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Out on October 9th, the EP will have an exclusive vinyl release courtesy of a recent ongoing collaboration between \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e and \u003cstrong\u003eHoliday\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e — each with their own exclusive colour variant, limited to 150 copies of each.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight Years\u003c\/strong\u003e\u003c\/em\u003e is \u003cstrong\u003eSo So Modern’s\u003c\/strong\u003e latest offering. A collection of songs written in the decade since their last release, the twenty-something-year-old post-punk band have for years defied convention for how a group should operate or sound. Today the band resembles less the four young, unknowing friends who started this journey in the mid-2000s but more an extended family, bound through intersecting lives and close-knit community.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSo So Modern\u003c\/strong\u003e emerged from Te Whanganui-a-Tara as one of the country's most adventurous and internationally acclaimed bands of the late 2000s. Fusing the urgency of post-punk, the precision of math rock, and the pulse of electronic music, the band built a formidable reputation from early \u003cstrong\u003eA Low Hum\u003c\/strong\u003e shows through to relentless international touring, sharing stages with artists such as \u003cstrong\u003eFoals, CSS, Deerhoof, \u003c\/strong\u003eand\u003cstrong\u003e Dirty Projectors,\u003c\/strong\u003e performing more than 150 shows a year across Europe, the UK, and North America at their peak.\u003c\/p\u003e\n\u003cp\u003eTheir explosive live performances and boundary-pushing sound drew widespread critical acclaim. \u003cstrong\u003eNME\u003c\/strong\u003e praised the band for creating music that \u003cem\u003e\"weld[s] together successfully the disruptive qualities of post-punk with the discipline of math-rock,\"\u003c\/em\u003e while The \u003cstrong\u003eGuardian\u003c\/strong\u003e memorably described them as sounding \u003cem\u003e\"like Klaxons and Kraftwerk together.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNow shaping their optimistic, apocalyptic, apocamystic future, \u003cstrong\u003eSSM\u003c\/strong\u003e returns as the original line up of \u003cstrong\u003eDaniel, Aidan, Grayson \u003c\/strong\u003eand\u003cstrong\u003e Mark\u003c\/strong\u003e - a testimony to their long-lasting musical friendship.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLight Years\u003c\/strong\u003e\u003c\/em\u003e represents time, distance and the entanglement of life, although it is unclear if this is in relation to a distant past or the horizon of the future.  The limited 12” vinyl release by \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e and \u003cstrong\u003eHoliday\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e is accompanied by the illuminating artwork of \u003cstrong\u003eLily Paris West\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003eApocalypse Wow\u003cbr\u003ePeace Talks\u003cbr\u003eFor Life\u003cbr\u003eEat You Alive\u003cbr\u003eEndless Mirrored Skyway\u003cbr\u003eGo Higher\u003cbr\u003e\u003c\/p\u003e","brand":"So So Modern","offers":[{"title":"Vinyl LP (Exclusive 'Flying Nun Pink and White Marble')","offer_id":48934590087412,"sku":null,"price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/So_So_Modern_-_Light_Years_EP_Vinyl.jpg?v=1785968088"},{"product_id":"louis-baker-trouble-vinyl","title":"Louis Baker - Trouble (Vinyl)","description":"One of Aotearoa's most distinctive voices – singer-songwriter and multi-instrumentalist Louis Baker announces his second album, Trouble.\n\nAcross nine songs, Trouble unfolds as Louis Baker's most assured work to date. Taking shape during a time of personal growth, it balances social observation with reflections on love, resilience and the work of confronting himself.\n\nWritten, arranged and produced by Louis Baker in his studio in Titahi Bay, Wellington, across 2024 and 2025, Trouble is rooted in timeless songwriting, blending retro-soul influences with contemporary production. Warm analogue textures, expressive guitar work, lush strings, Wurlitzer keyboards, and understated, head-nod grooves sit beneath Baker's rich, emotionally resonant vocals to create a sound that is organic, expansive and unmistakably Louis Baker.\n\nTrouble includes contributions from some of Te Whanganui-a-Tara’s most respected musicians, including Tristan Carter, Cory Champion, Leo Coghini, Rikki Gooch, James Illingworth, Johnny Lawrence, Iris Little and Louisa Williamson.\n\nThe album was mixed by award-winning producer Ben Lawson (Tom Scott) and mastered by Josh Llewellyn at Downbeat Mastering.\n\u003cdiv\u003e\u003cb\u003e\u003cu\u003eTRACKLIST\u003c\/u\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. Trouble\u003c\/div\u003e\n\u003cdiv\u003e2. All We Need\u003c\/div\u003e\n\u003cdiv\u003e3. Mighty Tree\u003c\/div\u003e\n\u003cdiv\u003e4. Late Night\u003c\/div\u003e\n\u003cdiv\u003e5. Golden Days\u003c\/div\u003e\n\u003cdiv\u003e6. Flaws\u003c\/div\u003e\n\u003cdiv\u003e7. 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Masterminded by the key and highly influential calypso \/ soca steelpan player, \u003cstrong\u003eLen \"Boogsie\" Sharpe\u003c\/strong\u003e, Phase2 showcases Boogsie’s innovative fusion of jazz, funk and Caribbean rhythms in stunning style. Dubbed ‘the Mozart of Pan’ by Wynton Marsalis, Boogsie began playing pan at the age of five and composed his own music by the age of nine years old. Phase2 is built up predominantly of original compositions by Boogsie, alongside a track penned by fellow Trinidadian musician Raf Robertson and an outstanding Trinidadian-disco cover version of \u003cstrong\u003eRoy Ayers' \u003c\/strong\u003eclassic ‘Can't You See Me’.\u003c\/p\u003e\n\u003cp\u003ePhase II is the name of the band \u003cstrong\u003eBoogsie\u003c\/strong\u003e started with six of his friends who sought to compose their own music. Drenched in feel-good island-life energy, the eight tracks showcase Boogsie’s creative approach to the pan and its ability to elevate the flavour of a host of genres not usually associated with the instrument. ‘Can't You See Me’ is an underground disco banger that has become highly sought-after. It’s no surprise why, with pan injecting Caribbean heat to Ayers’ original. When rare groove DJs picked up on it and began playing it in their sets, it introduced Boogsie’s talents to a wider audience. Whether you’re already familiar with the iconic sound of \u003cstrong\u003eLen \"Boogsie\" Sharpe\u003c\/strong\u003e or are discovering his magic for the first time, we hope you get inspired by this masterpiece from one of the best in their craft.\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cu\u003eTRACKLIST\u003c\/u\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. Weight\u003c\/div\u003e\n\u003cdiv\u003e2. Can't You See Me\u003c\/div\u003e\n\u003cdiv\u003e3. 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Alone at the piano, he reshapes songs from his acclaimed debut Heavy Metal and debuts three previously unreleased compositions, each one pointing toward where his songwriting is headed next. There is an undeniable sense of occasion running through the performance, capturing the momentous feeling of witnessing an artist stepping into the spotlight in real time. The release preserves one unforgettable night while cementing Winter’s emergence as one of the defining voices of his generation, with the sense that this is only the beginning.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. It All Fell in the River\u003c\/div\u003e\n\u003cdiv\u003e2. Try as I May\u003c\/div\u003e\n\u003cdiv\u003e3. 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Alone at the piano, he reshapes songs from his acclaimed debut Heavy Metal and debuts three previously unreleased compositions, each one pointing toward where his songwriting is headed next. There is an undeniable sense of occasion running through the performance, capturing the momentous feeling of witnessing an artist stepping into the spotlight in real time. The release preserves one unforgettable night while cementing Winter’s emergence as one of the defining voices of his generation, with the sense that this is only the beginning.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cb\u003eTracklist:\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. It All Fell in the River\u003c\/div\u003e\n\u003cdiv\u003e2. Try as I May\u003c\/div\u003e\n\u003cdiv\u003e3. 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His discography has long been heard through the lens of the American folk tradition. But just \u003cem\u003e\u003cstrong\u003eBeyond Endless Mountain\u003c\/strong\u003e\u003c\/em\u003e, out October 9th on Anti- Records, quietly turns that perspective on its head. After returning to his native Dalarna in central Sweden, Matsson found himself listening to the music he had spent years trying to leave behind: the polska, the old field recordings and the sounds of the local traditions that had surrounded him since childhood. The result is not a return to the past, but a step into new musical territory. Swedish folk music has reshaped his melodies, his voice, and the way he writes songs. \u003cstrong\u003eThe Tallest Man on Earth\u003c\/strong\u003e is back with his most deeply rooted album to date. Just \u003cem\u003e\u003cstrong\u003eBeyond Endless Mountain\u003c\/strong\u003e\u003c\/em\u003e opens an unexpected new chapter in a career that has never settled for familiar ground.\u003c\/p\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cu\u003eTRACKLIST\u003c\/u\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e1. The Wildest Of His Dreams\u003c\/div\u003e\n\u003cdiv\u003e2. Colors\u003c\/div\u003e\n\u003cdiv\u003e3. We Got The Pony\u003c\/div\u003e\n\u003cdiv\u003e4. Scully, It's Me\u003c\/div\u003e\n\u003cdiv\u003e5. Just Beyond Endless Mountain\u003c\/div\u003e\n\u003cdiv\u003e6. Overboda\u003c\/div\u003e\n\u003cdiv\u003e7. Deliver Me From Trying\u003c\/div\u003e\n\u003cdiv\u003e8. Times\u003c\/div\u003e\n\u003cdiv\u003e9. The Forest Keeper\u003c\/div\u003e\n\u003cdiv\u003e10. In The Silver Wire Up The Hill\u003c\/div\u003e\n\u003cdiv\u003e11. 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