{"title":"AOTEAROA | NEW ZEALAND","description":"\u003ch2\u003eDiscover New Zealand Music Artists\u003c\/h2\u003e\n\u003cdiv class=\"product-description-full\"\u003e\n\u003cp\u003eIn our \u003cstrong\u003eFlying Nun online record store\u003c\/strong\u003e you’ll find a great selection of new and emerging Aotearoa bands and artists – not just those on the \u003cstrong\u003eFlying Nun record label\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWe also have a collection of merch to celebrate some of these bands, with the best band t-shirts and gifts going round for the seasoned music-lover. This includes hoodies, tote bags, sweatshirts, hats, beanies, record slipmats, socks, mugs and much, much more. From time to time, our collection also includes classic album reissues – great collector’s items of your old favourites.\u003c\/p\u003e\n\u003cp\u003eHere at \u003cstrong\u003eFlying Nun\u003c\/strong\u003e, you’ll find a curated selection of the best indie, alternative and interesting \u003cstrong\u003eAotearoa NZ bands\u003c\/strong\u003e and \u003cstrong\u003eartists\u003c\/strong\u003e, including vinyl LPs,\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/cd\"\u003e CDs\u003c\/a\u003e, merch, band t-shirts and cassettes. Occasionally we also put on live music gigs and events, so keep your ears to the ground and make sure you follow us on our socials.\u003c\/p\u003e\n\u003cp\u003eYou can also come in and browse in-store at\u003cstrong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e173 Cuba St, Te Aro, Wellington,\u003c\/strong\u003e \u003cstrong\u003e202 Karangahape Rd, Newtown, Auckland \u003c\/strong\u003eor \u003cstrong\u003eShands Lane, The Terrace, Christchurch.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","products":[{"product_id":"fn070-peter-jefferies-jono-lonie-at-swim-2-birds-1987","title":"Peter Jefferies \u0026 Jono Lonie - At Swim 2 Birds (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eFN070 Peter Jefferies \u0026amp; Jono Lonie - At Swim 2 Birds (1987)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRe-issued on vinyl for the first time since it's 1987 release, \u003c\/span\u003e\u003cstrong\u003eAt Swim 2 Birds\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003eis a sonically rich and ever expanding collaboration between \u003c\/span\u003e\u003cstrong\u003ePeter Jefferies \u003c\/strong\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cstrong\u003eThis Kind Of Punishment\u003c\/strong\u003e\u003cspan\u003e) and Dunedin folk musician \u003c\/span\u003e\u003cstrong\u003eJono Lonie\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTitled after the surreal Flann O'Brien novel, this album is a varied affair from piano-scapes, ambient noise, minimalism to experimental moods and homemade instruments. All seeking out free combinations that act as both antithesis and co-existence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"While it's tempting to look at a musical career that spans three and a half decades in terms of trends and themes, every record that \u003cstrong\u003ePeter Jefferies \u003c\/strong\u003ehas ever made demands to be dealt with on its own, and \u003cstrong\u003eAt Swim 2 Birds\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eis no exception. \u003cstrong\u003eFlying Nun Records \u003c\/strong\u003efirst released it in 1987, just as \u003cstrong\u003eThis Kind Of Punishment\u003c\/strong\u003e, his sonic partnership with brother \u003cstrong\u003eGraeme Jefferies\u003c\/strong\u003e, wound down, and shortly before he became \u003cstrong\u003eXpressways \u003c\/strong\u003eproduction expert.\u003c\/p\u003e\n\u003cp\u003eBut it is not so much a transitional effort as a singular expression of where \u003cstrong\u003eJefferies\u003c\/strong\u003e head was at, geographically and personally. Having left \u003cstrong\u003eNew Zealand's \u003c\/strong\u003eNorth Island for \u003cstrong\u003eDunedin\u003c\/strong\u003e, he was ready to leave behind the musical and personal pressures that accompanied his work with \u003cstrong\u003eTKP \u003c\/strong\u003eand its more straightforwardly rocking predecessor, \u003cstrong\u003eNocturnal Projections\u003c\/strong\u003e. So he refrained from singing, turning instead to the evocative potential of malleable sound to express a more unbounded frame of mind.\u003c\/p\u003e\n\u003cp\u003eNowadays \u003cstrong\u003eJono Lonie \u003c\/strong\u003eplays Irish folk music, but \u003cstrong\u003eJefferies\u003c\/strong\u003e appreciatively recalls how willing he was to experiment on \u003cstrong\u003eAt Swim 2 Birds\u003c\/strong\u003e: \"\u003cem\u003eWorking with Jono was very liberating in terms of new ideas and new sounds. He was really flexible and open-minded about the collaborative process.\" \u003c\/em\u003e\u003cstrong\u003eJefferies\u003c\/strong\u003e tape manipulations are all over the record, \u003cem\u003e\u003c\/em\u003etransforming the pitches and timbres of his piano and drums as well as \u003cstrong\u003eLonie's\u003c\/strong\u003e guitar and violin. The two men worked out the music in \u003cstrong\u003eLonie's\u003c\/strong\u003e house, overlooking the ocean and Otago Peninsula. 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Thief With The Silver \u003cbr\u003e3. Piano (One) \u003cbr\u003e4. Interalia \u003cbr\u003e5. At Swim 2 Birds \u003cbr\u003e6. Tarantella \u003cbr\u003e7. Where The Flies Sleep \u003cbr\u003e8. The Standing Stone \u003cbr\u003e9. Aerial \u003cbr\u003e10. Short Was Fast \u003cbr\u003e11. 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The video shows graphic footage of an animal slaughter house and was banned from national television.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAffco\u003c\/li\u003e\n\u003cli\u003eFeeling Bad\u003c\/li\u003e\n\u003cli\u003eAgitator\u003c\/li\u003e\n\u003cli\u003eTurnover\u003c\/li\u003e\n\u003cli\u003eLa Motta\u003c\/li\u003e\n\u003cli\u003eNotice\u003c\/li\u003e\n\u003cli\u003eRain\u003c\/li\u003e\n\u003cli\u003eLuna\u003c\/li\u003e\n\u003cli\u003eCrave\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Skeptics","offers":[{"title":"CD","offer_id":37344833142935,"sku":"FN109cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/R-242354-1262955751.jpg?v=1780869279"},{"product_id":"fn125-chris-knox-seizure-1989","title":"Chris Knox - Seizure (CD)","description":"\u003cp\u003e\u003cstrong\u003eChris Knox\u003c\/strong\u003e, godfather of alternative New Zealand music. A true renaissance bloke from down under.\u003c\/p\u003e\n\u003cp\u003eAnd while, \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e, originally released in 1989, was certainly not the start of his story,it is often considered his first ‚proper solo album. Though in fairness there is nothing proper about it, exploring the surreal, the political, the satirical and sometimes simply the crazy, all of which would never been seen on the hit parade. Yet, musically they should have been, packed with brilliantly skewered hooks and humorously scathing lyrics, \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e is a lo-fi mix of punk, indie rock and pop that works perfectly.\u003c\/p\u003e\n\u003cp\u003eFrom the simple pop of \u003cem\u003e\"The Face of Fashion\"\u003c\/em\u003e, through to the driving force of \u003cem\u003eWanna!!\u003c\/em\u003e and the strangely uplifting brood of \u003cem\u003eMy Dumb Luck\u003c\/em\u003e all that without mentioning \u003cem\u003e\"Not Given Lightly\"\u003c\/em\u003e, the love song to end all love songs \u003cem\u003e\u003cstrong\u003eSeizure\u003c\/strong\u003e\u003c\/em\u003e, despite our dislike of the word, is a legendary release in the Flying Nun catalogue.\u003c\/p\u003e\n\u003cp\u003eNow, re-issued again on LP and CD, with the audio taken direct from the original master tape, the releases also features the original cover art from its first pressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eThe Face of Fashion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Woman Inside Of Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStatement of Intent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFilling Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNot Given Lightly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBreak!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUncle Tom's Cabin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWanna!!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAnd I Will Cry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRapist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGrand Mal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVoyeur\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHonesty's Not Enough\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMy Dumb Luck\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAche\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chris Knox","offers":[{"title":"CD","offer_id":37343935135895,"sku":"FN125cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/0019239255_10.jpg?v=1721978119"},{"product_id":"fn282-david-kilgour-sugar-mouth-1994","title":"David Kilgour - Sugar Mouth (CD)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFN282 David Kilgour - Sugar Mouth (1994)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDavid Kilgour's\u003c\/strong\u003e second solo album, \u003cstrong\u003e\u003cem\u003eSugar Mouth\u003c\/em\u003e\u003c\/strong\u003e, is one of the sweetest slices of timeless guitar pop you can taste. Released on Flying Nun in 1994, the album is now re-issued again on gatefold 12\" LP plus an expanded version featuring 10 bonus tracks and demos from the original recording on the CD and download versions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eAs far as back story goes, well, you could say\u003cstrong\u003e David Kilgour\u003c\/strong\u003e is something of a cult figure, as the guitar and voice of left-field trio \u003cstrong\u003eThe Clean\u003c\/strong\u003e and a slew of fantastic solo albums hes up to 9 now he has written the blueprint for New Zealand indie music and many bands to come.\u003c\/p\u003e\n\u003cp\u003eIndeed, Kilgours talent for writing furiously catchy pop music with an understated Kiwi-style aura of ‚60s psychedlia is well-documented. 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Before the album rollicks on through to the quietly graceful closer - \u003cem\u003eNever End\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgours\u003cem\u003e Sugar Mouth\u003c\/em\u003e\u003c\/strong\u003e is a stunning record, both glistening and honest, and is yet another reason he can make claim to being one of New Zealands best musical treasures.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNo No No\u003c\/li\u003e\n\u003cli\u003eFallaway\u003c\/li\u003e\n\u003cli\u003e1987\u003c\/li\u003e\n\u003cli\u003eFilter\u003c\/li\u003e\n\u003cli\u003eBeached\u003c\/li\u003e\n\u003cli\u003eNail In My Foot\u003c\/li\u003e\n\u003cli\u003eWaiting Round On You\u003c\/li\u003e\n\u003cli\u003eCrazy\u003c\/li\u003e\n\u003cli\u003eListen To The Rain\u003c\/li\u003e\n\u003cli\u003eLook At It\u003c\/li\u003e\n\u003cli\u003eRecollection\u003c\/li\u003e\n\u003cli\u003eNever End\u003c\/li\u003e\n\u003cli\u003eWinter (outtake) *\u003c\/li\u003e\n\u003cli\u003eLook At It (El Speedo) (outtake) *\u003c\/li\u003e\n\u003cli\u003eFilter (Demo) *\u003c\/li\u003e\n\u003cli\u003eNail In My Foot (Demo) *\u003c\/li\u003e\n\u003cli\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Nwe2hOBXv1E\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"David Kilgour","offers":[{"title":"CD","offer_id":37345111507095,"sku":"FN488cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DavidKilgour_SugarMouthFrontCover.jpg?v=1721978056"},{"product_id":"fn385-bressa-creeting-cake-bressa-creeting-cake-album1997","title":"Bressa Creeting Cake - Bressa Creeting Cake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN385 Bressa Creeting Cake - Bressa Creeting Cake (1997)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNever released before on vinyl, this expanded double LP edition of the bands' self-titled debut also features tracks from the \u003cstrong\u003ePapa People EP\u003c\/strong\u003e plus b-sides and rarities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll too rarely does a musical group come along with all the right bits intact and just enough of the wrong bits there to make you sit up and really take notice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmerging on the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elabel in the late 90s,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas heralded as a young band \"brimming with ideas\". 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And those frivolous moments like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare balanced out by more earnest tracks such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYou and I\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLyrically, both Edmund Cake and Geoff Creeting string words together with no small amount of flair. 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Ed Cake has released a solo album and produced\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEgyptian Tanker\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou \u0026amp; I\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGreasy Grandma\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuperstation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Chip That Sells Millions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eZenax\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocketship\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRotten Old Bitch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePapa People\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocky Mountain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAn Early Microscope\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePeyton Farquhar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWood For Her\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBeer Ginka\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAll The Cars\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGulfo Benga\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBilly Two (Clean cover)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRing Ring (Abba Cover)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Bressa Creeting Cake","offers":[{"title":"Vinyl 2LP","offer_id":37011226984599,"sku":"FN385lp","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BressaCreetingCakeFrontCover.jpg?v=1721978051"},{"product_id":"fn444-chris-knox-beat-2000","title":"Chris Knox - Beat (CD)","description":"\u003cp\u003eFN444 Chris Knox - Beat (2000)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Coming after the relative indulgences of his last solo album, Yes!!, and the last Tall Dwarfs' effort, Beat is a direct, cohesive and thankfully less self-conscious affair. Throughout it's highly pop-infectious on the fuzzy likes of the lyrically sweet and sour What Do With Love?, the yelping Denial Song, and the bubblegum electropop of opener It's Love.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut there's many an affecting moment here, too. Like the sweetly devotional My Only Friend (a relative of his earlier love song Not Given Lightly), the mortality-contemplating This Mortal Coil and Becoming Something Other, a lyrically disarming dirge which addresses the recent passing of his father.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElsewhere Knox offers the worryingly titled throwaway I Wanna Look Like Darcy Clay, gets in some brass backing on The Hell Of It and the Lust For Life-grooved Ghost.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWidening musical horizons show in the last of the 13 tracks, Laughter, a song of limpid melody showing a hitherto undetected influence on this first-generation Kiwi punk-rocker - Bach.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs its cover shows, Beat is an album with heart. Which makes it quite the best thing Knox has done in ages.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e4\/5 Stars - Russell Baillie - NZ Herald\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eITEM DETAILS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtist:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/flyingout.co.nz\/collections\/chris-knox\" title=\"Chris Knox\"\u003eChris Knox\u003c\/a\u003e\u003cbr\u003eTitle: Beat\u003cbr\u003eYear: 2000\u003cbr\u003eCat #: FN444\u003cbr\u003eFormats: Digital\u003c\/p\u003e\n\u003cp\u003eBand Members: Chris Knox\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e‚\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's Love\u003c\/li\u003e\n\u003cli\u003eThe Man In The Crowd\u003c\/li\u003e\n\u003cli\u003eMy Only Friend\u003c\/li\u003e\n\u003cli\u003eThe Hell Of It\u003c\/li\u003e\n\u003cli\u003eWhen I Have Left This Mortal Coil\u003c\/li\u003e\n\u003cli\u003eEveryone's Cool\u003c\/li\u003e\n\u003cli\u003eThe Pulse Below The Ear\u003c\/li\u003e\n\u003cli\u003eWhat Do We Do With Love?\u003c\/li\u003e\n\u003cli\u003eI Wanna Look Like Darcy Clay\u003c\/li\u003e\n\u003cli\u003eDenial Song\u003c\/li\u003e\n\u003cli\u003eBecoming Something Other\u003c\/li\u003e\n\u003cli\u003eGhost\u003c\/li\u003e\n\u003cli\u003eLaughter\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Chris Knox","offers":[{"title":"CD","offer_id":36921692618903,"sku":"FN444cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ChrisKnox_BeatFrontCover.jpg?v=1775267292"},{"product_id":"fn452-garageland-scorpio-righting-2001","title":"Garageland - Scorpio Righting (CD)","description":"\u003cp\u003eFN452 Garageland - Scorpio Righting (2001)\u003c\/p\u003e\n\u003cp\u003eThey make sparkling sing-a-long pop... relentlessly melodic\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLife is So Sweet\u003c\/li\u003e\n\u003cli\u003eGet Some\u003c\/li\u003e\n\u003cli\u003eBeen Around\u003c\/li\u003e\n\u003cli\u003eCrazy\u003c\/li\u003e\n\u003cli\u003eSuperstars\u003c\/li\u003e\n\u003cli\u003eCarry Me South\u003c\/li\u003e\n\u003cli\u003eHigh Way\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eRock And Roll Heart\u003c\/li\u003e\n\u003cli\u003eBelieve In You\u003c\/li\u003e\n\u003cli\u003eWho The Hell Do You Think You Are?\u003c\/li\u003e\n\u003cli\u003eShine\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Garageland","offers":[{"title":"CD","offer_id":36920540364951,"sku":"FN452cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Garageland_ScorpioRightingFrontCover.jpg?v=1721977997"},{"product_id":"fn471-friend-inaccuracies-omissions-2002","title":"Friend - Inaccuracies \u0026 Omissions (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFN471 Friend - Inaccuracies \u0026amp; Omissions (2002)\u003c\/p\u003e\n\u003cp\u003e\"Musique concrete\" has generally had a bad rap. The problem lies in the \"musique\" part of the equation. Being constructed from found sounds or by mixing up sounds into some other form, musique concrete doesn't conform to a definition of \"music\" as most understand it. Put it this way: you can't whistle it.\u003cbr\u003e\u003cbr\u003eSo it's a courageous, inspired or art council-sponsored artist who enters the territory. \u003cstrong\u003eFriend\u003c\/strong\u003e is actually \u003cstrong\u003eChris Knox\u003c\/strong\u003e, who is all of the above, and these nine pieces range from three brief \"easy pieces\" at less than two minutes of Protools-edited piano to lengthy things involving reprocessed field recordings (literally, in one case, Scrape, which began with the sound of raking rubbish off Ericsson Stadium) and the usual digging about in the belly of a piano.\u003cbr\u003e\u003cbr\u003eIf all this sounds unlistenable - or worse, masturbatory - it isn't. \u003cstrong\u003eKnox\u003c\/strong\u003e creates spatial sense, tension and even humour as he takes (most of) the material far from its source while bringing his musical sensibilities to bear.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eCheap Jazz\u003c\/strong\u003e\u003c\/em\u003e is a quizzical little affair of almost melodic scraping and ticking over a heartbeat, \u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eInsecticider\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e is like a stoned, electro-ambient night at a mosquito pond, and \u003cem\u003e\u003cstrong\u003eScrape\u003c\/strong\u003e\u003c\/em\u003e is almost funky in places before it hits a middle section of amusingly irritating overtones and drones.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eA couple of the \"easy pieces\" sound too easy, but the 11-minute \u003cem\u003e\u003cstrong\u003eHeartbeat Whale Meat\u003c\/strong\u003e\u003c\/em\u003e at the end, a rehit of \u003cem\u003e\u003cstrong\u003eCheap Jazz\u003c\/strong\u003e\u003c\/em\u003e with a discreet \u003cstrong\u003eTall Dwarfs\u003c\/strong\u003e rhythm added, is a quiet, sonic spaceflight through the subconscious.\u003cbr\u003e\u003cbr\u003eNo, it's obviously not for everyone but if the label \"musique concrete\" doesn't send you rushing for your Carpenters' greatest hits or the words \"arts council-sponsored\" don't have you firing off a stiff letter of disapproval to the Minister of Arts, then this is more than an indulgent digression.\u003cbr\u003e\u003cbr\u003eCan't see any of it featuring on playlists - although it might be coming to a gallery installation, fringe festival or soundtrack near you soon.\"\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElsewhere\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eT\u003c\/strong\u003e\u003cstrong\u003erack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eFirst Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWipeout\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCheap Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInsecticider\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFifth Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eScrape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSecond Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThird Easy Piece\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHeartbeat Whale Meat\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Friend","offers":[{"title":"CD","offer_id":36896020201623,"sku":"FN471cd","price":14.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Friend-Inaccuracies_OmissionsFrontCover.jpg?v=1721977956"},{"product_id":"fn506-grayson-gilmour-no-constellation-2010","title":"Grayson Gilmour - No Constellation (CD)","description":"\u003cp\u003eFN506 Grayson Gilmour - No Constellation (2010)\u003c\/p\u003e\n\u003cp\u003eWritten and performed (for the most part) by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWellington-based musician \u003cstrong\u003eGrayson\u003c\/strong\u003e \u003cstrong\u003eGilmour\u003c\/strong\u003e \u003c\/span\u003eover the course of 2009,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eNo Constellation \u003c\/strong\u003e\u003c\/em\u003ewas recorded in various locales from bedrooms to studios to his mums house. 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Constantly shifting and challenging, showcases Graysons songwriting talents at their best.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"li2\"\u003eLoose Change\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eChromosones\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eI Am A Light\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eFire Downstairs\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eOur Heads Collide\u003c\/li\u003e\n\u003cli class=\"li2\"\u003ePearly Whites\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eAll Authenticity\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eCirca Skeleton 31\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eGem Apple John\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eDiamond Gutters: Mermaid Sewers\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eOh Stasis\u003c\/li\u003e\n\u003cli class=\"li2\"\u003eOh Stasis (Remixed and Demastered)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/b1aJ_lHVxQw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Grayson Gilmour","offers":[{"title":"CD","offer_id":36866862907543,"sku":"FN506cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FNCD506_-_Grayson_Gilmour_-_No_Constellation_iTunes_JPG.jpg?v=1721977954"},{"product_id":"fn530-bird-nest-roys-me-want-me-get-me-need-me-have-me-love-2013","title":"Bird Nest Roys - Me Want Me Get Me Need Me Have Me Love ‎(CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN530 Bird Nest Roys - Me Want Me Get Me Need Me Have Me Love ‎(2013)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a knack for off-kilter pop, and a decent hint of chaos the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBird Nest Roys\u003c\/strong\u003e, had a brief but brilliant lifespan with a handful of releases during the mid-1980s on Flying Nun Records.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow, for the first time, the bands full discography has been packaged up for your listening convenience. 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All the while Gilmour was piecing together film scores, touring overseas with his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand attending the Red Bull Music Academy. Recent singles,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLichtung\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e+\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMinus Times Infinity\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(the video for which was selected for the BBC Music Video Festival) give a hint of an album filled with both immediately catchy melodies along with odd sounds.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsn't This Exciting?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLemon Brain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTunnel Vision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLichtung\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Constant Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLockjaw Language\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMinus Times Infinity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSilence \u0026amp; Youth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePareidolia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e27\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlind Carbon Copy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBut A Dot You Are\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAnd if that doesnt grab you, why not judge Gilmour on the company he keeps? \u003cstrong\u003e\u003cem\u003eInfinite Life!\u003c\/em\u003e\u003c\/strong\u003e sees visual collaborations with NZ illustrator Henrietta Harris (artwork) and video director Jesse Taylor Smith (Pond, Autumn Splendour) and appearances from Claire Duncan (Dear Times Waste), cellist Charlie Davenport and drummer Reece McNaughten.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_FQDlANGPa8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP","offer_id":36836996219031,"sku":"FN538lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson-Gilmour-Infinite-Life_-web-credit-Henrietta-Harris-1400x1400_2e662581-58d7-43e9-b8ef-b745fc1821c3.jpg?v=1721977760"},{"product_id":"fn544-sneaky-feelings-send-you-2015","title":"Sneaky Feelings - Send You (CD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eF\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eilled with lush pop harmonies and southern psychedelia,\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSend You \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esaw the the \u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e expand their songwriting and sonic ambition beyond their early four track recordings. In comparison to some of their label mates the \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eexhaled a lighter, Byrds-like, touch but still retained the distinctive feel of many on the \u003cstrong\u003eFlying Nun\u003c\/strong\u003e roster. With three band members \u003cstrong\u003e(Matthew Bannister, David Pine \u003c\/strong\u003eand\u003cstrong\u003e Martin Durrant)\u003c\/strong\u003e each contributing engaging songs to the album, \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSend You \u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eremains one of the great \u003cstrong\u003eFlying Nun\u003c\/strong\u003e releases.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis deluxe edition will give a further detailed look at the band's early material, with the album expanded to include a remastered version of \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSend You\u003c\/strong\u003e, \u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eplus songs from 1985's \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBe My Friend\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eHusband House \u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEP and bonus tracks from their 1990 session at Dunedin's \u003c\/span\u003e\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"http:\/\/r1.co.nz\/\" target=\"_blank\"\u003eRadio 1\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which featured on an earlier expanded CD release.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Helvetica\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"Over the years there has been a lot of talk about the so-called‚ Dunedin sound. Dunedin's \u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e were a band whose ambitions and interests went much wider than any generic‚ sound; they would even come to be regarded as something of an anomaly on \u003cstrong\u003eFlying Nun\u003c\/strong\u003e, home to the Dunedin sound. And yet their first album seemed to epitomise that sound, whatever it was.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the first long-players released on the fledgling label, \u003cstrong data-mce-fragment=\"1\"\u003eSend You\u003c\/strong\u003e was emblematic....it will jangle forever as one of New Zealand's essential albums.\"\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e- Extract from Nick Bollinger's Send You liner notes.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1. Waiting For Touchdown\u003cbr\u003e2. 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Maybe You Need To Come Back\u003c\/p\u003e","brand":"Sneaky Feelings","offers":[{"title":"CD","offer_id":36834657992855,"sku":"FN544cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/d4ab6c2f-9df9-46d0-8e24-ad56f1dffc03.png?v=1721977740"},{"product_id":"kane-strang-blue-cheese-2016","title":"Kane Strang - Blue Cheese (CD)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2016 release from the New Zealand-based psych pop artist. Blue Cheese picks up on the rough disaffection of his earlier demo collection, A Pebble and a Paper Crane, which he recorded in a WWII bomb shelter in Germany. Back in his hometown of Dunedin, New Zealand, Strang spent two curious months alone, housesitting for his parents. Re-nested, yet still isolated, Strang composed all of Blue Cheese over those quiet days. Lead-off track The Web channels pummeling bass lines punctuated by a twinkling synth that calls upon microscopic pop principalities of restlessness. Its abrupt ending parallels Strangs own disconnect. Shes Appealing weaves Day-Glo guitar motifs into distant, detached 80s garage pop vocals. Never Kissed a Blonde is driven by a slapping delay on both vocals and guitar. Strangs path toward a melody is always surprising, and he never misses a hit-on-the-head-obvious-in-retrospect memorable line.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Web\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThings Are Never Simple\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull Moon Hungry Sun\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRun Rings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat's Wrong?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Canyon Her River Carved\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt's Fine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou Think\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShe's Appealing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNever Missed A Blonde\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScarlet King Magno\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Kane Strang","offers":[{"title":"CD","offer_id":36769940275351,"sku":"FN562cd","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a3193259695_10.jpg?v=1721977733"},{"product_id":"fn561-ghost-wave-radio-norfolk-2016","title":"Ghost Wave - Radio Norfolk (Vinyl)","description":"\u003cp\u003eFN561 Ghost Wave - Radio Norfolk (2016)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew Zealand's \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGhost Wave\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e return with their sophomore album \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRadio Norfolk\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing on from 2013s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAges\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003ethe groups latest sees the duo explore deeper into their psychedelic sound, while adding a more electronic focus to their sunny warped songs that mix the sound of Flying Nun bands of the 80s, the British explosion of the 60s and the wayfaring dubs of Lee \"Scratch\" Perry. 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Yet, with Radio Norfolk they have gone further than that, creating something even more captivating and intriguing. 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Polytechnik\u003cbr data-mce-fragment=\"1\"\u003e2. Flybussen\u003cbr data-mce-fragment=\"1\"\u003e3. Ultra Deep Field\u003cbr data-mce-fragment=\"1\"\u003e4. Drones\u003cbr data-mce-fragment=\"1\"\u003e5. Low Earth Orbit\u003cbr data-mce-fragment=\"1\"\u003e6. Avoid Avoid\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TsWH7kNWQOA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"avoid!avoid","offers":[{"title":"Vinyl LP","offer_id":36769680851095,"sku":"FN563lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Avoid-Avoid-Particle-and-Wave-Cover-web.jpg?v=1721977458"},{"product_id":"fn566-aldous-harding-aldous-harding-2016","title":"Aldous Harding - Aldous Harding (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN566 \u003cstrong\u003eAldous Harding\u003c\/strong\u003e - \u003cstrong\u003eAldous Harding\u003c\/strong\u003e (2016) released on \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e these days is an international, award winning artist. With this album, her self titled debut, you get a taste of her brilliance, as an emerging artist and why, from the outset, she caught the eye of locally and internationally renowned record labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe started in Lyttelton, a port town on the outskirts of Christchurch, New Zealand. There s\u003cspan data-mce-fragment=\"1\"\u003ehe kept sailors in check with cheek and a strong-songed tongue. S\u003c\/span\u003ehe caught the ear of locals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Edwards\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDelaney Davidson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eplaying under her own name, Hanna Harding, alongside band The Eastern.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAldous Harding's lead single, Hunter, has been characterised by Harding as a gothic fairytale. This is folk music, simple and bleak with Hardings fragile coo reminiscent of retiring, 60s-era folk singers\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVashti Bunyan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLinda Perhacs\u003c\/strong\u003e.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHunter\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/em\u003eseems to occupy a place outside of time, opening with the refrain, He's a hunter, he's a good man\/Be brave when he brings you nothing home and closing with a vision of blood streaming down a river.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eStop Your Tears\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHunter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo Bitten Hearts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Groan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBeast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo Peace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMerriweather\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmall Bones of Courage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTitus Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F4R0K6iYJ2A\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36769100693655,"sku":"FN566lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/aldous-harding-aldous-harding.jpg?v=1721977449"},{"product_id":"fn569-lawrence-arabia-absolute-truth-2016","title":"Lawrence Arabia - Absolute Truth (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFN569 Lawrence Arabia - Absolute Truth (2016)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThat connoisseur of classic songwriting,\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLawrence Arabia\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- the pseudonym of James Milne is back with his new album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eand a hearty slice of timeless music inspired as much by 1970's West Coast Americana as New Zealand indie pop.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in the Garden City of Christchurch, New Zealand, in 1981 (the year the Springbok tour divided the country, and that The Clean debuted with the single Tally Ho!), a youthful James Milne served an illustrious indie-rock apprenticeship touring the US as bassist for Auckland-based pop group\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e, and for Ryan McPhuns\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRuby Suns\u003c\/strong\u003e. And then, as Reginald Dwight made way for the musical entity that was Elton John, and David Jones blossomed into David Bowie, so plain old James Milne ceded to the ubermensch that has become one of New Zealand's finest contemporary songwriters and performers the celebrated singer of songs that is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLawrence Arabia\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the course of the last decade Lawrence Arabia has released three albums, toured Europe with the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOkkervil River\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeist\u003c\/strong\u003e, won the prestigious APRA Silver Scroll for the song Apple Pie Bed and the inaugural Taite Music Prize for the album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChant Darling\u003c\/strong\u003e\u003c\/em\u003e. While, third album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sparrow\u003c\/strong\u003e\u003c\/em\u003ewas greeted with warm acclaim for its uncompromising dark, sparse feel and themes - including a four star review in Mojo and winning a New Zealand Music Award for Best Male Solo Album in 2013. Whew!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhich brings us to the present day, and to the imminent release of the fourth Lawrence Arabia album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003c\/strong\u003e\u003c\/em\u003e; this time, fittingly, via Flying Nun label that released their first music in the year of his birth. Recorded primarily in late night sessions in the unglamorous Hutt Valley industrial suburb of Gracefield with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMike Fabulous\u003c\/strong\u003e, the album is full of the sparkling pop melodies that have delighted an ever-expanding audience, adding to a richly satisfying songbook, and providing another chapter in the story of this unique and cherished artist. -\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeremy Taylor, 2016\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. A Lake \u003cbr data-mce-fragment=\"1\"\u003e2. Sweet Dissatisfaction \u003cbr data-mce-fragment=\"1\"\u003e3. The Old Dancefloor \u003cbr data-mce-fragment=\"1\"\u003e4. I Waste My Time \u003cbr data-mce-fragment=\"1\"\u003e5. Brain Gym \u003cbr data-mce-fragment=\"1\"\u003e6. O Heathcote \u003cbr data-mce-fragment=\"1\"\u003e7. Another Century \u003cbr data-mce-fragment=\"1\"\u003e8. The Palest Of Them All \u003cbr data-mce-fragment=\"1\"\u003e9. Mask Of Maturity \u003cbr data-mce-fragment=\"1\"\u003e10. What Became of that Angry Young Man\u003c\/p\u003e","brand":"Lawrence Arabia","offers":[{"title":"Vinyl LP","offer_id":36768761806999,"sku":"FN569lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Lawrence-Arabia-Absolute-Truth-COVER_SML.png?v=1721977442"},{"product_id":"fn560-zen-mantra-zen-mantra-2016","title":"Zen Mantra - Zen Mantra (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN560 Zen Mantra - Zen Mantra ‎(2016)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDreamy, psychedelic pop songs seems to beZen Mantra's (Sam Perry) signature. And this, his self-titled second album, is filled with shimmering psychedelic lo-fi rock, and reverb drenched guitar melodies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing on from his 2013 debut album '\u003ca href=\"https:\/\/flyingout.co.nz\/products\/zen-mantra-how-many-padmes-hum\" title=\"Zen Mantra - How Many PAdmes Hum\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/flyingout.co.nz\/products\/zen-mantra-how-many-padmes-hum\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHow Many Padmes Hum\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e' the 10-track album sees the 21-year old bedroom producer joining the Flying Nun roster and expanding his focus to incorporate all forms of pop music from ethereal shoegaze to walls of psychedelic distortion. Perry, who is also a member of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYumi Zouma\u003c\/strong\u003e, wrote much and recorded much of it by himself in various planes, trains, homes and hotel rooms around the world whilst on tour with them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the end I wanted to make something that felt like a pop record, but with an underlying sense of dissonance. Perry explains. Something that for most part is quite energetic and rhythm heavy, but without forgoing any atmospheric qualities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith much of the album s inspiration coming from German 1960s\/70s psych acts and UK acts like Felt and Spaceman 3 (fun fact: the name Zen Mantra was taken from some of Sonic Boom s liner notes),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eZen Mantra\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas a pure pop energy, an expansive sound and plenty of hooks. Yet it s not all warm and blissful, with the album s darker, emotional themes at times brilliantly warping these ‚ pop songs. Leaving the listener with the slight sense of unease, like a sad psych pop record found lying in the sun.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Will Disappear\u003cbr data-mce-fragment=\"1\"\u003e2. Hole In My Skull\u003cbr data-mce-fragment=\"1\"\u003e3. Dimming Son\u003cbr data-mce-fragment=\"1\"\u003e4. Remember You At All\u003cbr data-mce-fragment=\"1\"\u003e5. Bailey\u003cbr data-mce-fragment=\"1\"\u003e6. Picture The Sun\u003cbr data-mce-fragment=\"1\"\u003e7. Maybe I'll See You In My Dreams\u003cbr data-mce-fragment=\"1\"\u003e8. Second Skin\u003cbr data-mce-fragment=\"1\"\u003e9. Sitting At The Bottom Of The Pool\u003cbr data-mce-fragment=\"1\"\u003e10. Looking Up At A Hundred Moons\u003c\/p\u003e","brand":"Zen Mantra","offers":[{"title":"FN560 - Vinyl LP","offer_id":36768476332183,"sku":"FN560lp","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FN560---Zen-Mantra.jpg?v=1721977434"},{"product_id":"fn567-grayson-gilmour-otherness-2017","title":"Grayson Gilmour - Otherness (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe first thing you hear is a note.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt might be a plucked piano string or some celestial harp, it’s impossible to tell, but it is echoing to infinity, like a sonar signal bouncing off the cosmos, creating an irregular percussive rhythm as it moves through space. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOtherness\u003c\/em\u003e his third record with Flying Nun Records, follows on from 2014’s critically acclaimed ‘Infinite Life!’ (\u003cstrong data-mce-fragment=\"1\"\u003enominated for both NZ Music Award and the 2015 Taite Prize\u003c\/strong\u003e) and \u003c\/span\u003eover a 15 year music career,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGrayson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas built himself a dedicated fan base and admiration from music critics across New Zealand and internationally for not just his solo work but his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand his more recent film and TV work. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the first moments of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOtherness\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eGrayson Gilmour\u003c\/strong\u003e’s wonderfully rich new album, he has given an object lesson in how intimately word and sound can be entwined. These aren’t just a few cool samples splashed around some nice songs. This is a place where song and sound are inseparable. And that intricate weave of tone and imagery continues through 43 minutes of music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGilmour\u003c\/strong\u003e has had plenty of practice at this. He began making recordings in his teens, if not earlier. His first releases were handmade things: home-recorded and presented in inky packages, meticulously photocopied, folded and glued. As time went on these grew more sophisticated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough an accomplished player on all the traditional rock instruments – piano, guitar, drums, bass – he has a more specialised gift for making music out of things that weren’t instruments to start with: found sounds, sonic detritus, which he has been known to copy back and forth between two old cassette recorders, until they develop a patina, a kind of acoustic cortex. Sometimes these will become the textural and rhythmic foundations for songs. On \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtherness\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e such building blocks are enmeshed with electronics and those more traditional instruments, to which he also adds live strings. The results are lush, surprising and ever-shifting.\u003c\/span\u003e\u003c\/p\u003e\nBut if \u003cstrong\u003eGilmour\u003c\/strong\u003e is more sonically inventive than ever, he has also become more direct in the way he expresses himself; more generous with his melodies, more open with his emotions. His singing has never been more prominent or assured. Above all, Otherness is an album of glorious pop songs – yearning, heart-tugging, romantic – encased in beautiful sound worlds.\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hundred Waters\u003cbr data-mce-fragment=\"1\"\u003e2. Blow Back\u003cbr data-mce-fragment=\"1\"\u003e3. Twenty-One Tattoo\u003cbr data-mce-fragment=\"1\"\u003e4. Better Life\u003cbr data-mce-fragment=\"1\"\u003e5. Be A Beacon\u003cbr data-mce-fragment=\"1\"\u003e6. Otherness\u003cbr data-mce-fragment=\"1\"\u003e7.Sundowning\u003cbr data-mce-fragment=\"1\"\u003e8. Slow Hope\u003cbr data-mce-fragment=\"1\"\u003e9. Artery \/ Don't Let It Get You!\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP (Milky Clear Vinyl)","offer_id":36768355319959,"sku":"FN567lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson_Gilmour_-_Otherness.jpg?v=1721977431"},{"product_id":"fn574-fazerdaze-morningside-2017","title":"Fazerdaze - Morningside (Vinyl)","description":"\u003cp\u003eFN574 \u003cstrong\u003eFazerdaze\u003c\/strong\u003e - \u003cem\u003eMorningside \u003c\/em\u003e(2017)\u003c\/p\u003e\n\u003cp\u003eThe brainchild of \u003cstrong\u003eAmelia Murray\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/fazerdaze\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFazerdaze\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebegan as a string of bedroom recordings created late in the night, emerging fully-formed in 2014 as her debut eponymous EP. A succinct collection of intimate, beautifully produced dream-pop written, produced and performed by Murray herself. It’s a significant first outing for the young New Zealander with layers of softly crunching guitars swirling over consistently driving drum machines, and sparse electronica.\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the release of \u003cem\u003eMorningside\u003c\/em\u003e, \u003cstrong\u003eFazerdaze\u003c\/strong\u003e and her band have shifted to another level. Supporting and touring with international acts like \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eExplosions In The Sky\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eConnan Mockasin\u003c\/strong\u003e. She was invited to join the Red Bull Music Academy in Montreal and she stole the show at both \u003cstrong data-mce-fragment=\"1\"\u003eAuckland's Laneway Festival\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eThe Others Way Festival\u003c\/strong\u003e. And now here we are with here debut album - \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMorningside\u003c\/strong\u003e \u003c\/em\u003e- a full set of \"\u003cem data-mce-fragment=\"1\"\u003eswooning, happy-sad bedroom guitar-pop sunshine\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLast To Sleep \/\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLucky Girl\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMisread\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Uneasy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJennifer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake It Slow\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShoulders\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFriends\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHalf-Figured\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBedroom Talks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0cjpAz5iUnA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fazerdaze","offers":[{"title":"Vinyl","offer_id":36768029900951,"sku":"FN574LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Fazerdaze_-_Morningside_Vinyl_CD.jpg?v=1726199198"},{"product_id":"fn575-aldous-harding-party-2017","title":"Aldous Harding - Party (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas produced with the award-winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Parish (PJ Harvey, Sparklehorse\u003c\/strong\u003e) in Bristol, a world away from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Zealand home. As well as contributions from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParish\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfume Genius’s Mike Hadreas\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elends vocals to the aforementioned I\u003cem data-mce-fragment=\"1\"\u003emagining My Man\u003c\/em\u003e and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwell Does The Skull\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eIgniting interest with her eponymous debut album released just two years ago,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003equickly became a name murmured on many lips. She’s known for her sinister torch songs, gentle laments and eerie odes delivered with a charismatic combination of hubris, shrewd wit and quiet horror.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintroduces a new talent to the stark and unpopulated dramatic realm where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScott Walker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereside. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e1. Blend\u003cbr data-mce-fragment=\"1\"\u003e2. Imagining My Man\u003cbr data-mce-fragment=\"1\"\u003e3. Living The Classics\u003cbr data-mce-fragment=\"1\"\u003e4. Party\u003cbr data-mce-fragment=\"1\"\u003e5. I’m So Sorry\u003cbr data-mce-fragment=\"1\"\u003e6. Horizon\u003cbr data-mce-fragment=\"1\"\u003e7. What If Birds Aren’t Singing They’re Screaming\u003cbr data-mce-fragment=\"1\"\u003e8. The World Is Looking For You\u003cbr data-mce-fragment=\"1\"\u003e9. Swell Does The Skull\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aipyvUAXtJI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36767897092247,"sku":"FN575lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/995e81de-4636-43f6-8561-bdcb069800be.png?v=1721977370"},{"product_id":"fn577-mermaidens-perfect-body-2017","title":"Mermaidens - Perfect Body (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e FN577 Mermaidens - Perfect Body (2017)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMermaidens\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare a three-piece outfit from Wellington, New Zealand, who are renowned for their intricate and unique songwriting, boldly raw but increasingly refined studio production, and a hypnotic live synergy that leaves audiences enchanted. Their entrance onto the NZ music scene was extremely strong following the releases of their widely acclaimed debut EP\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eO\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein 2014 and subsequent album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUndergrowth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein 2016. As a result, they were offered dozens of national shows and international support slots, which led to them being picked up by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe excitement around\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMermaidens\u003c\/strong\u003e’ debut album was encapsulated by i-D contributor Wendy Syfret, who described them as one of; “New Zealand's most enigmatic and engaging young bands.”\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTheir impressive portfolio of support slots and sold out shows, attests to the charm and excellence of their live show. In just a few years\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMermaidens\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave sold out major venues in New Zealand as well as supporting international acts such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDeath Cab For Cutie\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSleater Kinney\u003c\/strong\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMac Demarco\u003c\/strong\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWindhand\u003c\/strong\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-canvas-width=\"261.9007947090278\" data-mce-fragment=\"1\"\u003e1. Perfect Body \/ 2. Sunstone \/ 3. Lizard \/ 4. Mind Slow \/ 5. Smothering Possession \/ 6. Satsuma \/ 7. Give It Up \/ 8. Fade\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mermaidens","offers":[{"title":"FN577 - Vinyl LP","offer_id":36767517900951,"sku":"FN577lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Mermaidens_Cover_3333_72dpi_w_text.jpg?v=1721977367"},{"product_id":"fn579-sneaky-feelings-progress-junction-2017","title":"Sneaky Feelings - Progress Junction (CD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFN579 Sneaky Feelings - Progress Junction ‎(2017)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHow do you explain a near thirty-year gap between albums? Perfectionism maybe ….. tardiness certainly…… but it is well worth the wait.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e, one of the original Dunedin Sound bands formed in the early 1980s return with a brand-new album of original songs.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e were drawn to a wider variety of musical styles than most early Flying Nun bands and were one of the first to experiment in the recording studio. Perhaps what drove the band to push the limits of a pop band has been the fact that all four members write songs. And while the band may have not played much over the years, the individual members have continued to hone their songwriting skills.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe twelve songs on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e were recorded over two years in bass player John Kelcher’s Christchurch studio. There was no plan when the band began recording, the four members just had a bunch of songs that suited the \u003c\/span\u003e\u003cstrong\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan\u003e sound and feel. As band put the album together they experimented by weaving in snippets of audio from New Zealand radio archives.  Voices from the past started talking to the present.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrue to the lost New Zealand egalitarian dream, each band member contributed three tracks, and although there was no grand design, each song reflects on an aspects of New Zealand life.  The album starts with an invitation from the owner of a junk shop to inspect his treasures (\u003c\/span\u003e\u003cem\u003eDo You Like That Style?\u003c\/em\u003e\u003cspan\u003e) and ends with Ghosts walking out of an abandoned town (\u003c\/span\u003e\u003cem\u003eProgress Junction\u003c\/em\u003e\u003cspan\u003e).  In between there are end of life decisions to be made at a retirement home (\u003c\/span\u003e\u003cem\u003eCastle of Dreams\u003c\/em\u003e\u003cspan\u003e), celebration of friendship and summer (\u003c\/span\u003e\u003cem\u003eSummer Song\u003c\/em\u003e\u003cspan\u003e), a warning against unnecessary entanglements (\u003c\/span\u003e\u003cem\u003eOther People's Lives\u003c\/em\u003e\u003cspan\u003e), a plea for academics to stay true to their calling (\u003c\/span\u003e\u003cem\u003eDon't Come Down\u003c\/em\u003e\u003cspan\u003e), and earthquakes……All the usual rock and roll subjects ….….. but are the band’s new preoccupations signs of maturity or symptoms of middle age decline?   Do they amount to progress?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWondering where the striking cover came from? \u003cstrong\u003eKelcher\u003c\/strong\u003e found a photo of four hard-living West Coast miners from the 1940s staring straight at the camera. 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Nielson’s groundbreaking production, songwriting and exhilarating live performance with art punk pioneers The Mint Chicks helped to secure the group fans worldwide and five New Zealand Music Awards for their 2007 gold-certified album \u003cem data-mce-fragment=\"1\"\u003eCrazy? Yes! Dumb? No!\u003c\/em\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eSince the group’s disbanding in 2010, his solo project Silicon has been praised by the likes of Pharrell Williams and Justin Timberlake, as well as winning the prestigious Taite Music Prize for the 2016 album \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePersonal Computer\u003c\/em\u003e\u003c\/strong\u003e. Alongside his work with Bic Runga and their group Opossom, Kody has been an integral collaborator in brother Ruban’s project \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, and is presently touring with UMO as drummer. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\nNow, Nielson returns with \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e\u003c\/strong\u003e, notably the first full-length to be released under his own name. Set for release via Flying Nun Records on May 9, this auspicious release date marks Kody’s own birthday; with each of the record’s 12 songs written for one of the artist’s family and friend’s birthday. \u003cem data-mce-fragment=\"1\"\u003eBirthday Suite’s \u003c\/em\u003einstrumental concept also sees each single on the album unveiled to coincide with the namesakes on birthday.\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e\u003c\/strong\u003e is an energetic, elaborate set of instrumental arrangements comprised of drums, bass guitar, strings, electric piano and synthesizer. A concise and challenging experimentation, \u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e takes ques from everything from the baroque to Afrobeat, Jazz Fusion, Psychedelic Rock and offbeat explorational sounds while maintaining a commitment to classic songcraft and musicianship.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFirst single \u003cem data-mce-fragment=\"1\"\u003eBic’s Birthday\u003c\/em\u003e – sees baroque melodies skating with graceful aplomb over funky drum beats, calling to mind Wendy Carlos or CAN, while second single \u003cem data-mce-fragment=\"1\"\u003eRuban’s Birthday\u003c\/em\u003e is a short, sharp composition melding psychedelic string arrangements with swirling drums and organ. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHis constant ability to agitate and explore his own boundaries, has seen Nielson cement his position as one of the most urgent and interesting characters in New Zealand’s music history.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"null\" data-mce-fragment=\"1\" paraeid=\"{a7c7d6bc-2fd7-4a2f-a586-759a1314b0ef}{202}\" paraid=\"839145395\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACK LIST: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. Bic's Birthday \/ 2. James's Birthday \/ 3. Ruban's Birthday \/ 4. Darien's Birthday \/ 5. Frida's Birthday \/ 6. Po Po's Birthday \/ 7. Bubba's Birthday \/ 8. Azure's Birthday \/ 9. Christopher's Birthday \/ 10. Jo Jo's Birthday \/ 11. Cherhy's Birthday \/ 12. Dee Dee's Birthday \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Kody Nielson","offers":[{"title":"Vinyl LP (White)","offer_id":36731923857559,"sku":"FN580lp-W","price":43.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":36731923890327,"sku":"FN580lp","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Kody_Nielson_-_Birthday_Suite_Cover_Web.jpg?v=1721977356"},{"product_id":"fn582-indi-precipice-2018","title":"indi - Precipice (Vinyl)","description":"\u003cp\u003e FN582 indi - Precipice (2018)\u003c\/p\u003e\n\u003cp\u003e'\u003cstrong\u003eindi\u003c\/strong\u003e' is the moniker of contemporary musician and composer \u003cstrong\u003eIndira Force\u003c\/strong\u003e, who originates from the rain forests of Titirangi, New Zealand and built her foundations of classical piano.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eIndi\u003c\/strong\u003e writes using a combination of electronic and classical instrumentation, with a signature sound that relies on intricate details and multi-layered structures. In early 2018, she signed with Japanese label 2670 Records and her debut album \u003cem\u003e\u003cstrong\u003ePrecipice\u003c\/strong\u003e\u003c\/em\u003e is due for international release (including Europe and Japan) later this year. indi was accepted into the esteemed international Red Bull Music Academy this year (Sept. 2018 Berlin), which is renowned for exposing the next generation of emerging musicians and producers to world-class artist lecturers including \u003cstrong\u003eBjork, Philip Glass, Suzanne Ciani \u003c\/strong\u003eand\u003cstrong\u003e Brian Eno\u003c\/strong\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOf late, she is a composer for screen and performance, as well as in the field of sonic arts. Most recently was the piece 'Falling Glaciers' exhibited in galleries in both Wellington and Melbourne (Australia) as part of the WFL compilation. One of her many ongoing projects of 2018 includes her collaboration with choreographer \u003cstrong\u003eNatalie Clark\u003c\/strong\u003e for the Singapore Dance Residency on a performance called 'Transit'. The piece is based on the history and forms of constellations and will be performed by the prestigious T.H.E. contemporary dance company in Singapore.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eindi\u003c\/strong\u003e is also known for her collaborations: she collaborated with experimental violinist \u003cstrong\u003eAnita Clark\u003c\/strong\u003e (aka \u003cstrong\u003eMotte\u003c\/strong\u003e) to create the sonic art project New Dawn in 2017, which received praise within New Zealand music communities at the time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMost notably, however, was her position as co-writer in the Christchurch based trip-hop band \u003cstrong\u003eDoprah\u003c\/strong\u003e (Arch Hill Recordings), which garnered huge international traction at the time and became a noteworthy group on Billboard's 'Next Big Sound' list. She started with \u003cstrong\u003eDoprah\u003c\/strong\u003e at only 19 in 2013 and they were nominated for two awards at VNZMA the following year. indi's collaborations with music video makers Candlelit Pictures\/Thunderlips have also been popular, including the single 'Precipice' which won Best Music Video at CLIPPED Festival in Sydney last year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Demeter\u003cbr\u003e2. Cair Paravel\u003cbr\u003e3. Precipice\u003cbr\u003e4. Airportal\u003cbr\u003e5. Tablelands\u003cbr\u003e6. Woman\u003cbr\u003e7. pith\u003cbr\u003e8. Cannibals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rB7EPMt4iTM\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"indi","offers":[{"title":"FN582 - Vinyl LP","offer_id":36731376238743,"sku":"FN582lp","price":36.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/fn582.jpg?v=1721977343"},{"product_id":"fn584-dog-power-dog-power-2018","title":"DOG Power - DOG Power (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN584 DOG Power - DOG Power (2018)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDOG Power was formed in 2017 by indie pop, singer-songwriter Sam Perry and experimental musician Henry Nicol in Christchurch, with Perry and Nicol relocating Belgrade, Serbia, out of a desire for the freedom to make their music their life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConnecting over a shared fascination with fashion, glamour, cinema and the avant-garde, Perry and Nicol started working together in the underground venue\/recording studio LOG Recording in 2017. Nestled in between Christchurch’s abandoned 40,000 person stadium and the city’s discrepant industrial zone, work began on what would eventually become DOG Power’s first release.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntrigued by rock’n’roll, as well as non-musical and monotonous sounds, DOG Power’s music is rooted in their use of samples, live percussion, drum machines, synthesisers and guitars which lay a foundation for Perry’s deep, sonorous voice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTaking equal ques from Sade and The Stooges, Serge Gainsbourg and Suicide, the seven songs on their self-titled recorded debut span genres, encompassing everything from industrial electronica to baroque pop, super-sonic rock’n’roll to something out of a seventies spy film… One directed by David Lynch.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Sam Perry’s poetry and presence, DOG Power make music that can only be described as cinematic.\u003c\/p\u003e","brand":"DOG Power","offers":[{"title":"Vinyl LP","offer_id":36731466154135,"sku":"FN584lp","price":34.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/EP1-Cover-Art.jpg?v=1721977340"},{"product_id":"fn581-wax-chattels-wax-chattels-2018","title":"Wax Chattels - Wax Chattels (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGuitarless Guitar Music.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThis is the self-imposed one-line description chosen by Auckland, New Zealand's \u003cstrong\u003eWax Chattels\u003c\/strong\u003e. The keyboard, bass and drums trio don't have a guitar player, but their overwhelming sound and energy creates an atmosphere akin to a traditional loud power trio – except their music is anything but traditional. They create darkly hypnotic and frenetic music that's both rhythmically complex and sinister. If that paints any sort of aural picture, it comes as no surprise that \"Gillian,\" their homage to X-Files star Gillian Anderson, was roundly endorsed by the ex-punk actress herself on social media before the band had even played shows outside of their home country or received any support from larger press outlets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cstrong\u003ePeter Ruddell \u003c\/strong\u003e(26, keyboards\/vocals), \u003cstrong\u003eAmanda Cheng \u003c\/strong\u003e(26, bass\/vocals) and \u003cstrong\u003eTom Leggett\u003c\/strong\u003e (22, drums) met studying Jazz Performance at the University of Auckland, and started Wax Chattels a few years later after they'd lived in Japan, Ireland, gone to Law School and\/or performed in various other projects. Though Peter plays heavily treated keyboards in the band, he's a multi-instrumentalist that focused on sax in school. His influences range from old horror movies to the more outrageous side of live performance styles in Tokyo's music and art scene. \"We want to play shows that make people feel uncomfortable. The goal is to leave the audience feeling slightly altered, like they have experienced, not just heard or seen something.\" This is evident in the self-recorded \"Stay Disappointed,\" the band's self-recorded debut single where Peter takes the lead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eFrom novels to tweets, bassist Amanda is drawn to art and writing that addresses adversity. She's influenced by recurring themes of various difficulties she has experienced in her own life, challenges she feels are overly ubiquitous in the narratives of young women of color. Her post-punk informed bass lines provide the backbone for most of the band's tracks, though when she takes the lead on \"It,\" she's unrestrained. A song about \"really fucking wanting to fuck,” \"It\" expresses that it's important to not only have more visible women in the arts – especially in genres of traditionally \"dude music\" – but also to explicitly address female sexual desires. She finds these themes are usually shrouded in subtler terms, well-dressed metaphors and cute euphemisms. Perhaps, if people hear or see these statements more, female sexuality and\/or libido could become a less shameful, \"behind close doors only\" thing. \"Slut shaming is real, prevalent, and wrong.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eInitially, Peter and Amanda started \u003cstrong\u003eWax Chattels\u003c\/strong\u003e by writing tracks with a drum machine before realizing the band would be more exciting with a live drummer. Tom was playing and continues to play in a feminist punk band as well as various jazz acts in Auckland. And, the one thing Tom hates the most in this world? Being stuck in traffic. By living in the city, he has an endless supply of anger to take out on the drums, which influences \u003cstrong\u003eWax Chattels’\u003c\/strong\u003e punishing aesthetic. His minimal kit propels the band like a freight train. When asked why he paired his kit down to what it is, Tom said: \"I saw a pianist play with only ten working keys and still sound great... I started following drummers such as Mark Guiliana, Paul Motian and Deantoni Parks, who all play minimal kits, and it always put me in awe when I heard how unrestricted they were by their set up. Also, less drums = less pack down.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eComposing together, the band worked up their material for a year prior to recording. “We tracked the songs as a live band to capture the energy of the live show, restricting ourselves to instruments which we play live and keeping all production to a minimum to focus on the band sound itself.\" The band \"come from\" and \"go to\" different places on stage and in their heads when they write, record and perform, largely because they aren't the kind of band with homogeneous interests outside of music. Live, they are not to be missed. While they do come across as a \"rock\" band, it's coming from so many places so quickly that you're kind of left wondering where you're going. The opening of the one-chord tour de force “Concrete” begins in a downright frightening and jarring place and turns into an almost Krautrock-via-Suicide crescendo. It was after a particularly insane live performance that they were signed by both Captured Tracks and Flying Nun Records on the spot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eWax Chattels recalls the other side of Kiwi underground rock history, one that's a bit less sunny and jangly and one that demands your attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"lang-en\"\u003eTrack List: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cspan\u003e1. Concrete \/ 2. Stay Disappointed \/ 3. It \/ 4. Gillian \/ 5. In My Mouth \/ 6. Shrinkage \/ 7. Career \/ 8. NRG \/ 9. Parallel Lines \/ 10. Facebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP","offer_id":36698751598743,"sku":"FN581lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-273_Wax_Chattels_Cover_3000x3000_243434d6-cce5-4705-96e4-e447fbf739d7.jpg?v=1721977337"},{"product_id":"fn586-mermaidens-look-me-in-the-eye-2019","title":"Mermaidens - Look Me In The Eye (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e sees \u003cstrong\u003eMermaidens\u003c\/strong\u003e scale new territory, fearlessly pushing sonic boundaries and producing a body of work as severe and progressive as it is vibrant and exhilarating. At the heart of the record lies the thematic exploration of female voices, as band members Gussie Larking (co-lead vocals\/guitar), Lily West (co-lead vocals\/bass) and Abe Hollingsworth (drums) expose motifs of exterior masks, human relationships and power dynamics with unflinching fervour. \u003c\/p\u003e\n\u003cp\u003eThe title of the new album is intentional in its double-meaning, as notions of confrontation and intimacy collide to unearth the tangled paradoxes of human connection. The voices and perspectives of both front-women shape the record with equal footing, creating a dialogue around female collaboration and friendship. \u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e was recorded with long time collaborator, audio engineer James Goldsmith at Blue Barn Studio in the trio's hometown of Wellington. \u003cbr\u003e\u003cbr\u003ePredominantly writing songs independently and then coming together as a trio to work through arrangement and develop ideas, \u003cstrong\u003eMermaidens\u003c\/strong\u003e mobilised their strengths in collaboration to produce a body of music that is every bit as experimental, as it is accessible and uniting. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mermaidens","offers":[{"title":"Vinyl LP","offer_id":36671901728919,"sku":"FN586lp","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Digi-cover-HIRES.jpg?v=1721977226"},{"product_id":"fn587-aldous-harding-designer-2019","title":"Aldous Harding - Designer (Vinyl)","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDesigner\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e finds the New Zealander \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e hitting her creative stride. After the sleeper success of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/products\/fn575-aldous-harding-party-2017\"\u003eParty\u003c\/a\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e(internationally lauded and winner of Taite Music Prize 2018, two NZ Music Awards and a Silver Scroll nomination), \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParty\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is an overriding sense of an artist confident in their work, with contributions from Huw Evans (\u003cstrong data-mce-fragment=\"1\"\u003eH. Hawkline\u003c\/strong\u003e), Stephen Black (\u003cstrong data-mce-fragment=\"1\"\u003eSweet Baboo\u003c\/strong\u003e), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting \u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e rich and timeless songwriting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QyZeJr5ppm8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36615130579095,"sku":"FN587lp","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUS_HARDING_-_DESIGNER.jpg?v=1622510180"},{"product_id":"fn589-purple-pilgrims-perfumed-earth-2019","title":"Purple Pilgrims - Perfumed Earth (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew Zealand dreamscape artists \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePurple Pilgrims\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e are set to release their long-awaited, sophomore record\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eAugust 9\u003c\/u\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e via \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e. This release marks their recorded debut with the iconic independent label.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo create the songs represented on \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the Nixon sisters, Clementine and Valentine, retreated to a wooden sanctuary hidden deep in the wilds of Tapu, where their 2016 debut \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEternal Delight\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e came together. Birthed from a new calm and contemplative headspace, and a select group of collaborators whom they brought together as a “very modern\/mobile band”, the pair set to immersing themselves in their new sonic world.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe 9 track record features support input from \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGary War \u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(bass and synth from various motel rooms in the USA), Jimmy Mac (lush live drums), Joshua Kennedy (additional guitar jangle and fuzz), veteran improvisational experimentalist Jeff Henderson (saxophone on \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Delphiniums In Harmony \/ Two Worlds Away’\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and a special guest appearance from New Zealand six-string expressionist \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Ruinous Splendour’\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWoven throughout \u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfumed Earth\u003c\/strong\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the lush pentatonic melodies of \u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePurple Pilgrims\u003c\/strong\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e burn brighter than ever, combined with shimmery kaleidoscopic textures that mark a new chapter in the pair’s musical evolution. It is, as they phrase it: “ancient imagery expressed through a modern lens - folk songs played on synthesised instruments.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan face=\"helvetica neue, helvetica, arial, verdana, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHow Long Is Too Long?\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAncestors Watching\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSensing Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI'm Not Saying\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDelphiniums in Harmony\/Two Worlds Away\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo Worlds Apart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLove in Lunacy (Saturn in Return)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRuinous Splendour (feat. Roy Montgomery)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTragic Gloss\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Purple Pilgrims","offers":[{"title":"Vinyl LP","offer_id":36671243255959,"sku":"FN589lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/39fbbf65-ca8d-4aff-8fb7-8cd1af7b121c.jpg?v=1721977211"},{"product_id":"fn591-reb-fountain-reb-fountain-2020","title":"Reb Fountain - Reb Fountain (Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCelebrated singer-songwriter \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eReb Fountain\u003c\/a\u003e’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e self-titled album marks a new chapter in the kiwi artist’s career and her first full-length release on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eReb Fountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e came together in the well-seasoned walls of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e iconic Roundhead Studios in Auckland, New Zealand. This arrangement came about after \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e performed, recorded and toured with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e through his ‘\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOut of Silence\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ album cycle, and it seemed only natural. Long-time studio collaborator and head engineer at Roundhead, Simon Gooding, manned the helm of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 3-week recording stint, alongside the legendary \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDave Khan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e on producing duties and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChris Chetland\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Kog Studios) who mastered the final result. The album features a range of musical cameos including \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn Andrews\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Woolley\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Yarra Benders\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElroy Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLogan Compain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The ten-track record features singles \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFaster\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and her new single \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSamson\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e which premiered worldwide on The FADER with a captivating video featuring kiwi drag-superstar Medulla Oblongata.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the span of her illustrious career as an independent singer-songwriter, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has become well-known for her earnest and honest approach to storytelling, garnering a close following of fans around the world and in her home, New Zealand. While spearheading a career of her own, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eReb\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has recorded and performed with the likes of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTami Neilson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Eastern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarlon Williams\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSteve Abel\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and more. Her 2017 EP \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHopeful \u0026amp; Hopeless\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e saw \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e awarded Best Country Music Artist at the 2018 NZ Music Awards. The song of the same name won the 2018 APRA AMCOS NZ Best Country Song. Over the last \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eyear, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has roamed Europe, the UK and US, performing with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn Andrews\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e as well as sharing her solo work with the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hawks \u0026amp; Doves\u003cbr data-mce-fragment=\"1\"\u003e2. Samson\u003cbr data-mce-fragment=\"1\"\u003e3. It's A Bird (It's A Plane)\u003cbr data-mce-fragment=\"1\"\u003e4. When Gods Lie\u003cbr data-mce-fragment=\"1\"\u003e5. Faster\u003cbr data-mce-fragment=\"1\"\u003e6. 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A mercury moment of silvers and greys. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing a rare performance on Waitangi Day (February 6), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e announce their first new album since 2017’s critically acclaimed album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProgress Junction\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Mercury Moment\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the quartet’s new album due out \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eApril 17\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, is a potent exploration of extinction, redundancy and disappointed dreams as the four songwriters cast their attention on the current state of the world.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver a songbook of twelve songs, Matthew Bannister, David Pine, Martin Durrant and John Kelcher ruminate on the “ludicrous hopes and bleak future” of humanity that is being avoided. As stark realities are shared, a nonchalant musical backdrop accompanies the songs with chilling indifference.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the band’s feature on the iconic \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDunedin Double\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1982), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSneaky Feelings\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e have existed in a lane of their own design, adding a lush, harmony-infused ingredient to the sounds coming out of Dunedin throughout the 1980s and onwards. 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Consisting of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e Annabel Alpers and drummer\/engineer Adam Cooke, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e exudes equal parts romance and ennui. \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHamerkop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e exudes equal parts romance and ennui.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' is a fully immersive sonic experience with elements of electronica, pop and field recordings combining to a danceable, dazzling degree. 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The finished album blends these expansive sounds in choral layers of synths and vocals, with a kaleidoscopic, almost psychedelic quality, all of it anchored by Cooke’s Kraut-minimal drumming.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemote\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e' is a natural progression from the criminally-underrated \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBachelorette\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e catalog —seeking catharsis through the contextualising of personal texts into lush songscapes, using the chill of synth-pop to mask the fallible human soul hidden behind it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFar away from her native New Zealand with a new life and family in America, Annabel strove to find elements of her old identity in new environs, building songs out of sonic scraps from remote places, as if she were sewing a blanket in which to wrap them all. 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They wanted to maintain the same live element as in their debut, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGreenberg\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(\u003cstrong data-mce-fragment=\"1\"\u003eUniform, Destruction Unit, The Men\u003c\/strong\u003e). A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClot’s\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einspiration — or, rather, frustration — came from the doomy, gloomy corners of Auckland’s underbelly, and the theme of confrontation is central.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is universally agreed that\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChattels\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare a must-see live act; their hypnotically sinister debut captured this perfectly. 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The album’s success at home and abroad led to the well-deserved nomination of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBest Alternative Artist\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat the 2018\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNew Zealand Music Awards\u003c\/strong\u003e, as well as the band’s inclusion in the coveted shortlist of finalists for the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaite\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMusic\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePrize\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAuckland Live Best Independent Debut Award\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Glue\u003cbr data-mce-fragment=\"1\"\u003e2. Efficiency\u003cbr data-mce-fragment=\"1\"\u003e3. Cede\u003cbr data-mce-fragment=\"1\"\u003e4. Mindfulness\u003cbr data-mce-fragment=\"1\"\u003e5. No Ties\u003cbr data-mce-fragment=\"1\"\u003e6. Less Is More\u003cbr data-mce-fragment=\"1\"\u003e7. Spanners \u0026amp; Implements\u003cbr data-mce-fragment=\"1\"\u003e8. An Eye\u003cbr data-mce-fragment=\"1\"\u003e9. Forever Marred\u003cbr data-mce-fragment=\"1\"\u003e10. Yokohama\u003cbr data-mce-fragment=\"1\"\u003e11. You Were Right\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP (Baby Blue Vinyl)","offer_id":36397468188823,"sku":"FN594lp","price":43.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-323WaxChattelsCover1400X1400.jpg?v=1721977199"},{"product_id":"reb-fountain-when-gods-lie-7","title":"Reb Fountain - When Gods Lie \/ Round The Bend 7\"","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e reveals a new track off her album \u003cem\u003e\u003cstrong\u003eReb\u003c\/strong\u003e \u003cstrong\u003eFountain\u003c\/strong\u003e\u003c\/em\u003e. In the wake of her recently-released indie anthem '\u003cem\u003eSamson'\u003c\/em\u003e, \u003cstrong\u003eFountain\u003c\/strong\u003e shares '\u003cem\u003eWhen Gods Lie'\u003c\/em\u003e featuring supporting vocals of friend and musical collaborator \u003cstrong\u003eFinn\u003c\/strong\u003e \u003cstrong\u003eAndrews\u003c\/strong\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe airy track has been released on a limited edition 7” split single. The 7” features the exclusive B-Side track '\u003cem\u003eRound The Bend\u003c\/em\u003e' which was recorded during the album sessions at \u003cstrong\u003eRoundhead\u003c\/strong\u003e \u003cstrong\u003eStudios\u003c\/strong\u003e.\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Reb Fountain","offers":[{"title":"FN591-7 - Vinyl 7 \"","offer_id":38382391591063,"sku":"FN591-7","price":26.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a3217314113_10.jpg?v=1721899652"},{"product_id":"the-clean-unknown-country-1996","title":"The Clean - Unknown Country (Vinyl)","description":"\u003cp\u003e FN349 The Clean - Unknown Country (1996)‎\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded and mixed in two sessions during 1996,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eyet again prove to be masters of musical innovation, three guys who can only amaze when they come together and throw all their ideas down on tape. And as a mood of supreme grooviness is all-pervading on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnknown Country\u003c\/strong\u003e\u003c\/em\u003e, this is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat their most timeless.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnknown Country\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecould well be\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e's best album ever. The odd pop songs focus on the tension and the release that characteristic of psychedlic rock although 'Champagne and Misery' stays close\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean'\u003c\/strong\u003es canon, 'Wipe Me I'm Lucky' experiments shyly, and 'Walk Walk' is warped like a cartoon soundtrack.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Pierre Scaruffi, The History of Rock Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgour on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnknown Country\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eThe Clean always wanna try something different, but on this LP, we were obsessed with the idea. Tracks like “Wipe Me, I’m Lucky” and “Franz Kafka at the Zoo” are fine examples of the approach, I reckon. Quite a long way from “Tally Ho!” and “Beatnik”!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed. Might also explain all the instrumentals!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade during the Balkan War, hence the reference. And for the freaks, I think “Balkans” is the only Clean track ever to not actually feature The Clean playing. It’s all Alan Starrett, as we removed the backing track.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Scott on\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eUnknown Country:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album is very different from our other albums. We didn’t go into the studio with many “song” ideas—a lot of it was written on the spot. I really enjoyed recording this as it was free of expectation. We weren’t playing much live at the time. It does contain some of my favourite Clean songs such as “Twist Top,” “Wipe Me, I’m Lucky,” and “Valley Cab.” Certainly our most experimental album.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Wipe Me, I'm Lucky\u003cbr data-mce-fragment=\"1\"\u003e2. Champagne \u0026amp; Misery\u003cbr data-mce-fragment=\"1\"\u003e3. Changing Your Head\u003cbr data-mce-fragment=\"1\"\u003e4. Balkans\u003cbr data-mce-fragment=\"1\"\u003e5. Clutch\u003cbr data-mce-fragment=\"1\"\u003e6. Franz Kafka At The Zoo\u003cbr data-mce-fragment=\"1\"\u003e7. Whisk\u003cbr data-mce-fragment=\"1\"\u003e8. Indigo Blue\u003cbr data-mce-fragment=\"1\"\u003e9. Chumpy\u003cbr data-mce-fragment=\"1\"\u003e10. Get The Liquid\u003cbr data-mce-fragment=\"1\"\u003e11. Happy Lil Fella\u003cbr data-mce-fragment=\"1\"\u003e12. Tweezer\u003cbr data-mce-fragment=\"1\"\u003e13. Rope\u003cbr data-mce-fragment=\"1\"\u003e14. Twist Top\u003cbr data-mce-fragment=\"1\"\u003e15. Cooking Water\u003cbr data-mce-fragment=\"1\"\u003e16. Valley Cab\u003cbr data-mce-fragment=\"1\"\u003e17. Wall Walk\u003cbr data-mce-fragment=\"1\"\u003e18. Balkans\u003c\/div\u003e","brand":"The Clean","offers":[{"title":"Vinyl LP","offer_id":39020831932567,"sku":"MRG739LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheClean-UnknownCountry.jpg?v=1721976994"},{"product_id":"kane-strang-two-hearts-and-no-brain-2017","title":"Kane Strang - Two Hearts and No Brain (Vinyl)","description":"\u003cp\u003eA winning blend of careful precision and mercurial abandon,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/kane-strang\"\u003e\u003cstrong\u003eKane Strang's\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esongs are constantly surprising.\u003c\/p\u003e\n\u003cp\u003eWith a penchant for melodic earworms to rival those of the world's best pop songwriters, this local artist's glittering hooks twist and turn in perfect synch with meticulous band arrangements. Hints of 60s pop (NB:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eZombies\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStooges\u003c\/strong\u003e) and 90s alt-rock shine through; but there's a contemporary crunch, sheen and bald lyrical tone to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStrang's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esound that places him firmly in the here and now.\u003c\/p\u003e\n\u003cp\u003eRecorded in his hometown of Dunedin at the notoriously haunted Chick’s Hotel studio,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKane\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eteamed up with producer Stephen Marr from trip hop group\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDoprah\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eTwo Hearts and No Brain\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eLagoons\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSilence Overgrown\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eNot Quite\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eOh So You’re Off I See\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSee Thru\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSummertime In Your Lounge\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eMy Smile Is Extinct\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eTwo Hearts and No Brain\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eIt’s Not That Bad\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDon’t Follow Me (I’m Lost)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eGood Guy\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e30 June 2017\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pBEv_9t61Xk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Kane Strang","offers":[{"title":"Vinyl LP (LTD Red edition)","offer_id":39461230313623,"sku":"DOC126LP-C1","price":57.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/KaneStrangTwoHeartsandNoBrain.jpg?v=1721976757"},{"product_id":"alastair-galbraith-seconds-mark-iii-2020","title":"Alastair Galbraith - Seconds Mark III (Vinyl)","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eSeconds Mark III\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis the third iteration of a unique work within the remarkable, ever-sprawling discography of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlastair Galbraith\u003c\/strong\u003e: poet-dilettante, improvisor extraordinaire and one of the most important figures of New Zealand's storied DIY underground.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommencing his collaborative musical activities in the early 1980s as part of\u003cstrong\u003e Flying Nun\u003c\/strong\u003e outfit \u003cstrong\u003eThe Rip\u003c\/strong\u003e (with \u003cstrong\u003eJeff Harford\u003c\/strong\u003e and \u003cstrong\u003eRobbie Muir\u003c\/strong\u003e), it was almost a decade earlier when Galbraith first invested in the violin, an instrument that would accompany him throughout the rest of his career. \"I think it was much like the kind of thing I do now, because it was a solo occupation\". Established at the end of the decade in response to The Nun's growing affiliations with major music labels, Xpressway - a relatively short-lived operation formed together with \u003cstrong\u003eBruce Russell\u003c\/strong\u003e (\u003cstrong\u003eThe Dead C\u003c\/strong\u003e) and \u003cstrong\u003ePeter Jefferies\u003c\/strong\u003e - proved to be crucial in exposing the trio's activities to the rest of the world, forging relationships with US-based labels \u003cstrong\u003eSiltbreeze\u003c\/strong\u003e,\u003cstrong\u003e Drag City\u003c\/strong\u003e and Ajax while releasing seminal sides by the likes of \u003cstrong\u003eSandra Bell\u003c\/strong\u003e, \u003cstrong\u003eScorched Earth Policy\u003c\/strong\u003e, T\u003cstrong\u003ehis Kind Of Punishment\u003c\/strong\u003e and \u003cstrong\u003eThe Terminal\u003c\/strong\u003es. It was during this time that Galbraith honed-in on his intimate, intricate style of songwriting detailed on \u003cem\u003e\u003cstrong\u003eMorse\u003c\/strong\u003e\u003c\/em\u003e (Siltbreeze, 1993), \u003cem\u003e\u003cstrong\u003eTalisman\u003c\/strong\u003e\u003c\/em\u003e (Next Best Way, 1995) and the first Seconds tape (1994).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGathered from source material recorded during a fertile period of touring and collaboration and re-imagined as a brand new work, Seconds Mark III elucidates Galbraith's hushed yet commanding presence felt on \u003cem\u003e\u003cstrong\u003eMirrorwork\u003c\/strong\u003e\u003c\/em\u003e (Emperor Jones, 1998),\u003cem\u003e\u003cstrong\u003e Cry\u003c\/strong\u003e\u003c\/em\u003e (2000) and \u003cem\u003e\u003cstrong\u003eOrb\u003c\/strong\u003e \u003c\/em\u003e(Next Best Way, 2000), culminating in Mass (Siltbreeze, 2010) - his last solo album. 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Hooks 'N Lines\u003cbr\u003eB5. Original Putty\u003cbr\u003eB6. Ooh Everything, Every Little\u003cbr\u003eB7. Sugar Mommy Part 1\u003cbr\u003eB8. Sugar Mommy Part 2\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1 May 2020\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/i5AzCU8JROI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Alastair Galbraith","offers":[{"title":"Vinyl LP","offer_id":39462104989847,"sku":"ACOLOUR028","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/AlastairGalbraith.jpg?v=1721976692"},{"product_id":"milk-iii-2021-pre-order","title":"Milk - III (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e When \u003cstrong\u003eReuben Samuel Winter\u003c\/strong\u003e (Waitaha\/Kāi Tahu\/Te Aupōuri\/Te Rarawa\/Ngāti Kuri) passed away in September 2020, he left a hole in the New Zealand music community that will never be filled. 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A life spent experimenting in a plethora of eclectic genres, and constantly leading the charge of weirdness from the vanguard of the New Zealand underground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e was recorded in January 2019 at \u003cstrong\u003eRed Bull Studios\u003c\/strong\u003e, recorded, and engineered by \u003cstrong\u003eBen\u003c\/strong\u003e \u003cstrong\u003eLawson\u003c\/strong\u003e, with countless layers of overdubs recorded at \u003cstrong\u003eReuben’s\u003c\/strong\u003e home in Titirangi. It features an eclectic cast of musicians including \u003cstrong\u003eReuben Winter, Lachlan Smith, James Thorrington, Emma Hall-Phillips, Victoria Chellew, Charlie (Opi), Jong-Yun J.Y. Lee\u003c\/strong\u003e and \u003cstrong\u003ePeter Ruddell.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e is being released on black vinyl LP and \u003ca href=\"https:\/\/flyingnun.bandcamp.com\/album\/iii\"\u003eBandcamp\u003c\/a\u003e on 20th April, 2021 via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e, with all profits split between \u003cstrong\u003eFibromyalgia Aotearoa New Zealand\u003c\/strong\u003e and Reuben's whānau and future fund. Reuben struggled silently with fibromyalgia and chronic pain for close to a decade, and this incurable and invisible illness affected his hauora on all levels.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ian Jorgensen (A Low Hum) and Reuben's whānau approached Flying Nun late last year and asked if we'd be interested in putting Milk III out on vinyl. We felt very honoured to be asked, and jumped at the opportunity. Reuben's music needs to be shared; it will never stop inspiring creativity in others. Not only is Milk III a sonic masterpiece, Reuben was, and still is, an integral part of New Zealand's independent music community and the impact of his art will be felt for a long time into the future.\" — \u003c\/em\u003e\u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/30729250_782417745287956_3044921737423618048_o_480x480.jpg?v=1615346698\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe concepts for this work have been present in \u003cstrong\u003eReuben\u003c\/strong\u003e for years. The distinctly layered crunching guitars, the melodies that worm their way into your ears, and bite through them, the complex orchestration and arrangements within each track, lift this record up from being another incredible album from a man with a back catalogue of extraordinary albums to his name, to a stunning reflection of the fire that burned within \u003cstrong\u003eReuben\u003c\/strong\u003e throughout his entire life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReuben\u003c\/strong\u003e's altruism surpassed him, he pushed the limits of what kinds of sounds can come out of this country, and inspired a whole generation of musicians. In saying that, if there is one thing that this album does above all else, it manages to articulate the particular brand of darkness that hovers over this country.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e, like it’s maker, cannot be wholly characterized by the darkness it contains. In fact, the presence of this darkness makes the moments of creative purity, of oneness of sound, of light all the more profound. To write about pain with such honesty is what makes this album worthy of absolute attention.\u003c\/p\u003e\n\u003cp\u003eThis record is not a hastily thrown together posthumous release. Every second of sound, every word, every multi-layered overdub was carefully considered, and lovingly crafted by \u003cstrong\u003eReuben\u003c\/strong\u003e. It shows an insight into who \u003cstrong\u003eReuben\u003c\/strong\u003e was in the last few years of his life. A man brave enough to stare his own pain in the face, and who was kind enough to share himself wholly with anyone who would listen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eSIDE A\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDOPEHEAD\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMAPLE\u003c\/li\u003e\n\u003cli\u003e'78\u003c\/li\u003e\n\u003cli\u003eRAM RAID\u003c\/li\u003e\n\u003cli\u003eSTOLEN VALOR\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eSIDE B\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCRIT+\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWIFI USER\u003c\/li\u003e\n\u003cli\u003eAN IMPORTANT MESSAGE\u003c\/li\u003e\n\u003cli\u003eSHIRTS\u003c\/li\u003e\n\u003cli\u003eA LETTER TO SILENT HEAVEN\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eApril 20, 2021 \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Milk","offers":[{"title":"Vinyl LP","offer_id":39479916036247,"sku":"FN597LP","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/MILKIIIFRONTCOVER.png?v=1725491310"},{"product_id":"beths-the-jump-rope-gazers-2020","title":"The Beths - Jump Rope Gazers (Vinyl)","description":"\u003cp\u003e \u003cstrong\u003e\u003ci\u003eJump Rope Gazers\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e is the follow-up to \u003c\/span\u003e\u003cb\u003e\u003ci\u003eFuture Me Hates Me\u003c\/i\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e“one of the most impressive indie-rock debuts of the year” (\u003c\/span\u003e\u003ci\u003e\u003cspan\u003ePitchfork\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e). The album received glowing praise and appeared on many year-end lists including \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRolling Stone, NPR, Stereogum, \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand more. The album saw The Beths awarded Best Alternative Act and Best Group at the 2019 Vodafone New Zealand Music Awards. The Beths were also finalists for last year’s Taite Prize and Silver Scroll Award in 2018 and  2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eJump Rope Gazers\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter touring non-stop for a year and a half, playing to crowds of devoted fans and opening for acts like \u003c\/span\u003e\u003cb\u003ePixies\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cb\u003eDeath Cab for Cutie\u003c\/b\u003e\u003cspan\u003e, The Beths regrouped to write and record \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eJump Rope Gazers\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. The band - composed of \u003c\/span\u003e\u003cb\u003eElizabeth Stokes\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(vocals\/guitar), \u003c\/span\u003e\u003cb\u003eJonathan Pearce\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(guitar), \u003c\/span\u003e\u003cb\u003eBenjamin Sinclair\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(bass), and \u003c\/span\u003e\u003cb\u003eTristan Deck\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(drums) - settled down at Pearce’s Auckland studio, where he recorded and produced the album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTouring far from home, The Beths committed to taking care of each other while simultaneously trying to take care of friends living thousands of miles away. 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Shake That Skinny Ass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Is the Honeymoon Gone?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Caught in the Rain\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Through My Venetians\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Chronophobic Disco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. First Take Strut\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Nam Must Stay\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Skylegs Jackson\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9. Good Love\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10. King of the Powder\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11. 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They sit alongside six new tracks, including the album’s focus track \u003ci\u003eGet Desperate\u003c\/i\u003e, which funnily enough, nearly didn’t quite make the cut.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp align=\"center\" class=\"x_MsoNormal\"\u003e\u003cspan\u003e“Usually, if a song hasn’t organically found its final form in a timely fashion I’d tell it to piss off and move on, but there was something about the guitar part that I couldn’t let go. It ended up being a song about the complacency of a middle-class loveless relationship, where the only passion left is driven by lack of income and other boring problems,” says Parsons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" class=\"x_MsoNormal\"\u003e\u003cspan\u003eA jack of all trades, Parsons takes sole writing credit on \u003ci\u003eBrunch\u003c\/i\u003e and shares production credits with \u003cb\u003eJosh Logan\u003c\/b\u003e and \u003cb\u003eLee Prebble\u003c\/b\u003e. He performs all instruments on most tracks, while also enlisting the talents of well-known musicians \u003cb\u003eOliver Devlin\u003c\/b\u003e (\u003cb\u003eHans Pucket\u003c\/b\u003e), \u003cb\u003eMiharo Gregory \u003c\/b\u003e(\u003cb\u003eL.A.B\u003c\/b\u003e), \u003cb\u003eJosh Logan\u003c\/b\u003e (\u003cb\u003eMel Parsons\u003c\/b\u003e), \u003cb\u003eTom Knowles\u003c\/b\u003e and\u003cb\u003e Aaron Stewart\u003c\/b\u003e (\u003cb\u003eFly My Pretties\u003c\/b\u003e, \u003cb\u003eMel Parsons\u003c\/b\u003e).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"center\" class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe album was recorded and mixed by Lee Prebble at the famed Surgery Studios in Wellington.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003col\u003e\n\u003cli\u003e25\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGet Desperate\u003c\/li\u003e\n\u003cli\u003ePlaystation \u0026amp; Porn\u003c\/li\u003e\n\u003cli\u003eFeeling Sad\u003c\/li\u003e\n\u003cli\u003eSad Together\u003c\/li\u003e\n\u003cli\u003eMovie Knight\u003c\/li\u003e\n\u003cli\u003eShe's The One\u003c\/li\u003e\n\u003cli\u003eBad Bad Person\u003c\/li\u003e\n\u003cli\u003eWhat You Need\u003c\/li\u003e\n\u003cli\u003eBreathe\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Jed Parsons","offers":[{"title":"Vinyl","offer_id":39996515713175,"sku":"JP002","price":30.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/JedParsons-Brunch.jpg?v=1721976003"},{"product_id":"ben-woods-put-2019","title":"Ben Woods - Put (Vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith the release of his debut album PUT, \u003cstrong\u003eBen Woods\u003c\/strong\u003e establishes himself as the poster boy of a new, more personal phase of the 'Antipodean Gothic': a term, penned by the writer Jasmine Gallagher, which describes the dark output spilling from outsider musicians in Christchurch in the mid-2010s. To other New Zealanders, Christchurch seems to be a desolate, xenophobic, flat city, which in the wake of a series of natural disasters is being sparsely put back together by a bunch of brutal development moguls. It's also a city with a thriving indie rock scene, unspoiled by commercial interests and held together by bands all drawing from the same small pool of members and venues. Christchurch has a rare grit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBen paid for PUT by pulling pints in Lyttelton bars and through the short-term loan of his body for drug research trials. It is, in spite of its gothic upbringing, something of a pop record that has been boiled through indie rock influences. He has described the song-writing process for the album as 'spontaneous', and this mood can be felt throughout the record. The \u003cstrong\u003eTall Dwarfs-esque\u003c\/strong\u003e energy of LOZENGE is contrasted by the songs INDULGE and GOOD 2 BE SLEEPING, which feel more akin to late era \u003cstrong\u003eSmog\u003c\/strong\u003e, \u003cstrong\u003eSparklehorse\u003c\/strong\u003e and other nineties slowcore greats. It was recorded at Dunedin’s\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eRadio One with Steven John Marr (Kane Strang, Doprah), during a biting cold winter week in 2018.\u003cbr\u003e\u003cbr\u003eLOZENGE and ROMANCY, the singles already released, show off both extremes of PUT. The former is dizzy, bubblegum punk, and evokes the fever that comes with a love-hate homesickness. ROMANCY is a meditative, long-winded rumination on the befogged states we enter under the influence of new and uncertain affections. Deeper into the record, the listener will find more attempts to understand and respond to new and old love (MARCHY, INDULGE, PIRATE), bewildered responses to the harshness and pace of being alive (LESSON, PRAISE) and ventures into the subconscious as a remedy to one’s own sense of alienation (GOOD 2 BE SLEEPING, ANTIQUE).\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Ben Woods","offers":[{"title":"Vinyl LP","offer_id":40013334380695,"sku":"MCVI005","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BenWoods-Put.jpg?v=1721975992"},{"product_id":"beths-the-warm-blood-2016","title":"The Beths - Warm Blood (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eNew Pink Colour Edition \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Beths’\u003c\/strong\u003e \u003cem\u003e\u003cstrong\u003eWarm Blood\u003c\/strong\u003e\u003c\/em\u003e is a strong contender for the catchiest record you’ve never heard. Formed when four jazz students at the University of Auckland bonded over their shared love of the pop-punk sounds of their youth,\u003cstrong\u003e The Beths\u003c\/strong\u003e bring new energy to the genre. This 5-song debut EP, a deliriously pleasurable statement of purpose, comes crammed with enough blissful hooks to carry through most bands’ careers.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eListeners for whom the tag “New Zealand indie rock” brings to mind the \u003cstrong\u003eFlying Nun \u003c\/strong\u003esound of bands like \u003cstrong\u003eThe Clean\u003c\/strong\u003e and\u003cstrong\u003e The Chills\u003c\/strong\u003e may be surprised to find\u003cem\u003e\u003cstrong\u003e Warm Blood’s \u003c\/strong\u003e\u003c\/em\u003efive unstoppable tunes landing closer to artists like \u003cstrong\u003eSlant 6 \u003c\/strong\u003eand \u003cstrong\u003eThe Breeders\u003c\/strong\u003e. The nimble guitar work here moves from heavy riffing reminiscent of \u003cstrong\u003eSleater-Kinney\u003c\/strong\u003e to hazily bending lines that would make \u003cstrong\u003eStephen Malkmus\u003c\/strong\u003e and \u003cstrong\u003eMary Timony\u003c\/strong\u003e beam, while the joyous vocal harmonies from all four members bubble and swell to ecstatic crescendos that channel\u003cstrong\u003eThe Zombies’ \u003cem\u003eOdessey and Oracle\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith impeccable production from guitarist Jonathan Pearce and stellar musicianship across the board, \u003cem\u003e\u003cstrong\u003eWarm Blood \u003c\/strong\u003e\u003c\/em\u003eis a non-stop delight. Tracks like leadoff track and first single “\u003cem\u003eWhatever\u003c\/em\u003e,” the ridiculously addictive standout\u003cem\u003e “Idea\/Intent,”\u003c\/em\u003e and \u003cem\u003e“Rush Hour 3,”\u003c\/em\u003e a playful ode to romance in this era of download-and-chill franchise films, take delight in the challenge of breathing new energy into the limitations of the 3-minute pop song.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eWhatever\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWarm Blood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIdea \/ Intent\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRush Hour 3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLying in the Sun\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4Pz8qzMj-Bw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"The Beths","offers":[{"title":"Vinyl LP (Pink)","offer_id":40013543604375,"sku":"CAK127-1","price":30.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP (Chocolate Brown)","offer_id":45578719690996,"sku":"CAK127CB","price":25.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/a3693823347_10.jpg?v=1721975986"},{"product_id":"benee-hey-u-x-2020","title":"Benee - Hey U x (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"cropable\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content\"\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNew Zealand’s platinum sensation \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/benee-music-artist-from-new-zealand\"\u003eBENEE's\u003c\/a\u003e highly-anticipated debut album, Hey u x, on vinyl LP!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eThe 13-track genre-bending album which features collaborations from a slew of artists, including \u003cstrong\u003eLily Allen\u003c\/strong\u003e, \u003cstrong\u003eGrimes, Flo Milli, Gus Dapperton, Mallrat, Kenny Beats, Bakar\u003c\/strong\u003e and \u003cstrong\u003eMuroki\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003eHey u x includes \u003cstrong\u003eBENEE’s\u003c\/strong\u003e Platinum-Certified smash hit “Supalonley” feat. \u003cstrong\u003eGus Dapperton\u003c\/strong\u003e, which has amassed over 2.5 billion global streams to date, as well as her recently released pop bops, “Night Garden” feat. 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Now they are ready to release some more music into the swirling oblivion that is 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Phoenix Foundation have lived many lives. From high school distortion addicts to indie folk trippers to masters of motorik dream pop. It’s been five years since GUYD but that down time has been spent writing, recording, touring with the New Zealand Symphony Orchestra, creating the acclaimed soundtrack for Hunt For The Wilderpeople, building shrines to light, creating scores for VR, producing other bands, baking sourdough. Slowly, when they could, the six old friends found time to work together in studios, garages, forests, and sheds around New Zealand to put together the concise ten song set of that is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFriend Ship\u003c\/b\u003e\u003c\/em\u003e. Featuring Nadia Reid, Hollie Fullbrook (Tiny Ruins) and Anita Clark (Motte) their 7th album is both a classic collection of Phoenixy songs and a new palette of sounds and characters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBoth Lukasz and Samuel’s songs delve into the dissatisfied confusion of contemporary content dominated life (a working title was The Age Of Anxiety). The album also features the full glory of the NZSO, a Polish choir, disco pop about archaic forms of communication and the true origin story of the band; Lukasz’s tale of moving to NZ from communist Poland and how hard that was until the arrival of cherry red strat in his life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFriend Ship\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estands for the power of friends and communities to carry us through life, for better or worse. After 20 years the band has had its internal ups and downs but in this rather brutal time in history it’s our genuine friendships that can move us through to a potentially brighter, more equal, less pandemicy future. “I will answer when you call me on the Landline.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTransparent Pink Coloured LP on 180gram Vinyl.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFull Printed Insert with all Lyrics and Credits. Download Code\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eSIDE A:\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eGuru\u003c\/li\u003e\n\u003cli\u003eMiserable Meal (with the NZSO)\u003c\/li\u003e\n\u003cli\u003eHounds Of Hell (with Nadia Reid)\u003c\/li\u003e\n\u003cli\u003eDecision Dollars (with Hollie Fullbrook)\u003c\/li\u003e\n\u003cli\u003eTransit Of Venus (with the NZSO)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5\u003eSIDE B:\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eTranquility (with Hollie Fullbrook)\u003c\/li\u003e\n\u003cli\u003eLandline\u003c\/li\u003e\n\u003cli\u003eFormer Glory (with Anita Clark)\u003c\/li\u003e\n\u003cli\u003eMy Kitchen Rules\u003c\/li\u003e\n\u003cli\u003eTrem Sketch\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"The Phoenix Foundation","offers":[{"title":"Vinyl LP (Colour","offer_id":40408876777623,"sku":"MI0637LP","price":55.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":43600764567796,"sku":"82445","price":25.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/pFfriendship.jpg?v=1721975849"},{"product_id":"marlon-williams-live-at-the-auckland-town-hall-2019","title":"Marlon Williams - Live At The Auckland Town Hall (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLive at Auckland Town Hall\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003ecaptures an artist both early enough in his career to be humbled by the occasion, and developed enough to present a stunning catalogue of music and quality of performance. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLive at Auckland Town Hall\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e feels sure to enter the cannon of great live albums in the years to come, a dazzling snapshot of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/marlon-williams\"\u003eMarlon Williams\u003c\/a\u003e’\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e musical singularity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cem\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e \u003c\/em\u003e\u003c\/span\u003e\n\u003ch5\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cem\u003eSIDE A:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eCome To Me\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI Know A Jeweller\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eEveryone's Got Something To Say\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBeautiful Dress\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI Didn't Make A Plan\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Fire Of Love\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5\u003e\u003cem\u003eSIDE B:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eIs Anything Wrong\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCan I Call You\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDark Child\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI'm Lost Without You\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eNobody Sees Me Like You Do\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWhat's Chasing You\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5\u003e\u003cem\u003eSIDE C:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eParty Boy\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eCarried Away\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eVampire Again\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eNobody Gets What They Want Anymore\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eMake Way For Love\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5\u003e\u003cem\u003eSIDE D:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eLove Is A Terrible Thing\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eGoodnight\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003ePortrait Of A Man\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWhen I Was A Young Girl\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003e2 x Vinyl LP\u003c\/em\u003e\u003c\/p\u003e","brand":"Marlon Williams","offers":[{"title":"Vinyl 2LP","offer_id":40408837161111,"sku":"DOC201LPC1","price":63.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":44844518211828,"sku":"MW003CD","price":25.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/arlonlive.png?v=1721975128"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/DSCF4434.jpg?v=1725927994","url":"https:\/\/www.flyingnun.co.nz\/collections\/new-zealand-music-bands.oembed?page=32","provider":"Flying Nun ","version":"1.0","type":"link"}