{"title":"Reggae (New)","description":"","products":[{"product_id":"fat-freddys-drop-special-edition-part-1","title":"Fat Freddy's Drop - Special Edition Part 1 (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNew Zealand juggernaut Fat Freddy’s Drop announce the release of their new studio album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eSpecial Edition Part 1\u003c\/b\u003e\u003c\/em\u003e, featuring Trickle Down and the brand new single Kamo Kamo.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePart 1 of a double album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eSpecial Edition Part 1\u003c\/b\u003e\u003c\/em\u003e was recorded at the band’s Wellington studio, BAYS. Of the six tracks, Raleigh Twenty, Trickle Down and Six-Eight Instrumental were written undercover in the studio while the other tracks, Special Edition, Kamo Kamo, and OneFourteen have all evolved on the road with audiences worldwide.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new album follows previous releases BAYS, Blackbird, Dr Boondigga \u0026amp; The Big BW and record-breaking Based on a True Story. 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They warm you up, and then turn your head inside out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eWairunga Blues\u003cbr\u003eSlings \u0026amp; Arrows\u003cbr\u003e10 Feet Tall \u003cbr\u003eWheels\u003cbr\u003eRazor (Makkan)\u003cbr\u003eFish In The Sea\u003cbr\u003eCortina Motors\u003cbr\u003eNovak\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OozQkW1IDbg\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fat Freddy's Drop","offers":[{"title":"Vinyl LP","offer_id":44645956616436,"sku":"DRP025LP","price":76.5,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ff2.jpg?v=1721950268"},{"product_id":"fat-freddys-drop-live-at-the-matterhorn","title":"Fat Freddy's Drop – Live at the Matterhorn (CD)","description":"\u003cp\u003eAll time classic jam \u003cem\u003e\u003cstrong\u003eLive At The Matterhorn\u003c\/strong\u003e\u003c\/em\u003e now on heavyweight vinyl for your listening pleasure. Originally released on CD in 2001, the \u003cstrong\u003enew limited edition 2LP 180gm vinyl \u003c\/strong\u003efeatures a track per side ‘\u003cem\u003eRunnin’,\u003c\/em\u003e ‘\u003cem\u003eRain\u003c\/em\u003e’, ‘\u003cem\u003eNo Parking\u003c\/em\u003e’ and \u003cem\u003e‘Bounce\u003c\/em\u003e’ spanning a total of 70 minutes. \u003c\/p\u003e\n\u003cp\u003eThe recording was made when Freddys was honing its sound and chops in the Wellington underground music scene and liked nothing better than to jam. The stage was literally the back garden of Wellington’s then den of iniquity The Matterhorn bar. 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Swiftly (The Right One)\u003cbr data-mce-fragment=\"1\"\u003e02. Stonebridge Warrior\u003cbr data-mce-fragment=\"1\"\u003e03. Under Pressure\u003cbr data-mce-fragment=\"1\"\u003e04. That’s More Like It\u003cbr data-mce-fragment=\"1\"\u003e05. Jubilee Clock\u003cbr data-mce-fragment=\"1\"\u003e06. This Thinking Feeling\u003cbr data-mce-fragment=\"1\"\u003e07. Whatever It Takes\u003cbr data-mce-fragment=\"1\"\u003e08. Salutation Gardens\u003cbr data-mce-fragment=\"1\"\u003e09. Crown Hill Road\u003cbr data-mce-fragment=\"1\"\u003e10. 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As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThis album has been fully digitally remastered, analog cut and packaged complete with the following: \u003cbr\u003eOriginal sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e2 x Vinyl, Limited Edition, Reissue, Blue\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Cyclones With Count Ossie– Meditation \u003cbr data-mce-fragment=\"1\"\u003e Cornell Campbell W\/ The Brentford Rockers– Natty Don't Go \u003cbr data-mce-fragment=\"1\"\u003e Freddie McGregor W\/ The Sound Dimension– Africa Here I Come \u003cbr data-mce-fragment=\"1\"\u003e Bunnie \u0026amp; Skitter– Lumumbo \u003cbr data-mce-fragment=\"1\"\u003e Willie Williams W\/ The All Stars– Addis A Baba \u003cbr data-mce-fragment=\"1\"\u003e L Crosdale W\/ Drum Bago \u0026amp; The Rebel Group– Set Me Free \u003cbr data-mce-fragment=\"1\"\u003e Leroy Wallace W\/ The New Establishment– Far Beyond \u003cbr data-mce-fragment=\"1\"\u003e Lennie Hibbert– More Creation \u003cbr data-mce-fragment=\"1\"\u003e Alton Ellis W\/ The Sound Dimension– Blackish White \u003cbr data-mce-fragment=\"1\"\u003e Winston Jarrett W\/ The Sound Dimension– Fear Not \u003cbr data-mce-fragment=\"1\"\u003e Devon 'Soul' Russell*– Drum Song \u003cbr data-mce-fragment=\"1\"\u003e The Gaylads– Africa \u003cbr data-mce-fragment=\"1\"\u003e Black Brothers W\/ The New Establishment– School Children \u003cbr data-mce-fragment=\"1\"\u003e Linton Cooper W\/ The Brentford Disco Set– You'll Get Your Pay \u003cbr data-mce-fragment=\"1\"\u003e Sound Dimension– Congo Rock \u003cbr data-mce-fragment=\"1\"\u003e Zoot Simms– African Challenge\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bEF6NnoJzNE?si=tPORFkPXSWZcBx5Q\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Various","offers":[{"title":"Vinyl 2LP Colour","offer_id":44467845300468,"sku":"SJRLP56","price":73.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/roots_4e41cbbf-9077-4dee-b74e-6bba80128ae9.jpg?v=1722312470"},{"product_id":"gil-scott-heron-free-will-1","title":"Gil Scott-Heron - Free Will (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eAAA Edition - Cut in an all-analogue chain by Frank Merritt at The Carvery, London. 180gm vinyl\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in 1971, \u003cstrong\u003eGil Scott-Heron’s\u003c\/strong\u003e second album \u003cstrong\u003e“Pieces Of A Man”\u003c\/strong\u003e is a stone-cold classic and rightly seen as one of the greatest albums of all time. There is a reason why a full album of songs did not appear as a follow-up. \u003cstrong\u003eScott-Heron’s\u003c\/strong\u003e writing partner, \u003cstrong\u003eBrian Jackson\u003c\/strong\u003e had been keen to move forward quickly with song-based material, but \u003cstrong\u003eScott-Heron\u003c\/strong\u003e saw himself first and foremost as a writer. A new novel, \u003cstrong\u003eThe Nigger Factory,\u003c\/strong\u003e would be published in 1972 and he also enrolled for writing seminars at Johns Hopkins University in Baltimore.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnce the decision was made to combine poetry and song, sessions were booked for the 2nd and 3rd March 1972. The first session with \u003cstrong\u003eBernard ‘Pretty’ Purdie (drums), Hubert Laws (flute\/piccolo), David Spinozza (guitar), Jerry Jemmott (bass) and Brian Jackson (electric and acoustic piano)\u003c\/strong\u003e recorded the songs with \u003cstrong\u003eHorace Ott\u003c\/strong\u003e taking care of the arrangements. The second was dedicated to poetry, recorded with \u003cstrong\u003eScott-Heron, Jackson, Eddie Knowles and Charlie Sanders\u003c\/strong\u003e from their college group \u003cstrong\u003eBlack \u0026amp; Blues\u003c\/strong\u003e. \u003cstrong\u003e“Free Will”\u003c\/strong\u003e was released in 1972.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe song side included the heart-rending Vietnam war commentary of \u003cstrong\u003e‘Do You Hear What They Said?’,\u003c\/strong\u003e the propulsive title track and the beautiful ‘\u003cstrong\u003eThe Middle Of Your Day’.\u003c\/strong\u003e The poetry side immerses you in the radical politics of the day via \u003cstrong\u003e‘No Knock’\u003c\/strong\u003e and ‘\u003cstrong\u003eThe King Alfred Plan’\u003c\/strong\u003e, and ends with his heartfelt tribute to \u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e - \u003cstrong\u003e...and then he wrote Meditations’.\u003c\/strong\u003e Like “\u003cstrong\u003ePieces Of A Man”\u003c\/strong\u003e it is a classic and a cornerstone of any record collection.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe original master tapes sounded exceptional and when it has come to our reissue series have only ever required the most minimal of EQ before transferring them onto disc. 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Also the 'house' band sometimes used by \u003cstrong\u003eAdrian Sherwood\u003c\/strong\u003e for his\u003cstrong\u003e Hitrun\u003c\/strong\u003e and \u003cstrong\u003eOn-U Sound\u003c\/strong\u003e labels.\u003cbr\u003e\u003cbr\u003eA true dub classic from 1980 – backwards tapes drenched in interplanetary sound effects, ghostly voices from beyond the stars and ringing percussion – \u003cstrong\u003eStarship Africa\u003c\/strong\u003e is one of the most out-there attempts to push the limits of dub reggae beyond the final frontier ever recorded. 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