{"title":"ELECTRO","description":"","products":[{"product_id":"fn471-friend-inaccuracies-omissions-2002","title":"Friend - Inaccuracies \u0026 Omissions (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFN471 Friend - Inaccuracies \u0026amp; Omissions (2002)\u003c\/p\u003e\n\u003cp\u003e\"Musique concrete\" has generally had a bad rap. The problem lies in the \"musique\" part of the equation. Being constructed from found sounds or by mixing up sounds into some other form, musique concrete doesn't conform to a definition of \"music\" as most understand it. Put it this way: you can't whistle it.\u003cbr\u003e\u003cbr\u003eSo it's a courageous, inspired or art council-sponsored artist who enters the territory. \u003cstrong\u003eFriend\u003c\/strong\u003e is actually \u003cstrong\u003eChris Knox\u003c\/strong\u003e, who is all of the above, and these nine pieces range from three brief \"easy pieces\" at less than two minutes of Protools-edited piano to lengthy things involving reprocessed field recordings (literally, in one case, Scrape, which began with the sound of raking rubbish off Ericsson Stadium) and the usual digging about in the belly of a piano.\u003cbr\u003e\u003cbr\u003eIf all this sounds unlistenable - or worse, masturbatory - it isn't. \u003cstrong\u003eKnox\u003c\/strong\u003e creates spatial sense, tension and even humour as he takes (most of) the material far from its source while bringing his musical sensibilities to bear.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eCheap Jazz\u003c\/strong\u003e\u003c\/em\u003e is a quizzical little affair of almost melodic scraping and ticking over a heartbeat, \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eInsecticider\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e is like a stoned, electro-ambient night at a mosquito pond, and \u003cem\u003e\u003cstrong\u003eScrape\u003c\/strong\u003e\u003c\/em\u003e is almost funky in places before it hits a middle section of amusingly irritating overtones and drones.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eA couple of the \"easy pieces\" sound too easy, but the 11-minute \u003cem\u003e\u003cstrong\u003eHeartbeat Whale Meat\u003c\/strong\u003e\u003c\/em\u003e at the end, a rehit of \u003cem\u003e\u003cstrong\u003eCheap Jazz\u003c\/strong\u003e\u003c\/em\u003e with a discreet \u003cstrong\u003eTall Dwarfs\u003c\/strong\u003e rhythm added, is a quiet, sonic spaceflight through the subconscious.\u003cbr\u003e\u003cbr\u003eNo, it's obviously not for everyone but if the label \"musique concrete\" doesn't send you rushing for your Carpenters' greatest hits or the words \"arts council-sponsored\" don't have you firing off a stiff letter of disapproval to the Minister of Arts, then this is more than an indulgent digression.\u003cbr\u003e\u003cbr\u003eCan't see any of it featuring on playlists - although it might be coming to a gallery installation, fringe festival or soundtrack near you soon.\"\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElsewhere\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003erack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eFirst Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWipeout\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCheap Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInsecticider\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFifth Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScrape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSecond Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThird Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeartbeat Whale Meat\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Friend","offers":[{"title":"CD","offer_id":36896020201623,"sku":"FN471cd","price":14.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Friend-Inaccuracies_OmissionsFrontCover.jpg?v=1721977956"},{"product_id":"fn511-f-in-math-couch-ep-2011","title":"F In Math - Couch EP (CD)","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCouch EP\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the debut release of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eF IN MATH\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Michael Logie, former\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMint Chicks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebassist).\u003c\/p\u003e\n\u003cp\u003eThe solo project was born out the realisation that one can play electronic music live without ditching your beloved bass or pretending to twiddle knobs.\u003c\/p\u003e\n\u003cp\u003eMixed and mastered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNick Roughan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Skeptics\u003c\/strong\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCouch EP\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eF In MATH's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efirst recorded release. 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The album expresses an even greater sense of urgency about the fragile state of our planet, and a greater sense of fury towards the depraved hypercapitalist sadists ruling over us. Western governments are sitting snugly in the pockets of billionaire sociopaths who envision a future of endless war on Earth, and who fantasise about escaping the complete and total destruction of the planet via underground boltholes, Network States, or interplanetary exploitation.\u003c\/p\u003e\n\u003cp\u003eDespite years of repeated warnings of a fascist resurgence, its roots have quickly spread over the globe. The taproot of this is the US Empire, where malevolent venture capitalists like Peter Thiel, Marc Andreessen, and techno-authoritarian dickheads like Curtis Yarvin, have formed ideological alliances with government leaders and billionaire CEOs to usher in a new era of uninhibited capitalist extraction. The so-called State of Israel, two-facedly funded by much of the Western world, has continued to rain down bombs on Palestinians in a ceaseless genocide. Social media grifters and manosphere jagoffs pump steaming turds of disinformation into a thoroughly enshittified internet ecosystem, while our user data is siphoned out to train AI systems for military tech.\u003c\/p\u003e\n\u003cp\u003eNobody is coming to save us. But their money, their bunkers, and their colonial space fantasies won't save them either. We have a shared outlet for fury and grief in music, we have each other, we have solidarity, we have community. We can engage in direct action, we can participate in mutual aid efforts, we can boycott and sabotage. 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