{"title":"PUNK","description":"","products":[{"product_id":"fn581-wax-chattels-wax-chattels-2018","title":"Wax Chattels - Wax Chattels (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGuitarless Guitar Music.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThis is the self-imposed one-line description chosen by Auckland, New Zealand's \u003cstrong\u003eWax Chattels\u003c\/strong\u003e. The keyboard, bass and drums trio don't have a guitar player, but their overwhelming sound and energy creates an atmosphere akin to a traditional loud power trio – except their music is anything but traditional. They create darkly hypnotic and frenetic music that's both rhythmically complex and sinister. If that paints any sort of aural picture, it comes as no surprise that \"Gillian,\" their homage to X-Files star Gillian Anderson, was roundly endorsed by the ex-punk actress herself on social media before the band had even played shows outside of their home country or received any support from larger press outlets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cstrong\u003ePeter Ruddell \u003c\/strong\u003e(26, keyboards\/vocals), \u003cstrong\u003eAmanda Cheng \u003c\/strong\u003e(26, bass\/vocals) and \u003cstrong\u003eTom Leggett\u003c\/strong\u003e (22, drums) met studying Jazz Performance at the University of Auckland, and started Wax Chattels a few years later after they'd lived in Japan, Ireland, gone to Law School and\/or performed in various other projects. Though Peter plays heavily treated keyboards in the band, he's a multi-instrumentalist that focused on sax in school. His influences range from old horror movies to the more outrageous side of live performance styles in Tokyo's music and art scene. \"We want to play shows that make people feel uncomfortable. The goal is to leave the audience feeling slightly altered, like they have experienced, not just heard or seen something.\" This is evident in the self-recorded \"Stay Disappointed,\" the band's self-recorded debut single where Peter takes the lead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eFrom novels to tweets, bassist Amanda is drawn to art and writing that addresses adversity. She's influenced by recurring themes of various difficulties she has experienced in her own life, challenges she feels are overly ubiquitous in the narratives of young women of color. Her post-punk informed bass lines provide the backbone for most of the band's tracks, though when she takes the lead on \"It,\" she's unrestrained. A song about \"really fucking wanting to fuck,” \"It\" expresses that it's important to not only have more visible women in the arts – especially in genres of traditionally \"dude music\" – but also to explicitly address female sexual desires. She finds these themes are usually shrouded in subtler terms, well-dressed metaphors and cute euphemisms. Perhaps, if people hear or see these statements more, female sexuality and\/or libido could become a less shameful, \"behind close doors only\" thing. \"Slut shaming is real, prevalent, and wrong.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eInitially, Peter and Amanda started \u003cstrong\u003eWax Chattels\u003c\/strong\u003e by writing tracks with a drum machine before realizing the band would be more exciting with a live drummer. Tom was playing and continues to play in a feminist punk band as well as various jazz acts in Auckland. And, the one thing Tom hates the most in this world? Being stuck in traffic. By living in the city, he has an endless supply of anger to take out on the drums, which influences \u003cstrong\u003eWax Chattels’\u003c\/strong\u003e punishing aesthetic. His minimal kit propels the band like a freight train. When asked why he paired his kit down to what it is, Tom said: \"I saw a pianist play with only ten working keys and still sound great... I started following drummers such as Mark Guiliana, Paul Motian and Deantoni Parks, who all play minimal kits, and it always put me in awe when I heard how unrestricted they were by their set up. Also, less drums = less pack down.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eComposing together, the band worked up their material for a year prior to recording. “We tracked the songs as a live band to capture the energy of the live show, restricting ourselves to instruments which we play live and keeping all production to a minimum to focus on the band sound itself.\" The band \"come from\" and \"go to\" different places on stage and in their heads when they write, record and perform, largely because they aren't the kind of band with homogeneous interests outside of music. Live, they are not to be missed. While they do come across as a \"rock\" band, it's coming from so many places so quickly that you're kind of left wondering where you're going. The opening of the one-chord tour de force “Concrete” begins in a downright frightening and jarring place and turns into an almost Krautrock-via-Suicide crescendo. It was after a particularly insane live performance that they were signed by both Captured Tracks and Flying Nun Records on the spot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eWax Chattels recalls the other side of Kiwi underground rock history, one that's a bit less sunny and jangly and one that demands your attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"lang-en\"\u003eTrack List: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cspan\u003e1. Concrete \/ 2. Stay Disappointed \/ 3. It \/ 4. Gillian \/ 5. In My Mouth \/ 6. Shrinkage \/ 7. Career \/ 8. NRG \/ 9. Parallel Lines \/ 10. 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Much like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax Chattels\u003c\/strong\u003e\u003c\/em\u003e, the writing process for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClot\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etook the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChattels\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emaintained the use of only the barest of ingredients — bass guitar, keyboard, and a two- piece drum kit — but the group spent more time experimenting with and finding new sounds. They wanted to maintain the same live element as in their debut, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGreenberg\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(\u003cstrong data-mce-fragment=\"1\"\u003eUniform, Destruction Unit, The Men\u003c\/strong\u003e). A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClot’s\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einspiration — or, rather, frustration — came from the doomy, gloomy corners of Auckland’s underbelly, and the theme of confrontation is central.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is universally agreed that\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChattels\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the Official New Zealand Album Charts, and release week saw the title feature as #1 in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRough\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrade’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eTop 20 New Releases. Tastemakers like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNPR\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA.V. Club\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecame on as early champions. The album’s success at home and abroad led to the well-deserved nomination of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBest Alternative Artist\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat the 2018\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNew Zealand Music Awards\u003c\/strong\u003e, as well as the band’s inclusion in the coveted shortlist of finalists for the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaite\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMusic\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePrize\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAuckland Live Best Independent Debut Award\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Glue\u003cbr data-mce-fragment=\"1\"\u003e2. Efficiency\u003cbr data-mce-fragment=\"1\"\u003e3. Cede\u003cbr data-mce-fragment=\"1\"\u003e4. Mindfulness\u003cbr data-mce-fragment=\"1\"\u003e5. No Ties\u003cbr data-mce-fragment=\"1\"\u003e6. Less Is More\u003cbr data-mce-fragment=\"1\"\u003e7. Spanners \u0026amp; Implements\u003cbr data-mce-fragment=\"1\"\u003e8. An Eye\u003cbr data-mce-fragment=\"1\"\u003e9. Forever Marred\u003cbr data-mce-fragment=\"1\"\u003e10. Yokohama\u003cbr data-mce-fragment=\"1\"\u003e11. You Were Right\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP (Baby Blue Vinyl)","offer_id":36397468188823,"sku":"FN594lp","price":43.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-323WaxChattelsCover1400X1400.jpg?v=1721977199"},{"product_id":"die-die-die-s-w-i-m-2014","title":"Die Die Die - S W I M (Vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVinyl LP \u003c\/p\u003e\n\u003cp\u003eThe title of \u003cstrong\u003eDie! Die! Die!'\u003c\/strong\u003es fifth studio album, 'SWIM', comes from the internet acronym \"someone who isn't me\", and has been described by lead-singer \u0026amp; guitarist, Andrew Wilson, as \"an album about surviving, which is very positive\".\u003c\/p\u003e\n\u003cp\u003e'SWIM' sees Wilson step out of his lyrical comfort zone and results in another series of leaps and bounds to the ever expanding wide-screen sound of Die! Die! Die!. The 12 track release is full of angular, punchy, distorted guitar driven punk songs which continues to grow on the sound that has brought them fans across the globe.\u003c\/p\u003e","brand":"Die Die Die","offers":[{"title":"Vinyl LP","offer_id":39689683992727,"sku":"STA140","price":44.0,"currency_code":"NZD","in_stock":false},{"title":"CD","offer_id":43575723786484,"sku":"REC045","price":24.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DieDieDieSWIM.jpg?v=1721976441"},{"product_id":"fugazi-in-on-the-kill-taker-1993","title":"Fugazi - In On The Kill Taker (Vinyl)","description":"\u003cp\u003e\u003cem\u003eI\u003c\/em\u003e\u003cem\u003en on the Kill Taker\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis like scrubbing your face with steel wool. 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It's probably Fugazi's least digestible record from front to back, but each track has its own attractive qualities, even if not immediately perceptible.\u003c\/p\u003e\n\u003cp\u003e\"Facet Squared\" and \"Public Witness Program\" open the record furiously, but the majority of the following \"Return the Screw\" is hardly audible, aside from occasional vocal tantrums. A good amount of time is spent alternating between low-key guitar noodling and intrusive bursts of aggression. They're smart with their sequencing, placing the gentle instrumental \"Sweet and Low\" (the only track where Lally plays a prominent role) after the exhaustive cacophony of \"23 Beats Off,\" and generally piecing together a set of rather diverse tracks that flows well. Picciotto's anti-Hollywood rant on the properly titled \"Cassavetes\" is a classic Fugazi moment, as is his similarly name-dropping \"Walken's Syndrome.\"\u003c\/p\u003e\n\u003cp\u003eBuried at the end of the record are two excellent lurchers, MacKaye's \"Instrument\" and Picciotto's \"Last Chance for a Slow Dance.\" Not Fugazi's finest hour, but one of its most daring and rewarding.\u003c\/p\u003e\n\u003cp\u003e— Andy Kellman,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eAll Music Guide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fugazi","offers":[{"title":"Vinyl LP","offer_id":39689835020439,"sku":"DIS70LP","price":56.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":47548923085044,"sku":"0","price":30.0,"currency_code":"NZD","in_stock":false},{"title":"Vinyl (Import)","offer_id":47933107994868,"sku":"0","price":44.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FugaziInontheKilltaker.jpg?v=1617333513"},{"product_id":"the-stooges-fun-house-reissue","title":"The Stooges - Fun House (Vinyl)","description":"\u003cp\u003eThis is what rock n roll is all about! 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And where the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStooges\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecan sound like bratty teenaged music, this album sounds grown up, menacing, mercurial, dark, and relentlessly primal. 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Blues \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC1 T.V. Eye (Takes 7 \u0026amp; 8) \u003cbr\u003eC2 Loose (Take 2) \u003cbr\u003eC3 Down On The Street (Take 8) \u003cbr\u003eC4 Dirt (Take 4) \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eD1 Lost In The Future (Take 1)\u003cbr\u003eD2 1970 (Take 3)\u003cbr\u003eD3 Fun House (Take 2)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year (Reissue): 2005 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e7 July 1970\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"The Stooges","offers":[{"title":"Vinyl 2LP","offer_id":39902330552471,"sku":"349784032","price":63.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Thestoogesfunhouse.jpg?v=1619062772"},{"product_id":"dick-move-chop-2020","title":"Dick Move - Chop (Vinyl)","description":"\u003cp\u003eEnergised by a strong community fighting for important social change and a need to turn late night political chat into action, \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/dick-move-band-from-new-zealand\"\u003e\u003cstrong\u003eDick Move\u003c\/strong\u003e\u003c\/a\u003e was formed in the depths of Karangahape Road’s \u003cstrong\u003eWhammy! Bar\u003c\/strong\u003e and has become an essential party punk voice for women, working people, and for all those that are fired up to make change in the world.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eMade up of Aotearoa punk stalwart \u003cstrong\u003eJustin Rendell\u003c\/strong\u003e (PCP Eagles, Shitripper), prolific harmoniser \u003cstrong\u003eHariet\u003c\/strong\u003e \u003cstrong\u003eEllis\u003c\/strong\u003e (Na Noise, BOZO, Sulfate) and long-time moshers, first time shredders \u003cstrong\u003eLucy Suttor\u003c\/strong\u003e, \u003cstrong\u003eLuke Boyes\u003c\/strong\u003e and \u003cstrong\u003eLulu Macrae\u003c\/strong\u003e, \u003cstrong\u003eDick Move\u003c\/strong\u003e spit out short sharp hot takes that call to the increasingly fucked up world around them. Notorious already for their pumping live shows, Dick Move’s catalogue of blink-and-you’ll-miss-it punk anthems are cutting, confronting, empowering and dripping with brash cheekiness and political angst.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eTheir album ‘Chop!’ was a 5-way collaboration over New Zealand’s 2019\/2020 summer. ‘Chop!’ draws on shared experiences to pair weighty and spitting lyrics with bright and relentless hooks. The 13 tracks were lovingly produced, recorded and mixed by \u003cstrong\u003ePeter Ruddell\u003c\/strong\u003e (Wax Chattels, Sulfate) at his home on Karangahape Road in Tāmaki Makaurau, Auckland.\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eWith show upon show upon tour upon tour being derailed\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby Covid-19, maintaining momentum as feminist-socialist-party punk agitators is challenging to say the least, but \u003cstrong\u003eDick Move\u003c\/strong\u003e will keep doing what they do best; shouting across oceans from the bottom of the world about things that matter, in a thick kiwi accent.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ereleased October 16, 2020\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eVocals - Lucy Suttor\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eBass - Lulu Macrae\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eDrums - Luke Boyes\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eGuitar - Justin Lee\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eGuitar - Hariet Ellis\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Dick Move","offers":[{"title":"Vinyl LP","offer_id":39996748169367,"sku":"1:12LP012","price":50.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DickMove-Chop.jpg?v=1721976001"},{"product_id":"sleaford-mods-all-that-glue-2020","title":"Sleaford Mods - All That Glue (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJason Williamson\u003c\/strong\u003e and \u003cstrong\u003eAndrew Fearn\u003c\/strong\u003e stepped out of 2019 with a Top Ten album under their belt, their biggest sold-out tour to date and the swagger of a band that have never been more relevant, topically challenging and downright entertaining.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSleaford Mods\u003c\/strong\u003e are set to continue their onslaught into 2020 with the release of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAll That Glue\u003c\/b\u003e\u003c\/em\u003e, a collection of songs spanning the last seven years of the bands career; an array of crowd-pleasers, B sides, unheard tracks and rarities for fans and the curious.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the past few years, Sleaford Mods have become one of the most intractable British pop stories. One of its best. Their music is drawn at a flawless fault-line of anger, tenderness and humour, a triumvirate of raw energy which frequently jostles in the space of a cadence for supremacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"track-listing\" data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing:\u003c\/h3\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eSIDE A:\u003c\/h5\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMcFlurry\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSnake It\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFizzy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRich List\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJobseeker\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJolly Fucker\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRoutine Dean\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTied Up In Nottz\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBig Dream\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlog Maggot\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTweet Tweet Tweet\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTarantula Deadly Cargo\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFat Tax\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSlow One's Bothered\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRevenue\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRochester\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTCR\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReef of Grief\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eB.H.S.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSecond\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOBCT\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWhen You Come Up To Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Sleaford Mods","offers":[{"title":"Vinyl LP","offer_id":40408733745303,"sku":"RT0128LP","price":63.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/leafordmods.jpg?v=1623376679"},{"product_id":"the-clash-london-calling-reissue","title":"The Clash - London Calling (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clash’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e third studio album \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLondon Calling\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e was released in the winter of 1979, it was clear that the band had made an instant classic, an era-defining masterpiece that stands as one of rock's all-time greatest albums. The album is a hugely compelling melting pot of musical styles, driven by a passion for action and a fierce desire for social justice, with lyrics which remain completely relevant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACKLISTING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide 1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eLondon Calling\u003cbr data-mce-fragment=\"1\"\u003eBrand New Cadillac\u003cbr data-mce-fragment=\"1\"\u003eJimmy Jazz\u003cbr data-mce-fragment=\"1\"\u003eHateful\u003cbr data-mce-fragment=\"1\"\u003eRudie Can't Fail\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide 2\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpanish Bombs\u003cbr data-mce-fragment=\"1\"\u003eThe Right Profile\u003cbr data-mce-fragment=\"1\"\u003eLost in the Supermarket\u003cbr data-mce-fragment=\"1\"\u003eClampdown\u003cbr data-mce-fragment=\"1\"\u003eThe Guns of Brixton\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide 3\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eWrong 'Em Boyo\u003cbr data-mce-fragment=\"1\"\u003eDeath or Glory\u003cbr data-mce-fragment=\"1\"\u003eKoka Kola\u003cbr data-mce-fragment=\"1\"\u003eThe Card Cheat\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide 4\u003c\/span\u003e\u003cbr\u003eLover's Rock\u003cbr data-mce-fragment=\"1\"\u003eFour Horsemen\u003cbr data-mce-fragment=\"1\"\u003eI'm Not Down\u003cbr data-mce-fragment=\"1\"\u003eRevolution Rock\u003cbr data-mce-fragment=\"1\"\u003eTrain in Vain \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eRelease Year: 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released on \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"GRkHZd w8qArf\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Eq0J8 LrzXr kno-fv\" data-mce-fragment=\"1\"\u003e14 December 1979\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan class=\"Eq0J8 LrzXr kno-fv\" data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EfK-WX2pa8c?si=YQA_kOW3xJf0Fmuq\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"The Clash","offers":[{"title":"Vinyl 2LP","offer_id":40432427040919,"sku":"88875112701","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/The_Clash_-_London_Calling_Vinyl_LP.jpg?v=1730511127"},{"product_id":"the-clash-sandinista-reissue","title":"The Clash - Sandinista! (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThree 180-gram LP set\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRated 407\/500 by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRolling Stone\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e's 500 Greatest Albums of All Time!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFully-replicated artwork including printed inner sleeves\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNewly remastered by The Clash from original tapes to audiophile quality vinyl!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSandinista\u003c\/strong\u003e!\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the fourth studio album by the English punk rock band \u003cstrong\u003eThe Clash\u003c\/strong\u003e. It was released in December 1980 as a triple album containing 36 tracks, with six songs on each side. Anticipating the \"world music\" trend of the 1980s, it features funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, and rap. For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash, and the band cut the album royalties, in order to release the 3-LP at a low price.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title refers to the Sandinistas in Nicaragua, and its catalogue number, 'FSLN1', refers to the abbreviation of the party's Spanish name, Frente Sandinista de Liberación Nacional.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSandinista!\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas voted best album of the year in the Pazz \u0026amp; Jop critics poll in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Village Voice\u003c\/em\u003e, and was ranked number 407 on the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRolling Stone\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elist of \"The 500 Greatest Albums of All Time\" in 2003.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSlant Magazine\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elisted the album at number 85 on its \"Best Albums of the 1980s\" list in 2012.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSide 1\u003c\/span\u003e\u003cbr\u003e The Magnificent Seven\u003cbr\u003e Hitsville U.K.\u003cbr\u003e Junco Partner\u003cbr\u003e Ivan Meets G.I. Joe\u003cbr\u003e The Leader\u003cbr\u003e Something about England\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSide 2\u003c\/span\u003e\u003cbr\u003e Rebel Waltz\u003cbr\u003e Look Here\u003cbr\u003e The Crooked Beat\u003cbr\u003e Somebody Got Murdered\u003cbr\u003e One More Time\u003cbr\u003e One More Dub\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSide 3\u003c\/span\u003e\u003cbr\u003e Lightning Strikes (Not Once but Twice)\u003cbr\u003e Up in Heaven (Not Only Here)\u003cbr\u003e Corner Soul\u003cbr\u003e Let's Go Crazy\u003cbr\u003e If Music Could Talk\u003cbr\u003e The Sound of Sinners\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSide 4\u003c\/span\u003e\u003cbr\u003e Police on my Back\u003cbr\u003e Midnight Log\u003cbr\u003e The Equaliser\u003cbr\u003e The Call Up\u003cbr\u003e Washington Bullets\u003cbr\u003e Broadway\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSide 5\u003c\/span\u003e\u003cbr\u003e Lose this Skin\u003cbr\u003e Charlie don't Surf\u003cbr\u003e Mensforth Hill\u003cbr\u003e Junkie Slip\u003cbr\u003e Kingston Advice\u003cbr\u003e The Street Parade\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSide 6\u003c\/span\u003e\u003cbr\u003e Version City\u003cbr\u003e Living in Fame\u003cbr\u003e Silicone on Sapphire\u003cbr\u003e Version Pardner\u003cbr\u003e Career Opportunities\u003cbr\u003e Shepherds Delight\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRelease Date: 2013 (Reissue) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eOriginally released on 12 December 1980\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"The Clash","offers":[{"title":"Triple 180G Vinyl LP","offer_id":40458004168855,"sku":"88985435071","price":72.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl 3LP","offer_id":47678586093812,"sku":"0","price":72.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/the_clash_540x_a8968c0c-d21d-4210-bad2-d13f24a6de8f.jpg?v=1725243951"},{"product_id":"idles-joy-as-an-act-of-resistance","title":"Idles - Joy As An Act Of Resistance (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e‘Joy as an Act of Resistance.’\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the follow up to Bristol, UK 5-piece\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIDLES's\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edebut album ‘\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBrutalism\u003c\/strong\u003e\u003c\/em\u003e’, self-released last year. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProduced by Space and mixed by Adam Greenspan \u0026amp; Nick Launay (\u003cstrong data-mce-fragment=\"1\"\u003eNick Cave, Kate Bush, Yeah Yeah Yeahs)\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoy as an Act of Resistance.\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etakes aim at everything from toxic masculinity, nationalism, immigration, and class inequality - all while maintaining a visceral, infectious positivity. Singer Joe summarizes: “This album is an attempt to be vulnerable to our audience and to encourage vulnerability; a brave naked smile in this shitty new world. We have stripped back the songs and lyrics to our bare flesh to allow each other to breathe, to celebrate our differences, and act as an ode to communities and the individuals that forge them. Because without our community, we’d be nothing.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e1. Colossus\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Never Fight A Man With A Perm\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. I'm Scum\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Danny Nedelko\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Love Song\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. June\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Samaritans\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Television\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9. Great\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10. Gram Rock\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11. Cry To Me\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e12. Rottweiler\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRelease Date: 31 August 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Idles","offers":[{"title":"Vinyl LP","offer_id":40478507991191,"sku":"PTKF2158-1","price":62.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":43632379560180,"sku":"PODCD0848","price":38.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/IDLES_Joy_3000x3000_300dpi.jpg?v=1625880562"},{"product_id":"ramones-ramones-reissue","title":"Ramones - Ramones (Vinyl)","description":"\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e – \u003cem\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e\u003c\/em\u003e is one of the most important and influential albums of all time, with Rolling Stone naming it the \u003cstrong\u003eGreatest Punk Album Of All Time.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album was a pioneer of the punk rock movement, with the band inspiring punk legends such as Sex Pistols, Buzzcocks and The Clash. It features one of the most famous rock songs in history with Blitzkrieg Bop – which constantly appears in many greatest songs of all time lists.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e – \u003cem\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e\u003c\/em\u003e features the remastered audio from the 40th Anniversary Edition of \u003cem\u003e\u003cstrong\u003eRamones\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cem\u003eSide A:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eBlitzkrieg Bop\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBeat On The Brat\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eJudy Is A Punk\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI Wanna Be Your Boyfriend\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eChain Saw\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eNow I Wanna Sniff Some Glue\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI Don't Wanna Go Down To The Basement\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch5\u003e\u003cem\u003eSide B:\u003c\/em\u003e\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eLoudmouth\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eHavana Affair\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eListen To My Heart\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003e53rd \u0026amp; 3rd\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eLet's Dance\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eI Don't Wanna Walk Around With You\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eToday Your Love, Tomorrow The World\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: 9 September 2020 (Reissue). Originally released on \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e23 April 1976. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ramones","offers":[{"title":"Vinyl LP","offer_id":40511393398935,"sku":"8122793275","price":62.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/196319372.jpg?v=1626301866"},{"product_id":"breeders-pod-reissue","title":"The Breeders - Pod (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePod\u003c\/strong\u003e\u003c\/em\u003e, the 1990 debut featuring the line-up of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePixie’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKim Deal\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThrowing Muses’\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eT\u003cstrong data-mce-fragment=\"1\"\u003eanya Donelly\u003c\/strong\u003e, the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfect Disaster’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJ\u003cstrong data-mce-fragment=\"1\"\u003eosephine Wiggs\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSlint’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBritt Walford\u003c\/strong\u003e, was recorded by\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSteve Albini\u003c\/strong\u003e.  \u003cstrong data-mce-fragment=\"1\"\u003eKurt Cobain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elisted the record as one of his top three favourite albums saying, “the way they structure [the songs] is totally unique.”  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCritically acclaimed when it came out,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePod’s\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elegacy lives on – Pitchfork called it a “blissful mindf**k of a record,” and ranked it in their Best Albums of the 90's.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Glorious\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Doe\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Happiness Is A Warm Gun\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Oh!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Hellbound\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. When I Was A Painter\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. Fortunately Gone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Iris\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Opened\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Only In 3's\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Lime House\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12. Metal Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRelease Date: 2018 (Reissue). Originally released in 29 May 1990. \u003c\/strong\u003e\u003c\/p\u003e","brand":"The Breeders","offers":[{"title":"Vinyl LP","offer_id":40670144037015,"sku":"CAD0006","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/DSCF3581.jpg?v=1628119930"},{"product_id":"doublehappys-nerves-reissue","title":"DoubleHappys - Nerves (2022 Reissue)","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/doublehappys\"\u003e\u003cstrong\u003eDoubleHappys’\u003c\/strong\u003e\u003c\/a\u003e newly touched up \u003cem\u003e\u003cstrong\u003eNerves\u003c\/strong\u003e\u003c\/em\u003e on vinyl LP for the first time — 30 years after its initial release, and many more after the original tracks were originally conceived. The master tapes, sourced from the\u003cstrong\u003e Alexander Turnbull Library\u003c\/strong\u003e, were remastered by local stalwart \u003cstrong\u003eTex Houston\u003c\/strong\u003e — a name you’ll find among the credits on many of the notable records associated with Dunedin and \u003cstrong\u003eFlying Nun\u003c\/strong\u003e. \u003cem\u003e\u003cstrong\u003eNerves\u003c\/strong\u003e\u003c\/em\u003e (2022 Reissue) is out on neon coral or black vinyl on the\u003cspan style=\"text-decoration: underline;\"\u003e 30th September\u003c\/span\u003e via \u003cstrong\u003eFlying Nun Records.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally released on CD in 1992, as a compilation of \u003cstrong\u003eDoubleHappys\u003c\/strong\u003e prior releases, \u003cem\u003e\u003cstrong\u003eNerves\u003c\/strong\u003e\u003c\/em\u003e has both sides of the \u003cstrong\u003e\u003cem\u003eDouble B Side \u003c\/em\u003e\u003c\/strong\u003esingle, the full \u003cem\u003e\u003cstrong\u003eCut It Down\u003c\/strong\u003e\u003c\/em\u003e EP, two tracks from the live \u003cem\u003e\u003cstrong\u003eHow Much Time Left, Please\u003c\/strong\u003e\u003c\/em\u003e EP as well as two rare tracks from the \u003cstrong\u003eRoslyn Mills\u003c\/strong\u003e practice rooms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoubleHappys\u003c\/strong\u003e first formed sometime in 1983 when former \u003cstrong\u003eBored Games\u003c\/strong\u003e vocalist, \u003cstrong\u003eShayne Carter\u003c\/strong\u003e, joined forces with \u003cstrong\u003eThe Stones' Wayne Elsey\u003c\/strong\u003e. They had a drum machine called “Herbie Fuckface”, who lived up to his name by sabotaging most of the duo's efforts onstage, thus quickly calling for human replacement in the form of another old Kaikorai High schoolmate, \u003cstrong\u003eJohn Collie\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The DoubleHappys were quintessential punk - reared on the 1977 English kind, but sounding a lot more like the garage slime late ‘60s American original. Cheap guitars howling and snarling beneath whining snot-punk vocals. Music you make when you’re young and you think everyone else is full of shit. Music you make when you are utterly in love with the sound of the electric guitar.”\u003c\/em\u003e - \u003cstrong\u003eRoy Colbert\u003c\/strong\u003e, Dunedin 1992.\u003c\/p\u003e\n\u003cp\u003eIn 1984, the trio set about kicking up a storm, touring up north on the famous \u003cem\u003e\u003cstrong\u003eLooney Tour\u003c\/strong\u003e\u003c\/em\u003e and recording the \u003cem\u003e\u003cstrong\u003eDouble B Side\u003c\/strong\u003e\u003c\/em\u003e seven inch while they were in Auckland. Then, early in 1985, the band recorded the \u003cem\u003e\u003cstrong\u003eCut it Out\u003c\/strong\u003e \u003c\/em\u003eEP and in June embarked on a short tour. Towards the end of the tour, the band were travelling south from Auckland by train and \u003cstrong\u003eWayne Elsey\u003c\/strong\u003e, in high spirits, climbed out of the carriage and was subsequently killed in a tragic collision with a bridge abutment.\u003c\/p\u003e\n\u003cp\u003eWayne was a well-loved member of the Dunedin community and his sudden death shocked many people. It was the end of the \u003cstrong\u003eDoubleHappys\u003c\/strong\u003e, but \u003cstrong\u003eShayne Carter\u003c\/strong\u003e and \u003cstrong\u003eJohn Collie\u003c\/strong\u003e eventually went on to form \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/straitjacket-fits\"\u003e\u003cstrong\u003eStraitjacket Fits\u003c\/strong\u003e\u003c\/a\u003e. Before this transition, \u003cstrong\u003eShayne Carter\u003c\/strong\u003e and fellow musician, \u003cstrong\u003ePeter Jefferies\u003c\/strong\u003e, also penned the extraordinary single, ‘\u003cem\u003eRandolph’s Going Home\u003c\/em\u003e’; a tribute to their friend and bandmate, Wayne.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOthers Way\u003c\/li\u003e\n\u003cli\u003eBig Fat Elvis\u003c\/li\u003e\n\u003cli\u003eSome Fantasy\u003c\/li\u003e\n\u003cli\u003eI Don’t Wanna See You Again\u003c\/li\u003e\n\u003cli\u003eAnyone Else Would\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeedles and Plastic\u003c\/li\u003e\n\u003cli\u003eMoss Monster\u003c\/li\u003e\n\u003cli\u003eWrapped Up In Myself Again\u003c\/li\u003e\n\u003cli\u003eI Can’t Say\u003c\/li\u003e\n\u003cli\u003eNerves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNerves (2022 Reissue)\u003c\/strong\u003e \u003c\/em\u003eis out on neon coral or black vinyl \u003cspan style=\"text-decoration: underline;\"\u003e30th September\u003c\/span\u003e via \u003cstrong\u003eFlying Nun Records.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OLNyojltncw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" class=\"p1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/DoubleHappys_CREDIT__Kat_Spears.jpg?v=1660192580\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"p1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\" class=\"p1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Doublehappys","offers":[{"title":"Vinyl LP (Standard Black)","offer_id":43172124524788,"sku":"FN196LP","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/NervesFrontCover.jpg?v=1721871121"},{"product_id":"sonic-youth-hold-that-tiger","title":"Sonic Youth - Hold That Tiger (Vinyl)","description":"\u003cp\u003eIn October 1987, four months after the release of their critically acclaimed \u003cstrong\u003eSister LP, Sonic Youth\u003c\/strong\u003e showcased their latest work in a blistering set at \u003cstrong\u003eCabaret Metro, Chicago\u003c\/strong\u003e. The concert was introduced by \u003cstrong\u003eBig Black’s Steve Albini\u003c\/strong\u003e and subsequently released as a semi-official bootleg under the title \u003cstrong\u003eHold That Tiger \u003c\/strong\u003eon writer\/provocateur \u003cstrong\u003eByron Coley’s \u003c\/strong\u003e label \u003cstrong\u003eGoofin’.\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHold That Tiger’s\u003c\/strong\u003e sterling reputation among the \u003cstrong\u003eSonic Youth \u003c\/strong\u003efaithful is well deserved. In fact, it isn’t a stretch to suggest that the album is to the first handful of SY releases what\u003cstrong\u003e It’s Alive\u003c\/strong\u003e is to the first three \u003cstrong\u003eRamones\u003c\/strong\u003e LPs—a feral and liberatory public snapshot of a band’s blossoming imperial phase. Indeed, \u003cstrong\u003eHTT\u003c\/strong\u003e is the sound of a group at the peak of their powers, presenting new songs alongside a handful of older ones with the kind of wild, cathartic enthusiasm common to rock ’n’ roll’s most revered live albums.\u003cbr\u003e\u003cbr\u003eTaking nothing away from \u003cstrong\u003eSister\u003c\/strong\u003e, it is reasonable that many fans prefer the live versions heard on \u003cstrong\u003eHold That Tiger\u003c\/strong\u003e to their studio counterparts. On HTT,\u003cstrong\u003e Sonic Youth\u003c\/strong\u003e is a spiky, pummeling and confident force, alternately mammoth and meditative. \u003cstrong\u003eSister\u003c\/strong\u003e and its predecessor \u003cstrong\u003eEVOL\u003c\/strong\u003e notably added an airy, dreamlike reverie to the band’s turbulent doom-lurch, a stylistic evolution that seems to crystallize on HTT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHold That Tiger’s \u003c\/strong\u003eencore - four songs by the band’s beloved \u003cstrong\u003eRamones\u003c\/strong\u003e - serves as a reminder that, like any true punks, \u003cstrong\u003eSonic Youth\u003c\/strong\u003e never could resist a good, rousing anthem to send the kids home with their ears ringing, their hearts hot-wired.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis first-time reissue comes with gatefold jacket. Mastered by Bob Weston from the original tapes. Recorded by Aadam Jacobs. Audio repair\/editing by Aaron Mullan.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAvailable as:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCD \/ 2LP STANDARD BLACK VINYL  \/ 2LP BLUE VINYL  (Image NA)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e01. Schizophrenia\u003cbr\u003e02. Tom Violence\u003cbr\u003e03. White Kross\u003cbr\u003e04. Kotton Krown\u003cbr\u003e05. Stereo Sanctity\u003cbr\u003e06. Brother James\u003cbr\u003e07. Pipeline \/ Kill Time\u003cbr\u003e08. (I Got a) Catholic Block\u003cbr\u003e09. Tuff Gnarl\u003cbr\u003e10. Death Valley '69\u003cbr\u003e11. Beauty Lies in the Eye\u003cbr\u003e12. Expressway to Yr. Skull\u003cbr\u003e13. Pacific Coast Highway\u003cbr\u003e14. Loudmouth\u003cbr\u003e15. I Don't Wanna Walk Around with You\u003cbr\u003e16. Today Your Love, Tomorrow the World\u003cbr\u003e17. Beat on the Brat\u003cbr\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zvuS5ii-MO0?si=3szGoLeLjOxH6WkA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sonic Youth","offers":[{"title":"Vinyl 2LP Colour","offer_id":46027927617780,"sku":"SV212LPX","price":75.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl 2LP Black","offer_id":46027929420020,"sku":"SV212LP","price":75.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Sonic_Youth_-_Hold_That_Tiger_Vinyl.webp?v=1733256804"}],"url":"https:\/\/www.flyingnun.co.nz\/collections\/punk-1.oembed","provider":"Flying Nun ","version":"1.0","type":"link"}