{"title":"EVIL SINISTER VIBES","description":"","products":[{"product_id":"fn581-wax-chattels-wax-chattels-2018","title":"Wax Chattels - Wax Chattels (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGuitarless Guitar Music.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThis is the self-imposed one-line description chosen by Auckland, New Zealand's \u003cstrong\u003eWax Chattels\u003c\/strong\u003e. The keyboard, bass and drums trio don't have a guitar player, but their overwhelming sound and energy creates an atmosphere akin to a traditional loud power trio – except their music is anything but traditional. They create darkly hypnotic and frenetic music that's both rhythmically complex and sinister. If that paints any sort of aural picture, it comes as no surprise that \"Gillian,\" their homage to X-Files star Gillian Anderson, was roundly endorsed by the ex-punk actress herself on social media before the band had even played shows outside of their home country or received any support from larger press outlets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cstrong\u003ePeter Ruddell \u003c\/strong\u003e(26, keyboards\/vocals), \u003cstrong\u003eAmanda Cheng \u003c\/strong\u003e(26, bass\/vocals) and \u003cstrong\u003eTom Leggett\u003c\/strong\u003e (22, drums) met studying Jazz Performance at the University of Auckland, and started Wax Chattels a few years later after they'd lived in Japan, Ireland, gone to Law School and\/or performed in various other projects. Though Peter plays heavily treated keyboards in the band, he's a multi-instrumentalist that focused on sax in school. His influences range from old horror movies to the more outrageous side of live performance styles in Tokyo's music and art scene. \"We want to play shows that make people feel uncomfortable. The goal is to leave the audience feeling slightly altered, like they have experienced, not just heard or seen something.\" This is evident in the self-recorded \"Stay Disappointed,\" the band's self-recorded debut single where Peter takes the lead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eFrom novels to tweets, bassist Amanda is drawn to art and writing that addresses adversity. She's influenced by recurring themes of various difficulties she has experienced in her own life, challenges she feels are overly ubiquitous in the narratives of young women of color. Her post-punk informed bass lines provide the backbone for most of the band's tracks, though when she takes the lead on \"It,\" she's unrestrained. A song about \"really fucking wanting to fuck,” \"It\" expresses that it's important to not only have more visible women in the arts – especially in genres of traditionally \"dude music\" – but also to explicitly address female sexual desires. She finds these themes are usually shrouded in subtler terms, well-dressed metaphors and cute euphemisms. Perhaps, if people hear or see these statements more, female sexuality and\/or libido could become a less shameful, \"behind close doors only\" thing. \"Slut shaming is real, prevalent, and wrong.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eInitially, Peter and Amanda started \u003cstrong\u003eWax Chattels\u003c\/strong\u003e by writing tracks with a drum machine before realizing the band would be more exciting with a live drummer. Tom was playing and continues to play in a feminist punk band as well as various jazz acts in Auckland. And, the one thing Tom hates the most in this world? Being stuck in traffic. By living in the city, he has an endless supply of anger to take out on the drums, which influences \u003cstrong\u003eWax Chattels’\u003c\/strong\u003e punishing aesthetic. His minimal kit propels the band like a freight train. When asked why he paired his kit down to what it is, Tom said: \"I saw a pianist play with only ten working keys and still sound great... I started following drummers such as Mark Guiliana, Paul Motian and Deantoni Parks, who all play minimal kits, and it always put me in awe when I heard how unrestricted they were by their set up. Also, less drums = less pack down.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eComposing together, the band worked up their material for a year prior to recording. “We tracked the songs as a live band to capture the energy of the live show, restricting ourselves to instruments which we play live and keeping all production to a minimum to focus on the band sound itself.\" The band \"come from\" and \"go to\" different places on stage and in their heads when they write, record and perform, largely because they aren't the kind of band with homogeneous interests outside of music. Live, they are not to be missed. While they do come across as a \"rock\" band, it's coming from so many places so quickly that you're kind of left wondering where you're going. The opening of the one-chord tour de force “Concrete” begins in a downright frightening and jarring place and turns into an almost Krautrock-via-Suicide crescendo. It was after a particularly insane live performance that they were signed by both Captured Tracks and Flying Nun Records on the spot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eWax Chattels recalls the other side of Kiwi underground rock history, one that's a bit less sunny and jangly and one that demands your attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"lang-en\"\u003eTrack List: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cspan\u003e1. Concrete \/ 2. Stay Disappointed \/ 3. It \/ 4. Gillian \/ 5. In My Mouth \/ 6. Shrinkage \/ 7. Career \/ 8. NRG \/ 9. Parallel Lines \/ 10. Facebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP","offer_id":36698751598743,"sku":"FN581lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-273_Wax_Chattels_Cover_3000x3000_243434d6-cce5-4705-96e4-e447fbf739d7.jpg?v=1721977337"},{"product_id":"fn586-mermaidens-look-me-in-the-eye-2019","title":"Mermaidens - Look Me In The Eye (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e sees \u003cstrong\u003eMermaidens\u003c\/strong\u003e scale new territory, fearlessly pushing sonic boundaries and producing a body of work as severe and progressive as it is vibrant and exhilarating. At the heart of the record lies the thematic exploration of female voices, as band members Gussie Larking (co-lead vocals\/guitar), Lily West (co-lead vocals\/bass) and Abe Hollingsworth (drums) expose motifs of exterior masks, human relationships and power dynamics with unflinching fervour. \u003c\/p\u003e\n\u003cp\u003eThe title of the new album is intentional in its double-meaning, as notions of confrontation and intimacy collide to unearth the tangled paradoxes of human connection. The voices and perspectives of both front-women shape the record with equal footing, creating a dialogue around female collaboration and friendship. \u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e was recorded with long time collaborator, audio engineer James Goldsmith at Blue Barn Studio in the trio's hometown of Wellington. \u003cbr\u003e\u003cbr\u003ePredominantly writing songs independently and then coming together as a trio to work through arrangement and develop ideas, \u003cstrong\u003eMermaidens\u003c\/strong\u003e mobilised their strengths in collaboration to produce a body of music that is every bit as experimental, as it is accessible and uniting. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mermaidens","offers":[{"title":"Vinyl LP","offer_id":36671901728919,"sku":"FN586lp","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Digi-cover-HIRES.jpg?v=1721977226"},{"product_id":"sonic-youth-goo-reissue","title":"Sonic Youth - Goo (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e is the sixth studio album by \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/sonic-youth\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/strong\u003e\u003c\/a\u003e. It was released on June 26, 1990 by record label DGC. The album was \u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth's\u003c\/strong\u003e debut release on a major record label, after the band signed to \u003cstrong data-mce-fragment=\"1\"\u003eGeffen Records\u003c\/strong\u003e following the release of \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e\u003c\/em\u003e (1988).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e was recorded over a short period in early 1990 at Sorcerer Sound Recording Studios and Greene St. Recording with \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e \u003c\/em\u003eproducer \u003cstrong data-mce-fragment=\"1\"\u003eNick Sansano\u003c\/strong\u003e and additional producer Ron Saint Germain. The album's sound diverged considerably from their earlier material and is often considered \"their most accessible album\", with elements of experimental rock, garage punk, alternative rock and hard rock. Lead single \"\u003cem data-mce-fragment=\"1\"\u003eKool Thing\u003c\/em\u003e\" charted in the United States, United Kingdom and Ireland. Two other singles-\"\u003cem data-mce-fragment=\"1\"\u003eDisappearer\u003c\/em\u003e\" and \"\u003cem data-mce-fragment=\"1\"\u003eDirty Boots\u003c\/em\u003e\"-were also released from the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRIYL \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eKim Gordon, The Stooges, Patti Smith \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDirty Boots\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTunic (Song For Karen)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMary-Christ\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eKool Thing\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMote\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Friend Goo\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDisappearer\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMildred Pierce\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eCinderella's Big Score\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eScooter And Jinx\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTitanium Expose\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 25 February 2016. Originally released on \u003cspan data-mce-fragment=\"1\"\u003e26 June 1990\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"Vinyl LP","offer_id":40574258938007,"sku":"4734941","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a0600f09cd86eecbe97de4f5d0d52af4.1000x1000x1.png?v=1627009220"},{"product_id":"black-sabbath-paranoid","title":"Black Sabbath – Paranoid (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eBlack Sabbath's \u003c\/strong\u003esecond album, 1970's\u003cstrong\u003e Paranoid,\u003c\/strong\u003e was not only the band's most popular record it also stands as one of the greatest and most influential heavy metal albums of all time. \u003cstrong\u003eParanoid\u003c\/strong\u003e refined \u003cstrong\u003eBlack Sabbath's\u003c\/strong\u003e signature sound - crushingly loud, minor-key dirges loosely based on heavy blues-rock - and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics.\u003c\/p\u003e\n\u003cp\u003eThe subject matter is unrelentingly, obsessively dark, covering both supernatural\/sci-fi horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations, and narcotic abuse. Yet \u003cstrong\u003eSabbath\u003c\/strong\u003e make it totally convincing, thanks to the crawling, muddled bleakness and bad-trip depression evoked so frighteningly well by their music.\u003c\/p\u003e\n\u003cp\u003eEven the qualities that made critics deplore the album (and the group) for years increase the overall effect - the technical simplicity of \u003cstrong\u003eOzzy Osbourne's\u003c\/strong\u003e vocals and \u003cstrong\u003eTony Iommi's\u003c\/strong\u003e lead guitar vocabulary, the spots when the lyrics sink into melodrama or awkwardness, the lack of subtlety, and the infrequent dynamic contrast. Everything adds up to more than the sum of its parts, as though the anxieties behind the music simply demanded that the band achieve catharsis by steamrolling everything in their path, including their own limitations.\u003c\/p\u003e\n\u003cp\u003eMonolithic and primally powerful, \u003cstrong\u003eParanoid\u003c\/strong\u003e defined the sound and style of heavy metal more than any other record in rock history.\u003cem\u003e (AMG)\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl, LP, Reissue, Gatefold, 180 Gram\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA1 War Pigs \u003cbr\u003eA2 Paranoid \u003cbr\u003eA3 Planet Caravan \u003cbr\u003eA4 Iron Man \u003cbr\u003eB1 Electric Funeral \u003cbr\u003eB2 Hand Of Doom \u003cbr\u003eB3 Rat Salad \u003cbr\u003eB4 Fairies Wear Boots\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rmleuQP5owA\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Black Sabbath","offers":[{"title":"Vinyl LP","offer_id":43484479422708,"sku":"BMGRM054LP","price":54.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/bs.jpg?v=1666835054"},{"product_id":"fontaines-dc-romance-cd","title":"Fontaines DC - Romance (CD)","description":"\u003cp\u003eIrish indie rock sensation \u003cstrong\u003eFontaines DC \u003c\/strong\u003ereturn with their new album \u003cstrong\u003eRomance,\u003c\/strong\u003e out 23 Aug on XL Recordings. \u003cbr\u003e\u003cbr\u003eIt’s the band’s most electrifying album to date, as \u003cstrong\u003eGrian Chatten’s\u003c\/strong\u003e swaggering stream of consciousness collides with explosive production courtesy \u003cstrong\u003eJames Ford (Arctic Monkeys, Depeche Mode, Blur).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. ROMANCE \u003cbr data-mce-fragment=\"1\"\u003e02. STARBURSTER \u003cbr data-mce-fragment=\"1\"\u003e03. HERE'S THE THING \u003cbr data-mce-fragment=\"1\"\u003e04. DESIRE \u003cbr data-mce-fragment=\"1\"\u003e05. IN THE MODERN WORLD\u003cbr data-mce-fragment=\"1\"\u003e06. BELLS ON THE SHEEP’S NECK \u003cbr data-mce-fragment=\"1\"\u003e07. MOTORCYCLE BOY \u003cbr data-mce-fragment=\"1\"\u003e08. SUNDOWNER \u003cbr data-mce-fragment=\"1\"\u003e09. HORSENESS IS THE WHATNESS \u003cbr data-mce-fragment=\"1\"\u003e10. DEATH KINK \u003cbr data-mce-fragment=\"1\"\u003e11. 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Produced by garage rock hero\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTy Segall\u003c\/b\u003e in Los Angeles, the record captures the duo’s live intensity with sludge guitars, bone-battering drums, and tuneful vocals, all recorded live and direct to tape at Altamira Sound. Their collaboration with Ty, whom they previously supported on tour, brought a new dimension to their music. Band and producer were particular about finding the right sound, and that’s apparent on listening, as the album’s twelve tracks offer a feast of wonderfully scuffed and scuzzy riffage. \u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eDungeon Vision\u003c\/i\u003e\u003c\/strong\u003e was recorded and mixed in just 10 days—a testament to the band’s drive and ability, and a process that infused the album with urgency and adrenaline.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003cdiv\u003e01. Dungeon Vision\u003c\/div\u003e\n\u003cdiv\u003e02. Demon Cam\u003c\/div\u003e\n\u003cdiv\u003e03. Flashlight\u003c\/div\u003e\n\u003cdiv\u003e04. Body of Water\u003c\/div\u003e\n\u003cdiv\u003e05. Watchtower\u003c\/div\u003e\n\u003cdiv\u003e06. Orbit of a Witch\u003c\/div\u003e\n\u003cdiv\u003e07. Symmetry Dripper\u003c\/div\u003e\n\u003cdiv\u003e08. 1000 Curses\u003c\/div\u003e\n\u003cdiv\u003e09. Silver Eye\u003c\/div\u003e\n\u003cdiv\u003e10. Living Hell\u003c\/div\u003e\n\u003cdiv\u003e11. Harvester\u003c\/div\u003e\n\u003cdiv\u003e12. Ritual\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jGVcw-fQeik?si=8afDYzxtFMRkLaJL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Earth Tongue","offers":[{"title":"CD","offer_id":47430921060596,"sku":"ITR411CD","price":32.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Earth_Tongue_-_Dungeon_Vision_CD.jpg?v=1768287790"},{"product_id":"sonic-youth-goo-cd","title":"Sonic Youth - Goo (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e is the sixth studio album by \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/sonic-youth\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/strong\u003e\u003c\/a\u003e. It was released on June 26, 1990 by record label DGC. The album was \u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth's\u003c\/strong\u003e debut release on a major record label, after the band signed to \u003cstrong data-mce-fragment=\"1\"\u003eGeffen Records\u003c\/strong\u003e following the release of \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e\u003c\/em\u003e (1988).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e was recorded over a short period in early 1990 at Sorcerer Sound Recording Studios and Greene St. Recording with \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e \u003c\/em\u003eproducer \u003cstrong data-mce-fragment=\"1\"\u003eNick Sansano\u003c\/strong\u003e and additional producer Ron Saint Germain. The album's sound diverged considerably from their earlier material and is often considered \"their most accessible album\", with elements of experimental rock, garage punk, alternative rock and hard rock. Lead single \"\u003cem data-mce-fragment=\"1\"\u003eKool Thing\u003c\/em\u003e\" charted in the United States, United Kingdom and Ireland. Two other singles-\"\u003cem data-mce-fragment=\"1\"\u003eDisappearer\u003c\/em\u003e\" and \"\u003cem data-mce-fragment=\"1\"\u003eDirty Boots\u003c\/em\u003e\"-were also released from the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRIYL \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eKim Gordon, The Stooges, Patti Smith \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDirty Boots\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTunic (Song For Karen)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMary-Christ\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eKool Thing\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMote\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Friend Goo\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDisappearer\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMildred Pierce\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eCinderella's Big Score\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eScooter And Jinx\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTitanium Expose\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 25 February 2016. Originally released on \u003cspan data-mce-fragment=\"1\"\u003e26 June 1990\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"CD","offer_id":47684215898356,"sku":"DGCD24297","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a0600f09cd86eecbe97de4f5d0d52af4.1000x1000x1.png?v=1627009220"},{"product_id":"mermaidens-look-me-in-the-eye-cd","title":"Mermaidens - Look Me In The Eye (CD)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e sees \u003cstrong\u003eMermaidens\u003c\/strong\u003e scale new territory, fearlessly pushing sonic boundaries and producing a body of work as severe and progressive as it is vibrant and exhilarating. At the heart of the record lies the thematic exploration of female voices, as band members Gussie Larking (co-lead vocals\/guitar), Lily West (co-lead vocals\/bass) and Abe Hollingsworth (drums) expose motifs of exterior masks, human relationships and power dynamics with unflinching fervour. \u003c\/p\u003e\n\u003cp\u003eThe title of the new album is intentional in its double-meaning, as notions of confrontation and intimacy collide to unearth the tangled paradoxes of human connection. The voices and perspectives of both front-women shape the record with equal footing, creating a dialogue around female collaboration and friendship. \u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e was recorded with long time collaborator, audio engineer James Goldsmith at Blue Barn Studio in the trio's hometown of Wellington. \u003cbr\u003e\u003cbr\u003ePredominantly writing songs independently and then coming together as a trio to work through arrangement and develop ideas, \u003cstrong\u003eMermaidens\u003c\/strong\u003e mobilised their strengths in collaboration to produce a body of music that is every bit as experimental, as it is accessible and uniting. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mermaidens","offers":[{"title":"CD","offer_id":47726520369396,"sku":"FN586cd","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Digi-cover-HIRES.jpg?v=1721977226"},{"product_id":"earth-tongue-great-haunting-cd","title":"Earth Tongue - Great Haunting (CD)","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003eHot and sweaty off the stage having supported \u003cb\u003eQueens of the Stone Age\u003c\/b\u003e last night in Tāmaki Makaurau, \u003cb\u003eEarth Tongue\u003c\/b\u003e, the brainchild of guitarist \u003cb\u003eGussie Larkin\u003c\/b\u003e and drummer \u003cb\u003eEzra Simons\u003c\/b\u003e, today announce their second full-length album \u003cb\u003e\u003ci\u003eGreat Haunting\u003c\/i\u003e\u003c\/b\u003e. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe duo, known for their heavy flavour of fuzz-soaked psychedelic rock, are also pleased to unveil their signing to \u003cb\u003e\u003ci\u003eIn The Red Records\u003c\/i\u003e\u003c\/b\u003e, (Boss Hog, Jon Spencer Blues Explosion, Vivian Girls) an iconic Los Angeles based rock 'n' roll label that formed in 1991. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003ci\u003eGreat Haunting\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e will be released worldwide on June 14th 2024.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eTRACKLISTING:\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. Out Of This Hell\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Bodies Dissolve Tonight!\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Nightmare \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. The Mirror \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Grave Pressure \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Miraculous Death \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Sit Next to Satan \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Reaper Returns \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. The Reluctant Host \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/--Zo8rYl8Co?si=yeb_OgwdCxKz4ybU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Earth Tongue","offers":[{"title":"CD","offer_id":48214083076340,"sku":"ITR393CD","price":32.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Earth_Tongue_-_Great_Haunting_Vinyl_CD.jpg?v=1728550426"}],"url":"https:\/\/www.flyingnun.co.nz\/collections\/evil-sinister-vibes.oembed","provider":"Flying Nun ","version":"1.0","type":"link"}