{"title":"SULFATE | BAND","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFeral, devolved and running on instinct, the six songs on Sulfate’s third album ‘And It Wants’ grapple between David Harris unleashing on his drum kit, Zac Arnold conjuring fuzz and feedback and Peter Ruddell’s taut, wiry guitar-work and commanding baritone. Written and recorded in New Lynn’s industrial area, this new batch of songs were created on a diet of Cormac McCarthy novels, Adam Curtis documentaries and the madness of gothic horror.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“The writing of And It Wants was essentially starting a new band” notes Peter. “It was a clean slate after a long break - with two major changes: Zac Arnold joining on bass guitar, and me moving from an overly elaborate keyboard setup to an electric guitar with as few pedals as possible. When starting Wax Chattels, I felt that if I kept the instrumentation simple it would force the band to push the songs further - make the structures and arrangements more interesting - rather than getting trapped in the tone-zone. I think this had the same effect on And It Wants, and we really dig in with these songs. Zac’s inclusion in the group has had a significant impact on the group as a whole, much in the same way Hariet Ellis impacted Godzone (2021, Flying Nun). The way Zac plays bass isn’t like anyone else - he creates walls of noise, which we embraced wholeheartedly on this new record, and his wealth of music knowledge provided great context and guidance as we were in the writing stages.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThematically ‘And It Wants’ sees Ruddell clinging to optimism \u0026amp; joy while being subject to the existential nihilism of our current hypernormal, western reality. “Death is all through this record. The songs were born out of the feeling that there are no rules, that nothing matters, and that we all die. That we dance around the fact that death comes for us all, but we never really, truly, acknowledge it - it’s just too big or too heavy to have any kind of impact on our day to day existence. The intent is to provide a sonic backdrop to dance ecstatically, liberated, as the world around you burns. Find comfort and joy in things while you can, even as the end draws near and darkness begins to ruminate. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e‘And It Wants’ was recorded at West Fried Sound by Emily Wheatcroft-Snape, with additional recording at Sulfate Studios by Peter Ruddell. Mixed by Ruddell, the album was then mastered by Mikey Young (Eddy Current Suppression Ring, Total Control). Since recording, Sulfate's line up has expanded once more, introducing multi-instrumentalist Louisa Nicklin to the band's inexorable live performances. \u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"sulfate-godzone-2021","title":"Sulfate - Godzone (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDark, heavy and cathartic; \u003cstrong\u003eSulfate\u003c\/strong\u003e paints a bleak picture of New Zealand with their wryly titled second album \u003cstrong\u003e\u003cem\u003eGodzone\u003c\/em\u003e\u003c\/strong\u003e — out 10\u003csup\u003eth\u003c\/sup\u003e September 2021 on \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cstrong\u003eSulfate\u003c\/strong\u003e began as the solo project of \u003cstrong\u003ePeter\u003c\/strong\u003e \u003cstrong\u003eRuddell\u003c\/strong\u003e, known for his work with the noise-rock group \u003cstrong\u003eWax\u003c\/strong\u003e \u003cstrong\u003eChattels\u003c\/strong\u003e — who were nominated twice for the \u003cstrong\u003eTaite\u003c\/strong\u003e \u003cstrong\u003eMusic\u003c\/strong\u003e \u003cstrong\u003ePrize\u003c\/strong\u003e, as well as for \u003cem\u003eBest Alternative Artist\u003c\/em\u003e at the \u003cstrong\u003eAotearoa\u003c\/strong\u003e \u003cstrong\u003eMusic\u003c\/strong\u003e \u003cstrong\u003eAwards\u003c\/strong\u003e. The solo endeavour of \u003cstrong\u003eSulfate\u003c\/strong\u003e quickly morphed into a two-piece band, with \u003cstrong\u003eDavid\u003c\/strong\u003e \u003cstrong\u003eHarris’\u003c\/strong\u003e metronomic drumming proving integral to the sound of the group.\u003c\/p\u003e\n\u003cp\u003eFrom the inception of the band the ethos has always been to create intensity through restraint, and they developed a live reputation for \u003cem\u003e“startling, sonorous… crushing yet considered” \u003c\/em\u003eperformances (\u003cstrong\u003eAmbientLightBlog\u003c\/strong\u003e). Sonically, things develop slowly, creating an atmosphere and mood that \u003cem\u003e“invades the subconscious” \u003c\/em\u003e(\u003cstrong\u003eGraham Reid\u003c\/strong\u003e) before the crushing noise sets in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSulfate\u003c\/strong\u003e released their debut self-titled album in 2019 via\u003cstrong\u003e Prison Tapes\u003c\/strong\u003e, setting out with the intention of making a truly DIY record. With their debut, the band reached #1 on multiple student radio stations, and completed two tours of New Zealand and a tour of Australia.\u003c\/p\u003e\n\u003cp\u003eIt is with this foundation set that \u003cstrong\u003eSulfate\u003c\/strong\u003e created \u003cstrong\u003e\u003cem\u003e‘Godzone’\u003c\/em\u003e\u003c\/strong\u003e, an album written during the chaos of 2020, and recorded early 2021 at \u003cstrong\u003eRuddell’s\u003c\/strong\u003e home studio in Balmoral, Auckland. \u003cstrong\u003eHariet\u003c\/strong\u003e \u003cstrong\u003eEllis\u003c\/strong\u003e, who featured as a guest on \u003cem\u003e‘Bush’\u003c\/em\u003e on the debut record, has joined as a full-time band member, adding grinding, distorted bass guitar to the mix and with vocals featuring more prominently.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KtVTS0T5B9Q\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDrawing on influences from \u003cstrong\u003eBailterspace\u003c\/strong\u003e and \u003cstrong\u003eTropical Fuck Storm\u003c\/strong\u003e to \u003cstrong\u003eJóhann Jóhannsson\u003c\/strong\u003e and \u003cstrong\u003eEarth\u003c\/strong\u003e, this sophomore album displays a natural progression from their self-titled debut. Sonically, \u003cstrong\u003eRuddell\u003c\/strong\u003e has been honing his production skills over the past two years, recording and mixing local acts \u003cstrong\u003eDick Move\u003c\/strong\u003e, \u003cstrong\u003eNa Noise\u003c\/strong\u003e (both nominated for ‘\u003cem\u003eBest Independent Debut\u003c\/em\u003e’ at the \u003cstrong\u003eTaite Music Awards\u003c\/strong\u003e) and \u003cstrong\u003eJazmine Mary\u003c\/strong\u003e. This has paid dividends, with \u003cstrong\u003e\u003cem\u003e‘Godzone’\u003c\/em\u003e\u003c\/strong\u003e sounding more polished, yet retaining the DIY character of the first record.\u003c\/p\u003e\n\u003cp\u003eThe thematic content of the record has its sights firmly set on New Zealand society. With “\u003cem\u003eBottle It In\u003c\/em\u003e” we hear frustration over the pace of social change; in “\u003cem\u003eCrossing\u003c\/em\u003e”, how these desires for this change are not always followed through — instead we simply enjoy the scenery; and in the titular song “\u003cem\u003eGodzone\u003c\/em\u003e” \u003cstrong\u003eRuddell\u003c\/strong\u003e sings of the cognitive dissonance of many New Zealanders, and how we willfully ignore the effects our actions have on our surroundings as we go about or day-to-day lives. “\u003cem\u003eForgetting\u003c\/em\u003e” echoes this sentiment, discussing how we often misremember facts and convince ourselves of alternative realities, be it deliberately or subconsciously, so as to not have to deal with consequences and face changing our behaviour.\u003c\/p\u003e\n\u003cp\u003eOn \u003cstrong\u003e\u003cem\u003eGodzone\u003c\/em\u003e\u003c\/strong\u003e, \u003cstrong\u003eSulfate\u003c\/strong\u003e opens the door to the darker side of “God’s Own Country”; New Zealand — and is out on September 10th, 2021 via \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_qPI66LR9JA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sulfate","offers":[{"title":"Vinyl LP (Forest Green Vinyl)","offer_id":40444803809431,"sku":"FN601LP","price":44.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FRONTCOVER1400X1400.png?v=1721959131"},{"product_id":"sulfate-sulfate","title":"Sulfate – Sulfate (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eSulfate\u003c\/strong\u003e began as the solo project of\u003cstrong\u003e Peter Ruddell\u003c\/strong\u003e, known for his work with the noise-rock group \u003cstrong\u003eWax Chattels\u003c\/strong\u003e — who were nominated twice for the \u003cstrong\u003eTaite Music Prize\u003c\/strong\u003e, as well as for Best Alternative Artist at the \u003cstrong\u003eAotearoa Music Awards.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe solo endeavour of \u003cstrong\u003eSulfate\u003c\/strong\u003e quickly morphed into a two-piece band, with \u003cstrong\u003eDavid Harris’\u003c\/strong\u003e metronomic drumming proving integral to the sound of the group.\u003cbr\u003e\u003cbr\u003eFrom the inception of the band the ethos has always been to create intensity through restraint, and they developed a live reputation for “startling, sonorous… crushing yet considered” performances (AmbientLightBlog). \u003cbr\u003e\u003cbr\u003eSonically, things develop slowly, creating an atmosphere and mood that “invades the subconscious” (\u003cstrong\u003eGraham Reid\u003c\/strong\u003e) before the crushing noise sets in.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSulfate\u003c\/strong\u003e released their debut self-titled album in 2019 via\u003cstrong\u003e Prison Tapes\u003c\/strong\u003e, setting out with the intention of making a truly DIY record. 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Written and recorded in New Lynn’s industrial area, this new batch of songs were created on a diet of Cormac McCarthy novels, Adam Curtis documentaries and the madness of gothic horror.\u003c\/p\u003e\n\u003cp\u003eSonically, \u003cstrong\u003eSulfate\u003c\/strong\u003e set out some parameters at the outset of the album recordings - and it was important for things to sound real. The band wanted real instruments to be played, and, importantly, sound like they’re being played, by real, living people. This was a conscious reaction to the modern, online, perfect-existence, social media-ness of it all. Audio engineer \u003cstrong\u003eEmily\u003c\/strong\u003e \u003cstrong\u003eWheatcroft\u003c\/strong\u003e-\u003cstrong\u003eSnape\u003c\/strong\u003e was recommended to the band because of her ability to capture sounds with accuracy and precision - and she encapsulated the live band just as they had hoped.\u003c\/p\u003e\n\u003cp\u003eThematically, \u003cem\u003e\u003cstrong\u003e‘And It Wants’\u003c\/strong\u003e\u003c\/em\u003e sees \u003cstrong\u003eRuddell\u003c\/strong\u003e clinging to optimism and joy while being subject to the existential nihilism of our current hypernormal, western reality. \u003cem\u003e“Death is all through this record. The songs were born out of the feeling that there are no rules, that nothing matters, and that we all die. That we dance around the fact that death comes for us all, but we never really, truly, acknowledge it - it’s just too big or too heavy to have any kind of impact on our day to day existence. The intent is to provide a sonic backdrop to dance ecstatically, liberated, as the world around you burns. Find comfort and joy in things while you can, even as the end draws near and darkness begins to ruminate.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e‘And It Wants’\u003c\/strong\u003e\u003c\/em\u003e was recorded at \u003cstrong\u003eWest\u003c\/strong\u003e \u003cstrong\u003eFried\u003c\/strong\u003e \u003cstrong\u003eSound\u003c\/strong\u003e by \u003cstrong\u003eEmily\u003c\/strong\u003e \u003cstrong\u003eWheatcroft\u003c\/strong\u003e-\u003cstrong\u003eSnape\u003c\/strong\u003e, with additional recording at \u003cstrong\u003eSulfate\u003c\/strong\u003e \u003cstrong\u003eStudios\u003c\/strong\u003e by \u003cstrong\u003ePeter\u003c\/strong\u003e \u003cstrong\u003eRuddell\u003c\/strong\u003e. Mixed by Ruddell, the album was then mastered by \u003cstrong\u003eMikey\u003c\/strong\u003e \u003cstrong\u003eYoung\u003c\/strong\u003e (Eddy Current Suppression Ring, Total Control). Since recording, Sulfate's line up has expanded once more, introducing multi-instrumentalist \u003cstrong\u003eLouisa\u003c\/strong\u003e \u003cstrong\u003eNicklin\u003c\/strong\u003e to the band's inexorable live performances. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e‘And It Wants’ \u003c\/strong\u003e\u003c\/em\u003eis out digitally, and on two exclusive vinyl variants via \u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e and \u003cstrong\u003eHoliday\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e on October 23rd. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003eAnd It Wants\u003cbr\u003eI Want The Why\u003cbr\u003eJudgement\u003cbr\u003eAqui\u003cbr\u003eUp The Guts\u003cbr\u003eBravado\u003cbr\u003e\u003c\/p\u003e","brand":"Sulfate","offers":[{"title":"Vinyl LP - Exclusive 'Flying Nun Black and White Marble'","offer_id":48923711570164,"sku":null,"price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/FRONTCOVERVINYL.jpg?v=1785200794"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/00._LEAD_IMAGE_Sulfate_CREDIT_Zoe_Dunster.jpg?v=1787803359","url":"https:\/\/www.flyingnun.co.nz\/collections\/sulfate-artist.oembed","provider":"Flying Nun ","version":"1.0","type":"link"}