{"title":"SOUNDTRACKS","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e“I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection. So what I do, as I'm writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.”\u003c\/em\u003e - \u003cstrong\u003eQuentin Tarantino\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFilm and TV soundtracks are either original scores or collections of previously released tracks licensed for the production. The soundtrack to the 1937 \u003cstrong\u003eWalt Disney\u003c\/strong\u003e animated film \u003cstrong\u003e‘Snow White and the Seven Dwarfs’\u003c\/strong\u003e was the first commercially issued film soundtrack, released on multiple 78 RPM discs. \u003cstrong\u003eBebe and Louis Barron’\u003c\/strong\u003es original soundtrack to the 1956 sci-fi film \u003cstrong\u003e‘Forbidden Planet’\u003c\/strong\u003e was the first to use an entirely electronic musical score. While \u003cstrong\u003eMiles Davis’\u003c\/strong\u003e improvised original soundtrack for \u003cstrong\u003eLouis Malle’s\u003c\/strong\u003e 1958 noir thriller \u003cstrong\u003e‘Ascenseur pour l'échafaud’\u003c\/strong\u003e (\u003cstrong\u003e‘Lift to the Scaffold’\u003c\/strong\u003e) was ground-breaking as it was the first time relationships between music, image, and emotion had been created.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSoundtracks on Vinyl and CD\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eEnnio Morricone\u003c\/strong\u003e is a good example of an artist who exclusively created film soundtracks, with a vast catalogue of over 400 films from the 1950’s right up to 2015. The hip soundtrack for \u003cstrong\u003eAntonioni’s\u003c\/strong\u003e 1966 ‘Blow-Up’ was provided by a young \u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e, with the bassline from the track \"Bring Down the Birds\"; sampled by \u003cstrong\u003eDeee-Lite\u003c\/strong\u003e for their 1990 single \"Groove is in the Heart\" \u003cstrong\u003eAntonioni\u003c\/strong\u003e went on the provide another very cool soundtrack with his 1970 film ‘\u003cstrong\u003eZabriskie Point’\u003c\/strong\u003e that included three original songs by \u003cstrong\u003ePink Floyd\u003c\/strong\u003e.\u2028\u2028The soundtrack to \u003cstrong\u003eMike Nichols’\u003c\/strong\u003e 1967 film, \u003cstrong\u003e‘The Graduate’\u003c\/strong\u003e was the first film with a soundtrack created entirely by licensing songs that had nothing to do with the film itself, a technique that rapidly caught on with \u003cstrong\u003e‘2001: A Space Odyssey’\u003c\/strong\u003e and the famous soundtrack to \u003cstrong\u003e‘Easy Rider’\u003c\/strong\u003e coming soon after. Since then, soundtrack licensing has become a potent avenue for artists to gain exposure. The recent worldwide number one hit for \u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e with ‘\u003cstrong data-mce-fragment=\"1\"\u003eRunning Up That Hill’\u003c\/strong\u003e almost 40 years on from it’s initial release after being used in the TV show \u003cstrong data-mce-fragment=\"1\"\u003e‘Stranger Things’\u003c\/strong\u003e being a great example.\u2028\u2028\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThere exists an incredible range of soundtracks available, with those that have endured being the ones that go beyond the film to encapsulate the spirit of a time or place. One local example is the 1997 NZ film \u003cstrong\u003e‘Topless Women Talk About Their Lives’\u003c\/strong\u003e with a soundtrack exclusively drawn from the \u003cstrong\u003eFlying Nun\u003c\/strong\u003e catalogue. Other notable examples are \u003cstrong\u003e‘Purple Rain’,\u003c\/strong\u003e \u003cstrong\u003e‘A Hard Day’s Night’,\u003c\/strong\u003e \u003cstrong\u003e‘The Harder They Come’,\u003c\/strong\u003e \u003cstrong\u003e‘Saturday Night Fever’,\u003c\/strong\u003e \u003cstrong\u003e‘Trainspotting’,\u003c\/strong\u003e \u003cstrong\u003e‘Wings of Desire’\u003c\/strong\u003e, \u003cstrong\u003e‘Apocalypse Now’\u003c\/strong\u003e, \u003cstrong\u003e‘Black Panther’,\u003c\/strong\u003e \u003cstrong\u003e‘Do the Right Thing’\u003c\/strong\u003e, \u003cstrong\u003e‘Lost In Translation’\u003c\/strong\u003e, \u003cstrong\u003e‘Hi-Fidelity’,\u003c\/strong\u003e \u003cstrong\u003e‘O, Brother, Where Art Though’,\u003c\/strong\u003e \u003cstrong\u003e‘Pulp Fiction’\u003c\/strong\u003e and \u003cstrong\u003e‘Velvet Goldmine’\u003c\/strong\u003e – any of which would be worthy of a full page review.\u003c\/div\u003e","products":[{"product_id":"kenji-kawai-ghost-in-the-shell-original-soundtrack","title":"Kenji Kawai – Ghost In The Shell OST (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe Release Whatever The Fuck We Want Records present the first ever official vinyl pressing of the soundtrack for \u003cstrong\u003eMamoru Oshii's\u003c\/strong\u003e critically acclaimed and all around legendary science fiction anime film \u003cem\u003e\u003cstrong\u003eGhost In The Shell\u003c\/strong\u003e\u003c\/em\u003e (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe haunting score is composed by\u003cstrong\u003e Kenji Kawai\u003c\/strong\u003e, one of Japan's most celebrated soundtrack composers alongside \u003cstrong\u003eJoe Hisaishi\u003c\/strong\u003e and \u003cstrong\u003eRyuichi Sakamoto\u003c\/strong\u003e, whose work includes Hideo Nakata's \u003cem\u003e\u003cstrong\u003eRing\u003c\/strong\u003e\u003c\/em\u003e (1998) and \u003cem\u003e\u003cstrong\u003eRing 2\u003c\/strong\u003e\u003c\/em\u003e (1999), and \u003cem\u003e\u003cstrong\u003eDeath Note\u003c\/strong\u003e\u003c\/em\u003e (2006).\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eA1. M01 謡I - Making Of Cyborg\u003cbr\u003eA2. M02 Ghosthack (本編未使用)\u003cbr\u003eA3. EXM Puppetmaster\u003cbr\u003eA4. M04 Virtual Crime\u003cbr\u003eA5. M05 謠 II - Ghost City\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eB1. M06 Access\u003cbr\u003eB2. M07 Nightstalker\u003cbr\u003eB3. M08 Floating Museum\u003cbr\u003eB4. M09 Ghostdive\u003cbr\u003eB5. M10 謠 III - Reincarnation\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cstrong\u003eRelease Date: 26 June 2017 (reissue). Originally released about 1995. \u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Kenji Kawai","offers":[{"title":"Vinyl LP","offer_id":40799727517847,"sku":"7640153366719","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/R-10522015-1587028848-3510_jpeg.jpg?v=1722310148"},{"product_id":"flying-lotus-yasuke","title":"Flying Lotus - Yasuke OST (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003eWhere his recent work has ventured deep into the previously unexplored avant-garde reaches of contemporary electronic music, hip hop and jazz, \u003cstrong\u003eFlying Lotus’s\u003c\/strong\u003e score to renowned anime creators Studio MAPPA’s Netflix original series Yasuke – on which he also acts as an executive producer and story consultant – sees FlyLo eschew his digital maximalism with rumblings of traditional instrumentation and widescreen cinematic scope.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eYasuke\u003c\/strong\u003e\u003c\/em\u003e tells the story of a samurai warrior of African descent in a fantastical alternate universe version of feudal Japan full of magic, mechs, and of course, swordplay. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a soundtrack of Morricone style epic tones, traditional Japanese percussion instruments and West African percussion, the feudal yet futuristic world of \u003cem\u003e\u003cstrong\u003eYasuke\u003c\/strong\u003e\u003c\/em\u003e is summoned.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘You haven't really heard an anime score do a Blade Runner thing,’ he says, ‘I was like, “let me try and get into the headspace of that” but also there were several things that were part of the recipe for me. I thought about when Dilla would sample [Isao] Tomita and people like Vangelis, and how he had a [signature] sound when he did that sort of thing.’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother spellbinding FlyLo release even without the stylish animations of the show\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn his score to LeSean Thomas’ anime series about a Black samurai in medieval Japan, the Los Angeles musician aligns his visual obsessions with his wide-ranging musical instincts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePitchfork\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlying Lotus's spacey, synth-heavy score for the LeSean Thomas anime stands tall on its own.\u003c\/em\u003e\u003cem\u003e…not only has Elisson crafted a soundtrack that's singular and spellbinding, he's made one that holds its own against any of his renowned studio albums.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eResident Advisor\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cem\u003e1. WAR AT THE DOOR\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2. BLACK GOLD FEAT. THUNDERCAT\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e3. YOUR LORD\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e4. SHORELINE SUS\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e5. HIDING IN THE SHADOWS FEAT. NIKI RANDA \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e6. CRUST \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e7. FIGHTING WITHOUT HONOR\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e8. PAIN AND BLOOD\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e9. WAR LORDS\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e10. SACHI\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e11. YOUR SCREAMS \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e12. USING WHAT YOU GOT \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e13. AFRICAN SAMURAI FEAT. DENZEL CURRY\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e14. WHERE’S THE GIRL?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e15. KUROSAKA STRIKES!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e16. THIS CURSED LIFE\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e17. ROBOMB\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e18. TAIKO TIME \/\/ SACRIFICE \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e19. YOUR DAY OFF \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e20. YOUR ARMOUR\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e21. ENCHANTED\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e22. MIND FLIGHT \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e23. SURVIVORS \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e24. YOUR HEAD \/\/ WE WON\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e25. THE EYES OF VENGEANCE \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e26. BETWEEN MEMORIES FEAT. NIKI RANDA\u003c\/em\u003e\n\u003c\/div\u003e","brand":"Flying Lotus","offers":[{"title":"Vinyl LP (Red Colour 140g)","offer_id":40995639722135,"sku":"WARPLP334","price":60.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FLyingLotsYasuke.png?v=1722310084"},{"product_id":"serge-gainsbourg-jean-claude-vannier-les-chemins-de-katmandou","title":"Serge Gainsbourg \/ Jean-Claude Vannier – Les Chemins De Katmandou OST (Vinyl)","description":"\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003eAfter decades in the making \u003cstrong\u003eFinders Keepers Records\u003c\/strong\u003e are proud to present the first-ever pressing of \u003cstrong\u003eSerge Gainsbourg’\u003c\/strong\u003es most elusive and coveted soundtrack studio recordings – co-written, arranged and orchestrated by the genius \u003cstrong\u003eJean-Claude Vannier\u003c\/strong\u003e (\u003cem\u003e\u003cstrong\u003eHistoire De Melody Nelson\u003c\/strong\u003e\u003c\/em\u003e) during what many consider to be the dynamic duo’s most definitive creative period.\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003eBelieved to have been lost in a studio fire by \u003cstrong\u003eGainsbourg\u003c\/strong\u003e enthusiasts for over forty years (a myth that also shrouds Morricone’s lost Danger Diabolik soundtrack) the misplaced master-tapes for the drug-fuelled\/Mai 68 cash-in\/road-movie \u003cem\u003e\u003cstrong\u003eLes Chemins De Katmandou\u003c\/strong\u003e\u003c\/em\u003e have been widely considered the final audio jigsaw piece in an immaculate discography\/filmography thus earning this soundtrack bone-fide Holy Grail status amongst the most avid disc detectives.\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-7 col-lg-6 col-lg-offset-1 product-description\"\u003eFeaturing the original crack team of Paris based players now recognised as French library music royalty, this LP epitomises the inimitable musical direction and expert psychedelic pop musicianship that graced classic Gainsbourg\/Vannier soundtracks like La Horse, Cannabis and Sex Shop. Laying the stylistic, future-proof foundations for subsequent decades of forward-thinking \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eGallic funk mastery. Comprising Vannier’s signature recipe of thick plucked bass lines, close-micced drums, biting Clavinet and Eastern influenced strings and percussion (and a sprinkling of subtle traditional French instrumentation) the soundtrack to Les Chemins De Katmandou (aka The Road To Katmandu or The Pleasure Pit) captures Vannier and Gainsbourg in the first year of their creative partnership capturing their unique embryonic energy.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\" class=\"col col-md-5\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch2 style=\"text-align: center;\" class=\"col col-md-5\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv style=\"text-align: center;\" class=\"col col-md-5\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\n\u003cem\u003ei can’t help you\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eare you with me now?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eduke\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eno god\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ei think i knew (ft perfume genius)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewild\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esisters\u003c\/em\u003e\u003cbr\u003e\u003cem\u003emirror me\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecuckoo through the walls\u003c\/em\u003e\u003cbr\u003e\u003cem\u003emug museum\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"col col-md-5\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" class=\"col col-md-5\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\u003cem\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/12BmuhlycYY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"col col-md-5\" data-mce-fragment=\"1\"\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col col-md-5\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Serge Gainsbourg","offers":[{"title":"Vinyl LP","offer_id":42428164473076,"sku":"FKR100LP","price":72.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/R-11126204-1510339956-1094.jpg?v=1723887296"},{"product_id":"c418-minecraft-volume-beta","title":"C418 – Minecraft Volume Beta (Vinyl)","description":"\u003cdiv class=\"shopify-section\" id=\"shopify-section-product-template\"\u003e\n\u003cdiv data-ajax-enabled=\"true\" data-enable-history-state=\"true\" data-section-type=\"product\" data-section-id=\"product-template\" id=\"ProductSection-product-template\" class=\"product-template__container page-width\"\u003e\n\u003cdiv class=\"grid product-single product-single--medium-media\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cp class=\"product-single__description rte\" style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cb\u003eMinecraft - Volume Beta\u003c\/b\u003e is the second \u003cspan style=\"color: #101010;\"\u003e\u003cstrong\u003e\u003ca style=\"color: #101010;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/Minecraft\" title=\"Minecraft\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/Minecraft\"\u003eMinecraft\u003c\/a\u003e \u003c\/strong\u003e\u003c\/span\u003esoundtrack album by \u003cspan style=\"color: #121212;\"\u003e\u003cstrong\u003e\u003ca style=\"color: #121212;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/C418\" class=\"mw-redirect\" title=\"C418\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/C418\"\u003eC418\u003c\/a\u003e\u003c\/strong\u003e,\u003c\/span\u003e the first being \u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003ca style=\"color: #000000;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/Minecraft_-_Volume_Alpha\" title=\"Minecraft - Volume Alpha\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/Minecraft_-_Volume_Alpha\"\u003eMinecraft - Volume Alpha\u003c\/a\u003e. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe album includes 30 songs for a total length of about 140 minutes. It features many music tracks that were \"silently\" added to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eMinecraft\u003c\/i\u003e \u003c\/strong\u003ein the\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca style=\"color: #000000;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/2013_Music_Update\" class=\"mw-redirect\" title=\"2013 Music Update\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/2013_Music_Update\"\u003eMusic Update\u003c\/a\u003e \u003c\/span\u003ea few days after the album's release, as well as the\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: #030303;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca style=\"color: #030303; text-decoration: underline;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/Music_discs\" class=\"mw-redirect\" title=\"Music discs\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/Music_discs\"\u003emusic discs\u003c\/a\u003e\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003ethat were missing from the first album (except for \"11\"). Similarly to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eVolume Alpha\u003c\/i\u003e,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eVolume Beta\u003c\/i\u003e \u003c\/strong\u003eincludes short bonus tracks that are not in the game.\u003c\/p\u003e\n\u003cp\u003eWith a less minimalistic style, longer track lengths with more complex structures, and a much greater emphasis on lush, ambient synth sounds, the album has a noticeably darker and more dramatic tone than\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eVolume Alpha.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003eKi\u003cbr\u003eAlpha\u003cbr\u003eBlind Spots\u003cbr\u003eMutation\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eBiome Fest\u003cbr\u003eAria Math\u003cbr\u003eTaswell\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eBeginning 2\u003cbr\u003eMoog City\u003cbr\u003eThe End\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eKyoto\u003cbr\u003eChirp\u003cbr\u003eMellohi\u003cbr\u003eStal\u003cbr\u003eEleven\u003cbr\u003eFar\u003cbr\u003eIntro\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0y53iF8BTSU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"C418","offers":[{"title":"Vinyl LP (Fire Splatter)","offer_id":42481532698868,"sku":"GVLLC47563","price":85.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP (Import)","offer_id":47678714249460,"sku":"0","price":62.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/C418volumeBeta.jpg?v=1722304108"},{"product_id":"various-artists-pulp-fiction-soundtrack","title":"Various – Pulp Fiction (Music From Motion Picture) (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eDick Dale\u003c\/strong\u003e's surf-guitar provided the memorable title theme \u003cem\u003eMisirlou\u003c\/em\u003e for \u003cstrong\u003eQuentin Tarantino\u003c\/strong\u003e's 1994 smash, and although that sound runs throughout the soundtrack (along with bits and pieces of dialog from the movie), this is a pretty eclectic bunch of really terrific songs. Where else are you going to find \u003cstrong\u003eChuck Berry, Maria McKee, Al Green, The Statler Brothers, Kool and the Gang, Urge Overkill (singing a Neil Diamond ballad!), Ricky Nelson, Dusty Springfield, \u003c\/strong\u003eand the\u003cstrong\u003e Tornadoes\u003c\/strong\u003e (among others) on one album? LP - 180 Gram Vinyl.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1. Pumpkin And Honey Bunny\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDialogue spoken by Tim Roth and Amanda Plummer\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2. MISIRLOU (2:27)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Dick Dale and His Del-Tones\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Jim Monsour\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Fred Wise, Milton Leeds, S.K. Russel and Nicholas Rubanis\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e3. Royale with Cheese (1:43)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDialogue spoken by Samulel L. Jackson and John Travolta\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e4. JUNGLE BOOGIE (3:05)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Kool \u0026amp; The Gang\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by K\u0026amp;G Productions, Inc.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Ronald Bell, Clydes Smith, George Brown, Robert Mickens, Donald Boyce, Richard Westfield, Dennis Thomas and Robert Bell\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e5. LET'S STAY TOGETHER (3:15)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Al Green\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Willie Mitchell\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Al Green, Al Jackson, Jr. and Willie Mitchell\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e6. BUSTIN' SURFBOARDS (2:27)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by The Tornadoes\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Bob Irwin\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Gerald Sanders, Jesse Sanders, Norman Sanders and Leonard Delaney\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e7. LONESOME TOWN (2:13)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Ricky Nelson\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Ricky Nelson, Ozzie Nelson and Jimmy Haskell\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Baker Knight\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e8. SON OF A PREACHER MAN (2:26)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Dusty Springfield\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Jerry Wexler, Tom Dowd and Arif Mardin\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by John Hurley and Ronnie Wilkins\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e9. Zed's Dead, Baby\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDialogue spoken by Maria de Medeiros and Bruce Willis\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e10. BULLWINKLE PART II (2:30)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by The Centurians\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Bob Keene\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Dennis Rose and Ernest Furrow\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSide 2:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11. Jack Rabbit Slims Twist Contest\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDialogue spoken by Jerome Patrick Hoban\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e12. YOU NEVER CAN TELL (3:20)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Chuck Berry\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Chuck Berry\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e13. GIRL, YOU'LL BE A WOMAN SOON (3:10)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Urge Overkill\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Urge Overkill and Kramer\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Neil Diamond\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e14. IF LOVE IS A RED DRESS (4:55)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by Maria McKee\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Bruce Brody\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Maria McKee\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e15. Bring Out The Gimp\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDialogue spoken by Peter Green and Duane Whitaker\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16. COMANCHE (2:12)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by The Revels\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Bill Wenzel\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by The Revels\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e17. FLOWERS ON THE WALL (2:23)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by The Statler Brothers\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced by Jerry Kennedy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Lewis C. DeWitt\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e18. Personality Goes A Long Way\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDialogue spoken by Samuel L.Jackson and John Travolta\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e19. SURF RIDER (3:19)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerformed by The Lively Ones\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWritten by Bob Bagle, Nole Edwards\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e20. 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Memorial Coliseum on 20th August 1972, \u003cstrong\u003eStax Records\u003c\/strong\u003e reissues \u003cstrong\u003e“The Living Word: Wattstax 2”.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese two LP’s are cut from the original tapes by \u003cstrong\u003eChris Muth\u003c\/strong\u003e and feature performances by \u003cstrong\u003eThe Emotions, Johnnie Taylor, Kim Weston, Isaac Hayes\u003c\/strong\u003e and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eA1. Jessie Jackson – Introduction \/ A2. Kim Weston – Lift Every Voice And Sing \/ A3. The Rance Allen Group – Lying On The Truth \/ A4. Jimmy Jones – Someone Greater Than You And I \/ A5. The Golden 13 – Old Time Religion \/ A6. The Emotions – Peace Be Still\/ B1. Richard Pryor – Saturday Night \/ B2. Richard Pryor – Blue Note \/ B3. Richard Pryor – Back Room \/ B4. David Porter Show – Introduction \/ B5. 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Composed for the Italian spy thriller starring \u003cstrong\u003eStewart Granger\u003c\/strong\u003e and Bond-girl, \u003cstrong\u003eDaniela Bianchi. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA catching exploration of easy listening and lounge music by the legendary \u003cstrong\u003ePiero Umiliani\u003c\/strong\u003e, one of the Italian score masters who penned some of the most outstanding film music from the '60s and '70s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst time complete - Green Vinyl Edition of 300.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA1 Don't Ever Let Me Go (Main Titles Song)\u003cbr\u003eA2 Requiem Per Un Agente Segreto (Chase)\u003cbr\u003eA3 Requiem Per Un Agente Segreto (Spanish Mood)\u003cbr\u003eA4 Don't Ever Let Me Go (Instrumental Version)\u003cbr\u003eA5 Requiem Per Un Agente Segreto (Swing)\u003cbr\u003eA6 Requiem Per Un Agente Segreto (Mystery)\u003cbr\u003eA7 Requiem Per Un Agente Segreto (Arabian Bistrot)\u003cbr\u003eA8 Don't Ever Let Me Go (Instrumental Version)\u003cbr\u003eA9 Requiem Per Un Agente Segreto (Mystery)\u003cbr\u003eB1 Requiem Per Un Agente Segreto (Discoteque Party)\u003cbr\u003eB2 Requiem Per Un Agente Segreto (Action)\u003cbr\u003eB3 Requiem Per Un Agente Segreto (Mystery)\u003cbr\u003eB4 Don't Ever Let Me Go (Lounge Suite)\u003cbr\u003eB5 Requiem Per Un Agente Segreto (Arabian Action)\u003cbr\u003eB6 Don't Ever Let Me Go (End Titles)\u003cbr\u003eB7 Don't Ever Let Me Go (Main Titles Song, Alternate Version)\u003cbr\u003eB8 Requiem Per Un Agente Segreto (Lounge Suite, In Stereo)\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pg8LR0z2lbE\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Piero Umiliani","offers":[{"title":"Vinyl LP Colour","offer_id":43821935296756,"sku":"RED249","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/req.jpg?v=1678667096"},{"product_id":"ennio-morricone-senza-sapere-niente-di-lei-ost","title":"Ennio Morricone - Senza Sapere Niente di Lei OST (Vinyl)","description":"1969's \u003cstrong\u003eSenza Sapere Niente di Lei\u003c\/strong\u003e is one of the first scores composed by \u003cstrong\u003eEnnio Morricone\u003c\/strong\u003e, just ahead of the great season of the cult Italian thriller genre forged by \u003cstrong\u003eDario Argento.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe soundtrack perfectly mirrors the philosophy behind the\u003cstrong\u003e Morricone Segreto\u003c\/strong\u003e series, not only for its extraordinary dark-tinged and psychedelic vibes, but also because of the rarity of the score, which has surprisingly remained unreleased on vinyl (with the exception of two tracks included on a 1980 CAM anthology which is now pretty impossible to find).\u003cbr\u003e\u003cbr\u003eWith \u003cstrong\u003eSenza Sapere Niente di Lei, Morricone\u003c\/strong\u003e composed one of his most dreamy and ethereal scores with a sweet and delicate theme unfolding in a lullaby to the rhythm of a waltz and interpreted in multiple keys: from lounge-jazz to experimental music.\u003cbr\u003e\u003cbr\u003eThe final result is a sensual and suave sound that matches well with the quintessential morbid style of \u003cstrong\u003eGiallo\u003c\/strong\u003e cinema.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003ePressed on yellow vinyl for Record Store Day 2023.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSIDE A:\u003c\/strong\u003e\u003cbr\u003e1. 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Couple this with an album of remixes created ever so thoughtfully by a bevvie of underground hipsters - well you’ve got me listening there Marc.” (Grant Smithies)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This is a wonderful project that will bring Marc's own excellent and innovative work to fresh ears, along with new music by some of New Zealand's most creative musicians.” (Nick Bollinger)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album artwork includes new and original artwork created by\u003cstrong\u003e Woodenhead Director Florian Habicht\u003c\/strong\u003e and \u003cstrong\u003eWoodenhead Production Designer and artist Teresa Peters.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDisc 1 - Original Soundtrack\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLucky Star\u003cbr data-mce-fragment=\"1\"\u003e Maidenwood\u003cbr data-mce-fragment=\"1\"\u003e Goerdel\u003cbr data-mce-fragment=\"1\"\u003e Princess Plum\u003cbr data-mce-fragment=\"1\"\u003e Horoscope Dance\u003cbr data-mce-fragment=\"1\"\u003e Tremolo\u003cbr data-mce-fragment=\"1\"\u003e Forest\u003cbr data-mce-fragment=\"1\"\u003e Trumpet Song\u003cbr data-mce-fragment=\"1\"\u003e Dirty Tramp Accordion\u003cbr data-mce-fragment=\"1\"\u003e Woodland Dump\u003cbr data-mce-fragment=\"1\"\u003e Plums Song\u003cbr data-mce-fragment=\"1\"\u003e Plum And Gert Duet\u003cbr data-mce-fragment=\"1\"\u003e Hugos Song\u003cbr data-mce-fragment=\"1\"\u003e Luckiest Man\/Hospice For Destitute Lovers \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDisc 2 - Woodenhead Reimagined\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeremy Veal - Lucky Star (JV remix)\u003cbr data-mce-fragment=\"1\"\u003e Ryan Smith - Nothing Sensible Remix (Plum's incantation)\u003cbr data-mce-fragment=\"1\"\u003e Jeff Holdaway - The World is a difficult place\u003cbr data-mce-fragment=\"1\"\u003e Mimi Gilbert - Destitute Lovers\u003cbr data-mce-fragment=\"1\"\u003e Scott Mannion - The Luckiest Man\u003cbr data-mce-fragment=\"1\"\u003e Craig Sengelow - Ruins\u003cbr data-mce-fragment=\"1\"\u003e Demarnia Lloyd - The Tremor (Rushing)\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/E2WAid-87zw\" allowfullscreen=\"\" allow=\"accelerometer; 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You're Killing Me\/My Radio\/Nothing Ever Happens (Jukebox Musical Versions)\u003cbr\u003e06. Spizzle Truck (Portland Rehearsal Session)\u003cbr\u003e07. It's What I Want (Movie Clip)\u003cbr\u003e08. In the Mouth of the Desert (Live at Le Grand Rex, Paris)\u003cbr\u003e09. Priceless Art (Movie Clip)\u003cbr\u003e10. Fame Throwa (LA Rehearsal Session)\u003cbr\u003e11. Song is Sacred (Movie Clip)\u003cbr\u003e12. Here (Jukebox Musical Versions)\u003cbr\u003e13. Zurich is Stained (Live at Cirkus, Stockholm)\u003cbr\u003e14. When Songs Are Bought (Movie Clip)\u003cbr\u003e15. Witchi Tai-To (LA Rehearsal Session)\u003cbr\u003e16. Don't Fuck with My Rolls Man (Movie Clip)\u003cbr\u003e17. Two States (Live at Cirkus, Stockholm)\u003cbr\u003e18. I Can't Play Billie Joel\/\"Range Life\" Theme (Movie Clips)\u003cbr\u003e19. Joe Keery Sings Range Life at Fake Lollapalooza (Deleted Scene)\u003cbr\u003e20. Serpentine Pad (LA Rehearsal Session)\u003cbr\u003e21. Stairwell Scene (Movie Clip)\u003cbr\u003e22. Filmore Jive (Portland Rehearsal Session)\u003cbr\u003e23. Circa 1762 (John Peel Session)\u003cbr\u003e24. We Dance (Jukebox Musical Versions)\u003cbr\u003e25. Unfair (Live at Cirkus, Stockholm)\u003cbr\u003e26. Harness Your Hopes (Live at Cirkus, Stockholm)\u003cbr\u003e27. Still Waiting on that Gold Record (Spiral Interview)\u003cbr\u003e28. Snail Mail - Shoot the Singer (Live from the Pavement Museum in NYC)\u003cbr\u003e29. Endless Loop of Songs (Deleted Scene)\u003cbr\u003e30. No More Absolutes\/So Mind Blowing (Movie Clips)\u003cbr\u003e31. Grounded (Live at the Fonda Theatre, Los Angeles)\u003cbr\u003e32. Fight This Generation (Mud Throwa Musical - Live Mix)\u003cbr\u003e33. The Band That Ruined Lollapalooza (Movie Clip)\u003cbr\u003e34. The Infrastructure Rots (Movie Clip\/Jukebox Musical Versions)\u003cbr\u003e35. Type Slowly (Live at Cirkus, Stockholm)\u003cbr\u003e36. Slanted! Enchanted! Tryouts! (Movie Clip)\u003cbr\u003e37. Grave Architecture (Portland Rehearsal Session)\u003cbr\u003e38. I Heard Pavement for the First Time Six Weeks Ago (Movie Clip)\u003cbr\u003e39. Give It A Day (Jukebox Musical Versions)\u003cbr\u003e40. I Just Saw A Ghost (Movie Clip)\u003cbr\u003e41. Slanted! Enchanted! Finale! 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It features many music tracks that were \"silently\" added to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eMinecraft\u003c\/i\u003e \u003c\/strong\u003ein the\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca style=\"color: #000000;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/2013_Music_Update\" class=\"mw-redirect\" title=\"2013 Music Update\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/2013_Music_Update\"\u003eMusic Update\u003c\/a\u003e \u003c\/span\u003ea few days after the album's release, as well as the\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: #030303;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca style=\"color: #030303; text-decoration: underline;\" href=\"https:\/\/minecraft.fandom.com\/wiki\/Music_discs\" class=\"mw-redirect\" title=\"Music discs\" data-mce-href=\"https:\/\/minecraft.fandom.com\/wiki\/Music_discs\"\u003emusic discs\u003c\/a\u003e\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003ethat were missing from the first album (except for \"11\"). Similarly to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eVolume Alpha\u003c\/i\u003e,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eVolume Beta\u003c\/i\u003e \u003c\/strong\u003eincludes short bonus tracks that are not in the game.\u003c\/p\u003e\n\u003cp\u003eWith a less minimalistic style, longer track lengths with more complex structures, and a much greater emphasis on lush, ambient synth sounds, the album has a noticeably darker and more dramatic tone than\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cstrong\u003eVolume Alpha.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003eKi\u003cbr\u003eAlpha\u003cbr\u003eBlind Spots\u003cbr\u003eMutation\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eBiome Fest\u003cbr\u003eAria Math\u003cbr\u003eTaswell\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eBeginning 2\u003cbr\u003eMoog City\u003cbr\u003eThe End\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eKyoto\u003cbr\u003eChirp\u003cbr\u003eMellohi\u003cbr\u003eStal\u003cbr\u003eEleven\u003cbr\u003eFar\u003cbr\u003eIntro\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0y53iF8BTSU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"C418","offers":[{"title":"2CD","offer_id":47852138529012,"sku":"GI360CD","price":33.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/C418volumeBeta.jpg?v=1722304108"},{"product_id":"nala-sinephro-the-smashing-machine-ost-cd","title":"Nala Sinephro - The Smashing Machine OST (CD)","description":"\u003cp\u003e\u003c!--StartFragment --\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003eThis is \u003cstrong\u003eNala Sinephro's \u003c\/strong\u003edebut original film score, for \u003cstrong\u003eBenny Safdie's The Smashing Machine,\u003c\/strong\u003e which was premiered at the 82nd Venice International Film Festival (to a 15min standing ovation!!) ahead of its official release on October 3rd.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"pf0\"\u003e\u003cspan class=\"cf0\"\u003e\u003cstrong\u003eThe Smashing Machine \u003c\/strong\u003eexplores the story of legendary mixed martial arts \u0026amp; 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