{"title":"FLYING NUN | RELATED","description":"This collection of music is for bands and artists that are or were released on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e, or are somehow related to \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e - even if they weren't or aren't actually released on the label. It's a broad umbrella of friends and family.","products":[{"product_id":"fn070-peter-jefferies-jono-lonie-at-swim-2-birds-1987","title":"Peter Jefferies \u0026 Jono Lonie - At Swim 2 Birds","description":"\u003cp\u003e\u003cstrong\u003eFN070 Peter Jefferies \u0026amp; Jono Lonie - At Swim 2 Birds (1987)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRe-issued on vinyl for the first time since it's 1987 release, \u003c\/span\u003e\u003cstrong\u003eAt Swim 2 Birds\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003eis a sonically rich and ever expanding collaboration between \u003c\/span\u003e\u003cstrong\u003ePeter Jefferies \u003c\/strong\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cstrong\u003eThis Kind Of Punishment\u003c\/strong\u003e\u003cspan\u003e) and Dunedin folk musician \u003c\/span\u003e\u003cstrong\u003eJono Lonie\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitled after the surreal Flann O'Brien novel, this album is a varied affair from piano-scapes, ambient noise, minimalism to experimental moods and homemade instruments. All seeking out free combinations that act as both antithesis and co-existence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"While it's tempting to look at a musical career that spans three and a half decades in terms of trends and themes, every record that \u003cstrong\u003ePeter Jefferies \u003c\/strong\u003ehas ever made demands to be dealt with on its own, and \u003cstrong\u003eAt Swim 2 Birds\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eis no exception. \u003cstrong\u003eFlying Nun Records \u003c\/strong\u003efirst released it in 1987, just as \u003cstrong\u003eThis Kind Of Punishment\u003c\/strong\u003e, his sonic partnership with brother \u003cstrong\u003eGraeme Jefferies\u003c\/strong\u003e, wound down, and shortly before he became \u003cstrong\u003eXpressways \u003c\/strong\u003eproduction expert.\u003c\/p\u003e\n\u003cp\u003eBut it is not so much a transitional effort as a singular expression of where \u003cstrong\u003eJefferies\u003c\/strong\u003e head was at, geographically and personally. Having left \u003cstrong\u003eNew Zealand's \u003c\/strong\u003eNorth Island for \u003cstrong\u003eDunedin\u003c\/strong\u003e, he was ready to leave behind the musical and personal pressures that accompanied his work with \u003cstrong\u003eTKP \u003c\/strong\u003eand its more straightforwardly rocking predecessor, \u003cstrong\u003eNocturnal Projections\u003c\/strong\u003e. So he refrained from singing, turning instead to the evocative potential of malleable sound to express a more unbounded frame of mind.\u003c\/p\u003e\n\u003cp\u003eNowadays \u003cstrong\u003eJono Lonie \u003c\/strong\u003eplays Irish folk music, but \u003cstrong\u003eJefferies\u003c\/strong\u003e appreciatively recalls how willing he was to experiment on \u003cstrong\u003eAt Swim 2 Birds\u003c\/strong\u003e: \"\u003cem\u003eWorking with Jono was very liberating in terms of new ideas and new sounds. He was really flexible and open-minded about the collaborative process.\" \u003c\/em\u003e\u003cstrong\u003eJefferies\u003c\/strong\u003e tape manipulations are all over the record, \u003cem\u003e\u003c\/em\u003etransforming the pitches and timbres of his piano and drums as well as \u003cstrong\u003eLonie's\u003c\/strong\u003e guitar and violin. The two men worked out the music in \u003cstrong\u003eLonie's\u003c\/strong\u003e house, overlooking the ocean and Otago Peninsula. This setting translated into music that suggests tidal pulses, avian voices, and open skies, natural forces that balance the brittle nerviness of tracks like \u003cem\u003e\u003cstrong\u003eInteralia\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003e\u003cstrong\u003eTarantella\u003c\/strong\u003e\u003c\/em\u003e. \u003cstrong\u003eJefferies\u003c\/strong\u003e has gone on to use the transformational techniques at work on this LP time and again, and he also returned to instrumental music on \u003cem\u003eSubstatic, \u003c\/em\u003ebut he's never made another record that feels like \u003cstrong\u003eAt Swim 2 Birds\u003c\/strong\u003e\u003cem\u003e.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- Bill Meyer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Comes with download card\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Introduction \u003cbr\u003e2. Thief With The Silver \u003cbr\u003e3. Piano (One) \u003cbr\u003e4. Interalia \u003cbr\u003e5. At Swim 2 Birds \u003cbr\u003e6. Tarantella \u003cbr\u003e7. Where The Flies Sleep \u003cbr\u003e8. The Standing Stone \u003cbr\u003e9. Aerial \u003cbr\u003e10. Short Was Fast \u003cbr\u003e11. 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Despite being left-of-centre, \u003cstrong\u003eSkeptics\u003c\/strong\u003e \u003cstrong\u003eIII\u003c\/strong\u003e made an impact in New Zealand due to the controversial video for \u003cstrong\u003e\u003cem\u003eAffco\u003c\/em\u003e\u003c\/strong\u003e named after a meat work company in the North Island. The video shows graphic footage of an animal slaughter house and was banned from national television.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAffco\u003c\/li\u003e\n\u003cli\u003eFeeling Bad\u003c\/li\u003e\n\u003cli\u003eAgitator\u003c\/li\u003e\n\u003cli\u003eTurnover\u003c\/li\u003e\n\u003cli\u003eLa Motta\u003c\/li\u003e\n\u003cli\u003eNotice\u003c\/li\u003e\n\u003cli\u003eRain\u003c\/li\u003e\n\u003cli\u003eLuna\u003c\/li\u003e\n\u003cli\u003eCrave\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Skeptics","offers":[{"title":"CD","offer_id":37344833142935,"sku":"FN109cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Skeptics-IIIFrontCover.jpg?v=1721978162"},{"product_id":"fn125-chris-knox-seizure-1989","title":"Chris Knox - Seizure (CD)","description":"\u003cp\u003e\u003cstrong\u003eChris Knox\u003c\/strong\u003e, godfather of alternative New Zealand music. A true renaissance bloke from down under.\u003c\/p\u003e\n\u003cp\u003eAnd while, \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e, originally released in 1989, was certainly not the start of his story,it is often considered his first ‚proper solo album. Though in fairness there is nothing proper about it, exploring the surreal, the political, the satirical and sometimes simply the crazy, all of which would never been seen on the hit parade. Yet, musically they should have been, packed with brilliantly skewered hooks and humorously scathing lyrics, \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e is a lo-fi mix of punk, indie rock and pop that works perfectly.\u003c\/p\u003e\n\u003cp\u003eFrom the simple pop of \u003cem\u003e\"The Face of Fashion\"\u003c\/em\u003e, through to the driving force of \u003cem\u003eWanna!!\u003c\/em\u003e and the strangely uplifting brood of \u003cem\u003eMy Dumb Luck\u003c\/em\u003e all that without mentioning \u003cem\u003e\"Not Given Lightly\"\u003c\/em\u003e, the love song to end all love songs \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e, despite our dislike of the word, is a legendary release in the Flying Nun catalogue.\u003c\/p\u003e\n\u003cp\u003eNow, re-issued again on LP and CD, with the audio taken direct from the original master tape, the releases also features the original cover art from its first pressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eThe Face of Fashion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Woman Inside Of Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStatement of Intent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFilling Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNot Given Lightly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBreak!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUncle Tom's Cabin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWanna!!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnd I Will Cry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRapist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGrand Mal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVoyeur\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHonesty's Not Enough\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMy Dumb Luck\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAche\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chris Knox","offers":[{"title":"CD","offer_id":37343935135895,"sku":"FN125cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/0019239255_10.jpg?v=1721978119"},{"product_id":"fn282-david-kilgour-sugar-mouth-1994","title":"David Kilgour - Sugar Mouth (CD)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFN282 David Kilgour - Sugar Mouth (1994)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDavid Kilgour's\u003c\/strong\u003e second solo album, \u003cstrong\u003e\u003cem\u003eSugar Mouth\u003c\/em\u003e\u003c\/strong\u003e, is one of the sweetest slices of timeless guitar pop you can taste. Released on Flying Nun in 1994, the album is now re-issued again on gatefold 12\" LP plus an expanded version featuring 10 bonus tracks and demos from the original recording on the CD and download versions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eAs far as back story goes, well, you could say\u003cstrong\u003e David Kilgour\u003c\/strong\u003e is something of a cult figure, as the guitar and voice of left-field trio \u003cstrong\u003eThe Clean\u003c\/strong\u003e and a slew of fantastic solo albums hes up to 9 now he has written the blueprint for New Zealand indie music and many bands to come.\u003c\/p\u003e\n\u003cp\u003eIndeed, Kilgours talent for writing furiously catchy pop music with an understated Kiwi-style aura of ‚60s psychedlia is well-documented. 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Whether that be the electronic howls on \u003cem\u003eChain Home Low\u003c\/em\u003e or \u003cstrong\u003eWoodward's\u003c\/strong\u003e lead vocals on \u003cem\u003eShoeshine\u003c\/em\u003e, \u003cem\u003e\u003cstrong\u003eCouchmaster\u003c\/strong\u003e\u003c\/em\u003e is an album full of intelligent pop music that refuses to sit still.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOutside\u003c\/li\u003e\n\u003cli\u003eAfternoon In Bed\u003c\/li\u003e\n\u003cli\u003eAround You Like Snow\u003c\/li\u003e\n\u003cli\u003eWork It Out\u003c\/li\u003e\n\u003cli\u003eTrain\u003c\/li\u003e\n\u003cli\u003eTrain\u003c\/li\u003e\n\u003cli\u003eLand 'O' Lakes\u003c\/li\u003e\n\u003cli\u003eChain Home Low\u003c\/li\u003e\n\u003cli\u003eSupernova\u003c\/li\u003e\n\u003cli\u003eShoeshine\u003c\/li\u003e\n\u003cli\u003eCrow Song\u003c\/li\u003e\n\u003cli\u003eSmorgasboard\u003c\/li\u003e\n\u003cli\u003eKnowledge Is Power\u003c\/li\u003e\n\u003cli\u003eIt's Happening To You\u003c\/li\u003e\n\u003cli\u003eFor The Ride\u003c\/li\u003e\n\u003cli\u003eOut Of Bounds\u003c\/li\u003e\n\u003cli\u003eDown To Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\u003ciframe width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/ditIQx6RNcc\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"The Bats","offers":[{"title":"CD","offer_id":37344017350807,"sku":"FN301cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheBats_CouchmasterFrontCover.jpg?v=1599017254"},{"product_id":"fn385-bressa-creeting-cake-bressa-creeting-cake-album1997","title":"Bressa Creeting Cake - Bressa Creeting Cake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN385 Bressa Creeting Cake - Bressa Creeting Cake (1997)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNever released before on vinyl, this expanded double LP edition of the bands' self-titled debut also features tracks from the \u003cstrong\u003ePapa People EP\u003c\/strong\u003e plus b-sides and rarities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll too rarely does a musical group come along with all the right bits intact and just enough of the wrong bits there to make you sit up and really take notice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmerging on the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elabel in the late 90s,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas heralded as a young band \"brimming with ideas\". 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And that, my friends, is a lot.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRight from the calypso swing of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/em\u003e\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ekick into the playful pop inventiveness that stands as the album's major mood. The vast array of styles on the album include plenty of psychedelic tinges and a hint of progressive rock, but the band don't get stuck in any one place for long over fifteen songs. And those frivolous moments like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare balanced out by more earnest tracks such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYou and I\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLyrically, both Edmund Cake and Geoff Creeting string words together with no small amount of flair. 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Throughout it's highly pop-infectious on the fuzzy likes of the lyrically sweet and sour What Do With Love?, the yelping Denial Song, and the bubblegum electropop of opener It's Love.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut there's many an affecting moment here, too. Like the sweetly devotional My Only Friend (a relative of his earlier love song Not Given Lightly), the mortality-contemplating This Mortal Coil and Becoming Something Other, a lyrically disarming dirge which addresses the recent passing of his father.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElsewhere Knox offers the worryingly titled throwaway I Wanna Look Like Darcy Clay, gets in some brass backing on The Hell Of It and the Lust For Life-grooved Ghost.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWidening musical horizons show in the last of the 13 tracks, Laughter, a song of limpid melody showing a hitherto undetected influence on this first-generation Kiwi punk-rocker - Bach.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs its cover shows, Beat is an album with heart. Which makes it quite the best thing Knox has done in ages.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e4\/5 Stars - Russell Baillie - NZ Herald\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eITEM DETAILS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/flyingout.co.nz\/collections\/chris-knox\" title=\"Chris Knox\"\u003eChris Knox\u003c\/a\u003e\u003cbr\u003eTitle: Beat\u003cbr\u003eYear: 2000\u003cbr\u003eCat #: FN444\u003cbr\u003eFormats: Digital\u003c\/p\u003e\n\u003cp\u003eBand Members: Chris Knox\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e‚\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's Love\u003c\/li\u003e\n\u003cli\u003eThe Man In The Crowd\u003c\/li\u003e\n\u003cli\u003eMy Only Friend\u003c\/li\u003e\n\u003cli\u003eThe Hell Of It\u003c\/li\u003e\n\u003cli\u003eWhen I Have Left This Mortal Coil\u003c\/li\u003e\n\u003cli\u003eEveryone's Cool\u003c\/li\u003e\n\u003cli\u003eThe Pulse Below The Ear\u003c\/li\u003e\n\u003cli\u003eWhat Do We Do With Love?\u003c\/li\u003e\n\u003cli\u003eI Wanna Look Like Darcy Clay\u003c\/li\u003e\n\u003cli\u003eDenial Song\u003c\/li\u003e\n\u003cli\u003eBecoming Something Other\u003c\/li\u003e\n\u003cli\u003eGhost\u003c\/li\u003e\n\u003cli\u003eLaughter\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chris Knox","offers":[{"title":"CD","offer_id":36921692618903,"sku":"FN444cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ChrisKnox_BeatFrontCover.jpg?v=1775267292"},{"product_id":"fn452-garageland-scorpio-righting-2001","title":"Garageland - Scorpio Righting (CD)","description":"\u003cp\u003eFN452 Garageland - Scorpio Righting (2001)\u003c\/p\u003e\n\u003cp\u003eThey make sparkling sing-a-long pop... relentlessly melodic\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLife is So Sweet\u003c\/li\u003e\n\u003cli\u003eGet Some\u003c\/li\u003e\n\u003cli\u003eBeen Around\u003c\/li\u003e\n\u003cli\u003eCrazy\u003c\/li\u003e\n\u003cli\u003eSuperstars\u003c\/li\u003e\n\u003cli\u003eCarry Me South\u003c\/li\u003e\n\u003cli\u003eHigh Way\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eRock And Roll Heart\u003c\/li\u003e\n\u003cli\u003eBelieve In You\u003c\/li\u003e\n\u003cli\u003eWho The Hell Do You Think You Are?\u003c\/li\u003e\n\u003cli\u003eShine\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Garageland","offers":[{"title":"CD","offer_id":36920540364951,"sku":"FN452cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Garageland_ScorpioRightingFrontCover.jpg?v=1721977997"},{"product_id":"fn471-friend-inaccuracies-omissions-2002","title":"Friend - Inaccuracies \u0026 Omissions (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFN471 Friend - Inaccuracies \u0026amp; Omissions (2002)\u003c\/p\u003e\n\u003cp\u003e\"Musique concrete\" has generally had a bad rap. 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although it might be coming to a gallery installation, fringe festival or soundtrack near you soon.\"\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElsewhere\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003erack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eFirst Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWipeout\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCheap Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInsecticider\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFifth Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScrape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSecond Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThird Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeartbeat Whale Meat\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Friend","offers":[{"title":"CD","offer_id":36896020201623,"sku":"FN471cd","price":14.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Friend-Inaccuracies_OmissionsFrontCover.jpg?v=1721977956"},{"product_id":"fn501-the-verlaines-pot-boiler-2007","title":"The Verlaines - 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All up,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eNo Constellation\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a culmination of ideas built up over the last two-years - much of which\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGilmour\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003espent touring overseas with his other band\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSo So Modern.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFrom the impassioned highs of opener\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLoose Change\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethrough to the epic chorus of ‚I Am A Light and the darkly moving ‚Oh Stasis, the album is a beautifully crafted piece of orchestrated pop. Constantly shifting and challenging, showcases Graysons songwriting talents at their best.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"li2\"\u003eLoose Change\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eChromosones\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eI Am A Light\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eFire Downstairs\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eOur Heads Collide\u003c\/li\u003e\n\u003cli class=\"li2\"\u003ePearly Whites\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eAll Authenticity\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eCirca Skeleton 31\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eGem Apple John\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eDiamond Gutters: Mermaid Sewers\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eOh Stasis\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eOh Stasis (Remixed and Demastered)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/b1aJ_lHVxQw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Grayson Gilmour","offers":[{"title":"CD","offer_id":36866862907543,"sku":"FN506cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FNCD506_-_Grayson_Gilmour_-_No_Constellation_iTunes_JPG.jpg?v=1721977954"},{"product_id":"fn509-deerhoof-deerhoof-vs-evil-2011","title":"Deerhoof - Deerhoof Vs. Evil (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN509 Deerhoof - Deerhoof Vs. Evil ‎(2011)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"...you'll keep returning to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVs. Evil\u003c\/strong\u003e\u003c\/em\u003e for its winningly alien hooks, its pop moments...an absolute joy.\"-\u003cstrong data-mce-fragment=\"1\"\u003eMojo\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection class=\"review\" data-mce-fragment=\"1\"\u003e\n\u003csection class=\"review\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThink back to when you were 16. No one could tell you what to do. You were a force to be reckoned with - filled with the undeniable feeling that you could take on anything and win. Having formed in 1994,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas now reached that fateful age and by rites it's their turn to go out and challenge the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof Vs. Evil\u003c\/strong\u003e\u003c\/em\u003e. The musical equivalent of hormones raging out of control, it explodes out of the speakers with its gawky triumph and inflamed sentimentality. These are songs that practically demand that you dance and sing along.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe same way a rebellious teen turns tough and irrational, right from the start you know you're hearing a daring band, unafraid of the consequences of failing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSelf-recorded, mixed and mastered in rehearsal spaces and basements with no engineers or outside input,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof Vs. Evil\u003c\/strong\u003e\u003c\/em\u003e dresses up\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewell-known reckless exuberance and splashes their sonic colours into the most unexpected combinations. It is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeerhoof's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eode to their adolescence, and after one listen you know it's going to be a \"Sweet 16.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e \u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003csection class=\"review\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eQui Dorm, Nom s Somia\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBehold a Marvel in the Darkness\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Merry Barracks\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNo One Asked to Dance\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLet's Dance the Jet [Instrumental]\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuper Duper Rescue Heads!\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMust Fight Current\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSecret Mobilization\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHey I Can\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eC'moon\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Did Crimes for You\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlmost Everyone, Almost Always\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/section\u003e","brand":"Deerhoof","offers":[{"title":"CD","offer_id":36866687238295,"sku":"FN509cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/811oiD1yhAL._SX522.jpg?v=1599694255"},{"product_id":"fn511-f-in-math-couch-ep-2011","title":"F In Math - Couch EP (CD)","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCouch EP\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the debut release of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eF IN MATH\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Michael Logie, former\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMint Chicks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebassist).\u003c\/p\u003e\n\u003cp\u003eThe solo project was born out the realisation that one can play electronic music live without ditching your beloved bass or pretending to twiddle knobs.\u003c\/p\u003e\n\u003cp\u003eMixed and mastered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNick Roughan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efrom\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Skeptics\u003c\/strong\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eCouch EP\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eF In MATH's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efirst recorded release. 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In 2006 they resurfaced with soaring beauty Tunguska.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStupormodel\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eappeared on last year's split seven-inch with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDie!Die!Die!\u003c\/strong\u003e, and both tracks are highlights on.\u003c\/p\u003e\n\u003cp\u003eAt only nine songs it might seem lazy, but bear in mind\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe National Grid\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eclocks in at 13 beautiful, brittle and sprawling minutes. 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This is a journey from bedlam to bliss and back again\"\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e- Scott Kara 4\/5 NZ Herald\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eTracklisting\u003c\/b\u003e\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"li2\"\u003eStupormodel\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eGrace\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eTunguska\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eThe National Grid\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eIrma Vep\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eWish We Were Here\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"High Dependency Unit","offers":[{"title":"CD","offer_id":36865473249431,"sku":"FN519cd","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FNCD519_-_High_Dependency_Unit_-_Metamathics_JPG.jpg?v=1599693608"},{"product_id":"fn524-the-verlaines-untimely-meditations-2012","title":"The Verlaines - Untimely Meditations (CD)","description":"\u003cp\u003eFN524 The Verlaines - Untimely Meditations (2012)\u003c\/p\u003e\n\u003cp\u003eAlbum number nine in the 30-year career of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.flyingnun.co.nz\/artist\/12\/show_group\"\u003e\u003cstrong\u003eThe Verlaines\u003c\/strong\u003e\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUntimely Meditations\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esees singer-guitarist proving yet again his position as one of New Zealand's finest songwriters.\u003c\/p\u003e\n\u003cp\u003eSo, what to expect from these \"Untimely Meditations\"? Like most Verlaines albums there are no two songs alike. But there is a theme throughout of expressing what it is to be born into this time and place. It is outspoken and confrontational.\u003c\/p\u003e\n\u003cp\u003eRecorded at Albany Street Studios, Dunedin over a period of 18 months on and off, Downes assembled his core live band (Tom Healy - guitar, Darren Steadman-drums, Stephen Small -keyboards, Rob Burns -bass) along with an assortment of guest musicians to produce 10 songs that show a keen ear for a pop tune, but are not afraid to challenge.\u003c\/p\u003e\n\u003cp\u003eLyrically and musically inventive,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUntimely Meditations\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis expansive both in sound and style as Downes orchestrates and deftly crafts post-punk, classically influenced compositions, satire and a touch of cabaret. 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Simply titled \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMe Want Me Get Me Need Me Have Me Love\u003c\/strong\u003e\u003c\/em\u003e,the re-issue includes the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBird Nest Roys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e1987 self-titled LP, the ‚\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWhack It All Down\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e12 EP plus bonus 7 B-Side and live recording.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in the hills west of Auckland, New Zealand in the 1980s, the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBird Nest Roys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003espent a long time evolving into an intelligent life-form before being discovered by the public at large in 1985. 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All the while Gilmour was piecing together film scores, touring overseas with his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand attending the Red Bull Music Academy. Recent singles,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLichtung\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e+\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMinus Times Infinity\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(the video for which was selected for the BBC Music Video Festival) give a hint of an album filled with both immediately catchy melodies along with odd sounds.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsn't This Exciting?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLemon Brain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTunnel Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichtung\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Constant Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLockjaw Language\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinus Times Infinity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilence \u0026amp; Youth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePareidolia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e27\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlind Carbon Copy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBut A Dot You Are\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAnd if that doesnt grab you, why not judge Gilmour on the company he keeps? \u003cstrong\u003e\u003cem\u003eInfinite Life!\u003c\/em\u003e\u003c\/strong\u003e sees visual collaborations with NZ illustrator Henrietta Harris (artwork) and video director Jesse Taylor Smith (Pond, Autumn Splendour) and appearances from Claire Duncan (Dear Times Waste), cellist Charlie Davenport and drummer Reece McNaughten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_FQDlANGPa8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP","offer_id":36836996219031,"sku":"FN538lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson-Gilmour-Infinite-Life_-web-credit-Henrietta-Harris-1400x1400_2e662581-58d7-43e9-b8ef-b745fc1821c3.jpg?v=1721977760"},{"product_id":"fn544-sneaky-feelings-send-you-2015","title":"Sneaky Feelings - Send You (CD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eF\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eilled with lush pop harmonies and southern psychedelia,\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSend You \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esaw the the \u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e expand their songwriting and sonic ambition beyond their early four track recordings. In comparison to some of their label mates the \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eexhaled a lighter, Byrds-like, touch but still retained the distinctive feel of many on the \u003cstrong\u003eFlying Nun\u003c\/strong\u003e roster. With three band members \u003cstrong\u003e(Matthew Bannister, David Pine \u003c\/strong\u003eand\u003cstrong\u003e Martin Durrant)\u003c\/strong\u003e each contributing engaging songs to the album, \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSend You \u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eremains one of the great \u003cstrong\u003eFlying Nun\u003c\/strong\u003e releases.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis deluxe edition will give a further detailed look at the band's early material, with the album expanded to include a remastered version of \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSend You\u003c\/strong\u003e, \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eplus songs from 1985's \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBe My Friend\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eHusband House \u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEP and bonus tracks from their 1990 session at Dunedin's \u003c\/span\u003e\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/r1.co.nz\/\" target=\"_blank\"\u003eRadio 1\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which featured on an earlier expanded CD release.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Over the years there has been a lot of talk about the so-called‚ Dunedin sound. Dunedin's \u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e were a band whose ambitions and interests went much wider than any generic‚ sound; they would even come to be regarded as something of an anomaly on \u003cstrong\u003eFlying Nun\u003c\/strong\u003e, home to the Dunedin sound. And yet their first album seemed to epitomise that sound, whatever it was.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the first long-players released on the fledgling label, \u003cstrong data-mce-fragment=\"1\"\u003eSend You\u003c\/strong\u003e was emblematic....it will jangle forever as one of New Zealand's essential albums.\"\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e- Extract from Nick Bollinger's Send You liner notes.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1. Waiting For Touchdown\u003cbr\u003e2. 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Lead-off track The Web channels pummeling bass lines punctuated by a twinkling synth that calls upon microscopic pop principalities of restlessness. Its abrupt ending parallels Strangs own disconnect. Shes Appealing weaves Day-Glo guitar motifs into distant, detached 80s garage pop vocals. Never Kissed a Blonde is driven by a slapping delay on both vocals and guitar. 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Polytechnik\u003cbr data-mce-fragment=\"1\"\u003e2. Flybussen\u003cbr data-mce-fragment=\"1\"\u003e3. Ultra Deep Field\u003cbr data-mce-fragment=\"1\"\u003e4. Drones\u003cbr data-mce-fragment=\"1\"\u003e5. Low Earth Orbit\u003cbr data-mce-fragment=\"1\"\u003e6. Avoid Avoid\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TsWH7kNWQOA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"avoid!avoid","offers":[{"title":"Vinyl LP","offer_id":36769680851095,"sku":"FN563lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Avoid-Avoid-Particle-and-Wave-Cover-web.jpg?v=1721977458"},{"product_id":"fn566-aldous-harding-aldous-harding-2016","title":"Aldous Harding - Aldous Harding (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN566 \u003cstrong\u003eAldous Harding\u003c\/strong\u003e - \u003cstrong\u003eAldous Harding\u003c\/strong\u003e (2016) released on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e these days is an international, award winning artist. With this album, her self titled debut, you get a taste of her brilliance, as an emerging artist and why, from the outset, she caught the eye of locally and internationally renowned record labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe started in Lyttelton, a port town on the outskirts of Christchurch, New Zealand. There s\u003cspan data-mce-fragment=\"1\"\u003ehe kept sailors in check with cheek and a strong-songed tongue. S\u003c\/span\u003ehe caught the ear of locals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Edwards\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDelaney Davidson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eplaying under her own name, Hanna Harding, alongside band The Eastern.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAldous Harding's lead single, Hunter, has been characterised by Harding as a gothic fairytale. This is folk music, simple and bleak with Hardings fragile coo reminiscent of retiring, 60s-era folk singers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVashti Bunyan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLinda Perhacs\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHunter\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/em\u003eseems to occupy a place outside of time, opening with the refrain, He's a hunter, he's a good man\/Be brave when he brings you nothing home and closing with a vision of blood streaming down a river.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eStop Your Tears\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHunter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo Bitten Hearts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Groan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBeast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo Peace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMerriweather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Bones of Courage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F4R0K6iYJ2A\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36769100693655,"sku":"FN566lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/aldous-harding-aldous-harding.jpg?v=1721977449"},{"product_id":"fn569-lawrence-arabia-absolute-truth-2016","title":"Lawrence Arabia - Absolute Truth (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFN569 Lawrence Arabia - Absolute Truth (2016)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThat connoisseur of classic songwriting,\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLawrence Arabia\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- the pseudonym of James Milne is back with his new album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eand a hearty slice of timeless music inspired as much by 1970's West Coast Americana as New Zealand indie pop.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in the Garden City of Christchurch, New Zealand, in 1981 (the year the Springbok tour divided the country, and that The Clean debuted with the single Tally Ho!), a youthful James Milne served an illustrious indie-rock apprenticeship touring the US as bassist for Auckland-based pop group\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e, and for Ryan McPhuns\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRuby Suns\u003c\/strong\u003e. And then, as Reginald Dwight made way for the musical entity that was Elton John, and David Jones blossomed into David Bowie, so plain old James Milne ceded to the ubermensch that has become one of New Zealand's finest contemporary songwriters and performers the celebrated singer of songs that is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLawrence Arabia\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the course of the last decade Lawrence Arabia has released three albums, toured Europe with the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOkkervil River\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeist\u003c\/strong\u003e, won the prestigious APRA Silver Scroll for the song Apple Pie Bed and the inaugural Taite Music Prize for the album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChant Darling\u003c\/strong\u003e\u003c\/em\u003e. While, third album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sparrow\u003c\/strong\u003e\u003c\/em\u003ewas greeted with warm acclaim for its uncompromising dark, sparse feel and themes - including a four star review in Mojo and winning a New Zealand Music Award for Best Male Solo Album in 2013. Whew!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhich brings us to the present day, and to the imminent release of the fourth Lawrence Arabia album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003c\/strong\u003e\u003c\/em\u003e; this time, fittingly, via Flying Nun label that released their first music in the year of his birth. Recorded primarily in late night sessions in the unglamorous Hutt Valley industrial suburb of Gracefield with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMike Fabulous\u003c\/strong\u003e, the album is full of the sparkling pop melodies that have delighted an ever-expanding audience, adding to a richly satisfying songbook, and providing another chapter in the story of this unique and cherished artist. -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeremy Taylor, 2016\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. A Lake \u003cbr data-mce-fragment=\"1\"\u003e2. Sweet Dissatisfaction \u003cbr data-mce-fragment=\"1\"\u003e3. The Old Dancefloor \u003cbr data-mce-fragment=\"1\"\u003e4. I Waste My Time \u003cbr data-mce-fragment=\"1\"\u003e5. Brain Gym \u003cbr data-mce-fragment=\"1\"\u003e6. O Heathcote \u003cbr data-mce-fragment=\"1\"\u003e7. Another Century \u003cbr data-mce-fragment=\"1\"\u003e8. The Palest Of Them All \u003cbr data-mce-fragment=\"1\"\u003e9. Mask Of Maturity \u003cbr data-mce-fragment=\"1\"\u003e10. What Became of that Angry Young Man\u003c\/p\u003e","brand":"Lawrence Arabia","offers":[{"title":"Vinyl LP","offer_id":36768761806999,"sku":"FN569lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Lawrence-Arabia-Absolute-Truth-COVER_SML.png?v=1721977442"},{"product_id":"fn560-zen-mantra-zen-mantra-2016","title":"Zen Mantra - Zen Mantra","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN560 Zen Mantra - Zen Mantra ‎(2016)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDreamy, psychedelic pop songs seems to beZen Mantra's (Sam Perry) signature. And this, his self-titled second album, is filled with shimmering psychedelic lo-fi rock, and reverb drenched guitar melodies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing on from his 2013 debut album '\u003ca href=\"https:\/\/flyingout.co.nz\/products\/zen-mantra-how-many-padmes-hum\" title=\"Zen Mantra - How Many PAdmes Hum\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/flyingout.co.nz\/products\/zen-mantra-how-many-padmes-hum\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHow Many Padmes Hum\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e' the 10-track album sees the 21-year old bedroom producer joining the Flying Nun roster and expanding his focus to incorporate all forms of pop music from ethereal shoegaze to walls of psychedelic distortion. Perry, who is also a member of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYumi Zouma\u003c\/strong\u003e, wrote much and recorded much of it by himself in various planes, trains, homes and hotel rooms around the world whilst on tour with them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the end I wanted to make something that felt like a pop record, but with an underlying sense of dissonance. Perry explains. Something that for most part is quite energetic and rhythm heavy, but without forgoing any atmospheric qualities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith much of the album s inspiration coming from German 1960s\/70s psych acts and UK acts like Felt and Spaceman 3 (fun fact: the name Zen Mantra was taken from some of Sonic Boom s liner notes),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eZen Mantra\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas a pure pop energy, an expansive sound and plenty of hooks. Yet it s not all warm and blissful, with the album s darker, emotional themes at times brilliantly warping these ‚ pop songs. Leaving the listener with the slight sense of unease, like a sad psych pop record found lying in the sun.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Will Disappear\u003cbr data-mce-fragment=\"1\"\u003e2. Hole In My Skull\u003cbr data-mce-fragment=\"1\"\u003e3. Dimming Son\u003cbr data-mce-fragment=\"1\"\u003e4. Remember You At All\u003cbr data-mce-fragment=\"1\"\u003e5. Bailey\u003cbr data-mce-fragment=\"1\"\u003e6. Picture The Sun\u003cbr data-mce-fragment=\"1\"\u003e7. Maybe I'll See You In My Dreams\u003cbr data-mce-fragment=\"1\"\u003e8. Second Skin\u003cbr data-mce-fragment=\"1\"\u003e9. Sitting At The Bottom Of The Pool\u003cbr data-mce-fragment=\"1\"\u003e10. Looking Up At A Hundred Moons\u003c\/p\u003e","brand":"Zen Mantra","offers":[{"title":"FN560 - Vinyl LP","offer_id":36768476332183,"sku":"FN560lp","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FN560---Zen-Mantra.jpg?v=1721977434"},{"product_id":"fn570-the-courtneys-ii-2017","title":"The Courtneys - II (CD)","description":"\u003cp\u003e FN570 The Courtneys - II (2017)\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eThe Courtneys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edrift back to the sound of the early '90s, drawing from strong influences including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTeenage Fanclub, Pavement, Eddy Current Suppression Ring, and The Clean\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCourtney Loove'\u003c\/strong\u003es dreamy guitar riffs add a timeless powerpop element to the punk backbone formed by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSydney Koke\u003c\/strong\u003e's driving basslines, while drummer\/lead singer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJen Twynn Payne\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edelivers heartfelt lyrics with a powerful vocal style. These components come together through a passionate collaborative songwriting process to deliver a special blend of fuzzy \"artisanal grunge\". \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe first\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCourtneys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ealbum (self titled) came out in 2013 on small independent label, Hockey Dad Records, based in the band's hometown of Vancouver, BC, Canada. They have since worked with a number of independent labels including Conquest of Noise in Australia and Waterslide Records in Japan, as well as Burger Records and Gnar tapes in the USA. They have released a number of singles and music videos, and toured throughout Canada and the USA, including spots supporting\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTegan and Sara\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMac Demarco\u003c\/strong\u003e.\u003c\/div\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eIn 2015\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Courtneys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emade their way to Australia and New Zealand, where they were hosted by Flying Nun Records. Influenced by the legendary label from early on, the group are honored to now be able to call it their home.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracklisting \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Silver Velvet\u003cbr data-mce-fragment=\"1\"\u003e2. Country Song\u003cbr data-mce-fragment=\"1\"\u003e3. Minnesota\u003cbr data-mce-fragment=\"1\"\u003e4. Tour\u003cbr data-mce-fragment=\"1\"\u003e5. Lost Boys\u003cbr data-mce-fragment=\"1\"\u003e6. Virgo\u003cbr data-mce-fragment=\"1\"\u003e7. 25\u003cbr data-mce-fragment=\"1\"\u003e8. Iron Deficiency\u003cbr data-mce-fragment=\"1\"\u003e9. Mars Attacks\u003cbr data-mce-fragment=\"1\"\u003e10. Frankie\u003c\/p\u003e","brand":"The Courtneys","offers":[{"title":"CD","offer_id":36768403259543,"sku":"FN570cd","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/0011884234_10.jpg?v=1599610673"},{"product_id":"fn567-grayson-gilmour-otherness-2017","title":"Grayson Gilmour - Otherness (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe first thing you hear is a note.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt might be a plucked piano string or some celestial harp, it’s impossible to tell, but it is echoing to infinity, like a sonar signal bouncing off the cosmos, creating an irregular percussive rhythm as it moves through space. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOtherness\u003c\/em\u003e his third record with Flying Nun Records, follows on from 2014’s critically acclaimed ‘Infinite Life!’ (\u003cstrong data-mce-fragment=\"1\"\u003enominated for both NZ Music Award and the 2015 Taite Prize\u003c\/strong\u003e) and \u003c\/span\u003eover a 15 year music career,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGrayson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas built himself a dedicated fan base and admiration from music critics across New Zealand and internationally for not just his solo work but his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand his more recent film and TV work. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the first moments of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOtherness\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eGrayson Gilmour\u003c\/strong\u003e’s wonderfully rich new album, he has given an object lesson in how intimately word and sound can be entwined. These aren’t just a few cool samples splashed around some nice songs. This is a place where song and sound are inseparable. And that intricate weave of tone and imagery continues through 43 minutes of music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGilmour\u003c\/strong\u003e has had plenty of practice at this. He began making recordings in his teens, if not earlier. His first releases were handmade things: home-recorded and presented in inky packages, meticulously photocopied, folded and glued. As time went on these grew more sophisticated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough an accomplished player on all the traditional rock instruments – piano, guitar, drums, bass – he has a more specialised gift for making music out of things that weren’t instruments to start with: found sounds, sonic detritus, which he has been known to copy back and forth between two old cassette recorders, until they develop a patina, a kind of acoustic cortex. Sometimes these will become the textural and rhythmic foundations for songs. On \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtherness\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e such building blocks are enmeshed with electronics and those more traditional instruments, to which he also adds live strings. The results are lush, surprising and ever-shifting.\u003c\/span\u003e\u003c\/p\u003e\nBut if \u003cstrong\u003eGilmour\u003c\/strong\u003e is more sonically inventive than ever, he has also become more direct in the way he expresses himself; more generous with his melodies, more open with his emotions. His singing has never been more prominent or assured. Above all, Otherness is an album of glorious pop songs – yearning, heart-tugging, romantic – encased in beautiful sound worlds.\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hundred Waters\u003cbr data-mce-fragment=\"1\"\u003e2. Blow Back\u003cbr data-mce-fragment=\"1\"\u003e3. Twenty-One Tattoo\u003cbr data-mce-fragment=\"1\"\u003e4. Better Life\u003cbr data-mce-fragment=\"1\"\u003e5. Be A Beacon\u003cbr data-mce-fragment=\"1\"\u003e6. Otherness\u003cbr data-mce-fragment=\"1\"\u003e7.Sundowning\u003cbr data-mce-fragment=\"1\"\u003e8. Slow Hope\u003cbr data-mce-fragment=\"1\"\u003e9. Artery \/ Don't Let It Get You!\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP (Milky Clear Vinyl)","offer_id":36768355319959,"sku":"FN567lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson_Gilmour_-_Otherness.jpg?v=1721977431"},{"product_id":"fn574-fazerdaze-morningside-2017","title":"Fazerdaze - Morningside (Vinyl)","description":"\u003cp\u003eFN574 \u003cstrong\u003eFazerdaze\u003c\/strong\u003e - \u003cem\u003eMorningside \u003c\/em\u003e(2017)\u003c\/p\u003e\n\u003cp\u003eThe brainchild of \u003cstrong\u003eAmelia Murray\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/fazerdaze\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFazerdaze\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebegan as a string of bedroom recordings created late in the night, emerging fully-formed in 2014 as her debut eponymous EP. A succinct collection of intimate, beautifully produced dream-pop written, produced and performed by Murray herself. It’s a significant first outing for the young New Zealander with layers of softly crunching guitars swirling over consistently driving drum machines, and sparse electronica.\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the release of \u003cem\u003eMorningside\u003c\/em\u003e, \u003cstrong\u003eFazerdaze\u003c\/strong\u003e and her band have shifted to another level. Supporting and touring with international acts like \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eExplosions In The Sky\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eConnan Mockasin\u003c\/strong\u003e. She was invited to join the Red Bull Music Academy in Montreal and she stole the show at both \u003cstrong data-mce-fragment=\"1\"\u003eAuckland's Laneway Festival\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eThe Others Way Festival\u003c\/strong\u003e. And now here we are with here debut album - \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMorningside\u003c\/strong\u003e \u003c\/em\u003e- a full set of \"\u003cem data-mce-fragment=\"1\"\u003eswooning, happy-sad bedroom guitar-pop sunshine\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLast To Sleep \/\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLucky Girl\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMisread\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Uneasy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJennifer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake It Slow\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShoulders\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFriends\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHalf-Figured\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBedroom Talks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0cjpAz5iUnA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fazerdaze","offers":[{"title":"Vinyl","offer_id":36768029900951,"sku":"FN574LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Fazerdaze_-_Morningside_Vinyl_CD.jpg?v=1726199198"},{"product_id":"fn575-aldous-harding-party-2017","title":"Aldous Harding - Party (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas produced with the award-winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Parish (PJ Harvey, Sparklehorse\u003c\/strong\u003e) in Bristol, a world away from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Zealand home. As well as contributions from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParish\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfume Genius’s Mike Hadreas\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elends vocals to the aforementioned I\u003cem data-mce-fragment=\"1\"\u003emagining My Man\u003c\/em\u003e and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwell Does The Skull\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eIgniting interest with her eponymous debut album released just two years ago,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003equickly became a name murmured on many lips. She’s known for her sinister torch songs, gentle laments and eerie odes delivered with a charismatic combination of hubris, shrewd wit and quiet horror.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintroduces a new talent to the stark and unpopulated dramatic realm where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScott Walker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereside. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e1. Blend\u003cbr data-mce-fragment=\"1\"\u003e2. Imagining My Man\u003cbr data-mce-fragment=\"1\"\u003e3. Living The Classics\u003cbr data-mce-fragment=\"1\"\u003e4. Party\u003cbr data-mce-fragment=\"1\"\u003e5. I’m So Sorry\u003cbr data-mce-fragment=\"1\"\u003e6. Horizon\u003cbr data-mce-fragment=\"1\"\u003e7. What If Birds Aren’t Singing They’re Screaming\u003cbr data-mce-fragment=\"1\"\u003e8. The World Is Looking For You\u003cbr data-mce-fragment=\"1\"\u003e9. Swell Does The Skull\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aipyvUAXtJI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36767897092247,"sku":"FN575lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/995e81de-4636-43f6-8561-bdcb069800be.png?v=1721977370"},{"product_id":"fn577-mermaidens-perfect-body-2017","title":"Mermaidens - Perfect Body","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e FN577 Mermaidens - Perfect Body (2017)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMermaidens\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare a three-piece outfit from Wellington, New Zealand, who are renowned for their intricate and unique songwriting, boldly raw but increasingly refined studio production, and a hypnotic live synergy that leaves audiences enchanted. Their entrance onto the NZ music scene was extremely strong following the releases of their widely acclaimed debut EP\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eO\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein 2014 and subsequent album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUndergrowth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein 2016. As a result, they were offered dozens of national shows and international support slots, which led to them being picked up by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe excitement around\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMermaidens\u003c\/strong\u003e’ debut album was encapsulated by i-D contributor Wendy Syfret, who described them as one of; “New Zealand's most enigmatic and engaging young bands.”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTheir impressive portfolio of support slots and sold out shows, attests to the charm and excellence of their live show. In just a few years\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMermaidens\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave sold out major venues in New Zealand as well as supporting international acts such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeath Cab For Cutie\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSleater Kinney\u003c\/strong\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMac Demarco\u003c\/strong\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWindhand\u003c\/strong\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-canvas-width=\"261.9007947090278\" data-mce-fragment=\"1\"\u003e1. Perfect Body \/ 2. Sunstone \/ 3. Lizard \/ 4. Mind Slow \/ 5. Smothering Possession \/ 6. Satsuma \/ 7. Give It Up \/ 8. Fade\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mermaidens","offers":[{"title":"FN577 - Vinyl LP","offer_id":36767517900951,"sku":"FN577lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Mermaidens_Cover_3333_72dpi_w_text.jpg?v=1721977367"},{"product_id":"fn579-sneaky-feelings-progress-junction-2017","title":"Sneaky Feelings - Progress Junction (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFN579 Sneaky Feelings - Progress Junction ‎(2017)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHow do you explain a near thirty-year gap between albums? Perfectionism maybe ….. tardiness certainly…… but it is well worth the wait.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e, one of the original Dunedin Sound bands formed in the early 1980s return with a brand-new album of original songs.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e were drawn to a wider variety of musical styles than most early Flying Nun bands and were one of the first to experiment in the recording studio. Perhaps what drove the band to push the limits of a pop band has been the fact that all four members write songs. And while the band may have not played much over the years, the individual members have continued to hone their songwriting skills.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe twelve songs on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e were recorded over two years in bass player John Kelcher’s Christchurch studio. There was no plan when the band began recording, the four members just had a bunch of songs that suited the \u003c\/span\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e sound and feel. As band put the album together they experimented by weaving in snippets of audio from New Zealand radio archives.  Voices from the past started talking to the present.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrue to the lost New Zealand egalitarian dream, each band member contributed three tracks, and although there was no grand design, each song reflects on an aspects of New Zealand life.  The album starts with an invitation from the owner of a junk shop to inspect his treasures (\u003c\/span\u003e\u003cem\u003eDo You Like That Style?\u003c\/em\u003e\u003cspan\u003e) and ends with Ghosts walking out of an abandoned town (\u003c\/span\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003cspan\u003e).  In between there are end of life decisions to be made at a retirement home (\u003c\/span\u003e\u003cem\u003eCastle of Dreams\u003c\/em\u003e\u003cspan\u003e), celebration of friendship and summer (\u003c\/span\u003e\u003cem\u003eSummer Song\u003c\/em\u003e\u003cspan\u003e), a warning against unnecessary entanglements (\u003c\/span\u003e\u003cem\u003eOther People's Lives\u003c\/em\u003e\u003cspan\u003e), a plea for academics to stay true to their calling (\u003c\/span\u003e\u003cem\u003eDon't Come Down\u003c\/em\u003e\u003cspan\u003e), and earthquakes……All the usual rock and roll subjects ….….. but are the band’s new preoccupations signs of maturity or symptoms of middle age decline?   Do they amount to progress?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWondering where the striking cover came from? \u003cstrong\u003eKelcher\u003c\/strong\u003e found a photo of four hard-living West Coast miners from the 1940s staring straight at the camera. 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In early 2018, she signed with Japanese label 2670 Records and her debut album \u003cem\u003e\u003cstrong\u003ePrecipice\u003c\/strong\u003e\u003c\/em\u003e is due for international release (including Europe and Japan) later this year. indi was accepted into the esteemed international Red Bull Music Academy this year (Sept. 2018 Berlin), which is renowned for exposing the next generation of emerging musicians and producers to world-class artist lecturers including \u003cstrong\u003eBjork, Philip Glass, Suzanne Ciani \u003c\/strong\u003eand\u003cstrong\u003e Brian Eno\u003c\/strong\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOf late, she is a composer for screen and performance, as well as in the field of sonic arts. Most recently was the piece 'Falling Glaciers' exhibited in galleries in both Wellington and Melbourne (Australia) as part of the WFL compilation. One of her many ongoing projects of 2018 includes her collaboration with choreographer \u003cstrong\u003eNatalie Clark\u003c\/strong\u003e for the Singapore Dance Residency on a performance called 'Transit'. The piece is based on the history and forms of constellations and will be performed by the prestigious T.H.E. contemporary dance company in Singapore.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eindi\u003c\/strong\u003e is also known for her collaborations: she collaborated with experimental violinist \u003cstrong\u003eAnita Clark\u003c\/strong\u003e (aka \u003cstrong\u003eMotte\u003c\/strong\u003e) to create the sonic art project New Dawn in 2017, which received praise within New Zealand music communities at the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMost notably, however, was her position as co-writer in the Christchurch based trip-hop band \u003cstrong\u003eDoprah\u003c\/strong\u003e (Arch Hill Recordings), which garnered huge international traction at the time and became a noteworthy group on Billboard's 'Next Big Sound' list. She started with \u003cstrong\u003eDoprah\u003c\/strong\u003e at only 19 in 2013 and they were nominated for two awards at VNZMA the following year. indi's collaborations with music video makers Candlelit Pictures\/Thunderlips have also been popular, including the single 'Precipice' which won Best Music Video at CLIPPED Festival in Sydney last year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Demeter\u003cbr\u003e2. Cair Paravel\u003cbr\u003e3. Precipice\u003cbr\u003e4. Airportal\u003cbr\u003e5. Tablelands\u003cbr\u003e6. Woman\u003cbr\u003e7. pith\u003cbr\u003e8. Cannibals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rB7EPMt4iTM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"indi","offers":[{"title":"FN582 - Vinyl LP","offer_id":36731376238743,"sku":"FN582lp","price":36.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/fn582.jpg?v=1721977343"},{"product_id":"fn584-dog-power-dog-power-2018","title":"DOG Power - DOG Power","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN584 DOG Power - DOG Power (2018)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDOG Power was formed in 2017 by indie pop, singer-songwriter Sam Perry and experimental musician Henry Nicol in Christchurch, with Perry and Nicol relocating Belgrade, Serbia, out of a desire for the freedom to make their music their life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConnecting over a shared fascination with fashion, glamour, cinema and the avant-garde, Perry and Nicol started working together in the underground venue\/recording studio LOG Recording in 2017. Nestled in between Christchurch’s abandoned 40,000 person stadium and the city’s discrepant industrial zone, work began on what would eventually become DOG Power’s first release.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntrigued by rock’n’roll, as well as non-musical and monotonous sounds, DOG Power’s music is rooted in their use of samples, live percussion, drum machines, synthesisers and guitars which lay a foundation for Perry’s deep, sonorous voice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaking equal ques from Sade and The Stooges, Serge Gainsbourg and Suicide, the seven songs on their self-titled recorded debut span genres, encompassing everything from industrial electronica to baroque pop, super-sonic rock’n’roll to something out of a seventies spy film… One directed by David Lynch.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Sam Perry’s poetry and presence, DOG Power make music that can only be described as cinematic.\u003c\/p\u003e","brand":"DOG Power","offers":[{"title":"Vinyl LP","offer_id":36731466154135,"sku":"FN584lp","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/EP1-Cover-Art.jpg?v=1721977340"},{"product_id":"fn581-wax-chattels-wax-chattels-2018","title":"Wax Chattels - Wax Chattels (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGuitarless Guitar Music.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThis is the self-imposed one-line description chosen by Auckland, New Zealand's \u003cstrong\u003eWax Chattels\u003c\/strong\u003e. The keyboard, bass and drums trio don't have a guitar player, but their overwhelming sound and energy creates an atmosphere akin to a traditional loud power trio – except their music is anything but traditional. They create darkly hypnotic and frenetic music that's both rhythmically complex and sinister. If that paints any sort of aural picture, it comes as no surprise that \"Gillian,\" their homage to X-Files star Gillian Anderson, was roundly endorsed by the ex-punk actress herself on social media before the band had even played shows outside of their home country or received any support from larger press outlets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cstrong\u003ePeter Ruddell \u003c\/strong\u003e(26, keyboards\/vocals), \u003cstrong\u003eAmanda Cheng \u003c\/strong\u003e(26, bass\/vocals) and \u003cstrong\u003eTom Leggett\u003c\/strong\u003e (22, drums) met studying Jazz Performance at the University of Auckland, and started Wax Chattels a few years later after they'd lived in Japan, Ireland, gone to Law School and\/or performed in various other projects. Though Peter plays heavily treated keyboards in the band, he's a multi-instrumentalist that focused on sax in school. His influences range from old horror movies to the more outrageous side of live performance styles in Tokyo's music and art scene. \"We want to play shows that make people feel uncomfortable. The goal is to leave the audience feeling slightly altered, like they have experienced, not just heard or seen something.\" This is evident in the self-recorded \"Stay Disappointed,\" the band's self-recorded debut single where Peter takes the lead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eFrom novels to tweets, bassist Amanda is drawn to art and writing that addresses adversity. She's influenced by recurring themes of various difficulties she has experienced in her own life, challenges she feels are overly ubiquitous in the narratives of young women of color. Her post-punk informed bass lines provide the backbone for most of the band's tracks, though when she takes the lead on \"It,\" she's unrestrained. A song about \"really fucking wanting to fuck,” \"It\" expresses that it's important to not only have more visible women in the arts – especially in genres of traditionally \"dude music\" – but also to explicitly address female sexual desires. She finds these themes are usually shrouded in subtler terms, well-dressed metaphors and cute euphemisms. Perhaps, if people hear or see these statements more, female sexuality and\/or libido could become a less shameful, \"behind close doors only\" thing. \"Slut shaming is real, prevalent, and wrong.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eInitially, Peter and Amanda started \u003cstrong\u003eWax Chattels\u003c\/strong\u003e by writing tracks with a drum machine before realizing the band would be more exciting with a live drummer. Tom was playing and continues to play in a feminist punk band as well as various jazz acts in Auckland. And, the one thing Tom hates the most in this world? Being stuck in traffic. By living in the city, he has an endless supply of anger to take out on the drums, which influences \u003cstrong\u003eWax Chattels’\u003c\/strong\u003e punishing aesthetic. His minimal kit propels the band like a freight train. When asked why he paired his kit down to what it is, Tom said: \"I saw a pianist play with only ten working keys and still sound great... I started following drummers such as Mark Guiliana, Paul Motian and Deantoni Parks, who all play minimal kits, and it always put me in awe when I heard how unrestricted they were by their set up. Also, less drums = less pack down.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eComposing together, the band worked up their material for a year prior to recording. “We tracked the songs as a live band to capture the energy of the live show, restricting ourselves to instruments which we play live and keeping all production to a minimum to focus on the band sound itself.\" The band \"come from\" and \"go to\" different places on stage and in their heads when they write, record and perform, largely because they aren't the kind of band with homogeneous interests outside of music. Live, they are not to be missed. While they do come across as a \"rock\" band, it's coming from so many places so quickly that you're kind of left wondering where you're going. The opening of the one-chord tour de force “Concrete” begins in a downright frightening and jarring place and turns into an almost Krautrock-via-Suicide crescendo. It was after a particularly insane live performance that they were signed by both Captured Tracks and Flying Nun Records on the spot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eWax Chattels recalls the other side of Kiwi underground rock history, one that's a bit less sunny and jangly and one that demands your attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"lang-en\"\u003eTrack List: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cspan\u003e1. Concrete \/ 2. Stay Disappointed \/ 3. It \/ 4. Gillian \/ 5. In My Mouth \/ 6. Shrinkage \/ 7. Career \/ 8. NRG \/ 9. Parallel Lines \/ 10. Facebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP","offer_id":36698751598743,"sku":"FN581lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-273_Wax_Chattels_Cover_3000x3000_243434d6-cce5-4705-96e4-e447fbf739d7.jpg?v=1721977337"},{"product_id":"fn586-mermaidens-look-me-in-the-eye-2019","title":"Mermaidens - Look Me In The Eye (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e sees \u003cstrong\u003eMermaidens\u003c\/strong\u003e scale new territory, fearlessly pushing sonic boundaries and producing a body of work as severe and progressive as it is vibrant and exhilarating. At the heart of the record lies the thematic exploration of female voices, as band members Gussie Larking (co-lead vocals\/guitar), Lily West (co-lead vocals\/bass) and Abe Hollingsworth (drums) expose motifs of exterior masks, human relationships and power dynamics with unflinching fervour. \u003c\/p\u003e\n\u003cp\u003eThe title of the new album is intentional in its double-meaning, as notions of confrontation and intimacy collide to unearth the tangled paradoxes of human connection. The voices and perspectives of both front-women shape the record with equal footing, creating a dialogue around female collaboration and friendship. \u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e was recorded with long time collaborator, audio engineer James Goldsmith at Blue Barn Studio in the trio's hometown of Wellington. \u003cbr\u003e\u003cbr\u003ePredominantly writing songs independently and then coming together as a trio to work through arrangement and develop ideas, \u003cstrong\u003eMermaidens\u003c\/strong\u003e mobilised their strengths in collaboration to produce a body of music that is every bit as experimental, as it is accessible and uniting. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mermaidens","offers":[{"title":"Vinyl LP","offer_id":36671901728919,"sku":"FN586lp","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Digi-cover-HIRES.jpg?v=1721977226"},{"product_id":"fn587-aldous-harding-designer-2019","title":"Aldous Harding - Designer (Vinyl)","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDesigner\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e finds the New Zealander \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e hitting her creative stride. After the sleeper success of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/products\/fn575-aldous-harding-party-2017\"\u003eParty\u003c\/a\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e(internationally lauded and winner of Taite Music Prize 2018, two NZ Music Awards and a Silver Scroll nomination), \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParty\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is an overriding sense of an artist confident in their work, with contributions from Huw Evans (\u003cstrong data-mce-fragment=\"1\"\u003eH. Hawkline\u003c\/strong\u003e), Stephen Black (\u003cstrong data-mce-fragment=\"1\"\u003eSweet Baboo\u003c\/strong\u003e), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting \u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e rich and timeless songwriting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QyZeJr5ppm8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36615130579095,"sku":"FN587lp","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUS_HARDING_-_DESIGNER.jpg?v=1622510180"},{"product_id":"fn589-purple-pilgrims-perfumed-earth-2019","title":"Purple Pilgrims - Perfumed Earth (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew Zealand dreamscape artists \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePurple Pilgrims\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e are set to release their long-awaited, sophomore record\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAugust 9\u003c\/u\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e via \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e. This release marks their recorded debut with the iconic independent label.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo create the songs represented on \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the Nixon sisters, Clementine and Valentine, retreated to a wooden sanctuary hidden deep in the wilds of Tapu, where their 2016 debut \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEternal Delight\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e came together. Birthed from a new calm and contemplative headspace, and a select group of collaborators whom they brought together as a “very modern\/mobile band”, the pair set to immersing themselves in their new sonic world.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 9 track record features support input from \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGary War \u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(bass and synth from various motel rooms in the USA), Jimmy Mac (lush live drums), Joshua Kennedy (additional guitar jangle and fuzz), veteran improvisational experimentalist Jeff Henderson (saxophone on \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Delphiniums In Harmony \/ Two Worlds Away’\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and a special guest appearance from New Zealand six-string expressionist \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Ruinous Splendour’\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWoven throughout \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the lush pentatonic melodies of \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePurple Pilgrims\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e burn brighter than ever, combined with shimmery kaleidoscopic textures that mark a new chapter in the pair’s musical evolution. It is, as they phrase it: “ancient imagery expressed through a modern lens - folk songs played on synthesised instruments.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHow Long Is Too Long?\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAncestors Watching\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSensing Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI'm Not Saying\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDelphiniums in Harmony\/Two Worlds Away\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo Worlds Apart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLove in Lunacy (Saturn in Return)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRuinous Splendour (feat. Roy Montgomery)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTragic Gloss\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Purple Pilgrims","offers":[{"title":"Vinyl LP","offer_id":36671243255959,"sku":"FN589lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/39fbbf65-ca8d-4aff-8fb7-8cd1af7b121c.jpg?v=1721977211"},{"product_id":"fn591-reb-fountain-reb-fountain-2020","title":"Reb Fountain - Reb Fountain (Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCelebrated singer-songwriter \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eReb Fountain\u003c\/a\u003e’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e self-titled album marks a new chapter in the kiwi artist’s career and her first full-length release on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eReb Fountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e came together in the well-seasoned walls of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e iconic Roundhead Studios in Auckland, New Zealand. This arrangement came about after \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e performed, recorded and toured with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e through his ‘\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOut of Silence\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ album cycle, and it seemed only natural. Long-time studio collaborator and head engineer at Roundhead, Simon Gooding, manned the helm of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 3-week recording stint, alongside the legendary \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDave Khan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e on producing duties and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChris Chetland\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Kog Studios) who mastered the final result. The album features a range of musical cameos including \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn Andrews\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Woolley\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Yarra Benders\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElroy Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLogan Compain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The ten-track record features singles \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFaster\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and her new single \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSamson\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e which premiered worldwide on The FADER with a captivating video featuring kiwi drag-superstar Medulla Oblongata.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the span of her illustrious career as an independent singer-songwriter, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has become well-known for her earnest and honest approach to storytelling, garnering a close following of fans around the world and in her home, New Zealand. While spearheading a career of her own, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eReb\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has recorded and performed with the likes of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTami Neilson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Eastern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarlon Williams\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSteve Abel\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and more. Her 2017 EP \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHopeful \u0026amp; Hopeless\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e saw \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e awarded Best Country Music Artist at the 2018 NZ Music Awards. The song of the same name won the 2018 APRA AMCOS NZ Best Country Song. Over the last \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eyear, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has roamed Europe, the UK and US, performing with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn Andrews\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e as well as sharing her solo work with the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hawks \u0026amp; Doves\u003cbr data-mce-fragment=\"1\"\u003e2. Samson\u003cbr data-mce-fragment=\"1\"\u003e3. It's A Bird (It's A Plane)\u003cbr data-mce-fragment=\"1\"\u003e4. When Gods Lie\u003cbr data-mce-fragment=\"1\"\u003e5. Faster\u003cbr data-mce-fragment=\"1\"\u003e6. Don't You Know Who I Am\u003cbr data-mce-fragment=\"1\"\u003e7. Strangers\u003cbr data-mce-fragment=\"1\"\u003e8. Quiet Like The Rain\u003cbr data-mce-fragment=\"1\"\u003e9. The Last Word\u003cbr data-mce-fragment=\"1\"\u003e10. Lighthouse\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8p-y6MYfLLk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Reb Fountain","offers":[{"title":"Vinyl LP","offer_id":36397569409175,"sku":"FN591lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Reb_Fountain_Album_Cover_-_credit_Frances_Carter_Retail.jpg?v=1721899658"},{"product_id":"fn592-sneaky-feelings-the-mercury-moment-2020","title":"Sneaky Feelings - The Mercury Moment (CD)","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eSometimes there’s a pause in the darkening; just after the twilight, just before night finally sets in. A mercury moment of silvers and greys. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing a rare performance on Waitangi Day (February 6), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e announce their first new album since 2017’s critically acclaimed album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Mercury Moment\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the quartet’s new album due out \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eApril 17\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is a potent exploration of extinction, redundancy and disappointed dreams as the four songwriters cast their attention on the current state of the world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver a songbook of twelve songs, Matthew Bannister, David Pine, Martin Durrant and John Kelcher ruminate on the “ludicrous hopes and bleak future” of humanity that is being avoided. As stark realities are shared, a nonchalant musical backdrop accompanies the songs with chilling indifference.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the band’s feature on the iconic \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDunedin Double\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1982), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e have existed in a lane of their own design, adding a lush, harmony-infused ingredient to the sounds coming out of Dunedin throughout the 1980s and onwards. Their majestic single ‘\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHusband House\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ climbed to #16 on the NZ chart in 1985, solidifying itself in the cultural canon of New Zealand as a staple.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings’\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e most recent album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e received wide praise from critics at home, including Sunday Star Time’s Jack Barlow who dubbed it “a vibrant and fresh offering from one of New Zealand’s finest” to William Dart (RNZ New Horizons) who referred to the album as “the unexpected renaissance of one of my favourite bands of all time.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36397549551767,"sku":"FN592cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/SNEAKY_FEELINGS.jpg?v=1721977209"},{"product_id":"fn592-hamerkop-remote-2020","title":"Hamerkop - Remote","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is proud to be teaming up with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDrag City\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e to release \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e forthcoming debut album '\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' in Australia and New Zealand on February 28th, 2020. Consisting of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Annabel Alpers and drummer\/engineer Adam Cooke, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e exudes equal parts romance and ennui. \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e exudes equal parts romance and ennui.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' is a fully immersive sonic experience with elements of electronica, pop and field recordings combining to a danceable, dazzling degree. Listen to the duo's new track \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Splendour That Was Rome\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Here, they synthesise disco, electro and kraut in an immaculate pop sensibility. A longing to share the good old days and sweet old world scenes with a new lover infuses with the sonics to form a lava that erupts and flows into the atmosphere, cascading psychedelically over the present-day ruins, as Annabel Alpers' massed choral voices soar to the skies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Splendour That Was Rome\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e contains all the distinctive melody, pretty songwriting and synthetic immersion that made Alpers' pioneering work as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e such a standout. But the constant triggering of the senses from unexpected angles and algorithms has added a whole new dimension to her craft. This is a musician working at the peak of her powers. And these are everybody's sounds, translated into a highly textured, instantly recognisable musical language.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e is a pair of Baltimore-based sound nerds: Annabel Alpers, the composer, singer and instrumentalist formerly of New Zealand’s \u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e, and Adam Cooke, a Baltimorean drummer\/audio engineer with credits that include \u003cstrong data-mce-fragment=\"1\"\u003eBeach House\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eWye Oak\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eFuture Islands\u003c\/strong\u003e. Together, they have created a song-cycle that contrasts the often-mundane (yet often satisfying) everyday world with that of the idealised, longed-for fantasy, to find the spaces in between these things, the place where we all feel good about our existence.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop’s\u003c\/strong\u003e debut, '\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e', started as an exploration of the sonic beauty in Alpers’ collection of field recordings from her homeland and travels around the world. Looped and sampled, they became a set of instrumental sounds of their own, and when played live in a multiple-speaker, surround-sound experience, their effect was transporting. The finished album blends these expansive sounds in choral layers of synths and vocals, with a kaleidoscopic, almost psychedelic quality, all of it anchored by Cooke’s Kraut-minimal drumming.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' is a natural progression from the criminally-underrated \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e catalog —seeking catharsis through the contextualising of personal texts into lush songscapes, using the chill of synth-pop to mask the fallible human soul hidden behind it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar away from her native New Zealand with a new life and family in America, Annabel strove to find elements of her old identity in new environs, building songs out of sonic scraps from remote places, as if she were sewing a blanket in which to wrap them all. As she puts it, “Home for me is in two places, and it’s been causing a lot of creative tension because I wish I could be in both places at once.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe songs of '\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e' find depth and dimension via a rich tapestry of voices, found sounds and classic pop melodies, as constant synapse triggering from unexpected angles and algorithms reveals, by chance and design, a magical inner life scored by birds and babies, church bells and bonfires. Genre-defying, yet familiar, \u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e translates the topography that stretches out between us into a musical language that celebrates our shared places. 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I really enjoyed recording this as it was free of expectation. We weren’t playing much live at the time. It does contain some of my favourite Clean songs such as “Twist Top,” “Wipe Me, I’m Lucky,” and “Valley Cab.” Certainly our most experimental album.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Wipe Me, I'm Lucky\u003cbr data-mce-fragment=\"1\"\u003e2. Champagne \u0026amp; Misery\u003cbr data-mce-fragment=\"1\"\u003e3. Changing Your Head\u003cbr data-mce-fragment=\"1\"\u003e4. Balkans\u003cbr data-mce-fragment=\"1\"\u003e5. Clutch\u003cbr data-mce-fragment=\"1\"\u003e6. Franz Kafka At The Zoo\u003cbr data-mce-fragment=\"1\"\u003e7. Whisk\u003cbr data-mce-fragment=\"1\"\u003e8. Indigo Blue\u003cbr data-mce-fragment=\"1\"\u003e9. Chumpy\u003cbr data-mce-fragment=\"1\"\u003e10. 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In the years since, they have carved out a big sandbox for everyone to play in, and \u003c\/span\u003e\u003cspan\u003etheir influence resonates not only in NZ but around the world. A group \u003c\/span\u003e\u003cspan\u003ethat thrives when free of expectations, The Clean’s Robert Scott, Hamish Kilgour, and David Kilgour are, as Tape Op described, “a casually wonderful band.”\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgour on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMister Pop\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eMister Pop began in Brooklyn, NY, at Gary Olson’s Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing “he’s a factory man,” so I dried off and went down and wrote “Factory Man” while thinking heavily of The Kinks. Rainy and Geva from Haunted Love did some great work on backing vocals for “Loog” and “Dreamlife.” And old friend and longtime Clean collaborator Alan Starrett makes an appearance on “Moonjumper.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Scott on\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eMister Pop\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eI remember thinking at the start of the NY sessions with Gary Olson, “Is this the start of a new album?” We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on “Tensile,” one of my faves along with the pure pop of “Dreamlife.” “Loog” was a fun song to put together. “Asleep in the Tunnel” is written \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eabout being stuck in traffic in a tunnel under the Hudson River in NY.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in 2009 on \u003cstrong\u003eArch Hill Recordings\u003c\/strong\u003e (in NZ), \u003cstrong\u003eThe Clean's\u003c\/strong\u003e - \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eMister Pop\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eis being reissued again \u003cspan\u003eon vinyl, including an exclusive NZ only Opaque Green vinyl version. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e1. Loog\u003cbr\u003e2. Are You Really on Drugs?\u003cbr\u003e3. In the Dreamlife U Need a Rubber Soul\u003cbr\u003e4. Asleep in the Tunnel\u003cbr\u003e5. Back in the Day\u003cbr\u003e6. Moonjumper\u003cbr\u003e7. Factory Man\u003cbr\u003e8. Simple Fix\u003cbr\u003e9. Tensile\u003cbr\u003e10. All Those Notes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TfIRuhmY1eI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Clean","offers":[{"title":"Vinyl LP","offer_id":39020985417879,"sku":"MRG325","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheClean-MisterPop.jpg?v=1721976985"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/DSCF4481.jpg?v=1721781162","url":"https:\/\/www.flyingnun.co.nz\/collections\/flying-nun\/gerling.oembed","provider":"Flying Nun ","version":"1.0","type":"link"}