{"title":"FOLK","description":"","products":[{"product_id":"fn566-aldous-harding-aldous-harding-2016","title":"Aldous Harding - Aldous Harding (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN566 \u003cstrong\u003eAldous Harding\u003c\/strong\u003e - \u003cstrong\u003eAldous Harding\u003c\/strong\u003e (2016) released on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e these days is an international, award winning artist. With this album, her self titled debut, you get a taste of her brilliance, as an emerging artist and why, from the outset, she caught the eye of locally and internationally renowned record labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe started in Lyttelton, a port town on the outskirts of Christchurch, New Zealand. There s\u003cspan data-mce-fragment=\"1\"\u003ehe kept sailors in check with cheek and a strong-songed tongue. S\u003c\/span\u003ehe caught the ear of locals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Edwards\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDelaney Davidson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eplaying under her own name, Hanna Harding, alongside band The Eastern.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAldous Harding's lead single, Hunter, has been characterised by Harding as a gothic fairytale. This is folk music, simple and bleak with Hardings fragile coo reminiscent of retiring, 60s-era folk singers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVashti Bunyan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLinda Perhacs\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHunter\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/em\u003eseems to occupy a place outside of time, opening with the refrain, He's a hunter, he's a good man\/Be brave when he brings you nothing home and closing with a vision of blood streaming down a river.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eStop Your Tears\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHunter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo Bitten Hearts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Groan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBeast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo Peace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMerriweather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Bones of Courage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F4R0K6iYJ2A\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36769100693655,"sku":"FN566lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/aldous-harding-aldous-harding.jpg?v=1721977449"},{"product_id":"fn575-aldous-harding-party-2017","title":"Aldous Harding - Party (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas produced with the award-winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Parish (PJ Harvey, Sparklehorse\u003c\/strong\u003e) in Bristol, a world away from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Zealand home. As well as contributions from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParish\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfume Genius’s Mike Hadreas\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elends vocals to the aforementioned I\u003cem data-mce-fragment=\"1\"\u003emagining My Man\u003c\/em\u003e and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwell Does The Skull\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eIgniting interest with her eponymous debut album released just two years ago,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003equickly became a name murmured on many lips. She’s known for her sinister torch songs, gentle laments and eerie odes delivered with a charismatic combination of hubris, shrewd wit and quiet horror.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintroduces a new talent to the stark and unpopulated dramatic realm where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScott Walker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereside. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e1. Blend\u003cbr data-mce-fragment=\"1\"\u003e2. Imagining My Man\u003cbr data-mce-fragment=\"1\"\u003e3. Living The Classics\u003cbr data-mce-fragment=\"1\"\u003e4. Party\u003cbr data-mce-fragment=\"1\"\u003e5. I’m So Sorry\u003cbr data-mce-fragment=\"1\"\u003e6. Horizon\u003cbr data-mce-fragment=\"1\"\u003e7. What If Birds Aren’t Singing They’re Screaming\u003cbr data-mce-fragment=\"1\"\u003e8. The World Is Looking For You\u003cbr data-mce-fragment=\"1\"\u003e9. Swell Does The Skull\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aipyvUAXtJI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36767897092247,"sku":"FN575lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/995e81de-4636-43f6-8561-bdcb069800be.png?v=1721977370"},{"product_id":"fn587-aldous-harding-designer-2019","title":"Aldous Harding - Designer (Vinyl)","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDesigner\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e finds the New Zealander \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e hitting her creative stride. After the sleeper success of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/products\/fn575-aldous-harding-party-2017\"\u003eParty\u003c\/a\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e(internationally lauded and winner of Taite Music Prize 2018, two NZ Music Awards and a Silver Scroll nomination), \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParty\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is an overriding sense of an artist confident in their work, with contributions from Huw Evans (\u003cstrong data-mce-fragment=\"1\"\u003eH. Hawkline\u003c\/strong\u003e), Stephen Black (\u003cstrong data-mce-fragment=\"1\"\u003eSweet Baboo\u003c\/strong\u003e), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting \u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e rich and timeless songwriting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QyZeJr5ppm8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36615130579095,"sku":"FN587lp","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUS_HARDING_-_DESIGNER.jpg?v=1622510180"},{"product_id":"alastair-galbraith-seconds-mark-iii-2020","title":"Alastair Galbraith - Seconds Mark III (Vinyl)","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eSeconds Mark III\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis the third iteration of a unique work within the remarkable, ever-sprawling discography of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlastair Galbraith\u003c\/strong\u003e: poet-dilettante, improvisor extraordinaire and one of the most important figures of New Zealand's storied DIY underground.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommencing his collaborative musical activities in the early 1980s as part of\u003cstrong\u003e Flying Nun\u003c\/strong\u003e outfit \u003cstrong\u003eThe Rip\u003c\/strong\u003e (with \u003cstrong\u003eJeff Harford\u003c\/strong\u003e and \u003cstrong\u003eRobbie Muir\u003c\/strong\u003e), it was almost a decade earlier when Galbraith first invested in the violin, an instrument that would accompany him throughout the rest of his career. \"I think it was much like the kind of thing I do now, because it was a solo occupation\". Established at the end of the decade in response to The Nun's growing affiliations with major music labels, Xpressway - a relatively short-lived operation formed together with \u003cstrong\u003eBruce Russell\u003c\/strong\u003e (\u003cstrong\u003eThe Dead C\u003c\/strong\u003e) and \u003cstrong\u003ePeter Jefferies\u003c\/strong\u003e - proved to be crucial in exposing the trio's activities to the rest of the world, forging relationships with US-based labels \u003cstrong\u003eSiltbreeze\u003c\/strong\u003e,\u003cstrong\u003e Drag City\u003c\/strong\u003e and Ajax while releasing seminal sides by the likes of \u003cstrong\u003eSandra Bell\u003c\/strong\u003e, \u003cstrong\u003eScorched Earth Policy\u003c\/strong\u003e, T\u003cstrong\u003ehis Kind Of Punishment\u003c\/strong\u003e and \u003cstrong\u003eThe Terminal\u003c\/strong\u003es. It was during this time that Galbraith honed-in on his intimate, intricate style of songwriting detailed on \u003cem\u003e\u003cstrong\u003eMorse\u003c\/strong\u003e\u003c\/em\u003e (Siltbreeze, 1993), \u003cem\u003e\u003cstrong\u003eTalisman\u003c\/strong\u003e\u003c\/em\u003e (Next Best Way, 1995) and the first Seconds tape (1994).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGathered from source material recorded during a fertile period of touring and collaboration and re-imagined as a brand new work, Seconds Mark III elucidates Galbraith's hushed yet commanding presence felt on \u003cem\u003e\u003cstrong\u003eMirrorwork\u003c\/strong\u003e\u003c\/em\u003e (Emperor Jones, 1998),\u003cem\u003e\u003cstrong\u003e Cry\u003c\/strong\u003e\u003c\/em\u003e (2000) and \u003cem\u003e\u003cstrong\u003eOrb\u003c\/strong\u003e \u003c\/em\u003e(Next Best Way, 2000), culminating in Mass (Siltbreeze, 2010) - his last solo album. Despite being rooted in psychedelic traditions of narcotic time-dilation, Galbraith's dealings are distinctively out of time, out of tune; dismantling and eschewing notions of song and structure for small, affecting gestures and fragmentary glimpses. The result is a world of fragile, quietly enveloping sound and poetry that embraces fleetingness and intimacy and undulates between hope and pain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Pendulum\u003cbr\u003eA2. Dark March\u003cbr\u003eA3. O Lucky Man\u003cbr\u003eA4. Pull My Daisy\u003cbr\u003eA5. Beehive\u003cbr\u003eA6. On Paul's Imp\u003cbr\u003eA7. Hardly\u003cbr\u003eA8. Cemetary Raga\u003cbr\u003eA9. Plattform\u003cbr\u003eA10. Black Flame\u003cbr\u003eA11. Putty\u003cbr\u003eA12. One Two\u003cbr\u003eA13. Nocturnal\u003cbr\u003eB1. Swordfish\u003cbr\u003eB2. Cars\u003cbr\u003eB3. I'm Brave I'm Scared\u003cbr\u003eB4. Hooks 'N Lines\u003cbr\u003eB5. Original Putty\u003cbr\u003eB6. Ooh Everything, Every Little\u003cbr\u003eB7. Sugar Mommy Part 1\u003cbr\u003eB8. Sugar Mommy Part 2\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1 May 2020\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/i5AzCU8JROI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Alastair Galbraith","offers":[{"title":"Vinyl LP","offer_id":39462104989847,"sku":"ACOLOUR028","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/AlastairGalbraith.jpg?v=1721976692"},{"product_id":"dead-can-dance-spleen-and-ideal-1985","title":"Dead Can Dance - Spleen And Ideal (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eBrendan Perry \u003c\/strong\u003eand\u003cstrong\u003e Lisa Gerrard\u003c\/strong\u003e are \u003cstrong\u003eDead Can Dance\u003c\/strong\u003e. Their music began as collages made from musical lineages, lost tribes and cultures long since forgotten - and by giving new life to so much from the past, they created a genuinely timeless body of work. They shared vocal responsibilities, and while \u003cstrong\u003ePerry\u003c\/strong\u003e was certainly capable of haunting subtleties and real sonority as a singer, it was more often \u003cstrong\u003eGerrard's\u003c\/strong\u003e rhapsodic vocalizing that drew the attention of critics and fans. In a sense, Gerrard didn't simply sing for \u003cstrong\u003eDead Can Dance\u003c\/strong\u003e: she made sounds with her voice, and turned that experience into something much larger and more far-ranging than mere singing. \u003cstrong\u003eDead Can Dance\u003c\/strong\u003e's second album, \u003cem\u003e\u003cstrong\u003eSpleen And Ideal\u003c\/strong\u003e\u003c\/em\u003e (1985), saw them experiment more with instrumentation, abandoning guitars in favor of cello, trombone and timpani. 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It's title was taken from Spleen et Idéal, a collection of poems by 18th century French poet Charles Baudelaire.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDe Profundis (Out of the Depths of Sorrow)\u003c\/li\u003e\n\u003cli\u003eAscension\u003c\/li\u003e\n\u003cli\u003eCircumradiant Dawn\u003c\/li\u003e\n\u003cli\u003eThe Cardinal Sin\u003c\/li\u003e\n\u003cli\u003eMesmerism\u003c\/li\u003e\n\u003cli\u003eEnigma of the Absolute\u003c\/li\u003e\n\u003cli\u003eAdvent\u003c\/li\u003e\n\u003cli\u003eAvatar\u003c\/li\u003e\n\u003cli\u003eIndoctrination (A Design for Living)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dead Can Dance","offers":[{"title":"Vinyl LP","offer_id":39670577332375,"sku":"CAD3623","price":54.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DeadCanDanceSpleen_Ideal.jpg?v=1723887546"},{"product_id":"sharon-van-etten-tramp-2012","title":"Sharon Van Etten - Tramp (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTramp\u003c\/strong\u003e\u003c\/em\u003e is \u003cstrong\u003eSharon Van Etten's\u003c\/strong\u003e debut album on \u003cstrong\u003eJagjaguwar\u003c\/strong\u003e from 2012 and third album overall. The album, which is the culmination of 14 months of scattered recording sessions with the National's Aaron Dessner, contains as much striking rock as pious, minimal beauty; it can be as emotionally combative as it can sultry. contributions from \u003cstrong\u003eMatt Barrick\u003c\/strong\u003e (the Walkmen), \u003cstrong\u003eThomas Bartlett\u003c\/strong\u003e (aka Doveman), \u003cstrong\u003eZach Condon\u003c\/strong\u003e (Beirut), \u003cstrong\u003eJenn Wasner\u003c\/strong\u003e (Wye Oak), \u003cstrong\u003eJulianna Barwick\u003c\/strong\u003e, and \u003cstrong\u003eDessner\u003c\/strong\u003e himself add a glowing sheen to the already substantial offering. The resulting album is an assured and strident one, and Tramp showcases an artist in control of her powers, incorporating vivid arrangements and instrumentation into the songwriting. It is a startling collection, filled with as much defiant rock (the precise venom of Serpents), as pious, minimal beauty (the breathtaking Kevin's and Joke or a Lie). There are declarative hymns (in the earnest solemnity of All I Can), and remarkably sultry numbers (as in Magic Chords).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eWarsaw\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eGive Out\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSerpents\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eKevin's\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eLeonard\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eIn Line\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eAll I Can\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWe Are Fine\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eMagic Chords\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eAsk\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI'm Wrong\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eJoke or a Lie\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sharon Van Etten","offers":[{"title":"Vinyl LP","offer_id":39839893946519,"sku":"JAG201LP","price":50.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":43600772890868,"sku":"JAG201CD","price":32.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/SharonVanEtten-Tramp_2012.jpg?v=1618528252"},{"product_id":"bon-iver-for-emma-forever-ago-2011","title":"Bon Iver - For Emma, Forever Ago (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cropable\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003cspan\u003e is the debut studio album by American indie folk band Bon Iver. It was first self-released in July 2007, and later saw wide release on the Jagjaguwar label in February 2008. The album is principally the work of singer-songwriter\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJustin Vernon\u003c\/strong\u003e\u003cspan\u003e. Whilst living in Raleigh, North Carolina, Vernon fell ill with mononucleosis and a liver infection, and grew frustrated with his songwriting and life. He left Raleigh and drove to his father's remote hunting cabin an hour northwest of his hometown, Eau Claire, Wisconsin, hoping to be alone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album was recorded at the cabin between late 2006 to early 2007. Vernon abandoned his old songwriting methods and instead focused on wordless melodies that he later set to words, which he felt evoked a more subconscious meaning. The record's lyrical subjects include lost love and mediocrity. His folk-infused songs include heavy choral arrangements, featuring Vernon's falsetto, and horns. He hunted his own food and spent much of his time isolated. Though he did not intend to make an album, he received strong encouragements from friends and decided to self-release\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ein July 2007. After several performances and online exposure, he was signed to Jagjaguwar later that year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e attracted wide acclaim from music critics, achieving a spot on dozens of end-of-the-year lists, as well as several awards. It became a major commercial success for Jagjaguwar, an independent label, and has been certified platinum by the Recording Industry Association of America (RIAA), for combined sales, streaming and track-sales equivalent of over one million units. \"Skinny Love\" became the album's best-performing single and also went gold. Vernon gathered together several musicians to form a band to tour with. 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For four decades, \u003cstrong\u003eLeonard Cohen\u003c\/strong\u003e has been one of the most important and influential songwriters of our time, a figure whose body of work achieves greater depths of mystery and meaning as time goes on. 17 tracks including 'First We Take Manhattan', 'Suzanne' and 'Hallelujah'. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eHallelujah\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSo Long Marianne\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSuzanne\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSisters Of Mercy\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eFamous Blue Raincoat\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eEverybody Knows\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWaiting For The Miracle\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWho By Fire\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eChelsea Hotel No 2\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eHey That's No Way to Say Goodbye\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBird On The Wire\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eA Thousand Kisses Deep\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Future\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eClosing Time\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDance Me To The End Of Love\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eFirst We Take Manhattan\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI'm Your Man\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 2018 (Reissue). 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Nothing in my Hands\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e10. 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Besides fine production from Joe Boyd and assistance from folks like Fairport Convention's Richard Thompson and his unrelated bass counterpart from Pentangle, Danny Thompson, Drake also recruited school friend \u003cstrong\u003eRobert Kirby\u003c\/strong\u003e to create most of the just-right string and wind arrangements. His own performance itself steered a careful balance between too-easy accessibility and maudlin self-reflection, combining the best of both worlds while avoiding the pitfalls on either side.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eThe result was a fantastic debut appearance, and if the cult of Drake consistently reads more into his work than is perhaps deserved, \u003cem\u003e\u003cstrong\u003eFive Leaves Left\u003c\/strong\u003e\u003c\/em\u003e is still a most successful effort. Having grown out of the amiable but derivative styles captured on the long-circulating series of bootleg home recordings, Drake imbues his tunes with just enough drama -- world-weariness in the vocals, carefully paced playing, and more -- to make it all work. His lyrics capture a subtle poetry of emotion, as on the pastoral semi-fantasia of \"The Thoughts of Mary Jane,\" which his soft, articulate singing brings even more to the full. Sometimes he projects a little more clearly, as on the astonishing voice-and-strings combination \"Way to Blue,\" while elsewhere he's not so clear, suggesting rather than outlining the mood. Understatement is the key to his songs and performances' general success, which makes the combination of his vocals and Rocky Dzidzornu's congas on \"Three Hours\" and the lovely \"'Cello Song,\" to name two instances, so effective. 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The album was produced by drummer \u003cstrong\u003eJames\u003c\/strong\u003e \u003cstrong\u003eKrivchenia\u003c\/strong\u003e who initially pitched the recording concept for DNWMIBIY back in late 2019 with the goal of encapsulating the many different aspects of Adrianne’s songwriting and the band onto a single record.\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll 4 of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. When Max’s mom asked on a phone call what it feels like to be back together with the band playing music for the first time in a year, he described to the best of abilities: “Well it’s like, we’re a band, we talk, we have different dynamics, we do the breaths, and then we go on stage and suddenly it feels like we are now on a dragon. 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He also forged a fledgling acting career with roles in films\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe True History of the Kelly Gang\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eand Netflix series\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSweet Tooth\u003c\/em\u003e\u003c\/strong\u003e, as well as a cameo in Oscar winning film\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA Star Is Born\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMy Boy\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eparlays this flush of worldly experience into a vivid record as spirited and kinetic as the unfolding life of its performer. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs the pandemic paused global travel, Williams found himself at home in New Zealand, reconnecting with family and friends. 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An album on which one of the world's biggest pop stars forges her own path and dares listeners to come along for the ride. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e2 x Vinyl, LP, Deluxe Edition, Brown \"In The Trees\"\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e The 1 3:30\u003cbr\u003e Cardigan 3:59\u003cbr\u003e The Last Great American Dynasty 3:50\u003cbr\u003e Exile 4:45\u003cbr\u003e My Tears Ricochet 4:15\u003cbr\u003e Mirrorball 3:28\u003cbr\u003e Seven 3:28\u003cbr\u003e August 4:21\u003cbr\u003e This Is Me Trying 3:15\u003cbr\u003e Illicit Affairs 3:10\u003cbr\u003e Invisible String 4:12\u003cbr\u003e Mad Woman 3:57\u003cbr\u003e Epiphany 4:49\u003cbr\u003e Betty 4:54\u003cbr\u003e Peace 3:54\u003cbr\u003e Hoax 3:40\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_yHn-954iVQ\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Taylor Swift","offers":[{"title":"Vinyl 2LP Colour","offer_id":43953373479156,"sku":"3503488","price":86.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/ts3_511c900b-ea02-4dd3-8b16-786d12c44696.jpg?v=1722331463"},{"product_id":"tess-liautaud-blue-mind","title":"Tess Liautaud - Blue Mind (Vinyl)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFranco-American, now Aotearoa's folk sweetheart \u003cstrong\u003eTess Liautaud's\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003esophomore album \u003c\/span\u003e\u003cb\u003eBlue Mind\u003c\/b\u003e\u003cspan\u003e is released Friday October 25th on Vinyl \u0026amp; CD, featuring the stunning \u003c\/span\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=zPJVmPjPe6c\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DzPJVmPjPe6c\u0026amp;source=gmail\u0026amp;ust=1726697370758000\u0026amp;usg=AOvVaw3Je70SPQ4Ri9ApAUW_YJzp\" target=\"_blank\"\u003e\u003cspan\u003eHere Go The Lovers.\u003c\/span\u003e\u003c\/a\u003e\u003c\/b\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eBlue Mind\u003c\/strong\u003e includes new indie-folk \u003c\/span\u003e\u003cspan\u003esingle\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/music.drm.co.nz\/black-machine\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/music.drm.co.nz\/black-machine\u0026amp;source=gmail\u0026amp;ust=1726697370758000\u0026amp;usg=AOvVaw1uu_JOlOJFCuJF6QO4TebD\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan\u003eBlack Machine\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e, \u003c\/strong\u003e\u003cspan\u003ebringing to mind the likes of Wilco and Mazzy Star with a lifting bass line, sliding guitar, pedalling banjo, and melancholic lyrics. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/music.drm.co.nz\/black-machine\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/music.drm.co.nz\/black-machine\u0026amp;source=gmail\u0026amp;ust=1726697370758000\u0026amp;usg=AOvVaw1uu_JOlOJFCuJF6QO4TebD\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cspan\u003e\u003cem\u003e''Songs are meditations, a little drop of medicine for the songwriter and for anyone else who cares to listen. It follows the arc of two characters as their relationship loses balance, the heavy weight, the drowning, the searching, the breaking free \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eand eventually the finding''\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eŌtautahi's \u003cstrong\u003eLeather Jacket Records\u003c\/strong\u003e are releasing an exclusive \u003cstrong\u003edeep blue marble\u003c\/strong\u003e variant, a one-off limited edition of just 50 copies! \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cstrong\u003eTess Liautaud — Blue Mind\u003c\/strong\u003e. Available as:\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003eBlue Marble Vinyl featuring a gatefold sleeve with lyric Insert\u003cbr\u003eCD featuring a double-pocket sleeve with lyric booklet\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zPJVmPjPe6c?si=gLEg3mZ9PjbyZXyY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Blue Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Here Go The Lovers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Black Machine\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Gold Digger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. The Way It’s Meant to Rain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Ember\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Sleepless in Christchurch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Wanna Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Come Knocking\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. John Prine\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eProduced by Dick Picton\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eMixed by Josh Logan at Loho Studios\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eMastered by Chris Chetland at Kog Studios\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eFeaturing: Adam Hattaway, Elmore Jones, Holdyn Skinner, Michael Kime, Frankie Daly\u003c\/i\u003e\u003c\/p\u003e","brand":"TESS LIAUTAUD","offers":[{"title":"Vinyl LP Blue Marble","offer_id":45828357619956,"sku":"0","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/a3970104861_10.jpg?v=1726612594"},{"product_id":"andy-shauf-wilds-vinyl-lp","title":"Andy Shauf - Wilds (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eFew artists are storytellers as deft and disarmingly observational as \u003cstrong\u003eAndy Shauf\u003c\/strong\u003e. The Toronto-based, Saskatchewan-raised musician's songs unfold like short fiction: they're densely layered with colorful characters and a rich emotional depth. Like he's done throughout his career, \u003cstrong\u003eShauf\u003c\/strong\u003e wrote, performed, arranged, and produced every song on his new album Wilds at his studio space in the west end of Toronto.\u003c\/p\u003e \u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the course of a year-and-a-half, \u003cstrong\u003eShauf\u003c\/strong\u003e had written more than 50 songs, and pared down this massive body of work, into a single album's worth of material, which became 2020's highly acclaimed \u003cstrong\u003e\u003cem\u003eThe Neon Skyline\u003c\/em\u003e\u003c\/strong\u003e album. These songs focused on a theme by intertwining the individual characters stories of a group of friends who gathered for one night at the same local bar. 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It’s something you cry to, it’s overly sacred, it’s solemnly considered by critic-historians. But\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFolk Bitch Trio\u003c\/b\u003e, former high school friends\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHeide Peverelle\u003c\/b\u003e (they\/them),\u003cb\u003e Jeanie Pilkington\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e(she\/her) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGracie Sinclair\u003c\/b\u003e (she\/her), have a shared sense of humour that is embedded deep in their music, and that sets it alight, safe from the self-serious traps of the genre.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003ci\u003eNow Would Be A Good Time\u003c\/i\u003e\u003c\/b\u003e, their debut album, tells vivid, visceral stories, and is funny and darkly ironic in the manner of writers like Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar, but the songs are modern, youthful, singing acutely through dissociative daydreams and galling breakups, sexual fantasies and media overload, all the petty resentments and minor humiliations of being in your early twenties in the 2020s.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“\u003cb\u003e\u003ci\u003eCathode Ray\u003c\/i\u003e\u003c\/b\u003e” opens with caution, its first harmonies arriving in big, looping sighs. 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As the liner notes say: \"\u003cem\u003eyou are going to make it out of there alive.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFeatures: \u003cstrong\u003eThis Year, Up The Wolves, Love Love Love.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e20th anniversary reissue on apricot coloured vinyl with a Chris Bigg designed OBI strip \u0026amp; CD. Remastered at Abbey Road. Limited copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA1. You or Your Memory\u003cbr\u003eA2. Broom People\u003cbr\u003eA3. This Year\u003cbr\u003eA4. Dilaudid\u003cbr\u003eA5. Dance Music\u003cbr\u003eA6. Dinu Lipatti’s Bones\u003cbr\u003eA7. Up the Wolves\u003cbr\u003eB1. Lion’s Teeth\u003cbr\u003eB2. Hast Thou Considered the Tetrapod\u003cbr\u003eB3. Magpie\u003cbr\u003eB4. Song for Dennis Brown\u003cbr\u003eB5. Love Love Love\u003cbr\u003eB6. 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Now it was time to birth\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esister album – “the earth twin” –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e. 30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eset up their instruments as close together as possible to capture their most important collection of songs yet. Where\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elayered mysterious sounds and effects for levitation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003egrounds itself on dried-out, cracked desert dirt.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIn sharp contrast to the wet environment of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esession, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands \u003c\/i\u003e\u003c\/strong\u003ehad to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. With raw power and intimacy,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efolds itself gracefully into\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Thief’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eimpressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cem\u003eRock And Sing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eForgotten Eyes\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Toy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTwo Hands\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThose Girls\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eShoulders\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNot\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolf\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReplaced\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCut My Hair\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eRelease Date: 11 October 2019\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UIcVwH47uxQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/div\u003e","brand":"Big Thief","offers":[{"title":"CD","offer_id":48165802115316,"sku":"4AD0180CD","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/5d514161aec43.jpg?v=1633751151"},{"product_id":"bon-iver-bon-iver-cd","title":"Bon Iver - Bon Iver (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-xs-12\" id=\"aec-product-description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBon Iver, Bon Iver\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJustin Vernon\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereturning to former haunts with a new spirit. The reprises are there solitude, quietude, hope and desperation compressed but always a rhythm arises, a pulse vivified by gratitude and grace notes. 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It was first self-released in July 2007, and later saw wide release on the Jagjaguwar label in February 2008. The album is principally the work of singer-songwriter\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJustin Vernon\u003c\/strong\u003e\u003cspan\u003e. Whilst living in Raleigh, North Carolina, Vernon fell ill with mononucleosis and a liver infection, and grew frustrated with his songwriting and life. He left Raleigh and drove to his father's remote hunting cabin an hour northwest of his hometown, Eau Claire, Wisconsin, hoping to be alone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album was recorded at the cabin between late 2006 to early 2007. Vernon abandoned his old songwriting methods and instead focused on wordless melodies that he later set to words, which he felt evoked a more subconscious meaning. The record's lyrical subjects include lost love and mediocrity. His folk-infused songs include heavy choral arrangements, featuring Vernon's falsetto, and horns. He hunted his own food and spent much of his time isolated. Though he did not intend to make an album, he received strong encouragements from friends and decided to self-release\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ein July 2007. After several performances and online exposure, he was signed to Jagjaguwar later that year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e attracted wide acclaim from music critics, achieving a spot on dozens of end-of-the-year lists, as well as several awards. It became a major commercial success for Jagjaguwar, an independent label, and has been certified platinum by the Recording Industry Association of America (RIAA), for combined sales, streaming and track-sales equivalent of over one million units. \"Skinny Love\" became the album's best-performing single and also went gold. Vernon gathered together several musicians to form a band to tour with. The album's touring cycle lasted two years, ending in late 2009, and visited several countries and music festivals worldwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eFlume\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eLump Sum\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSkinny Love\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Wolves (Act I and II)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBlindsided\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCreature Fear\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eTeam\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eFor Emma\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eRe: Stacks\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cstrong\u003eRelease Date: 2013 (Reissue)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003cstrong\u003eOriginally self released July 8 2007, and later in 2008 on Jagjaguwar. \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Bon Iver","offers":[{"title":"CD","offer_id":48198108053748,"sku":"JAG115CD","price":23.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BonIverForEmma.jpg?v=1725243885"},{"product_id":"folk-bitch-trio-now-would-be-a-good-time-cd","title":"Folk Bitch Trio - Now Would Be A Good Time (CD)","description":"\u003cdiv\u003eFolk music has a bad habit of being presented as a deathly serious concern. It’s something you cry to, it’s overly sacred, it’s solemnly considered by critic-historians. But\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFolk Bitch Trio\u003c\/b\u003e, former high school friends\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eHeide Peverelle\u003c\/b\u003e (they\/them),\u003cb\u003e Jeanie Pilkington\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e(she\/her) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGracie Sinclair\u003c\/b\u003e (she\/her), have a shared sense of humour that is embedded deep in their music, and that sets it alight, safe from the self-serious traps of the genre.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003ci\u003eNow Would Be A Good Time\u003c\/i\u003e\u003c\/b\u003e, their debut album, tells vivid, visceral stories, and is funny and darkly ironic in the manner of writers like Mary Gaitskill or Otessa Moshfegh. Their music sounds familiar, but the songs are modern, youthful, singing acutely through dissociative daydreams and galling breakups, sexual fantasies and media overload, all the petty resentments and minor humiliations of being in your early twenties in the 2020s.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“\u003cb\u003e\u003ci\u003eCathode Ray\u003c\/i\u003e\u003c\/b\u003e” opens with caution, its first harmonies arriving in big, looping sighs. 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What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it’s a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice.\u003c\/p\u003e\n\n\u003cp\u003eOne of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself. In Travelling, celebrated music critic Ann Powers seeks to understand the paradox of Mitchell – at once both elusive and inviting – through her myriad journeys. Drawing on extensive inter­views with Mitchell’s peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell’s musical evolution, follows the winding road of Mitchell’s collaborations with other greats and explores the loves that fed her songwriting.\u003c\/p\u003e\n\n\u003cp\u003eKaleidoscopic in scope and intimate in detail, Travelling is a fresh and fascinating addition to the Joni Mitchell corpus – and one that questions whether an artist can ever truly be known to their fans.\u003c\/p\u003e","brand":"Ann Powers","offers":[{"title":"Book","offer_id":48497153900788,"sku":"9780008210809","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/9780008210809.jpg?v=1781002943"}],"url":"https:\/\/www.flyingnun.co.nz\/collections\/folk-2.oembed","provider":"Flying Nun ","version":"1.0","type":"link"}