eCat #: FN142\u003cbr\u003eRecorded: The Lab\u003c\/p\u003e\n\u003cp\u003eBand Members: Shayne Carter, Andrew Brough, John Collie, David Wood.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDialling A Prayer\u003c\/li\u003e\n\u003cli\u003eAll That That Brings\u003c\/li\u003e\n\u003cli\u003eHail\u003c\/li\u003e\n\u003cli\u003eSparkle That Shines\u003c\/li\u003e\n\u003cli\u003eShe Speeds\u003c\/li\u003e\n\u003cli\u003eSo Long Marianne\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGrate\u003c\/li\u003e\n\u003cli\u003eFabulous Things\u003c\/li\u003e\n\u003cli\u003eLife In One Chord\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThis Taste Delight\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Straitjacket Fits","offers":[{"title":"Vinyl LP","offer_id":37346912501911,"sku":"FN142lp","price":51.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/StraitjacketFitsAlternativeAlbumCover.jpg?v=1607998030"},{"product_id":"fngrj1-graeme-jefferies-messages-for-the-cakekitchen-1988","title":"Graeme Jefferies - Messages For The Cakekitchen","description":"\u003cp\u003eAlthough billed as a solo record, 1988's \u003cb data-mce-fragment=\"1\"\u003eMessages for the Cakekitchen\u003c\/b\u003e is effectively the first \u003cstrong\u003eCakekitchen\u003c\/strong\u003e album. 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Operating under the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCrude\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emoniker,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMatt\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas released a slew of tapes on his own Dirtlove label;\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eInner City Guitar Perspectives\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a compilation of tracks from his various releases.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCertificate Of Distinction\u003c\/li\u003e\n\u003cli\u003eSumerian Art Therapy\u003c\/li\u003e\n\u003cli\u003eFar Out Italian Futurisms\u003c\/li\u003e\n\u003cli\u003eSummer Pt. 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A lecherous couple play a drunken card game next to a carnivorous plant, a decapitated body, a rabid dog and a dying angel. Things run amok on the musical front too.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis, the group's third and last album (1996), shifts away from the sloppy fuzz-pop of its predecessors into a more pensive, emotive work. Nonetheless, the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e3Ds \u003c\/strong\u003einnate ability to weld noise and melody together is as strong as ever and the band's tongue-in-cheek quirkiness is never far behind. The feedback-drenched riffs of old snake into darker territory on songs such as\u003cem data-mce-fragment=\"1\"\u003eDust\u003c\/em\u003e, while\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Riding The Whale\"\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas a sweet expansiveness that suits its title all too well. An album that packs passion, fury and fun into songs that are at times a bit like drinking tequila in a churchyard, all of which makes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eStrange News\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003everge on the kind of dangerous antics depicted on the cover.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col class=\"ol1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eDust\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eSeven Days Of Kindness\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eFangworld\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eAnimal\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eVector 27\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eRiding The Whale\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eThe Firey Angel\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eBen\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eDevil Red\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eBig Red Heart\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eI Believe In You\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eCastaway\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eCarrion Days\u003c\/li\u003e\n\u003cli class=\"li2\" data-mce-fragment=\"1\"\u003eThe Wish\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The 3Ds","offers":[{"title":"FN351 - CD","offer_id":37033629679767,"sku":"FN351cd","price":20.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FNCD351-3Ds-StrangeNewsFromTheAngelsJPG.jpg?v=1721978055"},{"product_id":"fn385-bressa-creeting-cake-bressa-creeting-cake-album1997","title":"Bressa Creeting Cake - Bressa Creeting Cake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN385 Bressa Creeting Cake - Bressa Creeting Cake (1997)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNever released before on vinyl, this expanded double LP edition of the bands' self-titled debut also features tracks from the \u003cstrong\u003ePapa People EP\u003c\/strong\u003e plus b-sides and rarities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll too rarely does a musical group come along with all the right bits intact and just enough of the wrong bits there to make you sit up and really take notice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmerging on the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elabel in the late 90s,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas heralded as a young band \"brimming with ideas\". Their self-titled 1997 debut album - made up of 15 tracks swinging between psychedelic and progressive rock (including single \u003cem\u003e\u003cstrong\u003eNervous Wreck\u003c\/strong\u003e\u003c\/em\u003e) received acclaim.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHaving already made serious wobbles in the airwaves over student radio with a string of demo recordings. Stretching their prodigious talents into a full album's worth of tunes, this young band revel in the chance to show us exactly what they're capable of. And that, my friends, is a lot.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRight from the calypso swing of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/em\u003e\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ekick into the playful pop inventiveness that stands as the album's major mood. The vast array of styles on the album include plenty of psychedelic tinges and a hint of progressive rock, but the band don't get stuck in any one place for long over fifteen songs. And those frivolous moments like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare balanced out by more earnest tracks such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYou and I\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLyrically, both Edmund Cake and Geoff Creeting string words together with no small amount of flair. Whether it be the Hungarian\/Mongolian hybrid language in \u003cem\u003e\u003cstrong\u003eZenax\u003c\/strong\u003e\u003c\/em\u003e, the imaginative leaps of syntax and imagery in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eEgyptian Tanker\u003c\/em\u003e\u003c\/strong\u003e, or the strange tales told in the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eA Chip That Sells Millions\u003c\/em\u003e\u003c\/strong\u003e or\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAn Early Microscope\u003c\/strong\u003e\u003c\/em\u003e, the use of words and meaning adds depth to the tunes here.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGeoff Maddock (then going by the stage name Geoff Creeting) and Joel Wilton, went on to form pop-folk band Goldenhorse alongside Kirsten Morelle. Ed Cake has released a solo album and produced\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEgyptian Tanker\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou \u0026amp; I\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGreasy Grandma\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuperstation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Chip That Sells Millions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eZenax\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocketship\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRotten Old Bitch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePapa People\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocky Mountain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAn Early Microscope\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePeyton Farquhar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWood For Her\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBeer Ginka\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAll The Cars\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGulfo Benga\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBilly Two (Clean cover)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRing Ring (Abba Cover)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Bressa Creeting Cake","offers":[{"title":"Vinyl 2LP","offer_id":37011226984599,"sku":"FN385lp","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BressaCreetingCakeFrontCover.jpg?v=1721978051"},{"product_id":"fn390-bike-circus-kids-1997","title":"Bike - Circus Kids ‎(1997)","description":"","brand":"Bike","offers":[{"title":"Digital EP (WAV.)","offer_id":38291394691223,"sku":"FN390-DIG","price":3.0,"currency_code":"NZD","in_stock":true},{"title":"Digital EP (FLAC)","offer_id":38291437879447,"sku":"FN390-DIG","price":3.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Bike-CircusKidsFrontCover.jpg?v=1599519606"},{"product_id":"fn401-bike-take-in-the-sun-1997","title":"Bike - Take In The Sun (1997)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eWith two brilliant singles, \u003cem\u003e\u003cstrong\u003eSave My Life\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eCircus Kids\u003c\/strong\u003e\u003c\/em\u003e, already recognised as bright spots on the New Zealand musical map, the impending arrival of \u003cstrong\u003eBike's\u003c\/strong\u003e debut album \u003cstrong\u003eTake In The Sun\u003c\/strong\u003e was an eagerly awaited event on the local calendar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdding to that expectation is the fact that \u003cstrong\u003eBike's\u003c\/strong\u003e classic misty-eyed pop is all the product of songwriter Andrew Brough. His superb voice and songs came together in sublime moments for his former band, \u003cstrong\u003eStraitjacket Fits\u003c\/strong\u003e - we still chill to songs like \u003cem\u003e\u003cstrong\u003eDown In Splendour\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eSparkle That Shines\u003c\/strong\u003e\u003c\/em\u003e - but these were all too rare. When \u003cstrong\u003eBike's\u003c\/strong\u003e 1996 debut single, \u003cem\u003e\u003cstrong\u003eSave My Life\u003c\/strong\u003e\u003c\/em\u003e, was a finalist for the APRA Silver Scroll songwriting award it was a sign that this new band delivered more of the Brough goods.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTake In The Sun\u003c\/strong\u003e is the first time we see that talent in full flight over the length of an album. Eleven tunes are collected into the album's forty minutes and the production, by Malcolm Welsford and Andrew Brough, lets the heavenly swirl of chiming guitars and the perfectly-pitched vocals do most of the talking on the impressive \u003cstrong\u003eTake In The Sun\u003c\/strong\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the ballads show the obvious melodic strength of Andrew's writing in \u003cem\u003e\u003cstrong\u003eTears Were Blue\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eSunrise\u003c\/strong\u003e\u003c\/em\u003e, there's room\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor a rockier edge in \u003cem\u003e\u003cstrong\u003eKeeping You In Mine\u003c\/strong\u003e\u003c\/em\u003e and the surprising \u003cem\u003e\u003cstrong\u003eAnybody Know\u003c\/strong\u003e\u003c\/em\u003e. At the heart of what makes \u003cstrong\u003eTake In The Sun\u003c\/strong\u003e so good is the album's spine-tingling pop quotient, provided by the title track and singles \u003cem\u003e\u003cstrong\u003eCircus Kids\u003c\/strong\u003e\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eSave My Life\u003c\/strong\u003e\u003c\/em\u003e, and the latest, \u003cem\u003e\u003cstrong\u003eWelcome To My World\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBehind the striking angelic voice and the huge 'wall of jangle' guitars created by the album production, many of Bike's songs are hung on the rhythmic sway that has always helped convey the bittersweet edge of so many of Andrew's words.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003eReleased February 20, 1997\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was recorded over a number of months through the summer of 1997 with a \u003cstrong\u003eBike\u003c\/strong\u003e line-up featuring\u003cstrong\u003e Andrew Brough\u003c\/strong\u003e on guitar and keyboards, \u003cstrong\u003eTristan Mason\u003c\/strong\u003e on bass guitar and drummer \u003cstrong\u003eWayne Bell\u003c\/strong\u003e. The rigorous standards demanded by Andrew and Malcolm Welsford brought polished performances out of everyone involved in what became one of the largest recording projects undertaken at York Street.\u003c\/div\u003e","brand":"Bike","offers":[{"title":"Digital Album (WAV.)","offer_id":38291407569047,"sku":"FN401-DIG","price":11.0,"currency_code":"NZD","in_stock":true},{"title":"Digital Album (FLAC)","offer_id":38291454099607,"sku":"FN401-DIG","price":11.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Bike_TakeInTheSunFrontCover.jpg?v=1599519998"},{"product_id":"fn406-straitjacket-fits-straitjacket-fits-1997","title":"Straitjacket Fits - Straitjacket Fits","description":"\u003cp\u003eFN406 \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/straitjacket-fits\"\u003e\u003cstrong\u003eStraitjacket Fits\u003c\/strong\u003e\u003c\/a\u003e - Straitjacket Fits (1998)\u003c\/p\u003e\n\u003cp\u003eFormed in Flying Nun's spiritual home, Dunedin, in 1986,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStraitjacket Fits\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003equickly established themselves as the labels prime purveyors of rock 'n' roll in its primal, blistering and downright sensual form.\u003c\/p\u003e\n\u003cp\u003eFormed by Double apps\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eShayne Carter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn Collie\u003c\/strong\u003e, and bassist\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDavid Wood.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrew Brough,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eformerly of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Orange\u003c\/strong\u003e, joined soon after and added a foil in the form of pop sensibility to Carter's more raucous songwriting. 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