{"title":"EXPERIMENTAL (Style)","description":"","products":[{"product_id":"fn070-peter-jefferies-jono-lonie-at-swim-2-birds-1987","title":"Peter Jefferies \u0026 Jono Lonie - At Swim 2 Birds (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eFN070 Peter Jefferies \u0026amp; Jono Lonie - At Swim 2 Birds (1987)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRe-issued on vinyl for the first time since it's 1987 release, \u003c\/span\u003e\u003cstrong\u003eAt Swim 2 Birds\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003eis a sonically rich and ever expanding collaboration between \u003c\/span\u003e\u003cstrong\u003ePeter Jefferies \u003c\/strong\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cstrong\u003eThis Kind Of Punishment\u003c\/strong\u003e\u003cspan\u003e) and Dunedin folk musician \u003c\/span\u003e\u003cstrong\u003eJono Lonie\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitled after the surreal Flann O'Brien novel, this album is a varied affair from piano-scapes, ambient noise, minimalism to experimental moods and homemade instruments. All seeking out free combinations that act as both antithesis and co-existence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"While it's tempting to look at a musical career that spans three and a half decades in terms of trends and themes, every record that \u003cstrong\u003ePeter Jefferies \u003c\/strong\u003ehas ever made demands to be dealt with on its own, and \u003cstrong\u003eAt Swim 2 Birds\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eis no exception. \u003cstrong\u003eFlying Nun Records \u003c\/strong\u003efirst released it in 1987, just as \u003cstrong\u003eThis Kind Of Punishment\u003c\/strong\u003e, his sonic partnership with brother \u003cstrong\u003eGraeme Jefferies\u003c\/strong\u003e, wound down, and shortly before he became \u003cstrong\u003eXpressways \u003c\/strong\u003eproduction expert.\u003c\/p\u003e\n\u003cp\u003eBut it is not so much a transitional effort as a singular expression of where \u003cstrong\u003eJefferies\u003c\/strong\u003e head was at, geographically and personally. Having left \u003cstrong\u003eNew Zealand's \u003c\/strong\u003eNorth Island for \u003cstrong\u003eDunedin\u003c\/strong\u003e, he was ready to leave behind the musical and personal pressures that accompanied his work with \u003cstrong\u003eTKP \u003c\/strong\u003eand its more straightforwardly rocking predecessor, \u003cstrong\u003eNocturnal Projections\u003c\/strong\u003e. So he refrained from singing, turning instead to the evocative potential of malleable sound to express a more unbounded frame of mind.\u003c\/p\u003e\n\u003cp\u003eNowadays \u003cstrong\u003eJono Lonie \u003c\/strong\u003eplays Irish folk music, but \u003cstrong\u003eJefferies\u003c\/strong\u003e appreciatively recalls how willing he was to experiment on \u003cstrong\u003eAt Swim 2 Birds\u003c\/strong\u003e: \"\u003cem\u003eWorking with Jono was very liberating in terms of new ideas and new sounds. He was really flexible and open-minded about the collaborative process.\" \u003c\/em\u003e\u003cstrong\u003eJefferies\u003c\/strong\u003e tape manipulations are all over the record, \u003cem\u003e\u003c\/em\u003etransforming the pitches and timbres of his piano and drums as well as \u003cstrong\u003eLonie's\u003c\/strong\u003e guitar and violin. The two men worked out the music in \u003cstrong\u003eLonie's\u003c\/strong\u003e house, overlooking the ocean and Otago Peninsula. This setting translated into music that suggests tidal pulses, avian voices, and open skies, natural forces that balance the brittle nerviness of tracks like \u003cem\u003e\u003cstrong\u003eInteralia\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eTarantella\u003c\/strong\u003e\u003c\/em\u003e. \u003cstrong\u003eJefferies\u003c\/strong\u003e has gone on to use the transformational techniques at work on this LP time and again, and he also returned to instrumental music on \u003cem\u003eSubstatic, \u003c\/em\u003ebut he's never made another record that feels like \u003cstrong\u003eAt Swim 2 Birds\u003c\/strong\u003e\u003cem\u003e.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- Bill Meyer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Comes with download card\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Introduction \u003cbr\u003e2. Thief With The Silver \u003cbr\u003e3. Piano (One) \u003cbr\u003e4. Interalia \u003cbr\u003e5. At Swim 2 Birds \u003cbr\u003e6. Tarantella \u003cbr\u003e7. Where The Flies Sleep \u003cbr\u003e8. The Standing Stone \u003cbr\u003e9. Aerial \u003cbr\u003e10. Short Was Fast \u003cbr\u003e11. Piano (Two)\u003c\/p\u003e","brand":"Peter Jefferies \u0026 Jono Lonie","offers":[{"title":"Vinyl LP","offer_id":37656685314199,"sku":"FN070lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/PeterJefferies_JonoLonie_AtSwim2BirdsFrontCover.png?v=1721978187"},{"product_id":"fn109-skeptics-iii-1987","title":"Skeptics - III (CD)","description":"\u003csection class=\"section\"\u003e\n\u003cdiv class=\"wrapper\"\u003e\n\u003cp\u003eFN109 Skeptics - III (1987) 1993 Reissue\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII\u003c\/strong\u003e showcases the band’s abrasive and haunting sound as well as their pioneering, embracing nature of early sampling technology in a time when jangle guitar pop was prominent on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. Despite being left-of-centre, \u003cstrong\u003eSkeptics\u003c\/strong\u003e \u003cstrong\u003eIII\u003c\/strong\u003e made an impact in New Zealand due to the controversial video for \u003cstrong\u003e\u003cem\u003eAffco\u003c\/em\u003e\u003c\/strong\u003e named after a meat work company in the North Island. The video shows graphic footage of an animal slaughter house and was banned from national television.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAffco\u003c\/li\u003e\n\u003cli\u003eFeeling Bad\u003c\/li\u003e\n\u003cli\u003eAgitator\u003c\/li\u003e\n\u003cli\u003eTurnover\u003c\/li\u003e\n\u003cli\u003eLa Motta\u003c\/li\u003e\n\u003cli\u003eNotice\u003c\/li\u003e\n\u003cli\u003eRain\u003c\/li\u003e\n\u003cli\u003eLuna\u003c\/li\u003e\n\u003cli\u003eCrave\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Skeptics","offers":[{"title":"CD","offer_id":37344833142935,"sku":"FN109cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/R-242354-1262955751.jpg?v=1780869279"},{"product_id":"fn125-chris-knox-seizure-1989","title":"Chris Knox - Seizure (CD)","description":"\u003cp\u003e\u003cstrong\u003eChris Knox\u003c\/strong\u003e, godfather of alternative New Zealand music. A true renaissance bloke from down under.\u003c\/p\u003e\n\u003cp\u003eAnd while, \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e, originally released in 1989, was certainly not the start of his story,it is often considered his first ‚proper solo album. Though in fairness there is nothing proper about it, exploring the surreal, the political, the satirical and sometimes simply the crazy, all of which would never been seen on the hit parade. Yet, musically they should have been, packed with brilliantly skewered hooks and humorously scathing lyrics, \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e is a lo-fi mix of punk, indie rock and pop that works perfectly.\u003c\/p\u003e\n\u003cp\u003eFrom the simple pop of \u003cem\u003e\"The Face of Fashion\"\u003c\/em\u003e, through to the driving force of \u003cem\u003eWanna!!\u003c\/em\u003e and the strangely uplifting brood of \u003cem\u003eMy Dumb Luck\u003c\/em\u003e all that without mentioning \u003cem\u003e\"Not Given Lightly\"\u003c\/em\u003e, the love song to end all love songs \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e, despite our dislike of the word, is a legendary release in the Flying Nun catalogue.\u003c\/p\u003e\n\u003cp\u003eNow, re-issued again on LP and CD, with the audio taken direct from the original master tape, the releases also features the original cover art from its first pressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eThe Face of Fashion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Woman Inside Of Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStatement of Intent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFilling Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNot Given Lightly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBreak!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUncle Tom's Cabin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWanna!!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnd I Will Cry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRapist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGrand Mal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVoyeur\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHonesty's Not Enough\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMy Dumb Luck\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAche\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chris Knox","offers":[{"title":"CD","offer_id":37343935135895,"sku":"FN125cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/0019239255_10.jpg?v=1721978119"},{"product_id":"fn471-friend-inaccuracies-omissions-2002","title":"Friend - Inaccuracies \u0026 Omissions (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFN471 Friend - Inaccuracies \u0026amp; Omissions (2002)\u003c\/p\u003e\n\u003cp\u003e\"Musique concrete\" has generally had a bad rap. The problem lies in the \"musique\" part of the equation. Being constructed from found sounds or by mixing up sounds into some other form, musique concrete doesn't conform to a definition of \"music\" as most understand it. Put it this way: you can't whistle it.\u003cbr\u003e\u003cbr\u003eSo it's a courageous, inspired or art council-sponsored artist who enters the territory. \u003cstrong\u003eFriend\u003c\/strong\u003e is actually \u003cstrong\u003eChris Knox\u003c\/strong\u003e, who is all of the above, and these nine pieces range from three brief \"easy pieces\" at less than two minutes of Protools-edited piano to lengthy things involving reprocessed field recordings (literally, in one case, Scrape, which began with the sound of raking rubbish off Ericsson Stadium) and the usual digging about in the belly of a piano.\u003cbr\u003e\u003cbr\u003eIf all this sounds unlistenable - or worse, masturbatory - it isn't. \u003cstrong\u003eKnox\u003c\/strong\u003e creates spatial sense, tension and even humour as he takes (most of) the material far from its source while bringing his musical sensibilities to bear.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eCheap Jazz\u003c\/strong\u003e\u003c\/em\u003e is a quizzical little affair of almost melodic scraping and ticking over a heartbeat, \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eInsecticider\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e is like a stoned, electro-ambient night at a mosquito pond, and \u003cem\u003e\u003cstrong\u003eScrape\u003c\/strong\u003e\u003c\/em\u003e is almost funky in places before it hits a middle section of amusingly irritating overtones and drones.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eA couple of the \"easy pieces\" sound too easy, but the 11-minute \u003cem\u003e\u003cstrong\u003eHeartbeat Whale Meat\u003c\/strong\u003e\u003c\/em\u003e at the end, a rehit of \u003cem\u003e\u003cstrong\u003eCheap Jazz\u003c\/strong\u003e\u003c\/em\u003e with a discreet \u003cstrong\u003eTall Dwarfs\u003c\/strong\u003e rhythm added, is a quiet, sonic spaceflight through the subconscious.\u003cbr\u003e\u003cbr\u003eNo, it's obviously not for everyone but if the label \"musique concrete\" doesn't send you rushing for your Carpenters' greatest hits or the words \"arts council-sponsored\" don't have you firing off a stiff letter of disapproval to the Minister of Arts, then this is more than an indulgent digression.\u003cbr\u003e\u003cbr\u003eCan't see any of it featuring on playlists - although it might be coming to a gallery installation, fringe festival or soundtrack near you soon.\"\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElsewhere\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003erack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eFirst Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWipeout\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCheap Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInsecticider\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFifth Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScrape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSecond Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThird Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeartbeat Whale Meat\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Friend","offers":[{"title":"CD","offer_id":36896020201623,"sku":"FN471cd","price":14.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Friend-Inaccuracies_OmissionsFrontCover.jpg?v=1721977956"},{"product_id":"fn519-high-dependency-unit-metamathics-2011","title":"High Dependency Unit - Metamathics (CD)","description":"\u003cp\u003eFN519 High Dependency Unit - Metamathics (2011)\u003c\/p\u003e\n\u003cp\u003e\"No band whips up a swirl of sonic bedlam like\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHDU\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand in their 13-year history they have always had a fragile and tranquil side to them. 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Nielson’s groundbreaking production, songwriting and exhilarating live performance with art punk pioneers The Mint Chicks helped to secure the group fans worldwide and five New Zealand Music Awards for their 2007 gold-certified album \u003cem data-mce-fragment=\"1\"\u003eCrazy? Yes! Dumb? No!\u003c\/em\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eSince the group’s disbanding in 2010, his solo project Silicon has been praised by the likes of Pharrell Williams and Justin Timberlake, as well as winning the prestigious Taite Music Prize for the 2016 album \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePersonal Computer\u003c\/em\u003e\u003c\/strong\u003e. Alongside his work with Bic Runga and their group Opossom, Kody has been an integral collaborator in brother Ruban’s project \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, and is presently touring with UMO as drummer. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\nNow, Nielson returns with \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e\u003c\/strong\u003e, notably the first full-length to be released under his own name. Set for release via Flying Nun Records on May 9, this auspicious release date marks Kody’s own birthday; with each of the record’s 12 songs written for one of the artist’s family and friend’s birthday. \u003cem data-mce-fragment=\"1\"\u003eBirthday Suite’s \u003c\/em\u003einstrumental concept also sees each single on the album unveiled to coincide with the namesakes on birthday.\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e\u003c\/strong\u003e is an energetic, elaborate set of instrumental arrangements comprised of drums, bass guitar, strings, electric piano and synthesizer. A concise and challenging experimentation, \u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e takes ques from everything from the baroque to Afrobeat, Jazz Fusion, Psychedelic Rock and offbeat explorational sounds while maintaining a commitment to classic songcraft and musicianship.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFirst single \u003cem data-mce-fragment=\"1\"\u003eBic’s Birthday\u003c\/em\u003e – sees baroque melodies skating with graceful aplomb over funky drum beats, calling to mind Wendy Carlos or CAN, while second single \u003cem data-mce-fragment=\"1\"\u003eRuban’s Birthday\u003c\/em\u003e is a short, sharp composition melding psychedelic string arrangements with swirling drums and organ. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHis constant ability to agitate and explore his own boundaries, has seen Nielson cement his position as one of the most urgent and interesting characters in New Zealand’s music history.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"null\" data-mce-fragment=\"1\" paraeid=\"{a7c7d6bc-2fd7-4a2f-a586-759a1314b0ef}{202}\" paraid=\"839145395\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACK LIST: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. Bic's Birthday \/ 2. James's Birthday \/ 3. Ruban's Birthday \/ 4. Darien's Birthday \/ 5. Frida's Birthday \/ 6. Po Po's Birthday \/ 7. Bubba's Birthday \/ 8. Azure's Birthday \/ 9. Christopher's Birthday \/ 10. Jo Jo's Birthday \/ 11. Cherhy's Birthday \/ 12. Dee Dee's Birthday \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Kody Nielson","offers":[{"title":"Vinyl LP (White)","offer_id":36731923857559,"sku":"FN580lp-W","price":43.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":36731923890327,"sku":"FN580lp","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Kody_Nielson_-_Birthday_Suite_Cover_Web.jpg?v=1721977356"},{"product_id":"fn582-indi-precipice-2018","title":"indi - Precipice (Vinyl)","description":"\u003cp\u003e FN582 indi - Precipice (2018)\u003c\/p\u003e\n\u003cp\u003e'\u003cstrong\u003eindi\u003c\/strong\u003e' is the moniker of contemporary musician and composer \u003cstrong\u003eIndira Force\u003c\/strong\u003e, who originates from the rain forests of Titirangi, New Zealand and built her foundations of classical piano.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eIndi\u003c\/strong\u003e writes using a combination of electronic and classical instrumentation, with a signature sound that relies on intricate details and multi-layered structures. 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She started with \u003cstrong\u003eDoprah\u003c\/strong\u003e at only 19 in 2013 and they were nominated for two awards at VNZMA the following year. indi's collaborations with music video makers Candlelit Pictures\/Thunderlips have also been popular, including the single 'Precipice' which won Best Music Video at CLIPPED Festival in Sydney last year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Demeter\u003cbr\u003e2. Cair Paravel\u003cbr\u003e3. Precipice\u003cbr\u003e4. Airportal\u003cbr\u003e5. Tablelands\u003cbr\u003e6. Woman\u003cbr\u003e7. pith\u003cbr\u003e8. 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Established at the end of the decade in response to The Nun's growing affiliations with major music labels, Xpressway - a relatively short-lived operation formed together with \u003cstrong\u003eBruce Russell\u003c\/strong\u003e (\u003cstrong\u003eThe Dead C\u003c\/strong\u003e) and \u003cstrong\u003ePeter Jefferies\u003c\/strong\u003e - proved to be crucial in exposing the trio's activities to the rest of the world, forging relationships with US-based labels \u003cstrong\u003eSiltbreeze\u003c\/strong\u003e,\u003cstrong\u003e Drag City\u003c\/strong\u003e and Ajax while releasing seminal sides by the likes of \u003cstrong\u003eSandra Bell\u003c\/strong\u003e, \u003cstrong\u003eScorched Earth Policy\u003c\/strong\u003e, T\u003cstrong\u003ehis Kind Of Punishment\u003c\/strong\u003e and \u003cstrong\u003eThe Terminal\u003c\/strong\u003es. 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Despite being rooted in psychedelic traditions of narcotic time-dilation, Galbraith's dealings are distinctively out of time, out of tune; dismantling and eschewing notions of song and structure for small, affecting gestures and fragmentary glimpses. The result is a world of fragile, quietly enveloping sound and poetry that embraces fleetingness and intimacy and undulates between hope and pain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Pendulum\u003cbr\u003eA2. Dark March\u003cbr\u003eA3. O Lucky Man\u003cbr\u003eA4. Pull My Daisy\u003cbr\u003eA5. Beehive\u003cbr\u003eA6. On Paul's Imp\u003cbr\u003eA7. Hardly\u003cbr\u003eA8. Cemetary Raga\u003cbr\u003eA9. Plattform\u003cbr\u003eA10. Black Flame\u003cbr\u003eA11. Putty\u003cbr\u003eA12. One Two\u003cbr\u003eA13. Nocturnal\u003cbr\u003eB1. Swordfish\u003cbr\u003eB2. Cars\u003cbr\u003eB3. I'm Brave I'm Scared\u003cbr\u003eB4. 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They mutate and morph into new shapes, refusing to be boxed in. \u003cstrong\u003eFloating Points\u003c\/strong\u003e has so many guises that it’s not easy to pin him down. There’s the composer whose 2015 debut album Elaenia was met with rave reviews – including being named Pitchfork’s ‘Best New Music’ and Resident Advisor’s ‘Album of the Year’ – and took him from dancefloors to festival stages worldwide. The curator whose record labels have brought soulful new sounds into the club, and, on his esteemed imprint Melodies International, reinstated old ones. The classicist, the disco guy that makes machine music, the digger always searching for untapped gems to re-release. And then there’s the DJ whose liberal approach to genre saw him once drop a 20-minute instrumental by spiritual saxophonist Pharoah Sanders in Berghain.\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFresh from the release earlier this year of his compilation of lambent, analogous ambient and atmospheric music for the esteemed Late Night Tales compilation series, Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head again. A tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. As a result, Shepherd has made some of his heaviest, most propulsive tracks yet, nodding to the UK bass scene he emerged from in the late 2000s, such as the dystopian low-end bounce of previously shared striking lead single ‘LesAlpx’ (Pitchfork’s ‘Best New Track’), but there are also some of his most expressive songs on Crush: his signature melancholia is there in the album’s sublime mellower moments or in the Buchla synthesizer, whose eerie modulation haunts the album.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhereas Elaenia was a five-year process, Crush was made during an intense five-week period, inspired by the invigorating improvisation of his shows supporting The xx in 2017. He had just finished touring with his own live ensemble, culminating in a Coachella appearance, when he suddenly became a one-man band, just him and his trusty Buchla opening up for half an hour every night. He thought what he’d come out with would \"be really melodic and slow- building\" to suit the mood of the headliners, but what he ended up playing was \"some of the most obtuse and aggressive music I've ever made, in front of 20,000 people every night,\" he says. \"It was liberating.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHis new album feels similarly instantaneous – and vital. It’s the sound of the many sides of Floating Points finally fusing together. It draws from the \"explosive\" moments during his sets, the moments that usually occur when he throws together unexpected genres, for the very simple reason that he gets excited about wanting to \"hear this record, really loud, now!\" and then puts the needle on. It’s \"just like what happens when you’re at home playing music with your friends and it's going all over the place,\" he says.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eToday's newly announced live solo shows capture that energy too, so that the audience can see that what they’re watching isn’t just someone pressing play. Once again Shepherd has teamed up with Hamill Industries, the duo who brought their ground-breaking reactive laser technologies to his previous tours. Their vision is to create a constant dialogue between the music and the visuals. This time their visuals will zoom in on the natural world, where landscapes are responsive to the music and flowers or rainbow swirls of bubbles might move and morph to the kick of the bass drum. What you see on the screen behind Shepherd might \"look like a cosmos of colour going on,\" says Shepherd, \"but it’s actually a tiny bubble with a macro lens on it being moved by frequencies by my Buchla,\" which was also the process by which the LP artwork was made.\" It means, he adds, \"putting a lot of Fairy Liquid on our tour rider\".\u003c\/div\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e18 October 2019\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Floating Points","offers":[{"title":"Vinyl LP","offer_id":39504098295959,"sku":"ZEN-259","price":68.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FloatingPointsCrush.jpg?v=1615515138"},{"product_id":"sonic-youth-sonic-youth","title":"Sonic Youth - Sonic Youth (Vinyl)","description":"\u003cp\u003eOriginally released in 1982. \u003c\/p\u003e\n\u003cp\u003e2 x Vinyl LP \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/sonic-youth\"\u003e\u003cstrong\u003eSonic Youth's\u003c\/strong\u003e \u003c\/a\u003eeponymous debut EP, reissued in a deluxe double- LP edition on the band's own Goofin imprint, was recorded in late 1981 at Radio City Music Hall in NYC and originally released on composer Glenn Branca's Neutral label. The album is loosely based on compositions the newly formed group had performed at that year s week-long Noisefest event (and remains the only recorded document of an early line-up featuring actor Richard Edson on drums). The newly remastered vinyl also features extra live material from a 1981 gig, and a track from a previously unheard studio session.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"Vinyl","offer_id":39840073547927,"sku":"GOO08LP","price":57.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/SonicYouth-SonicYouth_2006.jpg?v=1618530855"},{"product_id":"aphex-twin-syro-2014","title":"Aphex Twin - Syro (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eCelebrated electronic artist,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRichard D. 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They created their hitherto unheard-of and unparalleled music by combining acoustic, electronic and electro-acoustic instruments, by using the technical possibilities in the studio in a completely different way thus sometimes going beyond the limits as well as by showing good but relaxed discipline while recording 'de luxe', their second and last LP. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003eA1 Deluxe (Immer Wieder) \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA2 Walky-Talky \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003eB1 Monza (Rauf Und Runter) \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eB2 Notre Dame \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eB3 Gollum \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eB4 Kekse \u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Harmonia","offers":[{"title":"Vinyl LP","offer_id":40408824053911,"sku":"50602038632072","price":48.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP + CD","offer_id":43955305545972,"sku":"LR356","price":40.0,"currency_code":"NZD","in_stock":false},{"title":"Coloured, 180g (50th Anniversary)","offer_id":47548810559732,"sku":"0","price":75.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl 180g (50th Anniversary)","offer_id":47678614700276,"sku":"0","price":48.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/harmoniadeluxe.jpg?v=1722311624"},{"product_id":"cluster-japan-live-2015","title":"Cluster - Japan Live (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"ctl00_ContentPlaceHolder1_lblDescription\" data-mce-fragment=\"1\"\u003eAfter\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eCuriosum\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1981), the last\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCluster\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ealbum to be released on Sky,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRoedelius\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMoebius\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eturned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eApropos Cluster \u003c\/em\u003e\u003c\/strong\u003e(1990) and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eOne Hour \u003c\/strong\u003e\u003c\/em\u003e(1994). The duo also took to the road for live shows in Germany and Europe, followed by tours across the USA and Japan. Some of these concerts were recorded in digital quality and offer compelling evidence of just how dramatically Cluster's music had evolved -- to what degree Moebius and Roedelius had found serenity as they matured. The tracks collected here are gleaned from live performances in Osaka and Tokyo. In technical terms, and all the more so musically, the recordings are on par with meticulously prepared studio productions. 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Tracing the arc of suspense in these improvisations, the equanimity and nuance that Roedelius and Moebius bring to their music becomes apparent, inciting a positive sense of excitement in the conscientious listener. This release consists of tracks from Captain Trip Records' 1997 CD\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eJapan 1996 Live\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereworked into a new version and presented on vinyl for the first time. Includes liner notes by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAsmus Tietchens\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand new artwork.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Cluster","offers":[{"title":"Vinyl LP","offer_id":40408817762455,"sku":"BB174LP","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/clusteerjpn.jpg?v=1624497598"},{"product_id":"can-out-of-reach","title":"Can – Out Of Reach (Vinyl)","description":"\u003cdiv id=\"product-description\" class=\"js-readmore\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eOriginally released in 1978, out of reach was one of \u003cstrong\u003eCan's\u003c\/strong\u003e last albums before their official disbandment in 1979. Here, original bass player Holger Czukay is replaced by a much more funky rosko gee (of traffic fame)-who plays a prominent role in shaping the sound of this album - writing and singing on a number of the album's tracks-while drumming duties are shared between Jaki Liebezeit and Reebop Kwaku Baah (also from Traffic), making this one of \u003cstrong\u003eCan's\u003c\/strong\u003e more groove-heavy releases.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e1. Serpentine \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Pauper's daughter and I \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. November \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Seven days awake \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Give me no roses \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. Like inobe God \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. One more day\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eRelease Date: 2010 (reissue). Originally released in 1978. \u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"Can","offers":[{"title":"Vinyl LP (Picture Disk)","offer_id":40799586582679,"sku":"889397703523","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Out_Of_Reach_Can.jpg?v=1722310151"},{"product_id":"grouper-a-i-a-dream-loss-reissue","title":"Grouper – A I A : Dream Loss (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eAIA: Dream Loss\u003c\/strong\u003e\u003c\/em\u003e was the first of a two part album series released by \u003cstrong\u003eGrouper\u003c\/strong\u003e (aka \u003cstrong\u003eLiz Harris\u003c\/strong\u003e) in 2011. The album continues her journey into deep ambience and distorted slow moving dream pop and has been compared to the earlier similarly muffled and spacey sound of \u003cem\u003e\u003cstrong\u003eFlying Saucer Attack\u003c\/strong\u003e\u003c\/em\u003e. Long out of print, these two albums have received an essential reissue.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003eDragging The Streets [First Heart Tone] \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI Saw A Ray \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSoul Eraser \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAtone \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo Other\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWind Return \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA Lie \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eReissue Release Date: 23 October 2019\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released in 2011\u003c\/strong\u003e\u003c\/div\u003e","brand":"Grouper","offers":[{"title":"Vinyl LP","offer_id":41118919622807,"sku":"KRANK223LP","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/grouper_-_a_i_a_1024x1024_0afbec29-aa1d-4f6c-a295-6ecdda8c4505.jpg?v=1726201486"},{"product_id":"oneohtrix-point-never-age-of","title":"Oneohtrix Point Never – Age Of (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOneohtrix Point Never\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereleases \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAge Of\u003c\/strong\u003e\u003c\/em\u003e, a album of new music on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWarp Records\u003c\/strong\u003e. It’s Daniel Lopatin’s most cohesive and richly composed work to date, weaving a tapestry of disparate musical histories — early music, country and folk balladry, melodic pop, computer music and much, much more — that demonstrate both the complexity and range of the artist's repertoire. With sounds that are unsettlingly familiar and uniquely his own, \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAge Of\u003c\/strong\u003e\u003c\/em\u003e guides us through an unclassifiable new world.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003eAge Of \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBabylon\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eManifold \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Station \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eToys 2 \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlack Snow \u003c\/em\u003e\u003cbr\u003e\u003cem\u003emyriad.industries \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWarning\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe’ll Take It \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSame \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRayCats \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStill Stuff That Doesn’t Happen \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLast Known Image of a Song\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRelease Date: June 2018\u003c\/strong\u003e\u003c\/div\u003e","brand":"Oneohtrix Point Never","offers":[{"title":"Vinyl LP","offer_id":41174489104535,"sku":"WARPLP295","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/98597.jpg?v=1722309909"},{"product_id":"sauveur-mallia-space-oddities-1979-1984","title":"Sauveur Mallia – Space Oddities 1979-1984 (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn the ever-expanding universe of 70s and 80s French library music, \u003cstrong\u003eSauveur Mallia\u003c\/strong\u003e holds a special place; his career, multifaceted work and the uniqueness of his talent have made him an exemplary figure in the unsung world of library musicians. In those years a few of them, often for economical reasons, would set off on a space conquest, taking along just a few synthesisers. Their ambition well surpassed the modesty of their means; it was in turn the condition to their experimentations with sound which were to create a new sonic space: that of a nation tumbling into modernity. From French soil to the farthest reaches of the cosmos, there were just a few steps to take. It’s with the label Tele Music, boarding the spaceship Arpadys, along with the Voyage crew, that \u003cstrong\u003eSauveur Mallia\u003c\/strong\u003e took the big leap.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1. Space People\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Exotic Guide \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Reggae Direction \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Supersmurf \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Robot Avenue \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. Double Polygone \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Synthetic Suspense\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Synthetic Neutron \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9. Smurfissimo\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10. All the Bass \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11. Spacial Escapade \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12. African Break \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e13. Electronic Africa \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e14. Star Odyssey \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e15. New Wave Sequence \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e16. Radium One \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e17. Synthetic Geometry \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease date: May 28 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sauveur Mallia","offers":[{"title":"Vinyl LP","offer_id":41275642314903,"sku":"3521381564976","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a3240603907_10.jpg?v=1722309899"},{"product_id":"jon-hassell-vernal-equinox-reissue","title":"Jon Hassell – Vernal Equinox (Vinyl)","description":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eFully remastered from the original tapes and available on vinyl for the first time in 42 years, and CD for the first time in 30 years. Sleeve notes by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJon Hassell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBrian Eno\u003c\/strong\u003e. Back in record shops on the day of the 2020 vernal equinox, the second release on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHassell’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eown\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNdeya label\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eHailed as one of the 50 best ambient albums of all time by Pitchfork,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eVernal\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEquinox\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewas the first commercially released work by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJon Hassell\u003c\/strong\u003e, originally put out by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLovely Music\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein 1977. It is also the debut of a pioneering new form of music that would become known as “fourth world”: a subtle blend of field recordings, electric jazz, ambience and global music influences.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHassell’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etrademark FX-soaked trumpet is carefully embellished by a studio ensemble including the master Brazilian percussionist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNaná Vasconcelos\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDavid Rosenboom\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon synth. The result is a quiet, meditative and highly original work of outstanding beauty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e1. Toucan Ocean \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Viva Shona \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Hex \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Blues Nile\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Vernal Equinox\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. Caracas Night September 11, 1975\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Jon Hassell","offers":[{"title":"Vinyl LP","offer_id":41998864023796,"sku":"NDEYA2LP","price":80.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/image002_2_a65380be-49a5-4933-ba0e-41b43af197dd.jpg?v=1635991589"},{"product_id":"jon-hassell-seeing-through-sound-pentimento-volume-two","title":"Jon Hassell – Seeing Through Sound (Pentimento Volume Two) (Vinyl)","description":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"celwidget\" data-csa-c-id=\"i5q8rs-zg8jr6-mz7lt4-lh7l1c\" data-cel-widget=\"dpx-product-description_csm_instrumentation_wrapper\"\u003e\n\u003cdiv id=\"descriptionAndDetails\" class=\"a-section a-spacing-extra-large\"\u003e\n\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-id=\"bxy25l-pp61e3-4imwc0-uzado0\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cstrong\u003eJon Hassell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epioneered the sound that would become known as Fourth World music – a blend of electronics and global music influences, drawing on ambient, jazz and minimalism, alongside harmonies and traditional instruments from across Africa and Asia. His long career has seen many influential solo works as well as collaborations with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBrian Eno\u003c\/strong\u003e,\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ePeter Gabriel\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTalking Heads\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eamong others.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSeeing Through Sound\u003c\/strong\u003e\u003c\/em\u003e, the second volume in\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJon Hassell’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePentimento series, presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of musical gene splicing and recombination.\u003cbr\u003e\u003cbr\u003eThe album shares a similar sonic makeup to 2018’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eListening to Pictures\u003c\/strong\u003e\u003c\/em\u003e. However, there is a feeling that\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHassell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas gone even deeper into those ‘unknown and imaginary regions’ here. The atmospheres are thicker, the feel of the record somewhat more pensive than its predecessor. While\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eSeeing Through Sound\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis not a dark listen, there is certainly some tension lurking in the corners.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eSeeing Through Sound\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis buffered by two eight minute plus epics – the hypnotic\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFearless\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith its metronomic, almost\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCan\u003c\/strong\u003e-like rhythm; mirrored at the end of the record by the beautiful sci-fi lullaby of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTimeless\u003c\/em\u003e. The bridge between those two worlds is no less compelling – from the IDM sketch of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eReykjavik\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto the collapsed time ballad of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnknown Wish\u003c\/em\u003e. Whilst containing seeds of classic Fourth World fusion, this record finds the artist still questing to create new forms and mutations of music, a thrilling window into what music could sound like in a world to come.\u003cbr\u003e\u003cbr\u003eThe title can be interpreted in a myriad of ways, but perhaps the most pertinent at the moment is the human instinct to sing and play through a rain of difficulties.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"celwidget\" data-csa-c-id=\"ad9lsq-3sk1vy-113i5n-5rwdl6\" data-cel-widget=\"dpx-detail-bullets_csm_instrumentation_wrapper\"\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets\" data-csa-c-id=\"r63eaa-m95aa3-l08b9o-rvvabj\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e1. Fearless\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Moons Of Titan\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Unknown Wish\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Delicado\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Reykjavik\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. Cool Down Coda\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Lunar\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Timeless\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jon Hassell","offers":[{"title":"Vinyl LP","offer_id":42006225977588,"sku":"NDEYA7LP","price":68.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/eede3f61-2a52-4b92-94cf-c94663cb800c.jpg?v=1722308848"},{"product_id":"david-long-ash-and-bone","title":"David Long - Ash and Bone (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"cropable crop\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003eThis new recording by\u003cstrong\u003e David Long\u003c\/strong\u003e defies easy generic tags. Acoustic electronica, alt-folk, alt-chamber music or experimental instrumental are vaguely in the ballpark, but as David says, his music makes a constellation of these musical styles but never quite rests in any one of them.\u003cbr\u003e\u003cbr\u003e‘The pieces combine my love of odd and unusual “munted” sounds and textures with the beauty and skill that other musicians bring in their wonderful performances.’\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e1. Underground\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e2. Ash and Bone \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. I Follow It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. You Want to Fight Everything\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. The Long Long Walk\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. A Second Glance\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Wash Your Mouth Out \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Water the Earth\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Long","offers":[{"title":"Vinyl LP","offer_id":42400423477492,"sku":"RATLP124","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/10594484-1.jpg?v=1721957114"},{"product_id":"roy-montgomery-audiotherapy","title":"Roy Montgomery - Audiotherapy (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRoy Montgomery\u003c\/strong\u003e, a pioneer of the NZ underground, believes there is always new sonic terrain to investigate. 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For the sublime \u003cem\u003e“Audiotransport,\u003c\/em\u003e” guitars shimmer up the sides and weave through one another, reconciling the inner voices of doubt and worry into a meditation on the beauty of existence. The last track, \u003cem\u003e“Imperfect Intense”,\u003c\/em\u003e builds on imbalance as \u003cstrong\u003eJohnston’s\u003c\/strong\u003e vocals meet \u003cstrong\u003eMontgomery’s\u003c\/strong\u003e in broken harmony; both singers move at their own pace despite the other, embodying how uncertainty lies at the heart of how we live. \u003cem\u003e\u003cstrong\u003eAudiotherapy\u003c\/strong\u003e\u003c\/em\u003e is the most intuitive and experimental entry of \u003cstrong\u003eRoy Montgomery’s\u003c\/strong\u003e 2021 (and—cough—2022) releases, closing out the series with introspection and transcendence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Audioramble\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2.Occlusione \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3. Audiomemory\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSIDE B \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. The expedition across your skin \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2. Audiotransport\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3. Imperfect Intense \u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OLjsFv6iNbo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Roy Montgomory","offers":[{"title":"Vinyl LP","offer_id":43696862200052,"sku":"GY11-4","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/211235-L-HI.jpg?v=1721956951"},{"product_id":"zola-jesus-arkhon-pre-order","title":"Zola Jesus – Arkhon (Vinyl)","description":"\u003cp\u003eThere is a way a voice can cut through the fascia of reality, cleaving through habit into the raw nerve of experience. \u003cb data-mce-fragment=\"1\"\u003eNika Roza Danilova\u003c\/b\u003e, the singer, songwriter, and producer who since 2009 has released music as \u003cb data-mce-fragment=\"1\"\u003eZola Jesus\u003c\/b\u003e, wields a voice that does that. When you hear it, it is like you are being summoned to a place that's already wrapped inside you but obscured from conscious experience. This place has been buried because it tends to hold pain, but it's also a gift, because once it's opened, once you're inside of it, it can show you the truth.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cb data-mce-fragment=\"1\"\u003eZola Jesus\u003c\/b\u003e' new album \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eArkhon\u003c\/i\u003e\u003c\/b\u003e finds new ways of loosing this submerged, stalled pain. On previous albums, \u003cb data-mce-fragment=\"1\"\u003eDanilova\u003c\/b\u003e had largely played the role of auteur, meticulously crafting every aspect of the act's sound and look. This time, she realised that her habitual need for control was sealing her out of her art. \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eArkhon \u003c\/i\u003e\u003c\/b\u003esees \u003cb data-mce-fragment=\"1\"\u003eZola Jesus\u003c\/b\u003e’ first collaboration with producer \u003cb data-mce-fragment=\"1\"\u003eRandall Dunn \u003c\/b\u003e(\u003cb data-mce-fragment=\"1\"\u003eSunn O)))\u003c\/b\u003e, \u003cb data-mce-fragment=\"1\"\u003eEarth\u003c\/b\u003e, \u003ci data-mce-fragment=\"1\"\u003eMandy\u003c\/i\u003e soundtrack, \u003ci data-mce-fragment=\"1\"\u003eCandyman\u003c\/i\u003e soundtrack), and with drummer and percussionist \u003cb data-mce-fragment=\"1\"\u003eMatt Chamberlain\u003c\/b\u003e, whose prior work appears on albums by \u003cb data-mce-fragment=\"1\"\u003eFiona Apple\u003c\/b\u003e, \u003cb data-mce-fragment=\"1\"\u003eBob Dylan\u003c\/b\u003e, and \u003cb data-mce-fragment=\"1\"\u003eDavid Bowie\u003c\/b\u003e.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eArkhon\u003c\/i\u003e\u003c\/b\u003e runs the spectrum from songs whose weight lies in their bare simplicity, like \u003cb data-mce-fragment=\"1\"\u003e'Desire'\u003c\/b\u003e, an elegiac piano composition about the end of a relationship that was recorded acoustically in a single take, to towering, groove-oriented tracks like \u003cb data-mce-fragment=\"1\"\u003e'The Fall'\u003c\/b\u003e and the tight, interlocking percussion and samples of a Slovenian folk choir in \u003cb data-mce-fragment=\"1\"\u003e'Lost'\u003c\/b\u003e, which propel narratives of collective despair and mutual comfort in kind. 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That letting go is the crux of \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eArkhon\u003c\/i\u003e\u003c\/b\u003e, which marks a new way of moving and making for \u003cb data-mce-fragment=\"1\"\u003eZola Jesus\u003c\/b\u003e.\u003cbr\u003e \u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cem\u003eTracklisting:\u003c\/em\u003e\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cem\u003e1.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eLost \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e2.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eThe Fall \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e3.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eUndertow \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e4.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eInto the Wild \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e5.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eDead and Gone \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e6.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eSewn \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e7.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eDesire \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e8.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eFault \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e9.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eEfemra \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003e10.\u003cspan data-mce-fragment=\"1\" class=\"Apple-tab-span\"\u003e \u003c\/span\u003eDo That Anymore\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cb data-mce-fragment=\"1\"\u003eRelease date:\u003c\/b\u003e May 20, 2022\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote data-mce-fragment=\"1\" type=\"cite\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ccenter data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TuHX6QiAiuE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/center\u003e\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Zola Jesus","offers":[{"title":"Vinyl LP","offer_id":42614802612468,"sku":"SBR297LP","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/unnamed_1_79cd77c0-bd0a-4dd3-9efe-bab89b8670bc.jpg?v=1722303879"},{"product_id":"the-can-monster-movie-reissue","title":"Can – Monster Movie (Vinyl)","description":"\u003cp\u003eFollowing the release of the first two parts of \u003cstrong\u003eCAN’s\u003c\/strong\u003e live series, \u003cstrong\u003eMute\u003c\/strong\u003e and \u003cstrong\u003eSpoon\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e reissue a limited edition run of \u003cem\u003e\u003cstrong\u003eMonster Movie\u003c\/strong\u003e \u003c\/em\u003eon blue vinyl.\u003c\/p\u003e\n\u003cp\u003eWith the sounds of \u003cstrong\u003eJimi Hendrix, Captain Beefheart \u003c\/strong\u003eand\u003cstrong\u003e The Velvet Underground\u003c\/strong\u003e ringing in their ears, \u003cstrong\u003eHolger Czukay \u003c\/strong\u003eand\u003cstrong\u003e Irmin Schmidt\u003c\/strong\u003e left behind their careers in academia to form the influential group in the late 60s. Together with \u003cstrong\u003eMichael Karoli, Jaki Liebezeit \u003c\/strong\u003eand American singer\u003cstrong\u003e Malcolm Mooney\u003c\/strong\u003e, they recorded their debut album \u003cem\u003e\u003cstrong\u003eMonster Movie\u003c\/strong\u003e \u003c\/em\u003ein a castle near Cologne in 1968. The record was then remastered in 2004 from the original master tape for a CD release. It was overseen by \u003cstrong\u003eHolger, Irmin \u003c\/strong\u003eand\u003cstrong\u003e Jono Podmore\u003c\/strong\u003e to refine it to how it was always intended to be heard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003e\"Monster Movie is an amazing debut\"\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Pitchfork\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003e\"Monster Movie, sounds like nothing else released in 1969 - and still acts as a template for the future\"\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Sound Affects\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003e\"Had Can’s debut album, Monster Movie, been their only one, it would have assured their place in the history of German music and of rock as a whole\"\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Shindig\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRelease Date: 01 April 2022\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFather Cannot Yell\u003cbr\u003eMary, Mary, So Contrary\u003cbr\u003eOutside My Door\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYoo Doo Right\u003c\/p\u003e","brand":"Can","offers":[{"title":"Vinyl LP (Monster Sky Blue Edition)","offer_id":42683111080180,"sku":"XLSPOON4","price":69.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CanMonsterMovieAlbumCover.jpg?v=1649819804"},{"product_id":"cluster-eno-cluster-eno-reissue","title":"Cluster \u0026 Eno - Cluster \u0026 Eno (Vinyl)","description":"\u003cp\u003eRemastered edition of famous first collaboration by electronic krautrock pioneers \u003cstrong\u003eCluster\u003c\/strong\u003e with \u003cstrong\u003eBrian Eno.\u003c\/strong\u003e Recorded in 1977\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eRelease Date: 22 January 2016\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1. Ho Renomo \u003cbr\u003e2. Schöne Hände \u003cbr\u003e3. Steinsame\u003cbr\u003e4. Wehrmut \u003cbr\u003e5. Mit Simaen \u003cbr\u003e6. Selange \u003cbr\u003e7. Die Bunge \u003cbr\u003e8. One \u003cbr\u003e9. Für Luise\u003c\/p\u003e","brand":"Cluster \u0026 Eno","offers":[{"title":"Vinyl LP","offer_id":42683302772980,"sku":"BB029","price":56.0,"currency_code":"NZD","in_stock":false},{"title":"IMPORT","offer_id":46321538826484,"sku":"0","price":70.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP (Import)","offer_id":47678738432244,"sku":"0","price":56.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/R-1966269-1597167516-6509.jpg?v=1722303865"},{"product_id":"terry-riley-a-rainbow-in-curved-air","title":"Terry Riley - A Rainbow in Curved Air (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKeyboard virtuoso \u003c\/span\u003e\u003cem\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTerry Riley \u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003estarted experimenting with different instruments in the '50s. One of his electronic music landmarks is his third album\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eA Rainbow in Curved\u003c\/strong\u003e Air.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e Through the use of overdubbing\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003ehe recorded all the instruments to feature on the title track. The composition consists of three movements, each representing another part of his musical influences. As the song progresses, its structure goes through frequent changes. It's an colorful, psychedelic, atmospheric and revolutionary song. The second track consists of a loop of saxophones and is the dreamy and calm opposite of the title track. Fans of electronic music, such as \u003cstrong\u003eTangerine Dream\u003c\/strong\u003e and \u003cstrong\u003eKlaus Schulze\u003c\/strong\u003e, would love this record. Taking inspiration from Hindustani classical music and jazz techniques, Riley's masterpiece influenced many musicians, from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elikes of \u003cstrong\u003eBrian Eno\u003c\/strong\u003e to \u003cstrong\u003eEmeralds\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003cbr\u003e1. A Rainbow in Curved Air\u003cbr\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003cbr\u003e1. 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Her records are largely about the art of making, whatever instruments at her disposal often inform the intent before she shapes them into tangible statements of purpose. They also are largely about Davachi as a musician: Recurring motifs and approaches appear across her body of work. While some of that comes naturally to modern classical music, it's clear that there is intention behind these moves. Her latest LP entitled \u003cem\u003eTwo Sisters\u003c\/em\u003e continues this practice to great effect.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSarah Davachi\u003c\/strong\u003e is an artist that understands the power of conceptual thinking. The title is borrowed from dialogue in the 1981 film Possession in which Isabelle Adjani’s character describes her psychological state as being a battle between “two sisters of faith and chance.”  While not directly inspired by the content of the film itself, Davachi applies a like-minded intention in two fold with the instrumentation and sequencing. Far from a concept album in the traditional sense, Two Sisters is instead another demarcation of her continued mastery of composition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Hall Of Mirrors\u003cbr\u003e2. Alas, Departing\u003cbr\u003e3. Vanity Of Ages\u003cbr\u003e4. Icon Studies I\u003cbr\u003e5. Harmonies In Bronze\u003cbr\u003e6. Harmonies In Green\u003cbr\u003e7. Icon Studies II\u003cbr\u003e8. En Bas Tu Vois \u003cbr\u003e9. 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Produced by psych-rock luminary \u003cstrong data-mce-fragment=\"1\"\u003eDave Fridmann\u003c\/strong\u003e, it's a structural soundscape built from stark foundations up; from a gentle, twinkling, synth-rock spectre to a solid, blown-out, skyward-thrusting obelisk. There's percussive, dream-state electronics (\u003cem data-mce-fragment=\"1\"\u003eCoolverine\u003c\/em\u003e), church organs as chariots of existential fire (\u003cem data-mce-fragment=\"1\"\u003eBrain Sweeties\u003c\/em\u003e), tremulous, foreboding bleeping - possibly from a dying android (\u003cem data-mce-fragment=\"1\"\u003eaka 47\u003c\/em\u003e). Their most transportive album yet, it also hosts their most fully realized art-pop sing-along of their storied history, \u003cem data-mce-fragment=\"1\"\u003eParty In The Dark\u003c\/em\u003e, a head-spinning disco-dream double-helix echoing New Order and The Flaming Lips, featuring Braithwaite's seldom-heard melodic vocals declaring he's \"directionless and innocent, searching for another piece of mind\". This is music as a keep-out chrysalis, protective audio armor through exalting organs and portentous, dissonant guitar fuzz warping at the edges, bending the world inside-out into a reality in which you'd much rather live. The last three songs ascend into explosive exorcism, closing with the colossal \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEvery Country's Sun\u003c\/strong\u003e\u003c\/em\u003e it's searching intensity whooshing towards infinity in a dazzling cosmic crescendo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoolverine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eParty In The Dark\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrain Sweeties\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCrossing The Road Material\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eaka 47\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e20 Size\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e1000 Foot Face\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eDon't Believe The Fife\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBattered At The Scramble\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOld Poisons\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvery Country's Sun\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8ZocDT3TmAE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mogwai","offers":[{"title":"Vinyl 2LP","offer_id":43550675566836,"sku":"TRR291LP","price":72.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/3641815.jpg?v=1667973813"},{"product_id":"velvet-underground-loaded","title":"The Velvet Underground - Loaded (Vinyl)","description":"\u003cp\u003eReleased in 1970, Loaded is \u003cstrong\u003eThe Velvet Underground’s\u003c\/strong\u003e fourth studio album released in 1970 and is \u003cstrong\u003eLou Reed’\u003c\/strong\u003es final recording with the band. 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