{"title":"INDIE POP","description":"","products":[{"product_id":"fn538-grayson-gilmour-infinite-life-2014","title":"Grayson Gilmour - Infinite Life! (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN538 Grayson Gilmour - Infinite Life! (2014)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInfinite Life!\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the fifth offering from Wellington musician\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGrayson Gilmour\u003c\/strong\u003e. \u003cspan data-mce-fragment=\"1\"\u003eEnveloping listeners in sultry layers of vocals, smooth strings and intricate off kilter rhythms, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInfinite Life!\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e combines warm pop songs with experimental beats, textures and weird loops.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eFollowing his 2010 album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eNo Constellation\u003c\/em\u003e\u003c\/strong\u003e, Grayson receded to underground bank vaults and windy atticsto record, before whittling his ideas into the 13 tracks. All the while Gilmour was piecing together film scores, touring overseas with his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand attending the Red Bull Music Academy. Recent singles,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLichtung\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e+\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMinus Times Infinity\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(the video for which was selected for the BBC Music Video Festival) give a hint of an album filled with both immediately catchy melodies along with odd sounds.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsn't This Exciting?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLemon Brain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTunnel Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichtung\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Constant Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLockjaw Language\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinus Times Infinity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilence \u0026amp; Youth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePareidolia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e27\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlind Carbon Copy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBut A Dot You Are\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAnd if that doesnt grab you, why not judge Gilmour on the company he keeps? \u003cstrong\u003e\u003cem\u003eInfinite Life!\u003c\/em\u003e\u003c\/strong\u003e sees visual collaborations with NZ illustrator Henrietta Harris (artwork) and video director Jesse Taylor Smith (Pond, Autumn Splendour) and appearances from Claire Duncan (Dear Times Waste), cellist Charlie Davenport and drummer Reece McNaughten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_FQDlANGPa8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP","offer_id":36836996219031,"sku":"FN538lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson-Gilmour-Infinite-Life_-web-credit-Henrietta-Harris-1400x1400_2e662581-58d7-43e9-b8ef-b745fc1821c3.jpg?v=1721977760"},{"product_id":"fn544-sneaky-feelings-send-you-2015","title":"Sneaky Feelings - Send You (CD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eF\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eilled with lush pop harmonies and southern psychedelia,\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSend You \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esaw the the \u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e expand their songwriting and sonic ambition beyond their early four track recordings. In comparison to some of their label mates the \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eexhaled a lighter, Byrds-like, touch but still retained the distinctive feel of many on the \u003cstrong\u003eFlying Nun\u003c\/strong\u003e roster. With three band members \u003cstrong\u003e(Matthew Bannister, David Pine \u003c\/strong\u003eand\u003cstrong\u003e Martin Durrant)\u003c\/strong\u003e each contributing engaging songs to the album, \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSend You \u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eremains one of the great \u003cstrong\u003eFlying Nun\u003c\/strong\u003e releases.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis deluxe edition will give a further detailed look at the band's early material, with the album expanded to include a remastered version of \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSend You\u003c\/strong\u003e, \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eplus songs from 1985's \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBe My Friend\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eHusband House \u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEP and bonus tracks from their 1990 session at Dunedin's \u003c\/span\u003e\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/r1.co.nz\/\" target=\"_blank\"\u003eRadio 1\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which featured on an earlier expanded CD release.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Over the years there has been a lot of talk about the so-called‚ Dunedin sound. Dunedin's \u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e were a band whose ambitions and interests went much wider than any generic‚ sound; they would even come to be regarded as something of an anomaly on \u003cstrong\u003eFlying Nun\u003c\/strong\u003e, home to the Dunedin sound. And yet their first album seemed to epitomise that sound, whatever it was.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the first long-players released on the fledgling label, \u003cstrong data-mce-fragment=\"1\"\u003eSend You\u003c\/strong\u003e was emblematic....it will jangle forever as one of New Zealand's essential albums.\"\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e- Extract from Nick Bollinger's Send You liner notes.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1. Waiting For Touchdown\u003cbr\u003e2. Throwing Stones\u003cbr\u003e3. Strangers Again\u003cbr\u003e4. Someone Else's Eyes\u003cbr\u003e5. Not To Take Sides (Reprise)\u003cbr\u003e6. Not To Take Sides\u003cbr\u003e7. P.I.T. Song\u003cbr\u003e8. Won't Change\u003cbr\u003e9. Everything I Want\u003cbr\u003e\u003cbr\u003eBONUS 12\u003cbr\u003e1. Be My Friend (Re-Edit)\u003cbr\u003e2. Husband House\u003cbr\u003e3. The Strange and Conflicting Feelings of Separation and Betrayal\u003cbr\u003e4. Major Barbara\u003cbr\u003e5. Ready Or Not\u003cbr\u003e6. Cry You Out Of My Eyes\u003cbr\u003e7. Maybe You Need To Come Back\u003c\/p\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36834657992855,"sku":"FN544cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/d4ab6c2f-9df9-46d0-8e24-ad56f1dffc03.png?v=1721977740"},{"product_id":"fn566-aldous-harding-aldous-harding-2016","title":"Aldous Harding - Aldous Harding (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN566 \u003cstrong\u003eAldous Harding\u003c\/strong\u003e - \u003cstrong\u003eAldous Harding\u003c\/strong\u003e (2016) released on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e these days is an international, award winning artist. With this album, her self titled debut, you get a taste of her brilliance, as an emerging artist and why, from the outset, she caught the eye of locally and internationally renowned record labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe started in Lyttelton, a port town on the outskirts of Christchurch, New Zealand. There s\u003cspan data-mce-fragment=\"1\"\u003ehe kept sailors in check with cheek and a strong-songed tongue. S\u003c\/span\u003ehe caught the ear of locals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Edwards\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDelaney Davidson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eplaying under her own name, Hanna Harding, alongside band The Eastern.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAldous Harding's lead single, Hunter, has been characterised by Harding as a gothic fairytale. This is folk music, simple and bleak with Hardings fragile coo reminiscent of retiring, 60s-era folk singers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVashti Bunyan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLinda Perhacs\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHunter\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/em\u003eseems to occupy a place outside of time, opening with the refrain, He's a hunter, he's a good man\/Be brave when he brings you nothing home and closing with a vision of blood streaming down a river.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eStop Your Tears\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHunter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo Bitten Hearts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Groan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBeast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo Peace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMerriweather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Bones of Courage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F4R0K6iYJ2A\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36769100693655,"sku":"FN566lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/aldous-harding-aldous-harding.jpg?v=1721977449"},{"product_id":"fn569-lawrence-arabia-absolute-truth-2016","title":"Lawrence Arabia - Absolute Truth (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFN569 Lawrence Arabia - Absolute Truth (2016)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThat connoisseur of classic songwriting,\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLawrence Arabia\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- the pseudonym of James Milne is back with his new album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eand a hearty slice of timeless music inspired as much by 1970's West Coast Americana as New Zealand indie pop.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in the Garden City of Christchurch, New Zealand, in 1981 (the year the Springbok tour divided the country, and that The Clean debuted with the single Tally Ho!), a youthful James Milne served an illustrious indie-rock apprenticeship touring the US as bassist for Auckland-based pop group\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e, and for Ryan McPhuns\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRuby Suns\u003c\/strong\u003e. And then, as Reginald Dwight made way for the musical entity that was Elton John, and David Jones blossomed into David Bowie, so plain old James Milne ceded to the ubermensch that has become one of New Zealand's finest contemporary songwriters and performers the celebrated singer of songs that is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLawrence Arabia\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the course of the last decade Lawrence Arabia has released three albums, toured Europe with the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOkkervil River\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeist\u003c\/strong\u003e, won the prestigious APRA Silver Scroll for the song Apple Pie Bed and the inaugural Taite Music Prize for the album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChant Darling\u003c\/strong\u003e\u003c\/em\u003e. While, third album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sparrow\u003c\/strong\u003e\u003c\/em\u003ewas greeted with warm acclaim for its uncompromising dark, sparse feel and themes - including a four star review in Mojo and winning a New Zealand Music Award for Best Male Solo Album in 2013. Whew!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhich brings us to the present day, and to the imminent release of the fourth Lawrence Arabia album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003c\/strong\u003e\u003c\/em\u003e; this time, fittingly, via Flying Nun label that released their first music in the year of his birth. Recorded primarily in late night sessions in the unglamorous Hutt Valley industrial suburb of Gracefield with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMike Fabulous\u003c\/strong\u003e, the album is full of the sparkling pop melodies that have delighted an ever-expanding audience, adding to a richly satisfying songbook, and providing another chapter in the story of this unique and cherished artist. -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeremy Taylor, 2016\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. A Lake \u003cbr data-mce-fragment=\"1\"\u003e2. Sweet Dissatisfaction \u003cbr data-mce-fragment=\"1\"\u003e3. The Old Dancefloor \u003cbr data-mce-fragment=\"1\"\u003e4. I Waste My Time \u003cbr data-mce-fragment=\"1\"\u003e5. Brain Gym \u003cbr data-mce-fragment=\"1\"\u003e6. O Heathcote \u003cbr data-mce-fragment=\"1\"\u003e7. Another Century \u003cbr data-mce-fragment=\"1\"\u003e8. The Palest Of Them All \u003cbr data-mce-fragment=\"1\"\u003e9. Mask Of Maturity \u003cbr data-mce-fragment=\"1\"\u003e10. What Became of that Angry Young Man\u003c\/p\u003e","brand":"Lawrence Arabia","offers":[{"title":"Vinyl LP","offer_id":36768761806999,"sku":"FN569lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Lawrence-Arabia-Absolute-Truth-COVER_SML.png?v=1721977442"},{"product_id":"fn574-fazerdaze-morningside-2017","title":"Fazerdaze - Morningside (Vinyl)","description":"\u003cp\u003eFN574 \u003cstrong\u003eFazerdaze\u003c\/strong\u003e - \u003cem\u003eMorningside \u003c\/em\u003e(2017)\u003c\/p\u003e\n\u003cp\u003eThe brainchild of \u003cstrong\u003eAmelia Murray\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/fazerdaze\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFazerdaze\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebegan as a string of bedroom recordings created late in the night, emerging fully-formed in 2014 as her debut eponymous EP. A succinct collection of intimate, beautifully produced dream-pop written, produced and performed by Murray herself. It’s a significant first outing for the young New Zealander with layers of softly crunching guitars swirling over consistently driving drum machines, and sparse electronica.\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the release of \u003cem\u003eMorningside\u003c\/em\u003e, \u003cstrong\u003eFazerdaze\u003c\/strong\u003e and her band have shifted to another level. Supporting and touring with international acts like \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eExplosions In The Sky\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eConnan Mockasin\u003c\/strong\u003e. She was invited to join the Red Bull Music Academy in Montreal and she stole the show at both \u003cstrong data-mce-fragment=\"1\"\u003eAuckland's Laneway Festival\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eThe Others Way Festival\u003c\/strong\u003e. And now here we are with here debut album - \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMorningside\u003c\/strong\u003e \u003c\/em\u003e- a full set of \"\u003cem data-mce-fragment=\"1\"\u003eswooning, happy-sad bedroom guitar-pop sunshine\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLast To Sleep \/\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLucky Girl\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMisread\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Uneasy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJennifer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake It Slow\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShoulders\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFriends\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHalf-Figured\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBedroom Talks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0cjpAz5iUnA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fazerdaze","offers":[{"title":"Vinyl","offer_id":36768029900951,"sku":"FN574LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Fazerdaze_-_Morningside_Vinyl_CD.jpg?v=1726199198"},{"product_id":"fn587-aldous-harding-designer-2019","title":"Aldous Harding - Designer (Vinyl)","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDesigner\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e finds the New Zealander \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e hitting her creative stride. After the sleeper success of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/products\/fn575-aldous-harding-party-2017\"\u003eParty\u003c\/a\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e(internationally lauded and winner of Taite Music Prize 2018, two NZ Music Awards and a Silver Scroll nomination), \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParty\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is an overriding sense of an artist confident in their work, with contributions from Huw Evans (\u003cstrong data-mce-fragment=\"1\"\u003eH. Hawkline\u003c\/strong\u003e), Stephen Black (\u003cstrong data-mce-fragment=\"1\"\u003eSweet Baboo\u003c\/strong\u003e), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting \u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e rich and timeless songwriting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QyZeJr5ppm8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36615130579095,"sku":"FN587lp","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUS_HARDING_-_DESIGNER.jpg?v=1622510180"},{"product_id":"fn589-purple-pilgrims-perfumed-earth-2019","title":"Purple Pilgrims - Perfumed Earth (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew Zealand dreamscape artists \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePurple Pilgrims\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e are set to release their long-awaited, sophomore record\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAugust 9\u003c\/u\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e via \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e. This release marks their recorded debut with the iconic independent label.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo create the songs represented on \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the Nixon sisters, Clementine and Valentine, retreated to a wooden sanctuary hidden deep in the wilds of Tapu, where their 2016 debut \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEternal Delight\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e came together. Birthed from a new calm and contemplative headspace, and a select group of collaborators whom they brought together as a “very modern\/mobile band”, the pair set to immersing themselves in their new sonic world.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 9 track record features support input from \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGary War \u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(bass and synth from various motel rooms in the USA), Jimmy Mac (lush live drums), Joshua Kennedy (additional guitar jangle and fuzz), veteran improvisational experimentalist Jeff Henderson (saxophone on \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Delphiniums In Harmony \/ Two Worlds Away’\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and a special guest appearance from New Zealand six-string expressionist \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Ruinous Splendour’\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWoven throughout \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the lush pentatonic melodies of \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePurple Pilgrims\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e burn brighter than ever, combined with shimmery kaleidoscopic textures that mark a new chapter in the pair’s musical evolution. It is, as they phrase it: “ancient imagery expressed through a modern lens - folk songs played on synthesised instruments.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHow Long Is Too Long?\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAncestors Watching\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSensing Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI'm Not Saying\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDelphiniums in Harmony\/Two Worlds Away\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo Worlds Apart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLove in Lunacy (Saturn in Return)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRuinous Splendour (feat. Roy Montgomery)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTragic Gloss\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Purple Pilgrims","offers":[{"title":"Vinyl LP","offer_id":36671243255959,"sku":"FN589lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/39fbbf65-ca8d-4aff-8fb7-8cd1af7b121c.jpg?v=1721977211"},{"product_id":"fn592-hamerkop-remote-2020","title":"Hamerkop - Remote (Vinyl)","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is proud to be teaming up with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDrag City\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e to release \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e forthcoming debut album '\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' in Australia and New Zealand on February 28th, 2020. Consisting of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Annabel Alpers and drummer\/engineer Adam Cooke, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e exudes equal parts romance and ennui. \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e exudes equal parts romance and ennui.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' is a fully immersive sonic experience with elements of electronica, pop and field recordings combining to a danceable, dazzling degree. Listen to the duo's new track \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Splendour That Was Rome\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Here, they synthesise disco, electro and kraut in an immaculate pop sensibility. A longing to share the good old days and sweet old world scenes with a new lover infuses with the sonics to form a lava that erupts and flows into the atmosphere, cascading psychedelically over the present-day ruins, as Annabel Alpers' massed choral voices soar to the skies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Splendour That Was Rome\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e contains all the distinctive melody, pretty songwriting and synthetic immersion that made Alpers' pioneering work as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e such a standout. But the constant triggering of the senses from unexpected angles and algorithms has added a whole new dimension to her craft. This is a musician working at the peak of her powers. And these are everybody's sounds, translated into a highly textured, instantly recognisable musical language.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e is a pair of Baltimore-based sound nerds: Annabel Alpers, the composer, singer and instrumentalist formerly of New Zealand’s \u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e, and Adam Cooke, a Baltimorean drummer\/audio engineer with credits that include \u003cstrong data-mce-fragment=\"1\"\u003eBeach House\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eWye Oak\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eFuture Islands\u003c\/strong\u003e. Together, they have created a song-cycle that contrasts the often-mundane (yet often satisfying) everyday world with that of the idealised, longed-for fantasy, to find the spaces in between these things, the place where we all feel good about our existence.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop’s\u003c\/strong\u003e debut, '\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e', started as an exploration of the sonic beauty in Alpers’ collection of field recordings from her homeland and travels around the world. Looped and sampled, they became a set of instrumental sounds of their own, and when played live in a multiple-speaker, surround-sound experience, their effect was transporting. The finished album blends these expansive sounds in choral layers of synths and vocals, with a kaleidoscopic, almost psychedelic quality, all of it anchored by Cooke’s Kraut-minimal drumming.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' is a natural progression from the criminally-underrated \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e catalog —seeking catharsis through the contextualising of personal texts into lush songscapes, using the chill of synth-pop to mask the fallible human soul hidden behind it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar away from her native New Zealand with a new life and family in America, Annabel strove to find elements of her old identity in new environs, building songs out of sonic scraps from remote places, as if she were sewing a blanket in which to wrap them all. As she puts it, “Home for me is in two places, and it’s been causing a lot of creative tension because I wish I could be in both places at once.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe songs of '\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e' find depth and dimension via a rich tapestry of voices, found sounds and classic pop melodies, as constant synapse triggering from unexpected angles and algorithms reveals, by chance and design, a magical inner life scored by birds and babies, church bells and bonfires. Genre-defying, yet familiar, \u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e translates the topography that stretches out between us into a musical language that celebrates our shared places. The sound of \u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e is multi-layered, changing as it revolves. It’s the sound made by two people, but it could be all of us.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hamerkop","offers":[{"title":"FN592 - Vinyl LP","offer_id":36397539393687,"sku":"FN592lp","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Hamerkop_artwork.jpg?v=1721977206"},{"product_id":"chills-the-scatterbrain","title":"The Chills - Scatterbrain (Vinyl)","description":"\u003cp\u003eNew studio album from the Dunedin (NZ) songsmiths helmed by the enigmatic \u003cstrong\u003eMartin Phillipps\u003c\/strong\u003e with artwork by \u003cstrong\u003eTrees’\u003c\/strong\u003e David Costa.\u003c\/p\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Chills\u003c\/strong\u003e release their seventh studio album ‘Scatterbrain’, a glorious self-examination of \u003cstrong\u003eMartin Phillipps’\u003c\/strong\u003e songwriting hot (ish) on the heels of the hugely successful ‘Snowbound’ (2018) and the critically-acclaimed movie ‘The Chills: The Triumph And Tragedy Of Martin Phillipps’ a year later.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e“It’s about artistic integrity, self-realisation, self-acceptance and a reflection on mortality.” \u003cstrong\u003eThe Guardian\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eNow in 2021, Phillipps is now taking stock of things – everything. Yes, everything. The result is this triumphant new Chills’ album ‘Scatterbrain’, a thought-provoking and evocative take from a man who has lived through good times and bad.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA mature and honest reflection on life, destiny and the fate of our times delivered in beautiful melodies with Phillipps’ trademarked incisive turn of phrase.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eViewed from the perspective of a man understanding his age and indeed his own mortality, the new album takes a mature look at matters arising with a side order of perspective.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends…\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e“This is what a living legend looks and sounds like” \u003cstrong\u003eRolling Stone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e“An architect of New Zealand’s fabled Dunedin sound” \u003cstrong\u003ePitchfork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eTrack List\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eSide A\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA1 Monolith\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA2 Hourglass\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA3 Destiny\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA4 Caught In My Eye\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eA5 You're Immortal\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eSide B\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB1 Little Alien\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB2 Safe and Sound\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB3 Worlds Within Worlds\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB4 Scatterbrain\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\u003ci class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"\" data-mce-fragment=\"1\"\u003eB5 The Walls Beyond Abandon\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e","brand":"The Chills","offers":[{"title":"Vinyl LP (Sky Blue Col Vinyl)","offer_id":39291665547415,"sku":"FIRELP581","price":65.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP (Deep Sea Marble Colour)","offer_id":39291665514647,"sku":"FIRELP581X-1","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Chills_Scatterbrain.jpg?v=1727255246"},{"product_id":"beths-the-jump-rope-gazers-2020","title":"The Beths - Jump Rope Gazers (Vinyl)","description":"\u003cp\u003e \u003cstrong\u003e\u003ci\u003eJump Rope Gazers\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e is the follow-up to \u003c\/span\u003e\u003cb\u003e\u003ci\u003eFuture Me Hates Me\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e“one of the most impressive indie-rock debuts of the year” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003ePitchfork\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e). The album received glowing praise and appeared on many year-end lists including \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRolling Stone, NPR, Stereogum, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand more. The album saw The Beths awarded Best Alternative Act and Best Group at the 2019 Vodafone New Zealand Music Awards. The Beths were also finalists for last year’s Taite Prize and Silver Scroll Award in 2018 and  2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eJump Rope Gazers\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter touring non-stop for a year and a half, playing to crowds of devoted fans and opening for acts like \u003c\/span\u003e\u003cb\u003ePixies\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003eDeath Cab for Cutie\u003c\/b\u003e\u003cspan\u003e, The Beths regrouped to write and record \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eJump Rope Gazers\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. The band - composed of \u003c\/span\u003e\u003cb\u003eElizabeth Stokes\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(vocals\/guitar), \u003c\/span\u003e\u003cb\u003eJonathan Pearce\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(guitar), \u003c\/span\u003e\u003cb\u003eBenjamin Sinclair\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(bass), and \u003c\/span\u003e\u003cb\u003eTristan Deck\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(drums) - settled down at Pearce’s Auckland studio, where he recorded and produced the album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTouring far from home, The Beths committed to taking care of each other while simultaneously trying to take care of friends living thousands of miles away. That care and attention shines through on \u003ci\u003eJump Rope Gazers\u003c\/i\u003e, where the quartet sounds more locked in than ever. \u003ci\u003eJump Rope Gazers\u003c\/i\u003e stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it.\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003col\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cem\u003eI’m Not Getting Excited\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eDying to Believe\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eJump Rope Gazers\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eAcrid\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eDo You Want Me Now\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eOut of Sight\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eDon’t Go Away\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eMars, the God of War\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eYou Are a Beam of Light\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cem\u003eJust Shy of Sure\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv style=\"text-align: left;\" class=\"content\"\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lRMoE02hp_s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; 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The LP format of the‚\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eLeisure\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e‚remaster is cut on heavyweight 180 gram, audiophile vinyl and housed in a replica of the original sleeve artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e1. She's So High\u003cbr\u003e2. Bang\u003cbr\u003e3. Slow Down\u003cbr\u003e4. Repetition\u003cbr\u003e5. Bad Day\u003cbr\u003e6. Sing\u003cbr\u003e7. There's No Other Way\u003cbr\u003e8. Fool\u003cbr\u003e9. Come Together\u003cbr\u003e10. High Cool\u003cbr\u003e11. Birthday\u003cbr\u003e12. 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Heartbreaks of different shades soon entered their lives, as did the music of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTeenage Fanclub\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBelle \u0026amp; Sebastian\u003c\/strong\u003e. Similar noisy melancholy drifted over to Prince Edward Island, finding Alec O'Hanley, Brian Murphy and Philip MacIsaac.\u003c\/p\u003e\n\u003cp\u003eConvening in Toronto, the group have been making music since dusk or maybe dawn, when stars were appearing or fading off. 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It's an eclectic collection of songs that found Robert Smith reaching further into pop territory than he had on previous albums. The song writing is unrestrained, taking everything The Cure had done in the past and rolling it into one gigantic, sprawling album. Includes the songs: \"Catch,\" \"Why Can't I Be You?,\" and \"Just Like Heaven.\" Eighteen tracks in all. 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The Queen Is Dead is The Smiths' great leap forward, taking the band to new musical and lyrical heights. Opening with the storming track, the album is harder rocking record than anything the band had attempted before. Johnny Marr has created here a wide range of guitar styles that provide a musical bed for Morrissey's best set of lyrics. From which is crafted some of their finest, most affective songs, particularly \"The Boy With the Thorn In His Side\" and the epic \"There Is a Light That Never Goes Out,\" two masterpieces that provide the foundation for a remarkable album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Queen Is Dead (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eFrankly, Mr. Shankly (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eI Know It's Over (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eNever Had No One Ever (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eCemetary Gates (2011 Remastered Version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBigmouth Strikes Again (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eThe Boy with the Thorn in His Side (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eVicar in a Tutu (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eThere Is a Light That Never Goes Out (2011 Remastered Version)\u003c\/li\u003e\n\u003cli\u003eSome Girls Are Bigger Than Others (2011 Remastered Version)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Smiths","offers":[{"title":"Vinyl LP","offer_id":40408877334679,"sku":"2564665887","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/smiths.jpg?v=1622768536"},{"product_id":"reb-fountain-iris-2021","title":"Reb Fountain - IRIS (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #577c11;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003eThe perfect extension of her 2020 self-titled record, \u003cstrong\u003e\u003cem\u003eIRIS\u003c\/em\u003e\u003c\/strong\u003e elevates \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003c\/a\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eFountain\u003c\/a\u003e’s\u003c\/strong\u003e music to new heights. \u003cstrong\u003eReb\u003c\/strong\u003e effortlessly combines pop elements with her trademark noir folk-punk sound; weaving authentic and anthemic tunes that create an instant and indelible impression. Written during lockdown in 202, \u003cstrong\u003eReb\u003c\/strong\u003e has said on the album \u003cem\u003e“Writing a song a day to keep myself grounded and productive during lockdown, \u003cstrong\u003eIRIS\u003c\/strong\u003e provided me an opportunity to speak my unspoken, to reflect what I have seen and experienced from within and to bear witness.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDiving into the deeper meaning of the album’s namesake, \u003cstrong\u003eReb\u003c\/strong\u003e says \u003cem\u003e“Iris is in many ways an unsung hero, known as the goddess of the rainbow, sea and sky, she acts as bridge between the gods to humanity with little of her own story known. So many stories go unheard, so many aspects of our humanity are unsung; visibility is a contested and inequitable space where what is essential and of beauty is often ‘invisible’. I wanted and needed to give voice to this essential human spirit; to conjure and hold and commune with the very real, valid and invaluable voices within and around me.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sLr-EBfbo8o\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003eThe above single ‘\u003cem\u003eBeastie’\u003c\/em\u003e is about choosing who you want to be, but also taking responsibility for who you are; the many faces and facets, the tales and tethers, the imbalance and inhumanity, the privilege and the power — and becoming awake to it all. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003eOn writing \u003cem\u003eBeastie\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e says\u003cem\u003e “Botham Jean had just been murdered in his own apartment, mass incarceration and systemic racism in the criminal justice system had me grief-stricken, the massacre of worshippers in Christchurch broke my heart, the All Blacks would win, the All Blacks would lose and male violence against women would hit an all time high — and amidst all this I heard this phrase “Is That Us?”. It was less a question more reaching for belonging; would we buy that? Can we call it ours? Do we like it? Is this who we want to be? Can we collectively agree this is us?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e continues \u003cem\u003e“Dehumanizing one another is a horribly human behaviour, and one we all have the potential to entertain or interrupt. It’s easy to relegate evils to the ‘shameful past’; harder to confront our own current inhumanity, especially if one's identity comes with benefits or losses.  In Beastie, I wanted my eyes open and to speak in solidarity with resistance. In the absence of resistance we are complicit. If you say nothing, nothing at all, nothing comes to light.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e‘Beastie\u003c\/em\u003e’ explores varying voices, and offers the listener an opportunity to inhabit and witness their many selves, their roles and their choices.  In the video for \u003cem\u003e‘Beastie’\u003c\/em\u003e, \u003cstrong\u003eReb\u003c\/strong\u003e wanted to play with those themes; knowing all acts are political, and subversion, resistance and truth\u003cem\u003e “can and should be consciously embedded as meaning in our art and our daily lives.”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e and her band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) were offered a beautiful space to film in called \u003cstrong\u003eEverybody’s\u003c\/strong\u003e in Auckland’s inner city. They wanted to make a one-shot band video that traversed the multi-level space, so enlisted long-time collaborator \u003cstrong\u003eLola\u003c\/strong\u003e \u003cstrong\u003eFountain-Best\u003c\/strong\u003e to direct the scene, with \u003cstrong\u003eJono\u003c\/strong\u003e \u003cstrong\u003eDrew\u003c\/strong\u003e on DOP duties.\u003c\/p\u003e\n\u003cp\u003eIn May 2020, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e released her self-titled album via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun Records\u003c\/strong\u003e to much critical acclaim.\u003cstrong\u003e  \u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e won the 2021 \u003cstrong\u003eTaite Music Prize\u003c\/strong\u003e, was shortlisted for the \u003cstrong\u003eSilver Scroll\u003c\/strong\u003e \u003cstrong\u003eAward\u003c\/strong\u003e for her song ‘\u003cem\u003eDon’t You Know Who I Am’,\u003c\/em\u003e and the album \u003cstrong\u003e\u003cem\u003eReb Fountain\u003c\/em\u003e\u003c\/strong\u003e was nominated for \u003cu\u003efive\u003c\/u\u003e \u003cstrong\u003eNew Zealand Music Awards\u003c\/strong\u003e; Album of the Year, Best Alternative, Best Solo Artist, Best Album Artwork and Best Engineer.\u003c\/p\u003e\n\u003cp\u003eThe award-winning songwriter, \u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. Throughout 2020, \u003cstrong\u003eReb\u003c\/strong\u003e and her all-star band (\u003cstrong\u003eDave Khan, Karin Canzek \u003c\/strong\u003eand\u003cstrong\u003e Earl Robertson\u003c\/strong\u003e) astounded audiences around the country on her sold out album release tour, joined \u003cstrong\u003eCrowded\u003c\/strong\u003e \u003cstrong\u003eHouse\u003c\/strong\u003e on their 13 date ‘\u003cem\u003eTo The Island Tour’\u003c\/em\u003e, performed at \u003cstrong\u003eSplore\u003c\/strong\u003e, and honoured the great \u003cstrong\u003eNick\u003c\/strong\u003e \u003cstrong\u003eCave\u003c\/strong\u003e at the sold out Auckland Town Hall shows ‘\u003cem\u003eThe Boy Next Door’\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReb\u003c\/strong\u003e was born in San Francisco and immigrated with her family from North America to Lyttelton — the quiet port town out of Christchurch that’s been fundamental to New Zealand’s alt-folk scene, raising artists like \u003cstrong\u003eMarlon Williams, \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003eAldous Harding\u003c\/a\u003e\u003c\/strong\u003e, and \u003cstrong\u003eDelaney\u003c\/strong\u003e \u003cstrong\u003eDavidson\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eIRIS \u003c\/em\u003e\u003c\/strong\u003eis out via \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e on the 1st of October, 2021 on vinyl, CD and digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePsyche\u003c\/li\u003e\n\u003cli\u003eFoxbright\u003c\/li\u003e\n\u003cli\u003eInvisible Man\u003c\/li\u003e\n\u003cli\u003eHeart\u003c\/li\u003e\n\u003cli\u003eBeastie\u003c\/li\u003e\n\u003cli\u003eFisherman\u003c\/li\u003e\n\u003cli\u003eSwim To The Star\u003c\/li\u003e\n\u003cli\u003eLacuna\u003c\/li\u003e\n\u003cli\u003eIris\u003c\/li\u003e\n\u003cli\u003eIntermission\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Reb Fountain","offers":[{"title":"Gatefold Vinyl LP (Transparent Turquoise Vinyl)","offer_id":40218825261207,"sku":"FN598LP-C1","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":40218825293975,"sku":"FN598LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/IRISCOVER1400X1400.png?v=1725244179"},{"product_id":"tiny-ruins-olympic-girls-2019","title":"Tiny Ruins - Olympic Girls (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eA rare blend of eloquent lyrical craft and explorative musicianship, the songs of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/tiny-ruins\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTiny Ruins\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/a\u003eare etched into the memories of crowds and critics worldwide. Traversing influences that cross genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop and ebullient psychedelia.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eBorn in Bristol and raised in West Auckland, Fullbrook's debut LP\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSome Were Meant For Sea\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(2011) features her alone, and was quickly celebrated by radio playlists and blogs worldwide. The album’s clutch of “gorgeous vignettes” (BBC) put the artist on the map, and she took to the road from her home in New Zealand to tour extensively through the UK, Europe and North America – a passage repeated many times since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSecond album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBrightly Painted One\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eearned more accolades, championed by the New York Times, NPR and David Lynch, and winning Best Alternative Album at the New Zealand Music Awards in 2014. “An album of quiet, devastating beauty,” wrote Pop Matters. The album saw Fullbrook join forces with producer Tom Healy, whom, alongside long-time tourmates bassist Cass Basil and drummer Alex Freer, Fullbrook has worked and toured with ever since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“...an album that both bruises the heart and lifts the soul...songwriting that demonstrates a novelist’s eye for detail.” - Uncut review of Brightly Painted One\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile spanning continents, \u003cstrong data-mce-fragment=\"1\"\u003eTiny Ruins\u003c\/strong\u003e became a sought after collaborator. A New York recording session culminated in the EP\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e Hurtling Through\u003c\/strong\u003e\u003c\/em\u003e (2015) with indie-rock legend \u003cstrong data-mce-fragment=\"1\"\u003eHamish Kilgour\u003c\/strong\u003e (\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e), while 2016 single \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDream Wave\u003c\/strong\u003e\u003c\/em\u003e was recorded and produced by award-winning cult filmmaker and musician \u003cstrong data-mce-fragment=\"1\"\u003eDavid Lynch\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A tranquil, pared-back track [with] a gradually rising sense of the macabre… very special indeed.” - \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Line of Best Fit\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuilding on the sparse minimalism and mesmerising songwriting of earlier releases, third album \u003cem\u003e\u003cstrong\u003eOlympic Girls\u003c\/strong\u003e\u003c\/em\u003e comprises a taut and agile quiver of songs, dancing with explorative instrumentation and a pop sensibility that springs with life.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"product-description rte spaced-row reading-column\"\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003cbr\u003e1.     Olympic Girls\u003cbr\u003e2.     School of Design\u003cbr\u003e3.     How Much\u003cbr\u003e4.     Sparklers\u003cbr\u003e5.     Holograms\u003cbr\u003e6.     Kore Waits in the Underworld\u003cbr\u003e7.     Bounty\u003cbr\u003e8.     One Million Flowers\u003cbr\u003e9.     My Love Leda\u003cbr\u003e10.  Stars, False, Fading\u003cbr\u003e11.  Cold Enough To Climb\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Tiny Ruins","offers":[{"title":"Vinyl LP","offer_id":40408751538327,"sku":"942190363735","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/GIRLS.jpg?v=1721973964"},{"product_id":"angel-olsen-whole-new-mess-2020","title":"Angel Olsen - Whole New Mess (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cropable\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"At least nine of the eleven songs on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshould sound familiar to anyone who has heard All Mirrors, \u003cstrong\u003eOlsen’s\u003c\/strong\u003e grand 2019 masterpiece that earned high honours on prestigious year-end lists and glossy spreads in stylish magazines. “Lark,” “Summer,” “Chance”—they are all here, at least in some skeletal form and with slightly different titles. But these are not the demos for All Mirrors. Instead,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis its own record with its own immovable mood, with Olsen working through her open wounds and raw nerves with just a few guitars and some microphones, isolated in a century-old church in the Pacific Northwest. If the lavish orchestral arrangements and cinematic scope of All Mirrors are the sound of Olsen preparing her scars for the wider world to see,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the sound of her first figuring out their shape, making sense for herself of these injuries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYears earlier, while making My Woman at the legendary Electro-Vox in Los Angeles, Olsen struck up a sudden and deep friendship that transcended work with Michael Harris, the studio’s head engineer. She recognized a kindred spirit—someone more interested in the wider world and intense connections than his unexpected position of power in the music industry. Since those sessions, Harris and Olsen kept in close touch, visiting one another at home and catching up during long calls. “We see each other very clearly, without words,” says Harris. “And the guiding light of our working relationship has always been emotionality—what’s there, or what’s not there.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith that rapport in mind, Olsen asked Harris to help find a studio where she could sit still with these thoughts, a space where, as she puts it, “vulnerability exists.” They asked around and settled on The Unknown, the Catholic church that Mount Eerie’s Phil Elverum and producer Nicholas Wilbur converted into a recording studio a decade ago in the small town of Anacortes, Washington. Situated on a small finger of land that juts toward the Pacific Ocean, Anacortes would act as kind of harbour for Olsen, limiting distractions as she tried to burrow inside of these songs for 10 days in late October 2018.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsidered alongside All Mirrors,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a poignant and pointed reminder that songs are more than mere collections of words, chords, and even melodies. They are webs of moods and moments and ideas, qualities that can change from one month to the next and can say just as much as the perfect progression or an exquisite chord. In that sense, these 11 songs—solitary, frank, and unflinching examinations of what it’s like to love, lose, and survive—are entirely new. This is the sound of Angel Olsen, sorting through the kind of trouble we’ve all known, as if just for herself and whoever else needs it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE A:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhole New Mess\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eToo Easy (Bigger Than Us)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(New Love) Cassette\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(We Are All Mirrors)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e(Summer Song)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWaiving, Smiling\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE B:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTonight (Without You)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLark Song\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eImpasse (Workin’ For The Name)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eChance (Forever Love\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhat It Is (What It Is)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Angel Olsen","offers":[{"title":"Vinyl LP","offer_id":40464794976407,"sku":"JAG354LP","price":48.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44908963004660,"sku":"JAG354CD","price":32.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/angel.jpg?v=1623370127"},{"product_id":"bon-iver-22-a-million","title":"Bon Iver - 22, A Million (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e22, A Million\u003c\/strong\u003e \u003c\/em\u003eis part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album’s 10 poly-fi recordings are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard as coincidence. If \u003cstrong\u003eBon Iver\u003c\/strong\u003e, \u003cem\u003e\u003cstrong\u003eBon Iver\u003c\/strong\u003e\u003c\/em\u003e built a habitat rooted in physical spaces, then \u003cem\u003e\u003cstrong\u003e22, A Million\u003c\/strong\u003e\u003c\/em\u003e is the letting go of that attachment to a place.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003ch3\u003eTrack Listing:\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e22 (OVER S∞∞N)\u003c\/li\u003e\n\u003cli\u003e10 d E A T h b R E a s T ⚄ ⚄\u003c\/li\u003e\n\u003cli\u003e715 - CR∑∑KS\u003c\/li\u003e\n\u003cli\u003e33 “GOD”\u003c\/li\u003e\n\u003cli\u003e29 #Strafford APTS\u003c\/li\u003e\n\u003cli\u003e666 ʇ\u003c\/li\u003e\n\u003cli\u003e21 M◊◊N WATER\u003c\/li\u003e\n\u003cli\u003e8 (circle)\u003c\/li\u003e\n\u003cli\u003e____45_____\u003c\/li\u003e\n\u003cli\u003e00000 Million\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Bon Iver","offers":[{"title":"Vinyl LP","offer_id":40408742756503,"sku":"JAG300LP","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/22amill.jpg?v=1725244162"},{"product_id":"family-cactus-spirit-lights-2011","title":"Family Cactus - Spirit Lights (Vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-style-span\" data-mce-fragment=\"1\"\u003e\"It wasnt so long ago that the debut Family Cactus album ‚Come Howling was creating quite a stir. Two odd years and multiple odd line up changes later, the follow up ‚Spirit Lights is here to comfort and warm the cockles over these colder months. The Wellington six-piece, led by patriarch Adam Ladley, have provided us with an album that at once is a progression from its predecessor a rollicking, very developed (not to mention warm and polished sounding), and ultimately (especially towards the end) dark version of bright pop songs. Fields And Fields is propelled by an incessant drum, the melody instantly familiar and engaging. Neighbourhood is a big adult pop track with a trippy little breakdown in the middle. Moss Green Cape is an example of the type of brooding nature this band can take on kind of like a more lively Unbelievable Truth. The Family Cactus sweet spot sits somewhere between desolate and dreamy. Witness the darker afflicted closing four tracks from Dark Science to Spirit Lights. Throughout, the musicality is undeniable, this is an enduring and alluring album. Recorded by Jordan Stone at Roundhead and Lee PrebbleThe Surgery and mastered at Sterling Sound in New York.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-style-span\" data-mce-fragment=\"1\"\u003eNZ Musician\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"Apple-style-span\" data-mce-fragment=\"1\"\u003e- Shaun Chait\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"Apple-style-span\"\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/em\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eFields And Fields\u003c\/li\u003e\n\u003cli\u003eEmpty Nest Egg\u003c\/li\u003e\n\u003cli\u003eNeighbourhood\u003c\/li\u003e\n\u003cli\u003eMoss Green Cape\u003c\/li\u003e\n\u003cli\u003eLake Abe\u003c\/li\u003e\n\u003cli\u003eAbe Mistake\u003c\/li\u003e\n\u003cli\u003eDark Science\u003c\/li\u003e\n\u003cli\u003eWhole \u0026amp; Red\u003c\/li\u003e\n\u003cli\u003eDragon Flies\u003c\/li\u003e\n\u003cli\u003eSpirit Lights\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Family Cactus","offers":[{"title":"Vinyl LP","offer_id":40408726536343,"sku":"AHR049","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/famcac.jpg?v=1623899180"},{"product_id":"beach-house-thank-your-lucky-stars-2015","title":"Beach House - Thank Your Lucky Stars (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThank Your Lucky Stars\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the sixth full-length effort from Baltimore, Maryland dream pop duo \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBeach House\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVictoria Legrand\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlex Scally\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and second of 2015 alone following the August release of fifth album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDepression Cherry\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The band stated that \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThank Your Luck Stars\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \"is an album being released the way we want. It's not a companion to\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eDepression Cherry\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e or a surprise or b-sides.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMajorette\u003c\/li\u003e\n\u003cli\u003eShe's So Lovely\u003c\/li\u003e\n\u003cli\u003eAll Your Yeahs\u003c\/li\u003e\n\u003cli\u003eOne Thing\u003c\/li\u003e\n\u003cli\u003eCommon Girl\u003c\/li\u003e\n\u003cli\u003eThe Traveller\u003c\/li\u003e\n\u003cli\u003eElegy To The Void\u003c\/li\u003e\n\u003cli\u003eRough Song\u003c\/li\u003e\n\u003cli\u003eSomewhere Tonight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Beach House","offers":[{"title":"Vinyl LP","offer_id":40334295269527,"sku":"SP1142","price":56.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/thankurluckystarz.jpg?v=1623984342"},{"product_id":"luke-buda-buda","title":"Luke Buda - Buda (Vinyl)","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/luke-buda\"\u003e\u003cstrong\u003eLuke Buda\u003c\/strong\u003e \u003c\/a\u003eis a songwriter based in Te Whanganui-a-Tara (Wellington). Buda’s music finds influence in the warm strums that emanated from Laurel Canyon in the 1960s, the dreamy vocals of supreme 1970s soft rock and disco, and the digital delays and drum machines wafting out from the UK in the early 1980s. In this work, he locates the sweet spot between introspection and wry humour.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eIn October Buda will release his third solo album (his first in twelve years), a collection of songs mostly recorded in his garage over the last three years. The lyrics are a mix of Buda's sincere but sardonic musings about feeling old and tired and anxious about everything, and words supplied by New Zealand novelist Damien Wilkins, all set to the kind of melodies that you could find while channel surfing through radio stations on a long midnight drive.\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eBuda has roped in a large range of collaborators for the album, including guests like \u003cstrong\u003eDon McGlashan\u003c\/strong\u003e; \u003cstrong\u003eJoe Lindsay\u003c\/strong\u003e and \u003cstrong\u003eToby Laing\u003c\/strong\u003e from \u003cstrong\u003eFat Freddy’s Drop\u003c\/strong\u003e; \u003cstrong\u003eRiki Gooch\u003c\/strong\u003e; \u003cstrong\u003eDayle Jellyman\u003c\/strong\u003e; \u003cstrong\u003eJacqui Nyman\u003c\/strong\u003e; and all the members of \u003cstrong\u003eThe Phoenix Foundation\u003c\/strong\u003e. Special mention needs to be made of \u003cstrong\u003eAnita Clark's\u003c\/strong\u003e (Motte) contribution, as she sang on every single track.\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eLuke Buda is a founding member of \u003cstrong\u003eThe Phoenix Foundation\u003c\/strong\u003e, who formed in 1997 and have since released 7 albums and 4 EPs. They've been nominated for over 30 Aotearoa Music Awards. \u003cstrong\u003eThe Phoenix Foundation\u003c\/strong\u003e have been shortlisted three times for the IMNZ's Taite Prize, and three times finalists in APRA's Silver Scrolls. In 2009, Buda won a Silver Scroll for his co-writing credit on \u003cstrong\u003eLawrence Arabia’s\u003c\/strong\u003e \u003cem\u003eApple Pie Bed\u003c\/em\u003e.\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eIn 2016, Buda co-wrote and produced \u003cstrong\u003eSir Dave Dobbyn's\u003c\/strong\u003e Harmony House, and in 2017 he released an album as one quarter of the band \u003cstrong\u003eTeeth\u003c\/strong\u003e (an outfit featuring David Long of The Mutton Birds). Since 2007 he has composed music for television and film as Moniker. Their work can be found in seminal Aotearoa films such as Eagle vs. Shark, Hunt For The Wilderpeople, and Boy (the latter winning them Best Original Score at the NZ Film and TV Awards). In 2018, the group took home the APRA Best Original Music in a Series for Cleverman.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eIn between all of this, Buda has released two solo albums - \u003cem\u003eSpecial Surprise\u003c\/em\u003e (2005, Arch HIll) and \u003cem\u003eVesuvius\u003c\/em\u003e (2008, Arch Hill).\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eBuda is one of only a handful of New Zealand musicians to have made an appearance on BBC's \u003cstrong\u003eLater... with Jools Holland\u003c\/strong\u003e, and recently made \u003cstrong\u003eMorrissey\u003c\/strong\u003e quite angry when he contributed guitar to Everyone Is Horrid Except Me (And Possibly You) by Quilloughby feat. Lisa Simpson from the recent episode of The Simpson’s \"Panic on the Streets of Springfield.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e1. Here Comes The Wind\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e2. Candy\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e3. Beef \u0026amp; Carrots\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e4. She's Arriving Soon\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e5. I'm A Bit Out Of Shape\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e6. Who Would Want To Be Lonely\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e7. My Naked Body\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e8. Don't Think In Bed\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e9. Private Message\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e10. Brain Jail\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003e\u003c\/u\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Luke Buda","offers":[{"title":"Vinyl LP","offer_id":40408059510935,"sku":"BUDA001LP","price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/buda.png?v=1721959315"},{"product_id":"r-e-m-automatic-for-the-people","title":"R.E.M - Automatic For The People (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReissued to coincide with the original album's 25th anniversary. 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Features iconic hit singles \u003cem data-mce-fragment=\"1\"\u003eNightswimming\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eMan on the Moon\u003c\/em\u003e and 90's anthem,\u003cem data-mce-fragment=\"1\"\u003e Everybody Hurts\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cem\u003e1. Drive\u003cbr\u003e2. Try Not to Breathe\u003cbr\u003e3. The Sidewinder Sleeps Tonite\u003cbr\u003e4. Everybody Hurts\u003cbr\u003e5. New Orleans Instrumental No. 1\u003cbr\u003e6. Sweetness Follows\u003cbr\u003e7. Monty Got a Raw Deal\u003cbr\u003e8. 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It was first self-released in July 2007, and later saw wide release on the Jagjaguwar label in February 2008. The album is principally the work of singer-songwriter\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJustin Vernon\u003c\/strong\u003e\u003cspan\u003e. Whilst living in Raleigh, North Carolina, Vernon fell ill with mononucleosis and a liver infection, and grew frustrated with his songwriting and life. He left Raleigh and drove to his father's remote hunting cabin an hour northwest of his hometown, Eau Claire, Wisconsin, hoping to be alone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album was recorded at the cabin between late 2006 to early 2007. Vernon abandoned his old songwriting methods and instead focused on wordless melodies that he later set to words, which he felt evoked a more subconscious meaning. The record's lyrical subjects include lost love and mediocrity. His folk-infused songs include heavy choral arrangements, featuring Vernon's falsetto, and horns. He hunted his own food and spent much of his time isolated. Though he did not intend to make an album, he received strong encouragements from friends and decided to self-release\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ein July 2007. After several performances and online exposure, he was signed to Jagjaguwar later that year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eFor Emma, Forever Ago\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e attracted wide acclaim from music critics, achieving a spot on dozens of end-of-the-year lists, as well as several awards. It became a major commercial success for Jagjaguwar, an independent label, and has been certified platinum by the Recording Industry Association of America (RIAA), for combined sales, streaming and track-sales equivalent of over one million units. \"Skinny Love\" became the album's best-performing single and also went gold. Vernon gathered together several musicians to form a band to tour with. The album's touring cycle lasted two years, ending in late 2009, and visited several countries and music festivals worldwide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eFlume\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eLump Sum\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSkinny Love\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Wolves (Act I and II)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBlindsided\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCreature Fear\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eTeam\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eFor Emma\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eRe: Stacks\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cstrong\u003eRelease Date: 2013 (Reissue)\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003cstrong\u003eOriginally self released July 8 2007, and later in 2008 on Jagjaguwar. \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"track-listing\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Bon Iver","offers":[{"title":"Vinyl LP","offer_id":40464830136471,"sku":"JAG115LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BonIverForEmma.jpg?v=1725243885"},{"product_id":"jonathan-bree-primrose-path","title":"Jonathan Bree - Primrose Path (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Primrose Path\u003c\/strong\u003e \u003c\/em\u003ewill be \u003cstrong\u003eJonathan Bree’s\u003c\/strong\u003e first solo album since a career with The Brunettes that has spanned over 10 years and seen the band release 4 albums and 4 EPs.\u003c\/p\u003e\n\u003cp\u003eAn orchestral pop album at its core, complex and layered arrangements sit over sick beats which envelop lyrics about getting old and feeling crap and over 30.\u003c\/p\u003e\n\u003cp\u003eHis first single ‘The Primrose Path’’ is set on K Rd in Auckland, NZ and is about some violent sociopath trying to act like an ok guy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eBooty Call\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBeat Your Head\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBored At a Mall\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSeven\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSixed or Floating\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDuckie’s Lament\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Primrose Path\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCrippled Duckling\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eLaptop\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBoxes\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e17 June 2013\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jonathan Bree","offers":[{"title":"Vinyl LP","offer_id":40478957928599,"sku":"942102885198","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/jb.jpg?v=1721959110"},{"product_id":"beach-house-bloom","title":"Beach House – Bloom (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eBeach House\u003c\/strong\u003e's decision to call this record\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBloom\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis almost too perfect. Over the course of four albums that's exactly what this band has done. Two people from Baltimore started by making incense-smelling, curtains-drawn bedroom pop. Now, eight years later, they make luminous, sky-sized songs that conjure some alternate universe where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCocteau Twins\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave headlined every stadium on Atlantis. \"\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBloom\u003c\/strong\u003e\u003c\/em\u003e\" is also what these 10 songs do, each one starting with the sizzle of a lit fuse and at some fine moment exploding like a firework in slow motion. The word captures the music's slow sonority: the round, gleaming edges of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlex Scally\u003c\/strong\u003e's arpeggios and how, in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVictoria Legrand\u003c\/strong\u003e's unhurried mouth, all words seem to have a few extra vowels.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBloom\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edoesn't stray far from the structure or the emotional tenor of its predecessor. It finds the band making small, sharp adjustments to its craft, but these shifts are so subtle it takes a few listens for them to sink in. The songwriting is tighter, yet the atmosphere feels more diffuse; the lyrics are more straightforward, yet they're somehow suggestive of larger things. By just about every measure,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBloom's\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewingspan is fuller than anything\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBeach House\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave done before.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan 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Intro\u003cbr data-mce-fragment=\"1\"\u003e2. Keep It Healthy\u003cbr data-mce-fragment=\"1\"\u003e3. Love Is To Die\u003cbr data-mce-fragment=\"1\"\u003e4. Hi\u003cbr data-mce-fragment=\"1\"\u003e5. Biggy\u003cbr data-mce-fragment=\"1\"\u003e6. Teese\u003cbr data-mce-fragment=\"1\"\u003e7. Disco\/Very\u003cbr data-mce-fragment=\"1\"\u003e8. Go In\u003cbr data-mce-fragment=\"1\"\u003e9. Feeling Alritght\u003cbr data-mce-fragment=\"1\"\u003e10. CC\u003cbr data-mce-fragment=\"1\"\u003e11. Drive\u003cbr data-mce-fragment=\"1\"\u003e12. Son\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003eRelease Date: 20 Jan 2014\u003c\/strong\u003e\u003c\/p\u003e","brand":"Warpaint","offers":[{"title":"Vinyl LP","offer_id":41064411431063,"sku":"RTRADLP680","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/R-5295658-1392102240-9860_jpeg.jpg?v=1632460202"},{"product_id":"broadcast-the-noise-made-by-people","title":"Broadcast – The Noise Made By People (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Noise Made By People\u003c\/strong\u003e\u003c\/em\u003e came after the band signed to \u003cstrong\u003eWarp Records\u003c\/strong\u003e and spent nearly three years in the studio. It was time well spent, as they built on the sounds and textures they explored in their earlier singles (archived by \u003cstrong\u003eWarp\u003c\/strong\u003e on the excellent \u003cem\u003e\u003cstrong\u003eWork And Non Work\u003c\/strong\u003e\u003c\/em\u003e). Reared on a heavy dose of vintage British psychedelia, \u003cstrong\u003eBroadcast\u003c\/strong\u003e drew early (and somwhat lazy) comparisons to their mentors Stereolab. The slick pop songwriting and expert production on “Unchanging Window” and “Papercuts” feels vaguely familiar yet hard to pinpoint; in retrospect, more similar to the nostalgic aura conjured by labelmates \u003cstrong\u003eBoards Of Canada\u003c\/strong\u003e. More experimental tracks like \"Minus One\" and \"The Tower of Our Tuning\" reveal influence from\u003cstrong\u003e The BBC Radiophonic Workshop\u003c\/strong\u003e and similar sound effects units. Considered at the time to be a left-field choice by \u003cstrong\u003eWarp’s\u003c\/strong\u003e A\u0026amp;R staff, as the indie powerhouse had dealt exclusively with artists working in the fields of techno and dance music, \u003cstrong\u003eBroadcast’s\u003c\/strong\u003e signing to \u003cstrong\u003eWarp\u003c\/strong\u003e makes much more sense in hindsight, and it’s hard to imagine them having such a fruitful run on any other label.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Noise Made By People\u003c\/strong\u003e\u003c\/em\u003e indeed rocks, but there are hardly any noticeable guitars in the mix at any time throughout the course of the record. Their inventive approach to a five-piece band setup and non-purist attitude predates the ubiquity of electronics in indie rock that would follow in their wake. While \u003cstrong\u003eJames Cargill\u003c\/strong\u003e has been working intently on finishing \u003cstrong\u003eBroadcast’s\u003c\/strong\u003e final album since the tragic and untimely passing of \u003cstrong\u003eTrish Keenan\u003c\/strong\u003e in 2011, the uncanny brilliance of \u003cstrong\u003eBroadcast\u003c\/strong\u003e continues to shine most brightly on \u003cem\u003e\u003cstrong\u003eThe Noise Made By People.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eA1 Long Was The Year\u003cbr\u003eA2 Unchanging Window\u003cbr\u003eA3 Minus One\u003cbr\u003eA4 Come On Let's Go\u003cbr\u003eA5 Echo's Answer\u003cbr\u003eA6 Tower Of Our Tuning\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003eB1 Papercuts\u003cbr\u003eB2 You Can Fall\u003cbr\u003eB3 Look Outside\u003cbr\u003eB4 Until Then\u003cbr\u003eB5 City In Progress\u003cbr\u003eB6 Dead The Long Year\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AQ4RmVNuKbQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Broadcast","offers":[{"title":"Vinyl LP","offer_id":41174298591383,"sku":"WARPLP65R","price":70.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/R-6734114-1425724231-4480_jpeg.jpg?v=1722309911"},{"product_id":"big-thief-two-hands","title":"Big Thief – Two Hands (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehad only just finished work on their 3rd album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eU.F.O.F\u003c\/strong\u003e.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– “the celestial twin” – days before in a cabin studio in the woods of Washington State. Now it was time to birth\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esister album – “the earth twin” –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e. 30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eset up their instruments as close together as possible to capture their most important collection of songs yet. Where\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elayered mysterious sounds and effects for levitation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003egrounds itself on dried-out, cracked desert dirt.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIn sharp contrast to the wet environment of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eU.F.O.F.\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esession, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands \u003c\/i\u003e\u003c\/strong\u003ehad to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. With raw power and intimacy,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eTwo Hands\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efolds itself gracefully into\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBig Thief’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eimpressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\n\u003cem\u003eRock And Sing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eForgotten Eyes\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Toy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTwo Hands\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThose Girls\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eShoulders\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNot\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolf\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eReplaced\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCut My Hair\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eRelease Date: 11 October 2019\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UIcVwH47uxQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/div\u003e","brand":"Big Thief","offers":[{"title":"Vinyl LP","offer_id":41174585835671,"sku":"4AD0180LP","price":54.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/5d514161aec43.jpg?v=1633751151"},{"product_id":"billie-eilish-when-we-all-fall-asleep-where-do-we-go","title":"Billie Eilish – When We All Fall Asleep, Where Do We Go? (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBillie Eilish's\u003c\/strong\u003e meteoric rise to global stardom has been nothing short of phenomenal and arguably unparalleled to date. \u003cem\u003e\u003cstrong\u003e‘WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?\u003c\/strong\u003e\u003c\/em\u003e’ was written, produced and recorded entirely by 17-year-old \u003cstrong\u003eBillie Eilish\u003c\/strong\u003e and brother \u003cstrong\u003eFinneas\u003c\/strong\u003e in their childhood home of Highland Park, Los Angeles. Recorded in Finneas' bedroom opposite Billie's, the pair spent most of 2018 writing songs on the road, then spending many days and nights when off the road, at home, recording the album. The album reaffirms \u003cstrong\u003eBillie Eilish's \u003c\/strong\u003eplace in the music world, always ahead of the curve, never compromising her sound or vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\u003cem\u003e!!!!!!!\u003cbr\u003ebad guy\u003cbr\u003exanny\u003cbr\u003eyou should see me in a crown\u003cbr\u003eall the good girls go to hell\u003cbr\u003ewish you were gay\u003cbr\u003ewhen the party's over\u003cbr\u003e8\u003cbr\u003emy strange addiction\u003cbr\u003ebury a friend\u003cbr\u003eilomilo\u003cbr\u003elisten before i go\u003cbr\u003ei love you\u003cbr\u003egoodbye\u003c\/em\u003e\u003c\/div\u003e","brand":"Billie Eilish","offers":[{"title":"Vinyl LP","offer_id":41243327856791,"sku":"B002972901","price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/212339201.jpg?v=1725243385"},{"product_id":"galaxie-500-today-reissue","title":"Galaxie 500 – Today (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen \u003c\/span\u003e\u003cstrong\u003eGalaxie 500's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eToday\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ewas released in 1988, it set off a chain reaction of quiet explosions still being felt. Never before had a record so emphasized the calming elements of rock music, transforming what at first seems like a collection of bridges into fully realized songs. And one can draw a straight line from here to the many groups they influenced, like \u003cstrong\u003eLow\u003c\/strong\u003e, \u003cstrong\u003eBelle \u0026amp; Sebastian\u003c\/strong\u003e, and \u003cstrong\u003eBon Iver\u003c\/strong\u003e. Today is full of idiosyncrasies. The trio of \u003cstrong\u003eDamon Krukowski\u003c\/strong\u003e, \u003cstrong\u003eDean Wareham\u003c\/strong\u003e, and\u003cstrong\u003e Naomi Yang\u003c\/strong\u003e were recent Harvard grads who intuitively eliminated any histrionic tradition to rock songs, leaving core emotion (not for nothing did they include a cover of \"Don't Let Our Youth Go to Waste,\" by the kings of feeling, the Modern Lovers). It was produced by \u003cstrong\u003eMark Kramer\u003c\/strong\u003e, who was best known for his work with cataclysmic slop rock pioneers such as Bongwater, Ween, and King Missle. The band's hometown of Boston was just coming out of its love affair with Mission of Burma and pouncing upon the spasmodic electricity of the Pixies. Despite, or perhaps because of, all these elements, \u003cem\u003e\u003cstrong\u003eToday\u003c\/strong\u003e\u003c\/em\u003e thrived. More than 20 years after its initial release, its title is still no misnomer. The music, recorded with what many thought at the time was too much reverb, sounds present, alive, and indeed a product of today. Songs like \"Flowers,\" \"Temperature's Rising,\" and of course \"Tugboat\" (the band's debut single) stand the test of time and exist in an eternal now. For the first time since it's original pressing, \u003cem\u003e\u003cstrong\u003eToday\u003c\/strong\u003e\u003c\/em\u003e is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and \u003cstrong\u003eGalaxie 500\u003c\/strong\u003e exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e1. Blue Thunder \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. Tell Me \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. Snowstorm \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e4. Strange \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e5. When Will You Come Home \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e6. Decomposing Trees \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e7. Another Day* \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e8. Leave the Planet \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e9. Plastic Bird\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e10. Isn’t It a Pity** \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-5\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Galaxie 500","offers":[{"title":"Vinyl LP","offer_id":41994205298932,"sku":"202020-07","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/36dqpa2u51.png?v=1635891237"},{"product_id":"grimes-art-angels","title":"Grimes – Art Angels (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpanning over 14 tracks, this 2015 album from the Canadian-born singer\/songwriter features collaborations with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJanelle Monáe\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and newcomer, Taiwanese rapper \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAristophanes\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. It was recorded primarily in her home studio in Los Angeles, CA, where she relocated to in 2014. Like all of her previous albums, Art Angels was written and recorded entirely as a solo endeavor. The album features more live instrumentation than ever before on a \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGrimes\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e record. She plays piano, guitar and violin, continuing her evolution as a musician and a producer for her most ambitious album to date.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\"\u003e\u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide 1\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLaughing and Not Being Normal\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCalifornia\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSCREAM (feat. Aristophanes)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFlesh without Blood\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBelly of the Beat\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKill V. Maim\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\"\u003e\u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide 2\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eArtangels\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEasily\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePin\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWorld Princess Part II\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVenus Fly (feat. Janelle Monáe)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLife in the Vivid Dream\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eButterfly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\"\u003e\u003cstrong\u003eReleased on 11 December 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"col col-md-5\"\u003e\u003c\/div\u003e","brand":"Grimes","offers":[{"title":"Vinyl LP","offer_id":41994472063220,"sku":"CAD3535","price":64.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44000700432628,"sku":"CAD3535CD","price":28.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/43091-art-angels.jpg?v=1722309419"},{"product_id":"kate-nv-room-for-the-moon","title":"Kate NV – Room For The Moon (Vinyl)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoom for the Moon\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate NV\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e follows the muse of music from one chamber of illusion to the next, harmonizing lunar lullabies with a starry compositional choreography. Conjured from unlived memories of ‘70s and ‘80s Russian and Japanese pop music and film, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoom for the Moon\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a 20th century fairy tale suspended in time like a moon torn from a paper sky.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1. Not Not Not\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Du Na\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Sayonara (Full Moon Version)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Ça Commence Par\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Marafon 15\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e1\u003c\/em\u003e\u003cem\u003e7. Lu Na\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Plans\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9. If Anyone's Sleepy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10. Telefon\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11. Sayonara\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mmbYo7ZLqck\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Kate NV","offers":[{"title":"Vinyl LP","offer_id":41994880516340,"sku":"RVNGNL63","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ac4ef5cb-8680-46fd-a544-21a084eeebe6.jpg?v=1722309374"},{"product_id":"alec-bathgate-the-indifferent-velvet-void-reissue-1","title":"Alec Bathgate - The Indifferent Velvet Void (Vinyl)","description":"\u003ch3 style=\"text-align: left;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cspan style=\"color: #0b6328;\" data-mce-style=\"color: #0b6328;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Indifferent Velvet Void\u003c\/i\u003e\u003c\/b\u003e is only the second full-length solo album by \u003cb data-mce-fragment=\"1\"\u003eAlec\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eBathgate\u003c\/b\u003e, despite a long career as one half of Tall Dwarfs and co-founder of the legendary New Zealand punk bands The Enemy and Toy Love. \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Indifferent Velvet Void\u003c\/i\u003e\u003c\/b\u003e was originally released in 2004 by legendary label, \u003cb data-mce-fragment=\"1\"\u003eLil' Chief Records.\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe album was recorded at Alec's home over 18 months, working mostly on weekends in the family's tiny spare room. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e“The room was completely red and had a nice womb-like quality. I had all my records in there, so I would play music and drink coffee then get down to recording. It took a long time to make - 18 months - because I could only record on weekends.”\u003c\/i\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eDespite working with an “improved” digital recording medium (since \u003cstrong\u003eGold Lamé’s\u003c\/strong\u003e 4-track), Alec still worked with fairly limited equipment - two microphones, a smattering of guitars, a cheap keyboard and a few simple percussion instruments. Alec is responsible for all of the instrumentation, engineering and production — with the exception of some additional handclaps and backing vocals supplied by his family. All but one of the songs on the album were written by \u003cb data-mce-fragment=\"1\"\u003eBathgate\u003c\/b\u003e — the remaining track \"\u003ci data-mce-fragment=\"1\"\u003eOverundersidewaysdown\u003c\/i\u003e\" is a cover of a track by \u003cb data-mce-fragment=\"1\"\u003eThe Yardbirds.\u003c\/b\u003e\u003cbr\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“I had to construct the songs from the ground up. I enjoyed arranging them and messing around with different sounds. Obsessively so. I had a list with places for 16 songs. Once it started taking shape I would write songs to fit the gaps. I was very conscious of how it would all fit together as a whole. There are a few tracks that reference \u003c\/i\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eT.Rex\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e.”\u003c\/i\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eThe result is an album that shows both strength as a songwriter and musician, from the psychedelic overtones of \"\u003ci data-mce-fragment=\"1\"\u003eSlow Fuzz\u003c\/i\u003e\", to the aforementioned T-Rexisms of \u003ci data-mce-fragment=\"1\"\u003e\"In The Shadows\u003c\/i\u003e\".\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eThis new vinyl version of \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Indifferent Velvet Void\u003c\/i\u003e\u003c\/b\u003e was remixed with \u003cstrong\u003eTom Havard\u003c\/strong\u003e at Sublime Studio in 2020, and mastered for vinyl by \u003cstrong\u003eMikey Young\u003c\/strong\u003e, in Melbourne.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eThis 2021 \u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Indifferent Velvet Void \u003c\/i\u003e\u003c\/b\u003ereissue is out on 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e November, on transparent purple vinyl, via Alec’s own label \u003cb data-mce-fragment=\"1\"\u003eLong Short Short\u003c\/b\u003e and is limited to 200 copies — pressed locally at \u003cb data-mce-fragment=\"1\"\u003eHoliday\u003c\/b\u003e \u003cb data-mce-fragment=\"1\"\u003eRecords\u003c\/b\u003e in Auckland, New Zealand.\u003c\/p\u003e\n\u003cp class=\"p3\" style=\"text-align: left;\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"p3\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cspan class=\"s2\"\u003eTRACKLIST\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\" style=\"text-align: left;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE A\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn The Shadows\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEbb and Flow\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe’re All Babies\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eShould I Wake Up?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOut Of My Head\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVitriol\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSlow Fuzz\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSlight Return\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSIDE B\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFaked\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOverundersidewaysdown\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBroken Cup\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Indifferent Velvet Void\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFear and Loathing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNew Day\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClosing Down\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003cb\u003eRIYL:\u003c\/b\u003e Tall Dwarfs, Toy Love, Chris Knox, The Enemy, T-Rex, Lou Reed\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eOriginally released on 11 November, 2004 on Lil' Chief Records.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alec Bathgate","offers":[{"title":"Vinyl LP (Transparent Purple)","offer_id":41997883441396,"sku":"LSS02LP","price":60.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":43622056460532,"sku":"LCR009","price":15.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/4BA_cL2o.jpg?v=1721872178"},{"product_id":"mgmt-little-dark-age","title":"MGMT – Little Dark Age (Vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLittle Dark Age\u003c\/strong\u003e\u003c\/em\u003e was produced by \u003cstrong\u003eMGMT\u003c\/strong\u003e, \u003cstrong\u003ePatrick Wimberly\u003c\/strong\u003e (Chairlift, Kelela, Blood Orange), and long-time collaborator \u003cstrong\u003eDave Fridmann\u003c\/strong\u003e (Flaming Lips, Spoon, Tame Impala). \u003cstrong\u003eMGMT\u003c\/strong\u003e recorded \u003cem\u003e\u003cstrong\u003eLittle Dark Age\u003c\/strong\u003e\u003c\/em\u003e at Tarbox Road Studios in Cassadaga, NY. \u003c\/p\u003e\n\u003cp\u003eFormed in 2002 by \u003cstrong\u003eAndrew VanWyngarden\u003c\/strong\u003e (lead vocals, guitar, keyboard, bass guitar, drums, percussion) and \u003cstrong\u003eBen Goldwasser (\u003c\/strong\u003evocals, keyboards, guitar, percussion), \u003cstrong\u003eMGMT\u003c\/strong\u003e released their influential, Grammy-nominated, debut album \u003cem\u003e\u003cstrong\u003eOracular Spectacular\u003c\/strong\u003e\u003c\/em\u003e in 2007. This was followed by 2010's \u003cem\u003e\u003cstrong\u003eCongratulations\u003c\/strong\u003e\u003c\/em\u003e and 2013's self-titled album \u003cem\u003e\u003cstrong\u003eMGMT\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis album combines perfect pastiche, without failing to sound completely fresh. It is an addictive album, nostalgic yet inventive. If you think MGMT were total sell outs thanks to 'Kids' and 'Electric Feel', you would be wrong. Give this a try. Highly highly recommend.  - Carla, Flying Nun \u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eShe Works Out Too Much\u003cbr data-mce-fragment=\"1\"\u003eLittle Dark Age\u003cbr data-mce-fragment=\"1\"\u003eWhen You Die\u003cbr data-mce-fragment=\"1\"\u003eMe And Michael\u003cbr data-mce-fragment=\"1\"\u003eTSLAMP\u003cbr data-mce-fragment=\"1\"\u003eJames\u003cbr data-mce-fragment=\"1\"\u003eDays That Got Away\u003cbr data-mce-fragment=\"1\"\u003eOne Thing Left To Try\u003cbr data-mce-fragment=\"1\"\u003eWhen Youre Small\u003cbr data-mce-fragment=\"1\"\u003eHand It Over \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eRelease Date: 09 February 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"MGMT","offers":[{"title":"Vinyl 2LP","offer_id":42002768462068,"sku":"88985476061","price":89.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44926393483508,"sku":"88985476052","price":20.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DT4rmEiVoAAR4cE-1.jpg?v=1636062262"},{"product_id":"big-thief-dragon-new-warm-mountain-i-believe-in-you","title":"Big Thief - Dragon New Warm Mountain I Believe In You (Vinyl)","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003cstrong\u003eDragon New Warm Mountain I Believe in You\u003c\/strong\u003e\u003c\/em\u003e is a sprawling double-LP exploring the deepest elements and possibilities of \u003cem\u003e\u003cstrong\u003eBig Thief\u003c\/strong\u003e\u003c\/em\u003e. To truly dig into all that the music of \u003cstrong\u003eAdrianne Lenker,\u003c\/strong\u003e \u003cstrong\u003eMax Oleartchik, Buck Meek, \u003c\/strong\u003eand\u003cstrong\u003e James Krivchenia\u003c\/strong\u003e desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. In Upstate New York, Topanga Canyon, The Rocky Mountains, and Tucson, Arizona, Big Thief spent 5 months in creation and came out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up \u003cem\u003e\u003cstrong\u003eDNWMIBIY\u003c\/strong\u003e\u003c\/em\u003e, a fluid and adventurous listen. The album was produced by drummer \u003cstrong\u003eJames\u003c\/strong\u003e \u003cstrong\u003eKrivchenia\u003c\/strong\u003e who initially pitched the recording concept for DNWMIBIY back in late 2019 with the goal of encapsulating the many different aspects of Adrianne’s songwriting and the band onto a single record.\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll 4 of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. When Max’s mom asked on a phone call what it feels like to be back together with the band playing music for the first time in a year, he described to the best of abilities: “Well it’s like, we’re a band, we talk, we have different dynamics, we do the breaths, and then we go on stage and suddenly it feels like we are now on a dragon. And we can’t really talk because we have to steer this dragon.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe attempt to capture something deeper, wider, and full of mystery, points to the inherent spirit of \u003cstrong\u003eBig Thief.\u003c\/strong\u003e Traces of this open-hearted, non-dogmatic faith can be felt through previous albums, but here on \u003cem\u003e\u003cstrong\u003eDragon New Warm Mountain I Believe In You\u003c\/strong\u003e\u003c\/em\u003e lives the strongest testament to its existence. \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e01. Change\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e02. Time Escaping\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e03. Spud Infinity\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e04. 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The title is an intentionally declarative statement. After being labeled masters of the disengaged and forlorn, \u003cstrong\u003eDamon Krukowski, Dean Wareham, \u003c\/strong\u003eand\u003cstrong\u003e Naomi Yang\u003c\/strong\u003e delivered a full-length comprised of their most stately material. Here, one can hear potential realized, as well as changes afoot.\u003c\/p\u003e\n\u003cp\u003e\"Fourth of July\" is a surprisingly up-front song for the band, with rolling drums and a bass-heavy refrain, and it proved to be their most popular single. The track sets the stage for the dynamism of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThis Is Our Music\u003c\/strong\u003e. When \u003cstrong\u003eGalaxie 500\u003c\/strong\u003e sounds wistful (\"Summertime\"), it sounds like years of yearning actualized; when the band sounds regretful (\"Sorry\"), it comes pleading on its knees. The trio found a beautiful balance between increased production values and knob-twiddler M\u003cstrong\u003eark Kramer's\u003c\/strong\u003e odd-handed approach.\u003c\/p\u003e\n\u003cp\u003eFor the first time since its original pressing,\u003cem\u003e\u003cstrong\u003e This Is Our Music\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis available again on vinyl. Cut by vinyl ace \u003cstrong\u003eKevin Gra\u003c\/strong\u003ey from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and \u003cstrong\u003eGalaxie 500\u003c\/strong\u003e exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp align=\"center\" style=\"text-align: left;\"\u003e1 Fourth of July (5:39)\u003cbr\u003e2 Hearing Voices (3:37)\u003cbr\u003e3 Spook (4:39)\u003cbr\u003e4 Summertime (6:02)\u003cbr\u003e5 Way Up High (4:07)\u003cbr\u003e6 Listen, The Snow Is Falling (7:50)\u003cbr\u003e7 Sorry (4:17)\u003cbr\u003e8 Melt Away (4:38)\u003cbr\u003e9 King Of Spain Part 2 (5:11)\u003cbr\u003e10 Here She Comes Now (5:58)\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col col-md-5\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Galaxie 500","offers":[{"title":"Vinyl LP","offer_id":42196794769652,"sku":"202020-09","price":60.0,"currency_code":"NZD","in_stock":false},{"title":"CD (2 Disc Bonus Edition)","offer_id":46685086220532,"sku":"20202009CD","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Galaxie_500_This_Is_Our_Music.jpg?v=1729028376"},{"product_id":"pavement-wresting-by-musket-sextant","title":"Pavement - Westing (By Musket \u0026 Sextant) (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA compilation of \u003cstrong\u003ePavement’s\u003c\/strong\u003e early EPs \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSlay Tracks\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1933-1969), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDemolition Plot J-7\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePerfect Sound Forever\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, together with the three tracks from the\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSummer Babe\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e single, and two further tracks that had only previously appeared on compilations.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cstrong\u003eTracklisting\u003c\/strong\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cmeta charset=\"utf-8\"\u003eYou're Killing Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eBox Elder\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eMaybe Maybe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eShe Believes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ePrice Yeah!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eForklift\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eSpizzle Trunk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eRecorder Grot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eInternal K-Dart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ePerfect Depth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eRecorder Grot (Rally)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eHeckler Spray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eFrom Now On\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eAngel Carver Blues\/Mellow Jazz Docent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eDrive By Fader\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eDebris Slide\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eHome\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eKrell Vid-User\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eSummer Babe (Winter Version)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eMercy:The Laundromat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eBaptiss Blacktick\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eMy First Mine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eMy Radio\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Pavement","offers":[{"title":"Vinyl LP","offer_id":42208002965748,"sku":"OLE1575LP","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ScreenShot2021-12-21at3.45.00PM.png?v=1721871672"},{"product_id":"aldous-harding-warm-chris","title":"Aldous Harding - Warm Chris (Vinyl)","description":"\u003cp\u003eAn artist of rare calibre, \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e\u003c\/a\u003e does more than sing; she conjures a singular intensity. The artist has announced details of \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eWarm Chris \u003c\/em\u003e\u003c\/strong\u003enew studio album, the follow-up to 2019’s acclaimed \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDesigner\u003c\/em\u003e\u003c\/strong\u003e. \u003cem data-mce-fragment=\"1\"\u003eWarm Chris\u003c\/em\u003e will be released on the 25\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e of March via Flying Nun Records, and its first single ‘\u003cem data-mce-fragment=\"1\"\u003eLawn’\u003c\/em\u003e is available now, accompanied by visuals created by \u003cstrong data-mce-fragment=\"1\"\u003eAldous\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eMartin\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSagadin\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor \u003cem\u003eWarm Chris\u003c\/em\u003e, the  Aotearoa New Zealand musician reunited with producer \u003cstrong\u003eJohn\u003c\/strong\u003e \u003cstrong\u003eParish\u003c\/strong\u003e, continuing a professional partnership that began in 2017 and has forged pivotal bodies of work (2017’s \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\/products\/fn575-aldous-harding-party-2017\"\u003e\u003cstrong\u003e\u003cem\u003eParty\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e and the aforementioned \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\/products\/fn587-aldous-harding-designer-2019\"\u003e\u003cstrong\u003e\u003cem\u003eDesigner\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e). All ten tracks were recorded at \u003cstrong\u003eRockfield\u003c\/strong\u003e \u003cstrong\u003eStudios\u003c\/strong\u003e in Wales, the album includes contributions from H. Hawkline, Seb Rochford, Gavin Fitzjohn, John and Hopey Parish and Jason Williamson (Sleaford Mods). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eWarm Chris\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e will be available digitally and on CD and black gatefold vinyl formats only.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9ylzXnxFpYQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP (Gatefold)","offer_id":42302235443444,"sku":"FN605LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUSHARDING-WARMCHRISPAKSHOT_1.jpg?v=1721871643"},{"product_id":"toro-y-moi-mahal","title":"Toro Y Moi - Mahal (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eToro y Moi’s\u003c\/strong\u003e \u003c\/em\u003eseventh studio album, MAHAL, is the boldest and most fascinating journey yet from musical mastermind \u003cstrong\u003eChaz Bear\u003c\/strong\u003e. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But MAHAL is also an unmistakably \u003cstrong\u003eToro y Moi\u003c\/strong\u003e experience, calling back to previous works while charting a new path forward in a way that only Bear can do.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMAHAL is the latest in an accomplished career for Bear, who’s undoubtedly one of the decade’s most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as \u003cstrong\u003eToro y Moi\u003c\/strong\u003e have repeatedly shifted the idea of what his sound can be. But there’s little in Bear’s catalog that will prepare you for the deep-groove excursions on MAHAL, his most eclectic record to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second the album begins we’re immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of MAHAL’s 13 songs date back to the more explicitly rock-oriented What For? from 2015. MAHAL was mostly completed last year in Bear’s Oakland studio with the involvement of a host of collaborators, \u003cstrong\u003eSofie Royer\u003c\/strong\u003e and Unknown \u003cstrong\u003eMortal Orchestra’s\u003c\/strong\u003e \u003cstrong\u003eRuban Neilson\u003c\/strong\u003e to Neon Indian’s \u003cstrong\u003eAlan Palomo\u003c\/strong\u003e and the Mattson 2.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I wanted to make a record that featured more musicians on it than any other record of mine,” he explains. “To have them live on that record feels grounded, bringing a communal perspective to the table.” As a result, MAHAL is lush and surprising at every turn, from the cool-handed “The Loop,” which recalls Sly and the Family Stones, to the elastic psych rock of “Foreplay” and the dizzying Mulatu Astatke-recalling of “Last Year.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout “Freelance” effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy “Postman” and “Magazine” take a deep dive into our relationship with media in a changing digital world. “It’s interesting to see how we adapt to this new age. We’re so connected, but we’re still missing out on things,” Bear ruminates while discussing the album’s themes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s not all introspection. Bear cools things down near the album’s end with the Mattson 2-featuring “Millennium,” a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. “It’s about enjoying the new year, even when it’s been shitty,” Bear explains. “There’s nothing else to do.” Finding a sense of joy in the face of adversity is embedded in MAHAL’s DNA, right down to the jeepney that literally and figuratively brings the music out into the community. “We know that touring is messed up for now, and large gatherings are a fluke,” he explains. “It’s about the notion of us going out to the people and bringing the record to them.” And with the wide-open atmosphere of MAHAL, Toro y Moi stands to connect with more listeners than ever before.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eSIDE A:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e1. 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