{"title":"I PROMISE THIS WILL BLOW YOUR MIND","description":"","products":[{"product_id":"fn574-fazerdaze-morningside-2017","title":"Fazerdaze - Morningside (Vinyl)","description":"\u003cp\u003eFN574 \u003cstrong\u003eFazerdaze\u003c\/strong\u003e - \u003cem\u003eMorningside \u003c\/em\u003e(2017)\u003c\/p\u003e\n\u003cp\u003eThe brainchild of \u003cstrong\u003eAmelia Murray\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/fazerdaze\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFazerdaze\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebegan as a string of bedroom recordings created late in the night, emerging fully-formed in 2014 as her debut eponymous EP. A succinct collection of intimate, beautifully produced dream-pop written, produced and performed by Murray herself. It’s a significant first outing for the young New Zealander with layers of softly crunching guitars swirling over consistently driving drum machines, and sparse electronica.\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the release of \u003cem\u003eMorningside\u003c\/em\u003e, \u003cstrong\u003eFazerdaze\u003c\/strong\u003e and her band have shifted to another level. Supporting and touring with international acts like \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eExplosions In The Sky\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eConnan Mockasin\u003c\/strong\u003e. She was invited to join the Red Bull Music Academy in Montreal and she stole the show at both \u003cstrong data-mce-fragment=\"1\"\u003eAuckland's Laneway Festival\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eThe Others Way Festival\u003c\/strong\u003e. And now here we are with here debut album - \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMorningside\u003c\/strong\u003e \u003c\/em\u003e- a full set of \"\u003cem data-mce-fragment=\"1\"\u003eswooning, happy-sad bedroom guitar-pop sunshine\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLast To Sleep \/\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLucky Girl\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMisread\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Uneasy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJennifer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake It Slow\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShoulders\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFriends\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHalf-Figured\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBedroom Talks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0cjpAz5iUnA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fazerdaze","offers":[{"title":"Vinyl","offer_id":36768029900951,"sku":"FN574LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Fazerdaze_-_Morningside_Vinyl_CD.jpg?v=1726199198"},{"product_id":"reb-fountain-iris-2021","title":"Reb Fountain - IRIS (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #577c11;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eThe perfect extension of her 2020 self-titled record, \u003cstrong\u003e\u003cem\u003eIRIS\u003c\/em\u003e\u003c\/strong\u003e elevates \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eFountain\u003c\/a\u003e’s\u003c\/strong\u003e music to new heights. \u003cstrong\u003eReb\u003c\/strong\u003e effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic and anthemic tunes that create an instant and indelible impression. Written during lockdown in 202, \u003cstrong\u003eReb\u003c\/strong\u003e has said on the album \u003cem\u003e“Writing a song a day to keep myself grounded and productive during lockdown, \u003cstrong\u003eIRIS\u003c\/strong\u003e provided me an opportunity to speak my unspoken, to reflect what I have seen and experienced from within and to bear witness.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDiving into the deeper meaning of the album’s namesake, \u003cstrong\u003eReb\u003c\/strong\u003e says \u003cem\u003e“Iris is in many ways an unsung hero, known as the goddess of the rainbow, sea and sky, she acts as bridge between the gods to humanity with little of her own story known. So many stories go unheard, so many aspects of our humanity are unsung; visibility is a contested and inequitable space where what is essential and of beauty is often ‘invisible’. I wanted and needed to give voice to this essential human spirit; to conjure and hold and commune with the very real, valid and invaluable voices within and around me.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLr-EBfbo8o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003eThe above single ‘\u003cem\u003eBeastie’\u003c\/em\u003e is about choosing who you want to be, but also taking responsibility for who you are; the many faces and facets, the tales and tethers, the imbalance and inhumanity, the privilege and the power — and becoming awake to it all. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003eOn writing \u003cem\u003eBeastie\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e says\u003cem\u003e “Botham Jean had just been murdered in his own apartment, mass incarceration and systemic racism in the criminal justice system had me grief-stricken, the massacre of worshippers in Christchurch broke my heart, the All Blacks would win, the All Blacks would lose and male violence against women would hit an all time high — and amidst all this I heard this phrase “Is That Us?”. It was less a question more reaching for belonging; would we buy that? Can we call it ours? Do we like it? Is this who we want to be? Can we collectively agree this is us?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e continues \u003cem\u003e“Dehumanizing one another is a horribly human behaviour, and one we all have the potential to entertain or interrupt. It’s easy to relegate evils to the ‘shameful past’; harder to confront our own current inhumanity, especially if one's identity comes with benefits or losses.  In Beastie, I wanted my eyes open and to speak in solidarity with resistance. In the absence of resistance we are complicit. If you say nothing, nothing at all, nothing comes to light.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e‘Beastie\u003c\/em\u003e’ explores varying voices, and offers the listener an opportunity to inhabit and witness their many selves, their roles and their choices.  In the video for \u003cem\u003e‘Beastie’\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e wanted to play with those themes; knowing all acts are political, and subversion, resistance and truth\u003cem\u003e “can and should be consciously embedded as meaning in our art and our daily lives.”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e and her band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) were offered a beautiful space to film in called \u003cstrong\u003eEverybody’s\u003c\/strong\u003e in Auckland’s inner city. They wanted to make a one-shot band video that traversed the multi-level space, so enlisted long-time collaborator \u003cstrong\u003eLola\u003c\/strong\u003e \u003cstrong\u003eFountain-Best\u003c\/strong\u003e to direct the scene, with \u003cstrong\u003eJono\u003c\/strong\u003e \u003cstrong\u003eDrew\u003c\/strong\u003e on DOP duties.\u003c\/p\u003e\n\u003cp\u003eIn May 2020, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e released her self-titled album via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun Records\u003c\/strong\u003e to much critical acclaim.\u003cstrong\u003e  \u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e won the 2021 \u003cstrong\u003eTaite Music Prize\u003c\/strong\u003e, was shortlisted for the \u003cstrong\u003eSilver Scroll\u003c\/strong\u003e \u003cstrong\u003eAward\u003c\/strong\u003e for her song ‘\u003cem\u003eDon’t You Know Who I Am’,\u003c\/em\u003e and the album \u003cstrong\u003e\u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e was nominated for \u003cu\u003efive\u003c\/u\u003e \u003cstrong\u003eNew Zealand Music Awards\u003c\/strong\u003e; Album of the Year, Best Alternative, Best Solo Artist, Best Album Artwork and Best Engineer.\u003c\/p\u003e\n\u003cp\u003eThe award-winning songwriter, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. Throughout 2020, \u003cstrong\u003eReb\u003c\/strong\u003e and her all-star band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) astounded audiences around the country on her sold out album release tour, joined \u003cstrong\u003eCrowded\u003c\/strong\u003e \u003cstrong\u003eHouse\u003c\/strong\u003e on their 13 date ‘\u003cem\u003eTo The Island Tour’\u003c\/em\u003e, performed at \u003cstrong\u003eSplore\u003c\/strong\u003e, and honoured the great \u003cstrong\u003eNick\u003c\/strong\u003e \u003cstrong\u003eCave\u003c\/strong\u003e at the sold out Auckland Town Hall shows ‘\u003cem\u003eThe Boy Next Door’\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e was born in San Francisco and immigrated with her family from North America to Lyttelton — the quiet port town out of Christchurch that’s been fundamental to New Zealand’s alt-folk scene, raising artists like \u003cstrong\u003eMarlon Williams, \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003eAldous Harding\u003c\/a\u003e\u003c\/strong\u003e, and \u003cstrong\u003eDelaney\u003c\/strong\u003e \u003cstrong\u003eDavidson\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIRIS \u003c\/em\u003e\u003c\/strong\u003eis out via \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e on the 1st of October, 2021 on vinyl, CD and digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePsyche\u003c\/li\u003e\n\u003cli\u003eFoxbright\u003c\/li\u003e\n\u003cli\u003eInvisible Man\u003c\/li\u003e\n\u003cli\u003eHeart\u003c\/li\u003e\n\u003cli\u003eBeastie\u003c\/li\u003e\n\u003cli\u003eFisherman\u003c\/li\u003e\n\u003cli\u003eSwim To The Star\u003c\/li\u003e\n\u003cli\u003eLacuna\u003c\/li\u003e\n\u003cli\u003eIris\u003c\/li\u003e\n\u003cli\u003eIntermission\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Reb Fountain","offers":[{"title":"Gatefold Vinyl LP (Transparent Turquoise Vinyl)","offer_id":40218825261207,"sku":"FN598LP-C1","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":40218825293975,"sku":"FN598LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/IRISCOVER1400X1400.png?v=1725244179"},{"product_id":"sonic-youth-goo-reissue","title":"Sonic Youth - Goo (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e is the sixth studio album by \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/sonic-youth\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/strong\u003e\u003c\/a\u003e. It was released on June 26, 1990 by record label DGC. The album was \u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth's\u003c\/strong\u003e debut release on a major record label, after the band signed to \u003cstrong data-mce-fragment=\"1\"\u003eGeffen Records\u003c\/strong\u003e following the release of \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e\u003c\/em\u003e (1988).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e was recorded over a short period in early 1990 at Sorcerer Sound Recording Studios and Greene St. Recording with \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e \u003c\/em\u003eproducer \u003cstrong data-mce-fragment=\"1\"\u003eNick Sansano\u003c\/strong\u003e and additional producer Ron Saint Germain. The album's sound diverged considerably from their earlier material and is often considered \"their most accessible album\", with elements of experimental rock, garage punk, alternative rock and hard rock. Lead single \"\u003cem data-mce-fragment=\"1\"\u003eKool Thing\u003c\/em\u003e\" charted in the United States, United Kingdom and Ireland. Two other singles-\"\u003cem data-mce-fragment=\"1\"\u003eDisappearer\u003c\/em\u003e\" and \"\u003cem data-mce-fragment=\"1\"\u003eDirty Boots\u003c\/em\u003e\"-were also released from the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRIYL \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eKim Gordon, The Stooges, Patti Smith \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDirty Boots\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTunic (Song For Karen)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMary-Christ\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eKool Thing\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMote\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Friend Goo\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDisappearer\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMildred Pierce\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eCinderella's Big Score\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eScooter And Jinx\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTitanium Expose\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 25 February 2016. Originally released on \u003cspan data-mce-fragment=\"1\"\u003e26 June 1990\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"Vinyl LP","offer_id":40574258938007,"sku":"4734941","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a0600f09cd86eecbe97de4f5d0d52af4.1000x1000x1.png?v=1627009220"},{"product_id":"nala-sinephro-endlessness","title":"Nala Sinephro - Endlessness (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eEndlessness\u003c\/strong\u003e is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following \u003cstrong\u003eSinephro’s\u003c\/strong\u003e critically acclaimed 2021 debut album \u003cstrong\u003eSpace 1.8, Endlessness\u003c\/strong\u003e further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.\u003c\/p\u003e\n\u003cp\u003eThe album was composed, produced, arranged, and engineered by \u003cstrong\u003eNala Sinephro. \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003ePerforming on the album are \u003cstrong\u003eSheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, \u003c\/strong\u003eand\u003cstrong\u003e Dwayne Kilvington, \u003c\/strong\u003ejoined by \u003cstrong\u003eOrchestrate’s 21\u003c\/strong\u003e string players.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDOUBLE BLACK VINYL- ETCHING TO D SIDE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePRINTED INNER SLEEVES\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHOUSED IN PVC WALLET WITH FLAP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPACT DISC HOUSED IN 4 PANEL DIGIPAK\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e1. Continuum 1\u003cbr\u003e2. Continuum 2\u003cbr\u003e3. Continuum 3\u003cbr\u003e4. Continuum 4\u003cbr\u003e5. Continuum 5\u003cbr\u003e6. Continuum 6\u003cbr\u003e7. Continuum 7\u003cbr\u003e8. Continuum 8\u003cbr\u003e9. Continuum 9\u003cbr\u003e10. Continuum 10\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_Iddz18G-kE?si=nvhlmwMaoOpdfkqa\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Nala Sinephro","offers":[{"title":"Vinyl 2LP","offer_id":45627001962740,"sku":"WARPLP358","price":83.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/ns_7bbfcb4e-3bc2-49a4-b045-d2128834f577.jpg?v=1726187006"},{"product_id":"sonic-youth-goo-cd","title":"Sonic Youth - Goo (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e is the sixth studio album by \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/sonic-youth\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth\u003c\/strong\u003e\u003c\/a\u003e. It was released on June 26, 1990 by record label DGC. The album was \u003cstrong data-mce-fragment=\"1\"\u003eSonic Youth's\u003c\/strong\u003e debut release on a major record label, after the band signed to \u003cstrong data-mce-fragment=\"1\"\u003eGeffen Records\u003c\/strong\u003e following the release of \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e\u003c\/em\u003e (1988).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGoo\u003c\/strong\u003e\u003c\/em\u003e was recorded over a short period in early 1990 at Sorcerer Sound Recording Studios and Greene St. Recording with \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaydream Nation\u003c\/strong\u003e \u003c\/em\u003eproducer \u003cstrong data-mce-fragment=\"1\"\u003eNick Sansano\u003c\/strong\u003e and additional producer Ron Saint Germain. The album's sound diverged considerably from their earlier material and is often considered \"their most accessible album\", with elements of experimental rock, garage punk, alternative rock and hard rock. Lead single \"\u003cem data-mce-fragment=\"1\"\u003eKool Thing\u003c\/em\u003e\" charted in the United States, United Kingdom and Ireland. Two other singles-\"\u003cem data-mce-fragment=\"1\"\u003eDisappearer\u003c\/em\u003e\" and \"\u003cem data-mce-fragment=\"1\"\u003eDirty Boots\u003c\/em\u003e\"-were also released from the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRIYL \u003c\/strong\u003e\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eKim Gordon, The Stooges, Patti Smith \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDirty Boots\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTunic (Song For Karen)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMary-Christ\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eKool Thing\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMote\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Friend Goo\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eDisappearer\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eMildred Pierce\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eCinderella's Big Score\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eScooter And Jinx\u003c\/em\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cem\u003eTitanium Expose\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 25 February 2016. Originally released on \u003cspan data-mce-fragment=\"1\"\u003e26 June 1990\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"CD","offer_id":47684215898356,"sku":"DGCD24297","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a0600f09cd86eecbe97de4f5d0d52af4.1000x1000x1.png?v=1627009220"},{"product_id":"erny-belle-not-your-cupid-cd","title":"Erny Belle - Not Your Cupid (CD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eTāmaki Makaurau’s pacific-pop extraordinaire and double \u003cstrong\u003eTaite\u003c\/strong\u003e \u003cstrong\u003eMusic\u003c\/strong\u003e \u003cstrong\u003ePrize\u003c\/strong\u003e nominee \u003cstrong\u003eErny\u003c\/strong\u003e \u003cstrong\u003eBelle\u003c\/strong\u003e has announced her sophomore album\u003cstrong\u003e\u003cem\u003e Not Your Cupid\u003c\/em\u003e\u003c\/strong\u003e — out digitally, on gatefold red or black vinyl and on CD on Friday 10th November, 2023  via \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Belle moves so impressively effortlessly through her songs; swaying melodies that threaten to sink into background noise but swim back into one’s consciousness in a sudden moment.” \u003c\/em\u003e\u003cstrong\u003e- Rolling Stone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAuckland-based \u003cstrong\u003eErny\u003c\/strong\u003e \u003cstrong\u003eBelle\u003c\/strong\u003e is a sweet enigma adorned by dark dreams, wild wonder, and spellbinding song. The musical veil of Ngāpuhi singer-songwriter Aimee Renata emerged onto the scene with a billowing aura of mystery but swiftly enamoured audiences with her heartful and haunting abstractions of life weaved into gorgeous composition.\u003c\/p\u003e\n\u003cp\u003eHer meteoric rise in 2022 followed the independent release of critically acclaimed debut record \u003cstrong\u003e\u003cem\u003eVenus is Home\u003c\/em\u003e\u003c\/strong\u003e with singles ‘\u003cem\u003eBurning Heaven\u003c\/em\u003e’ and ‘\u003cem\u003eHellhole’\u003c\/em\u003e paving the way for its summer twilight unveiling.\u003c\/p\u003e\n\u003cp\u003eHailing from a background and family steeped in the film world, Renata is a visual artist through and through, a detail that shines through the heavenly synesthesia of her sonic offerings. 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Instead of punk’s crude reduction of rock ’n’ roll, This Heat took their bearings from expansive inspirations: free jazz, \u003cstrong\u003eCaptain Beefheart, \u003c\/strong\u003emusique concrète, and reggae’s disorienting dub techniques.\u003c\/p\u003e\n\u003cp\u003eVital to their evolution was \u003cstrong\u003eCold Storage\u003c\/strong\u003e, a disused meat fridge in Brixton where the band rehearsed. Produced by\u003cstrong\u003e This Heat with David Cunningham and Anthony Moore,\u003c\/strong\u003e their 1979 debut was collaged out of cassette tapes and recordings made during ultra-cheap graveyard shifts at \u003cstrong\u003eThe Workhouse.\u003c\/strong\u003e The jump-cuts in sound quality were deliberately designed to make the album more unsettled and jarring.\u003c\/p\u003e\n\u003cp\u003eThe first two principles of \u003cstrong\u003eThis Heat’s \u003c\/strong\u003emission statement—\u003cem\u003e‘All possible processes. 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