{"title":"NEW ZEALAND BOOKS","description":"","products":[{"product_id":"jonathan-ganley-crush-photos-from-post-punk-auckland","title":"Jonathan Ganley - CRUSH: Photos from Post-Punk Auckland (Book)","description":"\u003cstrong\u003eCRUSH – Photos from Post-Punk Auckland\u003c\/strong\u003e looks back at the hard-edged music of the years 1982 to 1990 through the eyes of photographer \u003cstrong\u003eJonathan Ganley.\u003c\/strong\u003e With 136 images of 33 groundbreaking local and international bands, the book showcases era-defining artists such as \u003cstrong\u003eThe Clash, The Fall, The Clean, Fetus Productions, Chris Knox, Straitjacket Fits,\u003c\/strong\u003e and \u003cstrong\u003eSonic Youth.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlongside his evocative analogue images that vividly capture the scene and the times, the book also contains \u003cstrong\u003eJonathan Ganley’s\u003c\/strong\u003e eye-witness accounts of the first Auckland gigs by some of the best international post-punk bands, and describes some of his experiences photographing local musicians, on-stage and off. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCRUSH – Photos from Post-Punk Auckland\u003c\/strong\u003e celebrates a decade of innovative music that still reverberates with music fans around the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'A good photograph effortlessly transports you back to a specific place and time, and feels like a memory even if you weren’t there. This is particularly true for this collection - \u003cstrong\u003eJonathan Ganley’s\u003c\/strong\u003e stage photos place you in the room and it feels like you’re standing beside him, breathing in the same smoke filled air, and having your ears battered by the poorly dressed urchins just a few feet away. A wonderful reminder of the days when photographs were precious things.'\u003c\/em\u003e - \u003cstrong\u003ePaul Hanley,\u003c\/strong\u003e drummer for \u003cstrong\u003eThe Fall.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Blurred, precise, hopeful, intense; gigs lost in the beautiful haze of youth, dope smoke, and cigarettes. You showed up, you took a few shots, you hoped for the best. \u003cstrong\u003eJonathan Ganley’\u003c\/strong\u003es photographic time capsule of post-punk bands and artists, some living, some dead, reminds us that there was a time when “don’t give a fuck” meant just that. “Black clad cool” never looked (or sounded) so good.\u003c\/em\u003e’ - \u003cstrong\u003eKaryn Hay \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eSoftcover Book (1st Edition)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e120 pages\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e136 photographs\u003cbr\u003e\u003cbr\u003eAuthor Jonathan Ganley and Needles and Plastic author, Matthew Goody chatted with the Fall's Hanley brothers about their 1982 NZ tour on their Podcast series Oh Brother......\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tzvDvU151_4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Jonathan Ganley","offers":[{"title":"Book","offer_id":44077641597172,"sku":"9780473673338","price":70.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/NewProject_10_62fc7c43-6500-49c1-96ee-451372728c28.jpg?v=1721902967"},{"product_id":"ian-chapman-alastair-riddell-s-space-waltz","title":"Ian Chapman - Alastair Riddell’s Space Waltz (Book)","description":"\u003cp\u003e\u003cstrong\u003eAlastair Riddell's\u003c\/strong\u003e band\u003cstrong\u003e Space Waltz\u003c\/strong\u003e was a short-lived one-album New Zealand rock act who hit gold with a #1 hit single in October 1974 with the song '\u003cstrong\u003eOut On The Street'\u003c\/strong\u003e but thereafter failed to achieve anything even close to that feat. While relegated to one-hit-wonder status in the eyes of many, to this day \u003cstrong\u003eRiddell and Space Waltz\u003c\/strong\u003e epitomize the mid-1970s heyday of glam rock in New Zealand.\u003c\/p\u003e\n\u003cp\u003eBut in truth their impact went far beyond this. Their generationally divisive nation-wide debut on the hugely popular MOR television talent quest \u003cstrong\u003eStudio One\/New Faces\u003c\/strong\u003e demonstrated the power of mass media exposure – they were instantly signed to a record deal with industry giant EMI – while\u003cstrong\u003e Riddell's\u003c\/strong\u003e controversial gender-bending image provided a cultural crossroads that greatly impacted the wider youth culture of Aotearoa.\u003c\/p\u003e\n\u003cp\u003eIn addition, while the album's most famous track, \u003cstrong\u003e'Out On The Street,'\u003c\/strong\u003e is rightly regarded as New Zealand's glam rock anthem, the wider album demonstrates a compositional and musical depth that goes far beyond glam rock and into the realm of sophisticated progressive rock, ultimately providing an unlikely and highly unique musical amalgam.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSeries 33 1\/3 Oceania\u003c\/strong\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTable of Contents:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Introduction\u003cbr data-mce-fragment=\"1\"\u003e2. 'Out on the Street': Space Waltz Takes New Zealand by Storm\u003cbr data-mce-fragment=\"1\"\u003e3. What Came Before\u003cbr data-mce-fragment=\"1\"\u003e4. The Album Part 1\u003cbr data-mce-fragment=\"1\"\u003e5. The Album Part 2\u003cbr data-mce-fragment=\"1\"\u003e6. What Came After\u003c\/p\u003e","brand":"Ian Chapman","offers":[{"title":"Paperback","offer_id":44131979100404,"sku":"0","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"Book","offer_id":47831889150196,"sku":"0","price":30.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/NewProject_30.jpg?v=1721902662"},{"product_id":"greta-anderson-there-is-nowhere-to-go-there-is-nothing-to-do-with-essays-by-hanna-scott-and-david-eggleton","title":"Greta Anderson — There Is Nowhere to Go, There Is Nothing to Do (Book)","description":"\u003ch3 style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“In Greta’s images ordinary things radiate mystery, haloed by an ecstatic glow. Her pictures traverse eerie latitudes; they are brushed by the phantasmagoric; they pulse with a visceral brightness.”\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eAt the Edge of a Dark Forest, David Eggleton\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis book brings together a selection of photographs produced between 1997 and 2022 by Tāmaki Makaurau based artist \u003cstrong\u003eGreta Anderson\u003c\/strong\u003e, a prolific photographer, film maker and musician \u003cstrong\u003e(Superette).\u003c\/strong\u003e For over a quarter century, Anderson has been capturing dramatic scenes in films and photographs that quietly reference intensely personal narratives. \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eThere Is Nowhere to Go, There Is Nothing to Do\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e presents Anderson’s works, covering genres as wide as portraits, still life, wild and domesticated landscape and suburban tableau. The book is curated and designed by New Public, offering a fresh juxtapositions of images from a wide range of series and one-off artist books Greta made over the decades, from the classic \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eStand-ins\u003c\/i\u003e (2001), \u003ci\u003eUncomfortable Conversations\u003c\/i\u003e (2005), \u003ci\u003eOptimistic Tragedy \u003c\/i\u003e(2008),\u003c\/strong\u003e to more recent \u003cstrong\u003e\u003ci\u003eNo Hording\u003c\/i\u003e (2021) \u003c\/strong\u003eand\u003cstrong\u003e\u003ci\u003eThe Transcenders\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003e (2021)\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe book features two newly commissioned essays by long-time friend and supporter of Greta’s work, \u003cstrong\u003eHanna Scott\u003c\/strong\u003e, and esteemed poet laureate\u003cstrong\u003e David Eggleton\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eListen to \u003c\/span\u003e\u003ca href=\"https:\/\/www.rnz.co.nz\/national\/programmes\/culture-101\/audio\/2018914822\/greta-anderson-s-strange-psychically-charged-images-of-the-ordinary\" data-mce-href=\"https:\/\/www.rnz.co.nz\/national\/programmes\/culture-101\/audio\/2018914822\/greta-anderson-s-strange-psychically-charged-images-of-the-ordinary\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGreta Anderson’s strange, psychically charged images of the ordinary\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e on \u003cstrong\u003eCulture 101\u003c\/strong\u003e, \u003cstrong\u003eRNZ\u003c\/strong\u003e – fun-facts-filled interview with Greta Anderson by \u003cstrong\u003eMark Amery\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e—————————————————————————————————————————————\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGreta Anderson\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is an Aotearoa New Zealand musician, photographer and teacher. She exhibits regularly at Two Rooms Gallery in Tāmaki Makarau Auckland. Her work has been shown at many venues for international contemporary art and photography including The Australian Centre for Photography (Sydney), The Museum of Photographic Arts (San Diego), The Ringling Museum of Art (Sarasota, Florida) and the Art Gallery of New South Wales (Sydney).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDavid Eggleton\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a writer based in Ōtepoti Dunedin. He was the Aotearoa New Zealand Poet Laureate 2019 -2022. He has won a number of awards for his writing, including the Prime Minister’s Award for Literary Achievement in 2016. His books include \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTowards Aotearoa: A Short History of Twentieth Century New Zealand Art\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eInto the Light: a History of New Zealand Photography\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eReady to Fly: the Story of New Zealand Rock Music\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons: Four Essays on the New Zealand Year\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. He is a regular art reviewer for a variety of publishing platforms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHanna Scott\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e met Greta Anderson as the newly-minted Interim Director at Artspace on Karangahape Road in 2002. She has written about Greta’s work four times over two decades. Twice for the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNZ Journal of Photography\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLandfall\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eArt New Zealand\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Hanna is an experienced contemporary art curator, programme manager and researcher, based in Tāmaki Makaurau since 2002. Her writing is published in broadsheets, magazines and books in Australia, Indonesia, Singapore, New Zealand and the USA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNew Public\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a design and publishing project based in Tāmaki Makaurau. It collaborates with artists and institutions to exhibit research devoted to the discussion of contemporary visual and material culture. Titles include \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn the Last Afternoon: Disrupted Ecologies in the work of Joyce Campbell\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Sternberg Press, Berlin, and Adam Art Gallery Te Pātaka Toi at Te Herenga Waka–Victoria University, Te Whanganui-a-Tara Wellington, 2020; Qianye Lin and Qianhe ‘AL’ Li,\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThus the Blast Carried It, Into the World 它便随着爆破, 冲向了世界\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Coastal Signs and New Public, Tāmaki Makaurau Auckland, 2021; \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Dialogics of Contemporary Art: Painting Politics\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Kerber, Bielefeld and Berlin, 2022.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Greta Anderson","offers":[{"title":"Hardcover Book","offer_id":44685518831860,"sku":"0","price":50.0,"currency_code":"NZD","in_stock":true},{"title":"Book (Hardcover)","offer_id":47864369512692,"sku":"0","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/DSC8617_1.jpg?v=1723623870"},{"product_id":"michael-brown-eyeliners-buy-now-33-1-3-oceania-series-pre-order","title":"Michael Brown - Eyeliner's Buy Now (33 1\/3 Oceania Series)(Book)","description":"\u003ch3 style=\"text-align: center;\"\u003e\n\u003cbr\u003e\u003cstrong\u003eMichael Brown \u003c\/strong\u003eundertakes a thorough study of \u003cstrong\u003eEyeliner's Buy Now\u003c\/strong\u003e, a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s.\u003c\/h3\u003e\n\u003cp\u003eThe latest in \u003cstrong\u003eBloomsbury's 33 1\/3 Oceania \u003c\/strong\u003eseries, \u003cstrong\u003eEyeliner's Buy Now\u003c\/strong\u003e (2015) belongs to a new genre for our times: vaporwave. 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For his vaporwave masterpiece, \u003cstrong\u003eRowell\u003c\/strong\u003e harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at “the end of history.” \u003cstrong\u003eBuy Now\u003c\/strong\u003e epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a “virtual” community, an online scene without geographic center.\u003c\/p\u003e\n\u003cp\u003eDrawing on original interviews and the album's production archive, this book uses \u003cstrong\u003eBuy Now's\u003c\/strong\u003e story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. 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