{"title":"NEW WAVE","description":"","products":[{"product_id":"talking-heads-fear-of-music-2020","title":"Talking Heads - Fear Of Music (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e180 Gram Vinyl Cut from original analogue masters. Released in 1979 \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eFear of Music\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003eis the band's third album. Although often overlooked in favour of it's successor \u003c\/span\u003e\u003ci\u003eRemain in Light\u003c\/i\u003e\u003cspan\u003e, this album represents a peak for \u003cem\u003e\u003cstrong\u003eTalking Heads\u003c\/strong\u003e\u003c\/em\u003e that they could never quite match on subsequent releases. 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Infinite Love Without Fulfillment (Intro)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Genesis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Oblivion\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Eight\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Circumambient\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. Vowels = Space and Time\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Visiting Statue\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e1. Be a Body\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Colour of Moonlight (Antiochus) feat. Doldrums\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Symphonia IX (My Wait Is U)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Nightmusic feat. Majical Cloudz\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Skin\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. 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This was followed by 2010's \u003cem\u003e\u003cstrong\u003eCongratulations\u003c\/strong\u003e\u003c\/em\u003e and 2013's self-titled album \u003cem\u003e\u003cstrong\u003eMGMT\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis album combines perfect pastiche, without failing to sound completely fresh. It is an addictive album, nostalgic yet inventive. If you think MGMT were total sell outs thanks to 'Kids' and 'Electric Feel', you would be wrong. Give this a try. Highly highly recommend.  - Carla, Flying Nun \u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eShe Works Out Too Much\u003cbr data-mce-fragment=\"1\"\u003eLittle Dark Age\u003cbr data-mce-fragment=\"1\"\u003eWhen You Die\u003cbr data-mce-fragment=\"1\"\u003eMe And Michael\u003cbr data-mce-fragment=\"1\"\u003eTSLAMP\u003cbr data-mce-fragment=\"1\"\u003eJames\u003cbr data-mce-fragment=\"1\"\u003eDays That Got Away\u003cbr data-mce-fragment=\"1\"\u003eOne Thing Left To Try\u003cbr data-mce-fragment=\"1\"\u003eWhen Youre Small\u003cbr data-mce-fragment=\"1\"\u003eHand It Over \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e\u003cstrong\u003eRelease Date: 09 February 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"MGMT","offers":[{"title":"Vinyl 2LP","offer_id":42002768462068,"sku":"88985476061","price":89.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44926393483508,"sku":"88985476052","price":20.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DT4rmEiVoAAR4cE-1.jpg?v=1636062262"},{"product_id":"the-smiths-strangeways-here-we-come","title":"The Smiths - Strangeways, Here We Come (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eStrangeways, Here We Come\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the fourth and final studio album by English\u003cspan data-mce-fragment=\"1\"\u003e rock \u003c\/span\u003eband\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eThe Smiths\u003c\/strong\u003e\u003c\/span\u003e. It was released on 28 September 1987 by\u003cstrong\u003e Rough Trade Records\u003c\/strong\u003e, several months after the group had disbanded. 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It was released on February 8, 1977, by \u003cstrong\u003eElektra Records\u003c\/strong\u003e. In the years leading up to the album, Television had become a prominent act on the\u003cspan data-mce-fragment=\"1\"\u003e New York Music scene\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand generated interest from a number of record labels, eventually signing a record deal with \u003cstrong\u003eElektra\u003c\/strong\u003e. The group rehearsed extensively in preparation for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eMarquee Moon\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebefore recording it at\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eA\u0026amp;R recordings\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein September 1976. It was produced by the band's frontman\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eTom Verlaine\u003c\/strong\u003e \u003c\/span\u003eand sound engineer\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eAndy Johns.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eMarquee Moon\u003c\/i\u003e\u003c\/strong\u003e, Verlaine and fellow guitarist \u003cstrong\u003eRichard Lloyd\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eabandoned contemporary\u003cspan data-mce-fragment=\"1\"\u003e punk rock'\u003c\/span\u003es power chords in favor of rock and\u003cspan data-mce-fragment=\"1\"\u003e jazz\u003c\/span\u003e-inspired interplay, melodic lines, and\u003cspan data-mce-fragment=\"1\"\u003e counter-melodies\u003c\/span\u003e The resulting music is largely\u003cspan data-mce-fragment=\"1\"\u003e hook\u003c\/span\u003e-driven with complex instrumental parts (particularly on longer tracks such as \"\u003cstrong\u003eMarquee Moon\u003c\/strong\u003e\"), while evoking themes of adolescence and transcendence through imagery in urban,\u003cspan data-mce-fragment=\"1\"\u003e pastoral\u003c\/span\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e nocturnal\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emodes, including references to the geography of\u003cspan data-mce-fragment=\"1\"\u003e \u003cstrong\u003eLower Manhattan\u003c\/strong\u003e\u003c\/span\u003e. 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He recruited members of \u003cstrong data-mce-fragment=\"1\"\u003eAdam\u003c\/strong\u003e and the \u003cstrong data-mce-fragment=\"1\"\u003eAnts\u003c\/strong\u003e to support the 13-year-old vocalist \u003cstrong data-mce-fragment=\"1\"\u003eAnnabella Lwin.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\" aria-hidden=\"true\"\u003e\u003cbr data-mce-fragment=\"1\" aria-hidden=\"true\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA year after, they released their debut album on RCA Records, titled \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e'See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over! Go Ape Crazy!\u003c\/strong\u003e\u003c\/em\u003e'. 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The title wasn’t meant as a joke. Despite gaining groundbreaking success for an indie act in their native UK, \u003cstrong\u003eThe Smiths\u003c\/strong\u003e were having trouble breaking through to the mainstream in foreign territories. Even at home, \u003cstrong\u003eMorrissey\u003c\/strong\u003e felt that the band were viewed as niche. Despite his view that their music could be a catalyst for a revolution, \u003cstrong\u003eMorrissey\u003c\/strong\u003e simply didn’t think that the world was paying enough attention to \u003cstrong\u003eThe Smiths.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeelings of frustration are all over \u003cstrong\u003e'The World Won’t Listen', The Smiths’\u003c\/strong\u003e second splendid compilation album and one of the band’s final releases before their breakup a few months later. 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