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The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind.\u003cbr\u003e\u003cbr\u003e As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, \u003cstrong\u003eJ Dilla\u003c\/strong\u003e knew the records that went into constructing \u003cstrong\u003eDonuts\u003c\/strong\u003e inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing from philosophy, critical theory and musicology, as well as \u003cstrong\u003eDilla's\u003c\/strong\u003e own musical catalogue, \u003cstrong\u003eJordan Ferguson\u003c\/strong\u003e shows that the contradictory, irascible and confrontational music found on \u003cstrong\u003eDonuts\u003c\/strong\u003e is as much a result of an artist's declining health as it is an example of what scholars call “\u003cem\u003elate style\u003c\/em\u003e,” placing the album in a musical tradition that stretches back centuries.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries 33 1\/3\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTable of Contents\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Welcome to the Show\u003cbr data-mce-fragment=\"1\"\u003e2. The Diff'rence\u003cbr data-mce-fragment=\"1\"\u003e3. Hi.\u003cbr data-mce-fragment=\"1\"\u003e4. Waves\u003cbr data-mce-fragment=\"1\"\u003e5. Stop!\u003cbr data-mce-fragment=\"1\"\u003e6. The Twister (Huh, What)\u003cbr data-mce-fragment=\"1\"\u003e7. Workinonit\u003cbr data-mce-fragment=\"1\"\u003e8. Two Can Win\u003cbr data-mce-fragment=\"1\"\u003e9. Geek Down\u003cbr data-mce-fragment=\"1\"\u003e10. The New\u003cbr data-mce-fragment=\"1\"\u003e11. Bye.","brand":"Jordan Ferguson","offers":[{"title":"Paperback","offer_id":44553145352436,"sku":"9781623561833","price":22.0,"currency_code":"NZD","in_stock":true},{"title":"Book (Paperback)","offer_id":47864365547764,"sku":"0","price":22.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/dilla.jpg?v=1723623927"},{"product_id":"mgeorge-grella-jr-miles-davis-bitches-brew","title":"George Grella Jr. - Miles Davis' Bitches Brew (Book)","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge Grella Jr.'s Miles Davis' Bitches Brew\u003c\/strong\u003e explores one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.\u003cbr\u003e\u003cbr\u003eIt was 1969, and \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams.\u003c\/p\u003e\n\u003cp\u003eFollowing the circumscribed grooves and ambiance of \u003cstrong\u003eIn A Silent Way;\u003c\/strong\u003e coming off a tour with a burning new quintet-called '\u003cstrong\u003eThe Lost Band\u003c\/strong\u003e'-with \u003cstrong\u003eWayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette;\u003c\/strong\u003e he went into the studio with musicians like frighteningly talented guitarist \u003cstrong\u003eJohn McLaughlin\u003c\/strong\u003e, and soulful Austrian keyboardist\u003cstrong\u003e Joe Zawinul\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWorking with his essential producer, \u003cstrong\u003eTeo Macero, Miles\u003c\/strong\u003e set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of \u003cstrong\u003eBitches Brew\u003c\/strong\u003e.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries 33 1\/3\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTable of Contents\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntroduction\u003cbr data-mce-fragment=\"1\"\u003eMiles Davis Doesn't Care What You Think\u003cbr data-mce-fragment=\"1\"\u003eDirections in Music by Miles Davis\u003cbr data-mce-fragment=\"1\"\u003eGramaphone, Trumpet, Razor Blade\u003cbr data-mce-fragment=\"1\"\u003eBitches Brew, CS 9995\u003cbr data-mce-fragment=\"1\"\u003eBitches Brew, CS 9996\u003cbr data-mce-fragment=\"1\"\u003eIt's About That Time\u003cbr data-mce-fragment=\"1\"\u003eSelected \u0026amp; Annotated Bitches Brew Discography\u003cbr data-mce-fragment=\"1\"\u003eSelected Bibliography\u003c\/p\u003e","brand":"George Grella Jr.","offers":[{"title":"Paperback","offer_id":44553168617716,"sku":"9781628929430","price":27.0,"currency_code":"NZD","in_stock":true},{"title":"Book (Paperback)","offer_id":47864365809908,"sku":"0","price":27.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/NewProject_42.jpg?v=1723623898"},{"product_id":"wilson-neate-wires-pink-flag","title":"Wilson Neate - Wire's Pink Flag (Book)","description":"In contrast with many of their punk peers, \u003cstrong\u003eWire\u003c\/strong\u003e were enigmatic and cerebral, always keeping a distance from the crowd. \u003cstrong\u003eWilson Neate's Wire's Pink Flag\u003c\/strong\u003e explores how, although\u003cstrong\u003e Pink Flag\u003c\/strong\u003e appeared before the end of 1977, it was already a meta-commentary on the punk scene and was far more revolutionary musically than the rest of the competition. \u003cbr\u003e\u003cbr\u003eFew punk bands moved beyond pared-down rock 'n' roll and garage rock, football-terrace sing-alongs or shambolic pub rock and, if we're honest, only a handful of punk records hold up today as anything other than increasingly quaint period pieces. \u003cbr\u003e\u003cbr\u003eWhile the majority of their peers flogged one idea to death and paid only lip service to punk's Year Zero credo, \u003cstrong\u003eWire\u003c\/strong\u003e took a genuinely radical approach, deconstructing song conventions, exploring new possibilities and consistently reinventing their sound.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eTHIS IS A CHORD. THIS IS ANOTHER. THIS IS A THIRD. NOW FORM A BAND,\u003c\/strong\u003e proclaimed the caption to the famous diagram in a UK fanzine in 1976 and countless punk acts embodied that do-it-yourself spirit. \u003cstrong\u003eWire,\u003c\/strong\u003e however, showed more interesting ways of doing it once you'd formed that band and they found more compelling uses for those three mythical chords.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries 33 1\/3\u003c\/strong\u003e","brand":"Wilson Neate","offers":[{"title":"Paperback","offer_id":44553202467060,"sku":"9780826429148","price":22.0,"currency_code":"NZD","in_stock":true},{"title":"Book (Paperback)","offer_id":47864365908212,"sku":"0","price":22.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/wire.jpg?v=1723623892"},{"product_id":"greta-anderson-there-is-nowhere-to-go-there-is-nothing-to-do-with-essays-by-hanna-scott-and-david-eggleton","title":"Greta Anderson — There Is Nowhere to Go, There Is Nothing to Do (Book)","description":"\u003ch3 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“In Greta’s images ordinary things radiate mystery, haloed by an ecstatic glow. Her pictures traverse eerie latitudes; they are brushed by the phantasmagoric; they pulse with a visceral brightness.”\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eAt the Edge of a Dark Forest, David Eggleton\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis book brings together a selection of photographs produced between 1997 and 2022 by Tāmaki Makaurau based artist \u003cstrong\u003eGreta Anderson\u003c\/strong\u003e, a prolific photographer, film maker and musician \u003cstrong\u003e(Superette).\u003c\/strong\u003e For over a quarter century, Anderson has been capturing dramatic scenes in films and photographs that quietly reference intensely personal narratives. \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eThere Is Nowhere to Go, There Is Nothing to Do\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e presents Anderson’s works, covering genres as wide as portraits, still life, wild and domesticated landscape and suburban tableau. The book is curated and designed by New Public, offering a fresh juxtapositions of images from a wide range of series and one-off artist books Greta made over the decades, from the classic \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eStand-ins\u003c\/i\u003e (2001), \u003ci\u003eUncomfortable Conversations\u003c\/i\u003e (2005), \u003ci\u003eOptimistic Tragedy \u003c\/i\u003e(2008),\u003c\/strong\u003e to more recent \u003cstrong\u003e\u003ci\u003eNo Hording\u003c\/i\u003e (2021) \u003c\/strong\u003eand\u003cstrong\u003e\u003ci\u003eThe Transcenders\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003e (2021)\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe book features two newly commissioned essays by long-time friend and supporter of Greta’s work, \u003cstrong\u003eHanna Scott\u003c\/strong\u003e, and esteemed poet laureate\u003cstrong\u003e David Eggleton\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eListen to \u003c\/span\u003e\u003ca href=\"https:\/\/www.rnz.co.nz\/national\/programmes\/culture-101\/audio\/2018914822\/greta-anderson-s-strange-psychically-charged-images-of-the-ordinary\" data-mce-href=\"https:\/\/www.rnz.co.nz\/national\/programmes\/culture-101\/audio\/2018914822\/greta-anderson-s-strange-psychically-charged-images-of-the-ordinary\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGreta Anderson’s strange, psychically charged images of the ordinary\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e on \u003cstrong\u003eCulture 101\u003c\/strong\u003e, \u003cstrong\u003eRNZ\u003c\/strong\u003e – fun-facts-filled interview with Greta Anderson by \u003cstrong\u003eMark Amery\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e—————————————————————————————————————————————\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGreta Anderson\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is an Aotearoa New Zealand musician, photographer and teacher. She exhibits regularly at Two Rooms Gallery in Tāmaki Makarau Auckland. Her work has been shown at many venues for international contemporary art and photography including The Australian Centre for Photography (Sydney), The Museum of Photographic Arts (San Diego), The Ringling Museum of Art (Sarasota, Florida) and the Art Gallery of New South Wales (Sydney).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDavid Eggleton\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a writer based in Ōtepoti Dunedin. He was the Aotearoa New Zealand Poet Laureate 2019 -2022. He has won a number of awards for his writing, including the Prime Minister’s Award for Literary Achievement in 2016. His books include \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTowards Aotearoa: A Short History of Twentieth Century New Zealand Art\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eInto the Light: a History of New Zealand Photography\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eReady to Fly: the Story of New Zealand Rock Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons: Four Essays on the New Zealand Year\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. He is a regular art reviewer for a variety of publishing platforms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHanna Scott\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e met Greta Anderson as the newly-minted Interim Director at Artspace on Karangahape Road in 2002. She has written about Greta’s work four times over two decades. Twice for the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNZ Journal of Photography\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLandfall\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArt New Zealand\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Hanna is an experienced contemporary art curator, programme manager and researcher, based in Tāmaki Makaurau since 2002. Her writing is published in broadsheets, magazines and books in Australia, Indonesia, Singapore, New Zealand and the USA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNew Public\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a design and publishing project based in Tāmaki Makaurau. It collaborates with artists and institutions to exhibit research devoted to the discussion of contemporary visual and material culture. 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