{"title":"I'M PISSED.OFF! I WANNA SMASH SHIT UP!","description":"","products":[{"product_id":"fn581-wax-chattels-wax-chattels-2018","title":"Wax Chattels - Wax Chattels (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGuitarless Guitar Music.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThis is the self-imposed one-line description chosen by Auckland, New Zealand's \u003cstrong\u003eWax Chattels\u003c\/strong\u003e. The keyboard, bass and drums trio don't have a guitar player, but their overwhelming sound and energy creates an atmosphere akin to a traditional loud power trio – except their music is anything but traditional. They create darkly hypnotic and frenetic music that's both rhythmically complex and sinister. If that paints any sort of aural picture, it comes as no surprise that \"Gillian,\" their homage to X-Files star Gillian Anderson, was roundly endorsed by the ex-punk actress herself on social media before the band had even played shows outside of their home country or received any support from larger press outlets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cstrong\u003ePeter Ruddell \u003c\/strong\u003e(26, keyboards\/vocals), \u003cstrong\u003eAmanda Cheng \u003c\/strong\u003e(26, bass\/vocals) and \u003cstrong\u003eTom Leggett\u003c\/strong\u003e (22, drums) met studying Jazz Performance at the University of Auckland, and started Wax Chattels a few years later after they'd lived in Japan, Ireland, gone to Law School and\/or performed in various other projects. Though Peter plays heavily treated keyboards in the band, he's a multi-instrumentalist that focused on sax in school. His influences range from old horror movies to the more outrageous side of live performance styles in Tokyo's music and art scene. \"We want to play shows that make people feel uncomfortable. The goal is to leave the audience feeling slightly altered, like they have experienced, not just heard or seen something.\" This is evident in the self-recorded \"Stay Disappointed,\" the band's self-recorded debut single where Peter takes the lead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eFrom novels to tweets, bassist Amanda is drawn to art and writing that addresses adversity. She's influenced by recurring themes of various difficulties she has experienced in her own life, challenges she feels are overly ubiquitous in the narratives of young women of color. Her post-punk informed bass lines provide the backbone for most of the band's tracks, though when she takes the lead on \"It,\" she's unrestrained. A song about \"really fucking wanting to fuck,” \"It\" expresses that it's important to not only have more visible women in the arts – especially in genres of traditionally \"dude music\" – but also to explicitly address female sexual desires. She finds these themes are usually shrouded in subtler terms, well-dressed metaphors and cute euphemisms. Perhaps, if people hear or see these statements more, female sexuality and\/or libido could become a less shameful, \"behind close doors only\" thing. \"Slut shaming is real, prevalent, and wrong.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eInitially, Peter and Amanda started \u003cstrong\u003eWax Chattels\u003c\/strong\u003e by writing tracks with a drum machine before realizing the band would be more exciting with a live drummer. Tom was playing and continues to play in a feminist punk band as well as various jazz acts in Auckland. And, the one thing Tom hates the most in this world? Being stuck in traffic. By living in the city, he has an endless supply of anger to take out on the drums, which influences \u003cstrong\u003eWax Chattels’\u003c\/strong\u003e punishing aesthetic. His minimal kit propels the band like a freight train. When asked why he paired his kit down to what it is, Tom said: \"I saw a pianist play with only ten working keys and still sound great... I started following drummers such as Mark Guiliana, Paul Motian and Deantoni Parks, who all play minimal kits, and it always put me in awe when I heard how unrestricted they were by their set up. Also, less drums = less pack down.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eComposing together, the band worked up their material for a year prior to recording. “We tracked the songs as a live band to capture the energy of the live show, restricting ourselves to instruments which we play live and keeping all production to a minimum to focus on the band sound itself.\" The band \"come from\" and \"go to\" different places on stage and in their heads when they write, record and perform, largely because they aren't the kind of band with homogeneous interests outside of music. Live, they are not to be missed. While they do come across as a \"rock\" band, it's coming from so many places so quickly that you're kind of left wondering where you're going. The opening of the one-chord tour de force “Concrete” begins in a downright frightening and jarring place and turns into an almost Krautrock-via-Suicide crescendo. It was after a particularly insane live performance that they were signed by both Captured Tracks and Flying Nun Records on the spot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eWax Chattels recalls the other side of Kiwi underground rock history, one that's a bit less sunny and jangly and one that demands your attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"lang-en\"\u003eTrack List: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cspan\u003e1. Concrete \/ 2. Stay Disappointed \/ 3. It \/ 4. Gillian \/ 5. In My Mouth \/ 6. Shrinkage \/ 7. Career \/ 8. NRG \/ 9. Parallel Lines \/ 10. 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The third studio album by \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/sonic-youth\"\u003e\u003cstrong\u003eSonic Youth\u003c\/strong\u003e\u003c\/a\u003e, originally released in May 1986 on \u003cstrong\u003eSST Records\u003c\/strong\u003e, shows the first signs that the band was ready to transform their no wave past into a greater alternative rock sensibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003e\u003cstrong\u003eEvol\u003c\/strong\u003e\u003c\/em\u003e... marks the true departure point of \u003cstrong\u003eSonic Youth's\u003c\/strong\u003e musical evolution,\" says Pitchfork, who place the album in the #31 slot of their Top 100 Albums of The 1980s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"In measured increments, \u003cstrong\u003eThurston Moore\u003c\/strong\u003e and\u003cstrong\u003e Lee Ranaldo\u003c\/strong\u003e... bring form to the formless, tune to the tuneless, and with the help of \u003cstrong\u003eSteve Shelley's\u003c\/strong\u003e drums..., [impose] melody and composition on their trademark dissonance.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eSide A\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e1. 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Pi*ed off and angry is the best way to describe \u003cem\u003e\u003cstrong\u003eRage Against the Machine\u003c\/strong\u003e\u003c\/em\u003e's first album. A fierce mix of hip-hop, punk \u0026amp; heavy rock exploded all over the music scene in 1992. At first sight an unlikely band; Tom Morello, a nerdy guitar hero who played his guitar like a DJ, political activist Zack de la Rocha who spitted out his lyrics with a vengeance. Together with Brad Wilk on drums and Tim C. on bass they produced one of the most angry records of 90's. The album even contained, dare we say it, hit singles like '\u003cem\u003eKilling in the name of'\u003c\/em\u003e and '\u003cem\u003eBullet in the head\u003c\/em\u003e'. Put the needle on the record and get blown away (again)!\u003cbr\u003e\u003cbr\u003e20th Anniversary Vinyl Edition on 180 gram vinyl.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBombtrack\u003c\/li\u003e\n\u003cli\u003eKilling in the Name\u003c\/li\u003e\n\u003cli\u003eTake the Power Back\u003c\/li\u003e\n\u003cli\u003eSettle for Nothing\u003c\/li\u003e\n\u003cli\u003eBullet in the Head\u003c\/li\u003e\n\u003cli\u003eKnow Your Enemy\u003c\/li\u003e\n\u003cli\u003eWake Up\u003c\/li\u003e\n\u003cli\u003eFistful of Steel\u003c\/li\u003e\n\u003cli\u003eTownship Rebellion\u003c\/li\u003e\n\u003cli\u003eFreedom\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lOKzTE7kSFk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rage Against The Machine","offers":[{"title":"Vinyl LP (180 Grams)","offer_id":42837352317172,"sku":"88875111751","price":54.0,"currency_code":"NZD","in_stock":false},{"title":"CD","offer_id":44926489329908,"sku":"472224.2","price":15.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/RageAgainstTheMachineXXVinyl.jpg?v=1652934043"},{"product_id":"fugazi-repeater","title":"Fugazi - Repeater (Vinyl)","description":"\u003cp\u003eWith its righteous disdain for capitalism and the almighty dollar, \u003cstrong\u003eRepeater\u003c\/strong\u003e's themes update \u003cstrong\u003eGang of Four's Solid Gold\u003c\/strong\u003e. Lines\/slogans like \"When I need something, I reach out and grab it,\" and \"You are not what you own,\" bear this out. \u003cstrong\u003eRepeater\u003c\/strong\u003e honestly gets a little stifling in its unrelenting conviction and grandstanding. It's not too difficult to see why the band was allegedly lacking a sense of humor at this stage; they could have been yelling about filing their taxes, after all. \u003cbr\u003e\u003cbr\u003eThe title makes sense, if only by mistake. But -- and that's a big but -- Repeater nearly matches the early EPs with its musical invention and skill, spitting out another serving of excellence, making the finger-pointing a little easier to digest. Few rhythm sections of the time had the great interplay of \u003cstrong\u003eJoe Lally\u003c\/strong\u003e and \u003cstrong\u003eBrendan Canty\u003c\/strong\u003e. Likewise, the guitar playing and interaction of\u003cstrong\u003e Ian MacKaye\u003c\/strong\u003e and \u003cstrong\u003eGuy Picciotto\u003c\/strong\u003e almost always get overlooked, thanks to all the other subjects brought up when the band is talked about. A guitar magazine even rated Repeater as one of the best guitar records of the '90s, and rightfully so. Anemic revs spiked by pig squeals (or is it a screeching train?) highlight the title track, one of the band's finest moments. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurnover\u003c\/li\u003e\n\u003cli\u003eRepeater\u003c\/li\u003e\n\u003cli\u003eBrendan #1\u003c\/li\u003e\n\u003cli\u003eMerchandise\u003c\/li\u003e\n\u003cli\u003eBlueprint\u003c\/li\u003e\n\u003cli\u003eSieve-Fisted Find\u003c\/li\u003e\n\u003cli\u003eGreed\u003c\/li\u003e\n\u003cli\u003eTwo Beats Off\u003c\/li\u003e\n\u003cli\u003eStyrofoam\u003c\/li\u003e\n\u003cli\u003eReprovisional\u003c\/li\u003e\n\u003cli\u003eShut the Door\u003c\/li\u003e\n\u003cli\u003eSong #1\u003c\/li\u003e\n\u003cli\u003eJoe #1\u003c\/li\u003e\n\u003cli\u003eBreak-In\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lwvoV8qN_jM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fugazi","offers":[{"title":"Vinyl LP","offer_id":44016765239540,"sku":"DIS44LP","price":44.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/81GeWKHHmzL._UF1000_1000_QL80.jpg?v=1727150474"},{"product_id":"deftones-private-music","title":"Deftones - Private Music (Vinyl)","description":"\u003cdiv\u003e\n\u003cstrong\u003eDeftones\u003c\/strong\u003e have always defined boundless creativity in the music space. Across nine prior studio albums, they have carved out an unmistakable sonic identity — ferocious yet dreamlike, while making space for constant refinement and surprise. Now, decades on from the groove-forward sound of their era-defining debut,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAdrenaline\u003c\/i\u003e\u003c\/b\u003e, and following a long line of masterpieces including 2000’s\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eWhite Pony\u003c\/i\u003e\u003c\/b\u003e, 2010’s\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eDiamond Eyes\u003c\/i\u003e\u003c\/b\u003e and 2020’s\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003eOhms\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e— an album that earned them their second and third Grammy nominations — they return with one of the most focused statements of their career:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e\u003ci\u003ePrivate Music\u003c\/i\u003e\u003c\/b\u003e. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eJoining the band’s creative core of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChino Moreno\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eStephen Carpenter\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAbe Cunningham\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFrank Delgado\u003c\/b\u003e (as well as touring bassist\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFred Sablan\u003c\/b\u003e, who appears on the album) is producer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eNick Raskulinecz\u003c\/b\u003e, who previously worked on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDiamond Eyes\u003c\/i\u003e and 2012’s riveting\u003cb\u003e\u003ci\u003e Koi No Yokan\u003c\/i\u003e\u003c\/b\u003e. The result is a lean, masterfully paced 11-song set that plays like a new Deftones benchmark. Meditating on the beauty and peril of nature, the challenge of cultivating a positive mindset and visions of a journey beyond the physical realm,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePrivate Music\u003c\/i\u003e showcases Deftones at their most evolved. At once a psychedelic voyage and a skull-rattling wallop, it’s the latest peak in a catalog filled with immersive, emotive triumphs.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e1. my mind is a mountain      \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e2. locked club\u003c\/span\u003e\u003cspan\u003e03.   \u003cbr\u003e3. ecdysis\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e4. infinite source\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003e5. souvenir \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. cXz \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. i think about you all the time \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. milk of the madonna \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. cut hands \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. ~\u003c\/span\u003e\u003cspan\u003emetal dream \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e11. departing the body\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cgh_jEm5twE?si=ZzdWM1VOc3FMl056\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Deftones","offers":[{"title":"Vinyl LP","offer_id":46684453142772,"sku":"93624829034","price":82.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/DT-PMCVR5X5RGB_1.jpg?v=1752615189"},{"product_id":"dick-move-dream-believe-achieve","title":"Dick Move - Dream, Believe, Achieve (Vinyl)","description":"\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eAotearoa punk force \u003cb\u003eDick Move\u003c\/b\u003e are renowned for their explosive live shows and blink-and-you’ll-miss-it anthems, blending party-punk chaos with razor-sharp political bite. Their third studio album, \u003cb\u003e\u003ci\u003eDream, Believe, Achieve\u003c\/i\u003e\u003c\/b\u003e, is classic \u003cb\u003eDick Move\u003c\/b\u003e; 13 tracks of unrelenting energy delivered in just 25 minutes. The riotous fury of\u003cb\u003e Lucy Suttor, Lucy Macrae, Hariet Ellis, Justin Rendell\u003c\/b\u003e, and\u003cb\u003e Luke Boyes\u003c\/b\u003e feels urgent and essential on every single track.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eAlongside the  fist-pumping, singalong singles ‘\u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/-bSpymZGoIY?si=YlOWijUt-pWMzB-f\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003eFuck It\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e’\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003e and ‘\u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/N9zJGgzL-iQ?si=9xZtWxMcwTZ4SDR9\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003eNurses\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e’\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003e, \u003cb\u003e\u003ci\u003eDream, Believe, Achieve\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e \u003c\/i\u003eis a fierce, unapologetic anthem for resistance - a raw, loud, and pointed critique of power structures that exploit, control, and erase.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e \u003cspan style=\"color: black;\"\u003eIt’s about calling bullshit on the systems that commodify our lives, bodies, labour, and land - and reclaiming agency, voice, and collective power.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eTracked and mixed by \u003cb\u003eDe Stevens\u003c\/b\u003e at \u003cb\u003eRoundhead Studios\u003c\/b\u003e, produced by long-term friend and collaborator \u003cb\u003ePeter Ruddell \u003c\/b\u003e(\u003cb\u003eSulfate, Wax Chattels\u003c\/b\u003e), and mastered by new friend  \u003cb\u003eMikey Young.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e\u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eDream, Believe, Achieve \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eis out digitally, on vinyl and CD via \u003cb\u003e1:12\u003c\/b\u003e \u003cb\u003eRecords\u003c\/b\u003e and \u003cb\u003eFlying\u003c\/b\u003e \u003cb\u003eNun\u003c\/b\u003e \u003cb\u003eRecords\u003c\/b\u003e on November 14th.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10pt; color: black; text-decoration: underline;\"\u003eTRACKLIST:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eFuck It\u003cbr\u003eTry Hard\u003cbr\u003eRun For Your Money\u003cbr\u003eShut Your Mouth\u003cbr\u003eBludger\u003cbr\u003eScared Old Men\u003cbr\u003eNurses\u003cbr\u003eCracks\u003cbr\u003eUp The Bus\u003cbr\u003eGood Time Girl\u003cbr\u003eKaranga-a-Hape\u003cbr\u003eSuits\u003cbr\u003eHandful\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; 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Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. For many, \u003cstrong\u003eBorn To Kill\u003c\/strong\u003e is a return to form, but instead, it’s a continuation of the bar of excellence that \u003cstrong\u003eSocial Distortion \u003c\/strong\u003eand, in turn, Ness has long been praised for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBorn To Kill \u003c\/strong\u003eis a body of work that will live long in the \u003cstrong\u003eSocial Distortion\u003c\/strong\u003e catalogue. Songs like the rowdy title track that serves as the album’s mission statement, along with the riff-laden “\u003cstrong\u003ePartners in Crime,\u003c\/strong\u003e” the nostalgic \u003cstrong\u003e“The Way Things Were\u003c\/strong\u003e,” and rollicking \u003cstrong\u003e“Tonight\u003c\/strong\u003e” are songs that fit in across any of the band's various eras. Now nearly five decades into its career and with a remarkable catalogue spanning nearly three generations, \u003cstrong\u003eSocial Distortion\u003c\/strong\u003e has no intention of slowing down any time soon.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGatefold 2LP w\/ Etching \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e01. Born To Kill\u003cbr\u003e02. No Way Out\u003cbr\u003e03. The Way Things Were\u003cbr\u003e04. Tonight\u003cbr\u003e05. Partners In Crime\u003cbr\u003e06. Crazy Dreamer\u003cbr\u003e07. Wicked Game\u003cbr\u003e08. Walk Away (Don’t Look Back)\u003cbr\u003e09. Never Goin’ Back Again\u003cbr\u003e10. Don’t Keep Me Hanging On\u003cbr\u003e11. 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Their third studio album, \u003cb\u003e\u003ci\u003eDream, Believe, Achieve\u003c\/i\u003e\u003c\/b\u003e, is classic \u003cb\u003eDick Move\u003c\/b\u003e; 13 tracks of unrelenting energy delivered in just 25 minutes. The riotous fury of\u003cb\u003e Lucy Suttor, Lucy Macrae, Hariet Ellis, Justin Rendell\u003c\/b\u003e, and\u003cb\u003e Luke Boyes\u003c\/b\u003e feels urgent and essential on every single track.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eAlongside the  fist-pumping, singalong singles ‘\u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/-bSpymZGoIY?si=YlOWijUt-pWMzB-f\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003eFuck It\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e’\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003e and ‘\u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/N9zJGgzL-iQ?si=9xZtWxMcwTZ4SDR9\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003eNurses\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e’\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003e, \u003cb\u003e\u003ci\u003eDream, Believe, Achieve\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e \u003c\/i\u003eis a fierce, unapologetic anthem for resistance - a raw, loud, and pointed critique of power structures that exploit, control, and erase.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e \u003cspan style=\"color: black;\"\u003eIt’s about calling bullshit on the systems that commodify our lives, bodies, labour, and land - and reclaiming agency, voice, and collective power.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eTracked and mixed by \u003cb\u003eDe Stevens\u003c\/b\u003e at \u003cb\u003eRoundhead Studios\u003c\/b\u003e, produced by long-term friend and collaborator \u003cb\u003ePeter Ruddell \u003c\/b\u003e(\u003cb\u003eSulfate, Wax Chattels\u003c\/b\u003e), and mastered by new friend  \u003cb\u003eMikey Young.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-language: EN-GB;\"\u003e\u003c\/span\u003e\u003cb\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eDream, Believe, Achieve \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; color: black; mso-fareast-language: EN-GB;\"\u003eis out digitally, on vinyl and CD via \u003cb\u003e1:12\u003c\/b\u003e \u003cb\u003eRecords\u003c\/b\u003e and \u003cb\u003eFlying\u003c\/b\u003e \u003cb\u003eNun\u003c\/b\u003e \u003cb\u003eRecords\u003c\/b\u003e on November 14th.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Calibri; 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