{"title":"FOLK ROCK","description":"","products":[{"product_id":"fn579-sneaky-feelings-progress-junction-2017","title":"Sneaky Feelings - Progress Junction (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFN579 Sneaky Feelings - Progress Junction ‎(2017)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHow do you explain a near thirty-year gap between albums? Perfectionism maybe ….. tardiness certainly…… but it is well worth the wait.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e, one of the original Dunedin Sound bands formed in the early 1980s return with a brand-new album of original songs.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e were drawn to a wider variety of musical styles than most early Flying Nun bands and were one of the first to experiment in the recording studio. Perhaps what drove the band to push the limits of a pop band has been the fact that all four members write songs. And while the band may have not played much over the years, the individual members have continued to hone their songwriting skills.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe twelve songs on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e were recorded over two years in bass player John Kelcher’s Christchurch studio. There was no plan when the band began recording, the four members just had a bunch of songs that suited the \u003c\/span\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e sound and feel. As band put the album together they experimented by weaving in snippets of audio from New Zealand radio archives.  Voices from the past started talking to the present.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrue to the lost New Zealand egalitarian dream, each band member contributed three tracks, and although there was no grand design, each song reflects on an aspects of New Zealand life.  The album starts with an invitation from the owner of a junk shop to inspect his treasures (\u003c\/span\u003e\u003cem\u003eDo You Like That Style?\u003c\/em\u003e\u003cspan\u003e) and ends with Ghosts walking out of an abandoned town (\u003c\/span\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003cspan\u003e).  In between there are end of life decisions to be made at a retirement home (\u003c\/span\u003e\u003cem\u003eCastle of Dreams\u003c\/em\u003e\u003cspan\u003e), celebration of friendship and summer (\u003c\/span\u003e\u003cem\u003eSummer Song\u003c\/em\u003e\u003cspan\u003e), a warning against unnecessary entanglements (\u003c\/span\u003e\u003cem\u003eOther People's Lives\u003c\/em\u003e\u003cspan\u003e), a plea for academics to stay true to their calling (\u003c\/span\u003e\u003cem\u003eDon't Come Down\u003c\/em\u003e\u003cspan\u003e), and earthquakes……All the usual rock and roll subjects ….….. but are the band’s new preoccupations signs of maturity or symptoms of middle age decline?   Do they amount to progress?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWondering where the striking cover came from? \u003cstrong\u003eKelcher\u003c\/strong\u003e found a photo of four hard-living West Coast miners from the 1940s staring straight at the camera. When the band saw this haunting image it was like the past was staring straight at them – it had to be the cover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eDo You Like That Style?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCastle of Dreams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSummer Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eI Don't Blame You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCan't Get You High\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMettle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOther People's Lives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYou Never Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEyes On The Horizon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFirst Family\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDon't Come Down\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProgress Junction\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36732621226135,"sku":"FN579cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/b73ad8fb-0b4e-4843-9f44-f81da62c7d84.jpg?v=1721977361"},{"product_id":"fn592-sneaky-feelings-the-mercury-moment-2020","title":"Sneaky Feelings - The Mercury Moment (CD)","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eSometimes there’s a pause in the darkening; just after the twilight, just before night finally sets in. A mercury moment of silvers and greys. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing a rare performance on Waitangi Day (February 6), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e announce their first new album since 2017’s critically acclaimed album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Mercury Moment\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the quartet’s new album due out \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eApril 17\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is a potent exploration of extinction, redundancy and disappointed dreams as the four songwriters cast their attention on the current state of the world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver a songbook of twelve songs, Matthew Bannister, David Pine, Martin Durrant and John Kelcher ruminate on the “ludicrous hopes and bleak future” of humanity that is being avoided. As stark realities are shared, a nonchalant musical backdrop accompanies the songs with chilling indifference.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the band’s feature on the iconic \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDunedin Double\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1982), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e have existed in a lane of their own design, adding a lush, harmony-infused ingredient to the sounds coming out of Dunedin throughout the 1980s and onwards. Their majestic single ‘\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHusband House\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ climbed to #16 on the NZ chart in 1985, solidifying itself in the cultural canon of New Zealand as a staple.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings’\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e most recent album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e received wide praise from critics at home, including Sunday Star Time’s Jack Barlow who dubbed it “a vibrant and fresh offering from one of New Zealand’s finest” to William Dart (RNZ New Horizons) who referred to the album as “the unexpected renaissance of one of my favourite bands of all time.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36397549551767,"sku":"FN592cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/SNEAKY_FEELINGS.jpg?v=1721977209"},{"product_id":"yo-la-tengo","title":"Yo La Tengo – And Then Nothing Turned Itself Inside-Out (Vinyl)","description":"\u003cp\u003eAfter years as one of indie rock's standard-bearing groups,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eYo La Tengo\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esurpasses itself with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAnd Then Nothing Turned Itself Inside-Out\u003c\/strong\u003e\u003c\/em\u003e. A culturally literate, emotionally rich album, on songs like \"\u003cem\u003eLet's Save Tony Orlando's House,\u003c\/em\u003e\" \"\u003cem\u003eThe Crying of Lot G,\u003c\/em\u003e\" and \"\u003cem\u003eThe Last Days of Disco,\u003c\/em\u003e\" it alludes to The Simpsons, enigmatic author Thomas Pynchon and independent films while exploring the comforting, confining, complex aspects of relationships. \"\u003cem\u003eOur Way to Fall\u003c\/em\u003e\" sets Ira Kaplan's recollection of falling in love to a dreamy, down-to-earth backdrop of gently brushed drums, luminous organs and vibes; \"\u003cem\u003eThe Crying of Lot G\u003c\/em\u003e\" transforms the syrupy sweetness of '50s ballads into a monologue about a relationship's shortcomings... -Allmusic\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEveryday\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOur Way To Fall\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSaturday\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLet's Save Tony Orlando's House\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLast Days of Disco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Crying of Lot G\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYou Can Have It All\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTears Are In Your Eyes\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCherry Chapstick\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom Black To Blue\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMadeline\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTired Hippo\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNight Falls On Hoboken\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yo La Tengo","offers":[{"title":"Vinyl 2LP","offer_id":39902429282455,"sku":"OLE3710","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/yolatengoandthennothinginsideout.jpg?v=1619063343"},{"product_id":"tiny-ruins-some-were-meant-for-sea-10th-anniversary-edition","title":"Tiny Ruins - Some Were Meant For Sea (10th Anniversary Edition) (Vinyl)","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003eA rare blend of eloquent lyrical craft and explorative musicianship, the songs of \u003cem\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/tiny-ruins\"\u003e\u003cstrong\u003eTiny Ruins\u003c\/strong\u003e\u003c\/a\u003e\u003c\/em\u003e have been treasured by crowds and critics for over a decade. Via an eclectic raft of influences, the musical world of \u003cstrong\u003eHollie Fullbrook\u003c\/strong\u003e and band spans delicate folk, lustrous dream pop and ebullient psychedelia.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBorn in Bristol and raised in West Auckland, songwriter \u0026amp; multi-instrumentalist \u003cstrong\u003eFullbrook's\u003c\/strong\u003e debut LP Some Were Meant for Sea (2011) features her alone, and was quickly celebrated by radio playlists and blogs worldwide. The album’s clutch of “gorgeous vignettes” (BBC) put the artist on the map, and she took to the road from her home in New Zealand to tour extensively overseas.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFullbrook\u003c\/strong\u003e wrote the songs for 'S\u003cem\u003eome Were Meant for Sea\u003c\/em\u003e' during the previous three years while flatting and studying in Wellington, with many of the songs inspired by the capital city. When a flatmate convinced her to play the songs at a local open mic night, the sound engineer, \u003cstrong\u003eSamuel Prutton\u003c\/strong\u003e, offered to record Fullbrook's demos. These landed in the lap of Australian indie label \u003cstrong\u003eSpunk Records\u003c\/strong\u003e' Aaron Curnow, who flew Fullbrook to Sydney to see her play live before signing her to the label.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e★★★★1\/2 “One of the most sophisticated and moving albums of the year” - New Zealand Herald\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e★★★★\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Sydney Morning Herald\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e★★★★\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- MOJO\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e“One of the top 5 albums of 2011” - BBC World Service Programme ‘The Strand’\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e“An absolutely gorgeous album” - Bob Harris - BBC Radio 2\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eSide A\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eOld as the Hills\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003ePriest with Balloons\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eYou've Got the Kind of Nerve I Like\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eDeath of a Russian\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eAdelphi Apartments\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eLittle Notes\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eSide B\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eCat in the Hallway\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eRunning Through the Night\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eJust Desserts\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003ePigeon Knows\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eBird in the Thyme\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Oldest Bar in Town (Bonus Track)\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_HJOl_a0Sqs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Tiny Ruins","offers":[{"title":"Vinyl LP (Translucent Sea Green)","offer_id":40212643840151,"sku":"UMV002","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TinyRuinsSomeWereMeant.jpg?v=1721974904"},{"product_id":"nick-drake-bryter-layter-2013","title":"Nick Drake - Bryter Layter (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe second album from \u003cstrong data-mce-fragment=\"1\"\u003eNick Drake\u003c\/strong\u003e came in 1970, and while not quite as melancholy as his debut, Five Leaves Left, there are certain brooding qualities that continued to propagate the \u003cstrong data-mce-fragment=\"1\"\u003eNick Drake\u003c\/strong\u003e mystique. Horns, flute, and strings arrangements lift such songs as \"At the Chime of a City Clock\" and \"Hazy Jane I\" and \"II\" out of the realm of sad, folk-guitar music into something jazzier and lighter, while the beautiful piano and simple guitar of \"One of These Things First\" laments what could have been without sounding like a song of despair. But two tracks featuring\u003cstrong data-mce-fragment=\"1\"\u003e John Cale\u003c\/strong\u003e on various instruments (such as viola and harpsichord) have the dark fragility of \"Pink Moon\": The lovely \"Fly\" is a fragile apparition, and \"Northern Sky\" is a dreamy, brooding plea for long-lasting love. Definitely not the same mood music as his starker work, but still a fine showcase for \u003cstrong data-mce-fragment=\"1\"\u003eNick Drake\u003c\/strong\u003e. Musicians include:\u003cstrong data-mce-fragment=\"1\"\u003e Richard Thompson, guitar; Dave Pegg, bass; Dave Mattacks, drums; John Cale, keyboards and viola; Ray Warleigh, viola and flute; Pat Arnold and Doris Troy, vocals It was remastered by John Woo\u003c\/strong\u003ed at Abbey Road studios from the original 40 year old analogue master tapes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eIntroduction\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eHazey Jane II\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eAt the Chime of a City Clock\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eOne of These Things First\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eHazey Jane I\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eBryter Layter\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eFly\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003ePoor Boy\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eNorthern Sky\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eSunday\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Nick Drake","offers":[{"title":"Vinyl LP","offer_id":43799327113460,"sku":"3734755","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/nickdrake.jpg?v=1622695479"},{"product_id":"copy-of-the-cure-kiss-me-kiss-me-kiss-me-2013","title":"Love - Forever Changes (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"product_box\" class=\"row\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-product-description-wrapper col-xl-9 col-lg-9 col-md-6 col-sm-12 col-xs-12\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"row\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col-xl-12 col-lg-12 col-md-12 col-sm-12 col-xs-12 text-xl-left text-lg-left text-md-left text-sm-left text-center\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-description\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-cel-widget=\"dpx-product-description_csm_instrumentation_wrapper\" data-csa-c-id=\"60z2sg-26l3or-an4ffd-75104u\" class=\"celwidget\" cel_widget_id=\"dpx-product-description_csm_instrumentation_wrapper\"\u003e\n\u003cdiv class=\"a-section a-spacing-extra-large\" id=\"descriptionAndDetails\"\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" data-csa-c-id=\"7smtyr-rblxnv-5e8oqu-hcefa9\" data-feature-name=\"productDescription\" class=\"celwidget\" id=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-cel-widget=\"productDescription_feature_div\" class=\"a-row feature\" id=\"productDescription_feature_div\" data-template-name=\"productDescription\" data-feature-name=\"productDescription\"\u003e\n\u003cdiv class=\"a-section a-spacing-small\" id=\"productDescription\"\u003e\n\u003cp\u003eThe third and final album by the original Love lineup,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eForever Changes\u003c\/i\u003e \u003c\/strong\u003eregularly draws epic praise. Rolling Stone described it as \"elegant armageddon\" when listing it as #40 in the \"500 Greatest Albums Of All Time,\" and, placing it in the context of the late '60s in another rave review, called it, \"one of the most distinctive masterpieces in that era of masterpieces.\" A landmark work that's the L.A.-based psychedelic folk-rock pioneers' most fully realized studio effort, it was produced by band co-founder\/frontman Arthur Lee and The Doors' engineer\/producer Bruce Botnick, and released by Elektra in early '68. Highlights include \"Alone Again Or,\" \"Andmoreagain,\" \"The Red Telephone,\" and \"Live And Let Live.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"dpx-detail-bullets_csm_instrumentation_wrapper\" data-csa-c-id=\"dw7z0q-xt39ib-tvtshz-vuwev3\" class=\"celwidget\" cel_widget_id=\"dpx-detail-bullets_csm_instrumentation_wrapper\"\u003e\n\u003cdiv data-cel-widget=\"detailBullets_feature_div\" data-csa-c-id=\"4buync-plwibh-oiqrn4-il4wi\" data-feature-name=\"detailBullets\" class=\"celwidget\" id=\"detailBullets_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"detailBulletsWrapper_feature_div\" class=\"a-section feature detail-bullets-wrapper bucket\" data-template-name=\"detailBullets\" data-feature-name=\"detailBullets\" id=\"detailBulletsWrapper_feature_div\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003col\u003e\n\u003cli\u003eAlone Again Or\u003c\/li\u003e\n\u003cli\u003eA House Is Not a Motel\u003c\/li\u003e\n\u003cli\u003eAndmoreagain\u003c\/li\u003e\n\u003cli\u003eThe Daily Planet\u003c\/li\u003e\n\u003cli\u003eOld Man\u003c\/li\u003e\n\u003cli\u003eThe Red Telephone\u003c\/li\u003e\n\u003cli\u003eMaybe the People Would Be the Times or Between Clark and Hilldale\u003c\/li\u003e\n\u003cli\u003eLive and Let Live\u003c\/li\u003e\n\u003cli\u003eThe Good Humor Man He Sees Everything like This\u003c\/li\u003e\n\u003cli\u003eBummer in the Summer\u003c\/li\u003e\n\u003cli\u003eYou Set the Scene\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"detailBulletsWrapper_feature_div\" class=\"a-section feature detail-bullets-wrapper bucket\" data-template-name=\"detailBullets\" data-feature-name=\"detailBullets\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" id=\"breadcrumb-container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"breadcrumb bg-dark\" id=\"bread-crumb-label\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"pl-0 col-lg-6 col-md-6 col-sm-6 col-xs-6 text-center text-xl-left text-lg-left text-md-left breadcrumb-item\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content-wide\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"bread-crumb-label-content-left\" class=\"color-white display-block content-wide\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Love","offers":[{"title":"Vinyl LP","offer_id":40408837128343,"sku":"81227971151","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/love.jpg?v=1725244199"},{"product_id":"reb-fountain-iris-2021","title":"Reb Fountain - IRIS (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #577c11;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eThe perfect extension of her 2020 self-titled record, \u003cstrong\u003e\u003cem\u003eIRIS\u003c\/em\u003e\u003c\/strong\u003e elevates \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eFountain\u003c\/a\u003e’s\u003c\/strong\u003e music to new heights. \u003cstrong\u003eReb\u003c\/strong\u003e effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic and anthemic tunes that create an instant and indelible impression. Written during lockdown in 202, \u003cstrong\u003eReb\u003c\/strong\u003e has said on the album \u003cem\u003e“Writing a song a day to keep myself grounded and productive during lockdown, \u003cstrong\u003eIRIS\u003c\/strong\u003e provided me an opportunity to speak my unspoken, to reflect what I have seen and experienced from within and to bear witness.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDiving into the deeper meaning of the album’s namesake, \u003cstrong\u003eReb\u003c\/strong\u003e says \u003cem\u003e“Iris is in many ways an unsung hero, known as the goddess of the rainbow, sea and sky, she acts as bridge between the gods to humanity with little of her own story known. So many stories go unheard, so many aspects of our humanity are unsung; visibility is a contested and inequitable space where what is essential and of beauty is often ‘invisible’. I wanted and needed to give voice to this essential human spirit; to conjure and hold and commune with the very real, valid and invaluable voices within and around me.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLr-EBfbo8o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003eThe above single ‘\u003cem\u003eBeastie’\u003c\/em\u003e is about choosing who you want to be, but also taking responsibility for who you are; the many faces and facets, the tales and tethers, the imbalance and inhumanity, the privilege and the power — and becoming awake to it all. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003eOn writing \u003cem\u003eBeastie\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e says\u003cem\u003e “Botham Jean had just been murdered in his own apartment, mass incarceration and systemic racism in the criminal justice system had me grief-stricken, the massacre of worshippers in Christchurch broke my heart, the All Blacks would win, the All Blacks would lose and male violence against women would hit an all time high — and amidst all this I heard this phrase “Is That Us?”. It was less a question more reaching for belonging; would we buy that? Can we call it ours? Do we like it? Is this who we want to be? Can we collectively agree this is us?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e continues \u003cem\u003e“Dehumanizing one another is a horribly human behaviour, and one we all have the potential to entertain or interrupt. It’s easy to relegate evils to the ‘shameful past’; harder to confront our own current inhumanity, especially if one's identity comes with benefits or losses.  In Beastie, I wanted my eyes open and to speak in solidarity with resistance. In the absence of resistance we are complicit. If you say nothing, nothing at all, nothing comes to light.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e‘Beastie\u003c\/em\u003e’ explores varying voices, and offers the listener an opportunity to inhabit and witness their many selves, their roles and their choices.  In the video for \u003cem\u003e‘Beastie’\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e wanted to play with those themes; knowing all acts are political, and subversion, resistance and truth\u003cem\u003e “can and should be consciously embedded as meaning in our art and our daily lives.”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e and her band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) were offered a beautiful space to film in called \u003cstrong\u003eEverybody’s\u003c\/strong\u003e in Auckland’s inner city. They wanted to make a one-shot band video that traversed the multi-level space, so enlisted long-time collaborator \u003cstrong\u003eLola\u003c\/strong\u003e \u003cstrong\u003eFountain-Best\u003c\/strong\u003e to direct the scene, with \u003cstrong\u003eJono\u003c\/strong\u003e \u003cstrong\u003eDrew\u003c\/strong\u003e on DOP duties.\u003c\/p\u003e\n\u003cp\u003eIn May 2020, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e released her self-titled album via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun Records\u003c\/strong\u003e to much critical acclaim.\u003cstrong\u003e  \u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e won the 2021 \u003cstrong\u003eTaite Music Prize\u003c\/strong\u003e, was shortlisted for the \u003cstrong\u003eSilver Scroll\u003c\/strong\u003e \u003cstrong\u003eAward\u003c\/strong\u003e for her song ‘\u003cem\u003eDon’t You Know Who I Am’,\u003c\/em\u003e and the album \u003cstrong\u003e\u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e was nominated for \u003cu\u003efive\u003c\/u\u003e \u003cstrong\u003eNew Zealand Music Awards\u003c\/strong\u003e; Album of the Year, Best Alternative, Best Solo Artist, Best Album Artwork and Best Engineer.\u003c\/p\u003e\n\u003cp\u003eThe award-winning songwriter, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. 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