{"title":"VINYL (New)","description":"","products":[{"product_id":"fn385-bressa-creeting-cake-bressa-creeting-cake-album1997","title":"Bressa Creeting Cake - Bressa Creeting Cake","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN385 Bressa Creeting Cake - Bressa Creeting Cake (1997)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNever released before on vinyl, this expanded double LP edition of the bands' self-titled debut also features tracks from the \u003cstrong\u003ePapa People EP\u003c\/strong\u003e plus b-sides and rarities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll too rarely does a musical group come along with all the right bits intact and just enough of the wrong bits there to make you sit up and really take notice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmerging on the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elabel in the late 90s,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas heralded as a young band \"brimming with ideas\". Their self-titled 1997 debut album - made up of 15 tracks swinging between psychedelic and progressive rock (including single \u003cem\u003e\u003cstrong\u003eNervous Wreck\u003c\/strong\u003e\u003c\/em\u003e) received acclaim.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHaving already made serious wobbles in the airwaves over student radio with a string of demo recordings. Stretching their prodigious talents into a full album's worth of tunes, this young band revel in the chance to show us exactly what they're capable of. And that, my friends, is a lot.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRight from the calypso swing of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/em\u003e\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBressa Creeting Cake\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ekick into the playful pop inventiveness that stands as the album's major mood. The vast array of styles on the album include plenty of psychedelic tinges and a hint of progressive rock, but the band don't get stuck in any one place for long over fifteen songs. And those frivolous moments like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare balanced out by more earnest tracks such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYou and I\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLyrically, both Edmund Cake and Geoff Creeting string words together with no small amount of flair. Whether it be the Hungarian\/Mongolian hybrid language in \u003cem\u003e\u003cstrong\u003eZenax\u003c\/strong\u003e\u003c\/em\u003e, the imaginative leaps of syntax and imagery in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRocky Mountain\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eEgyptian Tanker\u003c\/em\u003e\u003c\/strong\u003e, or the strange tales told in the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eA Chip That Sells Millions\u003c\/em\u003e\u003c\/strong\u003e or\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAn Early Microscope\u003c\/strong\u003e\u003c\/em\u003e, the use of words and meaning adds depth to the tunes here.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGeoff Maddock (then going by the stage name Geoff Creeting) and Joel Wilton, went on to form pop-folk band Goldenhorse alongside Kirsten Morelle. Ed Cake has released a solo album and produced\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePalm Singing\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEgyptian Tanker\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou \u0026amp; I\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGreasy Grandma\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSuperstation\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Chip That Sells Millions\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eZenax\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocketship\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRotten Old Bitch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThey Write Words To People Who Are Dead\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePapa People\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRocky Mountain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAn Early Microscope\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePeyton Farquhar\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWood For Her\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBeer Ginka\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAll The Cars\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGulfo Benga\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBilly Two (Clean cover)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRing Ring (Abba Cover)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Bressa Creeting Cake","offers":[{"title":"Vinyl 2LP","offer_id":37011226984599,"sku":"FN385lp","price":58.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/BressaCreetingCakeFrontCover.jpg?v=1721978051"},{"product_id":"fn505-the-mint-chicks-screens-2009","title":"The Mint Chicks - Screens (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eScreens\u003c\/b\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eis the third studio album from Portland, Oregon-based \"troublegum pop\" group The Mint Chicks. It was originally released on March 16, 2009 on Flying Nun Records.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Mint Chicks","offers":[{"title":"Vinyl LP","offer_id":36867121381527,"sku":"FN505lp","price":0.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/4551711.jpg?v=1599694752"},{"product_id":"fn525-badd-energy-underwater-pyramids-2013","title":"Badd Energy - Underwater Pyramids (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFN525 Badd Energy - Underwater Pyramids ‎(2013)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnderwater Pyramids\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the latest album from noize quartet\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBadd Energy\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFormed in 2009,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBadd Energy \u003c\/strong\u003eis a mix of guitars, drum machines and genres, with Coco Solid, Sam Moore, Trixie Darko and J.Suave kick out motley jams blending stoner-swamp riffs with laid back 808 raps.\u003c\/p\u003e\n\u003cp\u003eNow, with a handful of singles, mind-bending videos and alt-radio staples like\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBa-Zing\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThird Eye,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe group finally release their sophomore album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUnderwater Pyramids\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eSpanning fantasy and the unsettling, from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHow Do You Sleep\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto the anti-apathy attack of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRiot\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eUnderwater Pyramids\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ehurtles listeners through a kaleidoscopic of noize and rage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEntro\u003c\/li\u003e\n\u003cli\u003eThird Eye\u003c\/li\u003e\n\u003cli\u003eRiot\u003c\/li\u003e\n\u003cli\u003eHow Do You Sleep At Night\u003c\/li\u003e\n\u003cli\u003eBa-Zing\u003c\/li\u003e\n\u003cli\u003eBlue Swan\u003c\/li\u003e\n\u003cli\u003eBridges To Burn\u003c\/li\u003e\n\u003cli\u003eThe Conference\u003c\/li\u003e\n\u003cli\u003eUnderwater Pyramids\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Badd Energy","offers":[{"title":"Vinyl LP","offer_id":36837093277847,"sku":"FN525lp","price":20.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FN525_-_Bad_Energy_-_Underwater_Pyramids_iTunes_JPG.jpg?v=1721977764"},{"product_id":"fn569-lawrence-arabia-absolute-truth-2016","title":"Lawrence Arabia - Absolute Truth (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFN569 Lawrence Arabia - Absolute Truth (2016)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThat connoisseur of classic songwriting,\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLawrence Arabia\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- the pseudonym of James Milne is back with his new album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eand a hearty slice of timeless music inspired as much by 1970's West Coast Americana as New Zealand indie pop.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in the Garden City of Christchurch, New Zealand, in 1981 (the year the Springbok tour divided the country, and that The Clean debuted with the single Tally Ho!), a youthful James Milne served an illustrious indie-rock apprenticeship touring the US as bassist for Auckland-based pop group\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Brunettes\u003c\/strong\u003e, and for Ryan McPhuns\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRuby Suns\u003c\/strong\u003e. And then, as Reginald Dwight made way for the musical entity that was Elton John, and David Jones blossomed into David Bowie, so plain old James Milne ceded to the ubermensch that has become one of New Zealand's finest contemporary songwriters and performers the celebrated singer of songs that is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLawrence Arabia\u003c\/strong\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the course of the last decade Lawrence Arabia has released three albums, toured Europe with the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOkkervil River\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFeist\u003c\/strong\u003e, won the prestigious APRA Silver Scroll for the song Apple Pie Bed and the inaugural Taite Music Prize for the album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChant Darling\u003c\/strong\u003e\u003c\/em\u003e. While, third album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Sparrow\u003c\/strong\u003e\u003c\/em\u003ewas greeted with warm acclaim for its uncompromising dark, sparse feel and themes - including a four star review in Mojo and winning a New Zealand Music Award for Best Male Solo Album in 2013. Whew!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhich brings us to the present day, and to the imminent release of the fourth Lawrence Arabia album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbsolute Truth\u003c\/strong\u003e\u003c\/em\u003e; this time, fittingly, via Flying Nun label that released their first music in the year of his birth. 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The Old Dancefloor \u003cbr data-mce-fragment=\"1\"\u003e4. I Waste My Time \u003cbr data-mce-fragment=\"1\"\u003e5. Brain Gym \u003cbr data-mce-fragment=\"1\"\u003e6. O Heathcote \u003cbr data-mce-fragment=\"1\"\u003e7. Another Century \u003cbr data-mce-fragment=\"1\"\u003e8. The Palest Of Them All \u003cbr data-mce-fragment=\"1\"\u003e9. Mask Of Maturity \u003cbr data-mce-fragment=\"1\"\u003e10. What Became of that Angry Young Man\u003c\/p\u003e","brand":"Lawrence Arabia","offers":[{"title":"Vinyl LP","offer_id":36768761806999,"sku":"FN569lp","price":48.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Lawrence-Arabia-Absolute-Truth-COVER_SML.png?v=1721977442"},{"product_id":"fn567-grayson-gilmour-otherness-2017","title":"Grayson Gilmour - Otherness (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe first thing you hear is a note.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt might be a plucked piano string or some celestial harp, it’s impossible to tell, but it is echoing to infinity, like a sonar signal bouncing off the cosmos, creating an irregular percussive rhythm as it moves through space. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOtherness\u003c\/em\u003e his third record with Flying Nun Records, follows on from 2014’s critically acclaimed ‘Infinite Life!’ (\u003cstrong data-mce-fragment=\"1\"\u003enominated for both NZ Music Award and the 2015 Taite Prize\u003c\/strong\u003e) and \u003c\/span\u003eover a 15 year music career,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGrayson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehas built himself a dedicated fan base and admiration from music critics across New Zealand and internationally for not just his solo work but his band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSo So Modern\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand his more recent film and TV work. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the first moments of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eOtherness\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eGrayson Gilmour\u003c\/strong\u003e’s wonderfully rich new album, he has given an object lesson in how intimately word and sound can be entwined. These aren’t just a few cool samples splashed around some nice songs. This is a place where song and sound are inseparable. And that intricate weave of tone and imagery continues through 43 minutes of music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGilmour\u003c\/strong\u003e has had plenty of practice at this. He began making recordings in his teens, if not earlier. His first releases were handmade things: home-recorded and presented in inky packages, meticulously photocopied, folded and glued. As time went on these grew more sophisticated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough an accomplished player on all the traditional rock instruments – piano, guitar, drums, bass – he has a more specialised gift for making music out of things that weren’t instruments to start with: found sounds, sonic detritus, which he has been known to copy back and forth between two old cassette recorders, until they develop a patina, a kind of acoustic cortex. Sometimes these will become the textural and rhythmic foundations for songs. On \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOtherness\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e such building blocks are enmeshed with electronics and those more traditional instruments, to which he also adds live strings. The results are lush, surprising and ever-shifting.\u003c\/span\u003e\u003c\/p\u003e\nBut if \u003cstrong\u003eGilmour\u003c\/strong\u003e is more sonically inventive than ever, he has also become more direct in the way he expresses himself; more generous with his melodies, more open with his emotions. His singing has never been more prominent or assured. Above all, Otherness is an album of glorious pop songs – yearning, heart-tugging, romantic – encased in beautiful sound worlds.\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hundred Waters\u003cbr data-mce-fragment=\"1\"\u003e2. Blow Back\u003cbr data-mce-fragment=\"1\"\u003e3. Twenty-One Tattoo\u003cbr data-mce-fragment=\"1\"\u003e4. Better Life\u003cbr data-mce-fragment=\"1\"\u003e5. Be A Beacon\u003cbr data-mce-fragment=\"1\"\u003e6. Otherness\u003cbr data-mce-fragment=\"1\"\u003e7.Sundowning\u003cbr data-mce-fragment=\"1\"\u003e8. Slow Hope\u003cbr data-mce-fragment=\"1\"\u003e9. Artery \/ Don't Let It Get You!\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e","brand":"Grayson Gilmour","offers":[{"title":"Vinyl LP (Milky Clear Vinyl)","offer_id":36768355319959,"sku":"FN567lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Grayson_Gilmour_-_Otherness.jpg?v=1721977431"},{"product_id":"fn574-fazerdaze-morningside-2017","title":"Fazerdaze - Morningside (Vinyl)","description":"\u003cp\u003eFN574 \u003cstrong\u003eFazerdaze\u003c\/strong\u003e - \u003cem\u003eMorningside \u003c\/em\u003e(2017)\u003c\/p\u003e\n\u003cp\u003eThe brainchild of \u003cstrong\u003eAmelia Murray\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/fazerdaze\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFazerdaze\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebegan as a string of bedroom recordings created late in the night, emerging fully-formed in 2014 as her debut eponymous EP. A succinct collection of intimate, beautifully produced dream-pop written, produced and performed by Murray herself. It’s a significant first outing for the young New Zealander with layers of softly crunching guitars swirling over consistently driving drum machines, and sparse electronica.\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the release of \u003cem\u003eMorningside\u003c\/em\u003e, \u003cstrong\u003eFazerdaze\u003c\/strong\u003e and her band have shifted to another level. Supporting and touring with international acts like \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eExplosions In The Sky\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eConnan Mockasin\u003c\/strong\u003e. She was invited to join the Red Bull Music Academy in Montreal and she stole the show at both \u003cstrong data-mce-fragment=\"1\"\u003eAuckland's Laneway Festival\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eThe Others Way Festival\u003c\/strong\u003e. And now here we are with here debut album - \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMorningside\u003c\/strong\u003e \u003c\/em\u003e- a full set of \"\u003cem data-mce-fragment=\"1\"\u003eswooning, happy-sad bedroom guitar-pop sunshine\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLast To Sleep \/\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLucky Girl\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMisread\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Uneasy\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eJennifer\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTake It Slow\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShoulders\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFriends\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHalf-Figured\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBedroom Talks\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0cjpAz5iUnA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fazerdaze","offers":[{"title":"Vinyl","offer_id":36768029900951,"sku":"FN574LP","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Fazerdaze_-_Morningside_Vinyl_CD.jpg?v=1726199198"},{"product_id":"fn575-aldous-harding-party-2017","title":"Aldous Harding - Party (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas produced with the award-winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Parish (PJ Harvey, Sparklehorse\u003c\/strong\u003e) in Bristol, a world away from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Zealand home. As well as contributions from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParish\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePerfume Genius’s Mike Hadreas\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elends vocals to the aforementioned I\u003cem data-mce-fragment=\"1\"\u003emagining My Man\u003c\/em\u003e and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSwell Does The Skull\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eIgniting interest with her eponymous debut album released just two years ago,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003equickly became a name murmured on many lips. She’s known for her sinister torch songs, gentle laments and eerie odes delivered with a charismatic combination of hubris, shrewd wit and quiet horror.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eParty\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eintroduces a new talent to the stark and unpopulated dramatic realm where\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKate Bush\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScott Walker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereside. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e1. Blend\u003cbr data-mce-fragment=\"1\"\u003e2. Imagining My Man\u003cbr data-mce-fragment=\"1\"\u003e3. Living The Classics\u003cbr data-mce-fragment=\"1\"\u003e4. Party\u003cbr data-mce-fragment=\"1\"\u003e5. I’m So Sorry\u003cbr data-mce-fragment=\"1\"\u003e6. Horizon\u003cbr data-mce-fragment=\"1\"\u003e7. What If Birds Aren’t Singing They’re Screaming\u003cbr data-mce-fragment=\"1\"\u003e8. The World Is Looking For You\u003cbr data-mce-fragment=\"1\"\u003e9. Swell Does The Skull\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aipyvUAXtJI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36767897092247,"sku":"FN575lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/995e81de-4636-43f6-8561-bdcb069800be.png?v=1721977370"},{"product_id":"fn588-the-courtneys-the-courtneys-2017","title":"The Courtneys - The Courtneys","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eVancouver three-piece \u003cstrong\u003eThe Courtneys'\u003c\/strong\u003e excellent 2013 self-titled debut reissued on \u003cstrong\u003eFlying Nun Records.\u003c\/strong\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eConsistently propelling itself forward, this collection of eight songs is drenched in summer hooks propelled by fuzzed out guitars and vocals that are both nonchalant and introspective. Relatable topics such as money, romance, and sci fi are coupled with a lo-fi urgency that doesn’t outstay it’s welcome.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough inspired by classic \u003cstrong\u003eFlying Nun\u003c\/strong\u003e and C86 era bands, as well as \u003cstrong\u003eTeenage Fanclub\u003c\/strong\u003e, \u003cstrong\u003ePavement,\u003c\/strong\u003e and \u003cstrong\u003eEddy Current Suppression Ring\u003c\/strong\u003e, The Courtneys’ sound is not tied to one single era. A penchant for pop craft collides with the trio’s underlying punk aesthetic, resulting in slacker rock that’s at once sweet and subtle. The songs are the result of a passionate collaborative songwriting process that combines drummer\/lead singer Jen Twynn Payne's (Cute Courtney) heartfelt lyrics, which are delivered with a powerful vocal style, Courtney Loove's (Classic Courtney) dreamy power-pop inspired guitar riffs, and Sydney Koke's (Crazy Courtney) driving basslines.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is clear to hear why\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Courtneys\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efelt at home in New Zealand when they first toured there in the summer of 2015 and joined the Flying Nun roster. Their commitment to the fine balance of pop and idiosyncratic indie guitar music finds lineage between\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e, L\u003cstrong data-mce-fragment=\"1\"\u003eook Blue Go Purple\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Bats\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewhile diving deeper into the fuzzy world of the likes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBailterspace\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNu Sundae\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eManion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInsufficient Funds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e90210\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDelivery Boy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eK.C. Reeves\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDead Dog\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSocial Anxiety\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eFN588 The Courtneys - The Courtneys (2017)\u003c\/span\u003e\u003c\/p\u003e","brand":"The Courtneys","offers":[{"title":"Vinyl LP","offer_id":36732136751255,"sku":"FN588LP","price":39.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":38252440912023,"sku":"FN588CD","price":17.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/a3320012150_10.jpg?v=1599609427"},{"product_id":"fn508lp-kody-nielson-birthday-suite-2018","title":"Kody Nielson - Birthday Suite (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFN580 \u003cstrong\u003eKody Nielson\u003c\/strong\u003e - Birthday Suite (2018)\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eForever twisting genre, technique and persona, \u003cstrong\u003eKody Nielson\u003c\/strong\u003e continues to be one of New Zealand’s most vital musicians. Nielson’s groundbreaking production, songwriting and exhilarating live performance with art punk pioneers The Mint Chicks helped to secure the group fans worldwide and five New Zealand Music Awards for their 2007 gold-certified album \u003cem data-mce-fragment=\"1\"\u003eCrazy? Yes! Dumb? No!\u003c\/em\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eSince the group’s disbanding in 2010, his solo project Silicon has been praised by the likes of Pharrell Williams and Justin Timberlake, as well as winning the prestigious Taite Music Prize for the 2016 album \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePersonal Computer\u003c\/em\u003e\u003c\/strong\u003e. Alongside his work with Bic Runga and their group Opossom, Kody has been an integral collaborator in brother Ruban’s project \u003cstrong data-mce-fragment=\"1\"\u003eUnknown Mortal Orchestra\u003c\/strong\u003e, and is presently touring with UMO as drummer. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\nNow, Nielson returns with \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e\u003c\/strong\u003e, notably the first full-length to be released under his own name. Set for release via Flying Nun Records on May 9, this auspicious release date marks Kody’s own birthday; with each of the record’s 12 songs written for one of the artist’s family and friend’s birthday. \u003cem data-mce-fragment=\"1\"\u003eBirthday Suite’s \u003c\/em\u003einstrumental concept also sees each single on the album unveiled to coincide with the namesakes on birthday.\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e\u003c\/strong\u003e is an energetic, elaborate set of instrumental arrangements comprised of drums, bass guitar, strings, electric piano and synthesizer. A concise and challenging experimentation, \u003cem data-mce-fragment=\"1\"\u003eBirthday Suite\u003c\/em\u003e takes ques from everything from the baroque to Afrobeat, Jazz Fusion, Psychedelic Rock and offbeat explorational sounds while maintaining a commitment to classic songcraft and musicianship.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eFirst single \u003cem data-mce-fragment=\"1\"\u003eBic’s Birthday\u003c\/em\u003e – sees baroque melodies skating with graceful aplomb over funky drum beats, calling to mind Wendy Carlos or CAN, while second single \u003cem data-mce-fragment=\"1\"\u003eRuban’s Birthday\u003c\/em\u003e is a short, sharp composition melding psychedelic string arrangements with swirling drums and organ. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eHis constant ability to agitate and explore his own boundaries, has seen Nielson cement his position as one of the most urgent and interesting characters in New Zealand’s music history.  \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"null\" data-mce-fragment=\"1\" paraeid=\"{a7c7d6bc-2fd7-4a2f-a586-759a1314b0ef}{202}\" paraid=\"839145395\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACK LIST: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. Bic's Birthday \/ 2. James's Birthday \/ 3. Ruban's Birthday \/ 4. Darien's Birthday \/ 5. Frida's Birthday \/ 6. Po Po's Birthday \/ 7. Bubba's Birthday \/ 8. Azure's Birthday \/ 9. Christopher's Birthday \/ 10. Jo Jo's Birthday \/ 11. Cherhy's Birthday \/ 12. Dee Dee's Birthday \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Kody Nielson","offers":[{"title":"Vinyl LP (White)","offer_id":36731923857559,"sku":"FN580lp-W","price":43.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP","offer_id":36731923890327,"sku":"FN580lp","price":39.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Kody_Nielson_-_Birthday_Suite_Cover_Web.jpg?v=1721977356"},{"product_id":"fn581-wax-chattels-wax-chattels-2018","title":"Wax Chattels - Wax Chattels (Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGuitarless Guitar Music.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThis is the self-imposed one-line description chosen by Auckland, New Zealand's \u003cstrong\u003eWax Chattels\u003c\/strong\u003e. The keyboard, bass and drums trio don't have a guitar player, but their overwhelming sound and energy creates an atmosphere akin to a traditional loud power trio – except their music is anything but traditional. They create darkly hypnotic and frenetic music that's both rhythmically complex and sinister. If that paints any sort of aural picture, it comes as no surprise that \"Gillian,\" their homage to X-Files star Gillian Anderson, was roundly endorsed by the ex-punk actress herself on social media before the band had even played shows outside of their home country or received any support from larger press outlets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cstrong\u003ePeter Ruddell \u003c\/strong\u003e(26, keyboards\/vocals), \u003cstrong\u003eAmanda Cheng \u003c\/strong\u003e(26, bass\/vocals) and \u003cstrong\u003eTom Leggett\u003c\/strong\u003e (22, drums) met studying Jazz Performance at the University of Auckland, and started Wax Chattels a few years later after they'd lived in Japan, Ireland, gone to Law School and\/or performed in various other projects. Though Peter plays heavily treated keyboards in the band, he's a multi-instrumentalist that focused on sax in school. His influences range from old horror movies to the more outrageous side of live performance styles in Tokyo's music and art scene. \"We want to play shows that make people feel uncomfortable. The goal is to leave the audience feeling slightly altered, like they have experienced, not just heard or seen something.\" This is evident in the self-recorded \"Stay Disappointed,\" the band's self-recorded debut single where Peter takes the lead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eFrom novels to tweets, bassist Amanda is drawn to art and writing that addresses adversity. She's influenced by recurring themes of various difficulties she has experienced in her own life, challenges she feels are overly ubiquitous in the narratives of young women of color. Her post-punk informed bass lines provide the backbone for most of the band's tracks, though when she takes the lead on \"It,\" she's unrestrained. A song about \"really fucking wanting to fuck,” \"It\" expresses that it's important to not only have more visible women in the arts – especially in genres of traditionally \"dude music\" – but also to explicitly address female sexual desires. She finds these themes are usually shrouded in subtler terms, well-dressed metaphors and cute euphemisms. Perhaps, if people hear or see these statements more, female sexuality and\/or libido could become a less shameful, \"behind close doors only\" thing. \"Slut shaming is real, prevalent, and wrong.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eInitially, Peter and Amanda started \u003cstrong\u003eWax Chattels\u003c\/strong\u003e by writing tracks with a drum machine before realizing the band would be more exciting with a live drummer. Tom was playing and continues to play in a feminist punk band as well as various jazz acts in Auckland. And, the one thing Tom hates the most in this world? Being stuck in traffic. By living in the city, he has an endless supply of anger to take out on the drums, which influences \u003cstrong\u003eWax Chattels’\u003c\/strong\u003e punishing aesthetic. His minimal kit propels the band like a freight train. When asked why he paired his kit down to what it is, Tom said: \"I saw a pianist play with only ten working keys and still sound great... I started following drummers such as Mark Guiliana, Paul Motian and Deantoni Parks, who all play minimal kits, and it always put me in awe when I heard how unrestricted they were by their set up. Also, less drums = less pack down.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eComposing together, the band worked up their material for a year prior to recording. “We tracked the songs as a live band to capture the energy of the live show, restricting ourselves to instruments which we play live and keeping all production to a minimum to focus on the band sound itself.\" The band \"come from\" and \"go to\" different places on stage and in their heads when they write, record and perform, largely because they aren't the kind of band with homogeneous interests outside of music. Live, they are not to be missed. While they do come across as a \"rock\" band, it's coming from so many places so quickly that you're kind of left wondering where you're going. The opening of the one-chord tour de force “Concrete” begins in a downright frightening and jarring place and turns into an almost Krautrock-via-Suicide crescendo. It was after a particularly insane live performance that they were signed by both Captured Tracks and Flying Nun Records on the spot.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lang-en\"\u003eWax Chattels recalls the other side of Kiwi underground rock history, one that's a bit less sunny and jangly and one that demands your attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"lang-en\"\u003eTrack List: \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lang-en\"\u003e\u003cspan\u003e1. Concrete \/ 2. Stay Disappointed \/ 3. It \/ 4. Gillian \/ 5. In My Mouth \/ 6. Shrinkage \/ 7. Career \/ 8. NRG \/ 9. Parallel Lines \/ 10. Facebook\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP","offer_id":36698751598743,"sku":"FN581lp","price":41.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-273_Wax_Chattels_Cover_3000x3000_243434d6-cce5-4705-96e4-e447fbf739d7.jpg?v=1721977337"},{"product_id":"fn586-mermaidens-look-me-in-the-eye-2019","title":"Mermaidens - Look Me In The Eye (Vinyl)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e sees \u003cstrong\u003eMermaidens\u003c\/strong\u003e scale new territory, fearlessly pushing sonic boundaries and producing a body of work as severe and progressive as it is vibrant and exhilarating. At the heart of the record lies the thematic exploration of female voices, as band members Gussie Larking (co-lead vocals\/guitar), Lily West (co-lead vocals\/bass) and Abe Hollingsworth (drums) expose motifs of exterior masks, human relationships and power dynamics with unflinching fervour. \u003c\/p\u003e\n\u003cp\u003eThe title of the new album is intentional in its double-meaning, as notions of confrontation and intimacy collide to unearth the tangled paradoxes of human connection. The voices and perspectives of both front-women shape the record with equal footing, creating a dialogue around female collaboration and friendship. \u003cem\u003e\u003cstrong\u003eLook Me In The Eye\u003c\/strong\u003e\u003c\/em\u003e was recorded with long time collaborator, audio engineer James Goldsmith at Blue Barn Studio in the trio's hometown of Wellington. \u003cbr\u003e\u003cbr\u003ePredominantly writing songs independently and then coming together as a trio to work through arrangement and develop ideas, \u003cstrong\u003eMermaidens\u003c\/strong\u003e mobilised their strengths in collaboration to produce a body of music that is every bit as experimental, as it is accessible and uniting. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mermaidens","offers":[{"title":"Vinyl LP","offer_id":36671901728919,"sku":"FN586lp","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Digi-cover-HIRES.jpg?v=1721977226"},{"product_id":"fn587-aldous-harding-designer-2019","title":"Aldous Harding - Designer (Vinyl)","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDesigner\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e finds the New Zealander \u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/aldous-harding\"\u003e\u003cstrong\u003eAldous Harding\u003c\/strong\u003e\u003c\/a\u003e hitting her creative stride. After the sleeper success of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/products\/fn575-aldous-harding-party-2017\"\u003eParty\u003c\/a\u003e \u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e(internationally lauded and winner of Taite Music Prize 2018, two NZ Music Awards and a Silver Scroll nomination), \u003cstrong data-mce-fragment=\"1\"\u003eHarding\u003c\/strong\u003e came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road. Reuniting with John Parish, producer of \u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eParty\u003c\/i\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is an overriding sense of an artist confident in their work, with contributions from Huw Evans (\u003cstrong data-mce-fragment=\"1\"\u003eH. Hawkline\u003c\/strong\u003e), Stephen Black (\u003cstrong data-mce-fragment=\"1\"\u003eSweet Baboo\u003c\/strong\u003e), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting \u003cstrong data-mce-fragment=\"1\"\u003eHarding’s\u003c\/strong\u003e rich and timeless songwriting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QyZeJr5ppm8\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Aldous Harding","offers":[{"title":"Vinyl LP","offer_id":36615130579095,"sku":"FN587lp","price":53.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/ALDOUS_HARDING_-_DESIGNER.jpg?v=1622510180"},{"product_id":"fn591-reb-fountain-reb-fountain-2020","title":"Reb Fountain - Reb Fountain (Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCelebrated singer-songwriter \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/reb-fountain\"\u003eReb Fountain\u003c\/a\u003e’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e self-titled album marks a new chapter in the kiwi artist’s career and her first full-length release on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFlying Nun Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eReb Fountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e came together in the well-seasoned walls of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e iconic Roundhead Studios in Auckland, New Zealand. This arrangement came about after \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e performed, recorded and toured with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e through his ‘\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eOut of Silence\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’ album cycle, and it seemed only natural. Long-time studio collaborator and head engineer at Roundhead, Simon Gooding, manned the helm of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 3-week recording stint, alongside the legendary \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDave Khan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e on producing duties and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChris Chetland\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Kog Studios) who mastered the final result. The album features a range of musical cameos including \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn Andrews\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Woolley\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Yarra Benders\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElroy Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLogan Compain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The ten-track record features singles \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFaster\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and her new single \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSamson\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e which premiered worldwide on The FADER with a captivating video featuring kiwi drag-superstar Medulla Oblongata.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the span of her illustrious career as an independent singer-songwriter, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has become well-known for her earnest and honest approach to storytelling, garnering a close following of fans around the world and in her home, New Zealand. While spearheading a career of her own, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eReb\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has recorded and performed with the likes of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeil Finn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTami Neilson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Eastern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDon McGlashan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarlon Williams\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSteve Abel\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and more. Her 2017 EP \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHopeful \u0026amp; Hopeless\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e saw \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e awarded Best Country Music Artist at the 2018 NZ Music Awards. The song of the same name won the 2018 APRA AMCOS NZ Best Country Song. Over the last \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eyear, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFountain\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e has roamed Europe, the UK and US, performing with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFinn Andrews\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e as well as sharing her solo work with the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Hawks \u0026amp; Doves\u003cbr data-mce-fragment=\"1\"\u003e2. Samson\u003cbr data-mce-fragment=\"1\"\u003e3. It's A Bird (It's A Plane)\u003cbr data-mce-fragment=\"1\"\u003e4. When Gods Lie\u003cbr data-mce-fragment=\"1\"\u003e5. Faster\u003cbr data-mce-fragment=\"1\"\u003e6. Don't You Know Who I Am\u003cbr data-mce-fragment=\"1\"\u003e7. Strangers\u003cbr data-mce-fragment=\"1\"\u003e8. Quiet Like The Rain\u003cbr data-mce-fragment=\"1\"\u003e9. The Last Word\u003cbr data-mce-fragment=\"1\"\u003e10. Lighthouse\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8p-y6MYfLLk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Reb Fountain","offers":[{"title":"Vinyl LP","offer_id":36397569409175,"sku":"FN591lp","price":51.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Reb_Fountain_Album_Cover_-_credit_Frances_Carter_Retail.jpg?v=1721899658"},{"product_id":"fn594-wax-chattels-clot-2020","title":"Wax Chattels - Clot (Vinyl)","description":"\u003cp\u003eAfter a knock-out entrée with 2018’s self-titled LP, the anticipation that surrounded\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClot\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e was\u003c\/span\u003e immense. Much like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax Chattels\u003c\/strong\u003e\u003c\/em\u003e, the writing process for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClot\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etook the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChattels\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emaintained the use of only the barest of ingredients — bass guitar, keyboard, and a two- piece drum kit — but the group spent more time experimenting with and finding new sounds. They wanted to maintain the same live element as in their debut, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGreenberg\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(\u003cstrong data-mce-fragment=\"1\"\u003eUniform, Destruction Unit, The Men\u003c\/strong\u003e). A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into cathartic noise.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClot’s\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einspiration — or, rather, frustration — came from the doomy, gloomy corners of Auckland’s underbelly, and the theme of confrontation is central.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is universally agreed that\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWax\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChattels\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eare a must-see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the Official New Zealand Album Charts, and release week saw the title feature as #1 in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRough\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrade’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eTop 20 New Releases. Tastemakers like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNPR\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA.V. Club\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecame on as early champions. The album’s success at home and abroad led to the well-deserved nomination of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBest Alternative Artist\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat the 2018\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNew Zealand Music Awards\u003c\/strong\u003e, as well as the band’s inclusion in the coveted shortlist of finalists for the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaite\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMusic\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePrize\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAuckland Live Best Independent Debut Award\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1. Glue\u003cbr data-mce-fragment=\"1\"\u003e2. Efficiency\u003cbr data-mce-fragment=\"1\"\u003e3. Cede\u003cbr data-mce-fragment=\"1\"\u003e4. Mindfulness\u003cbr data-mce-fragment=\"1\"\u003e5. No Ties\u003cbr data-mce-fragment=\"1\"\u003e6. Less Is More\u003cbr data-mce-fragment=\"1\"\u003e7. Spanners \u0026amp; Implements\u003cbr data-mce-fragment=\"1\"\u003e8. An Eye\u003cbr data-mce-fragment=\"1\"\u003e9. Forever Marred\u003cbr data-mce-fragment=\"1\"\u003e10. Yokohama\u003cbr data-mce-fragment=\"1\"\u003e11. You Were Right\u003c\/p\u003e","brand":"Wax Chattels","offers":[{"title":"Vinyl LP (Baby Blue Vinyl)","offer_id":36397468188823,"sku":"FN594lp","price":43.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/CT-323WaxChattelsCover1400X1400.jpg?v=1721977199"},{"product_id":"the-clean-unknown-country-1996","title":"The Clean - Unknown Country (Vinyl)","description":"\u003cp\u003e FN349 The Clean - Unknown Country (1996)‎\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded and mixed in two sessions during 1996,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eyet again prove to be masters of musical innovation, three guys who can only amaze when they come together and throw all their ideas down on tape. And as a mood of supreme grooviness is all-pervading on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnknown Country\u003c\/strong\u003e\u003c\/em\u003e, this is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eat their most timeless.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnknown Country\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecould well be\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean\u003c\/strong\u003e's best album ever. The odd pop songs focus on the tension and the release that characteristic of psychedlic rock although 'Champagne and Misery' stays close\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Clean'\u003c\/strong\u003es canon, 'Wipe Me I'm Lucky' experiments shyly, and 'Walk Walk' is warped like a cartoon soundtrack.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Pierre Scaruffi, The History of Rock Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgour on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUnknown Country\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eThe Clean always wanna try something different, but on this LP, we were obsessed with the idea. Tracks like “Wipe Me, I’m Lucky” and “Franz Kafka at the Zoo” are fine examples of the approach, I reckon. Quite a long way from “Tally Ho!” and “Beatnik”!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI remember we generally left vocal ideas to last, after the tracks were recorded, so we never really knew where we were headed. Might also explain all the instrumentals!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade during the Balkan War, hence the reference. And for the freaks, I think “Balkans” is the only Clean track ever to not actually feature The Clean playing. It’s all Alan Starrett, as we removed the backing track.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Scott on\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eUnknown Country:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis album is very different from our other albums. We didn’t go into the studio with many “song” ideas—a lot of it was written on the spot. I really enjoyed recording this as it was free of expectation. We weren’t playing much live at the time. It does contain some of my favourite Clean songs such as “Twist Top,” “Wipe Me, I’m Lucky,” and “Valley Cab.” Certainly our most experimental album.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1. Wipe Me, I'm Lucky\u003cbr data-mce-fragment=\"1\"\u003e2. Champagne \u0026amp; Misery\u003cbr data-mce-fragment=\"1\"\u003e3. Changing Your Head\u003cbr data-mce-fragment=\"1\"\u003e4. Balkans\u003cbr data-mce-fragment=\"1\"\u003e5. Clutch\u003cbr data-mce-fragment=\"1\"\u003e6. Franz Kafka At The Zoo\u003cbr data-mce-fragment=\"1\"\u003e7. Whisk\u003cbr data-mce-fragment=\"1\"\u003e8. Indigo Blue\u003cbr data-mce-fragment=\"1\"\u003e9. Chumpy\u003cbr data-mce-fragment=\"1\"\u003e10. Get The Liquid\u003cbr data-mce-fragment=\"1\"\u003e11. Happy Lil Fella\u003cbr data-mce-fragment=\"1\"\u003e12. Tweezer\u003cbr data-mce-fragment=\"1\"\u003e13. Rope\u003cbr data-mce-fragment=\"1\"\u003e14. Twist Top\u003cbr data-mce-fragment=\"1\"\u003e15. Cooking Water\u003cbr data-mce-fragment=\"1\"\u003e16. Valley Cab\u003cbr data-mce-fragment=\"1\"\u003e17. Wall Walk\u003cbr data-mce-fragment=\"1\"\u003e18. Balkans\u003c\/div\u003e","brand":"The Clean","offers":[{"title":"Vinyl LP","offer_id":39020831932567,"sku":"MRG739LP","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheClean-UnknownCountry.jpg?v=1721976994"},{"product_id":"the-clean-mr-pop-2009-2021reissue","title":"The Clean - Mister Pop (Vinyl)","description":"\u003cp\u003e\u003cspan\u003eIn 1978, \u003cstrong\u003eThe Clean\u003c\/strong\u003e were the seeds of New Zealand punk. In the years since, they have carved out a big sandbox for everyone to play in, and \u003c\/span\u003e\u003cspan\u003etheir influence resonates not only in NZ but around the world. A group \u003c\/span\u003e\u003cspan\u003ethat thrives when free of expectations, The Clean’s Robert Scott, Hamish Kilgour, and David Kilgour are, as Tape Op described, “a casually wonderful band.”\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Kilgour on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMister Pop\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eMister Pop began in Brooklyn, NY, at Gary Olson’s Marlborough Farms studio and was completed in the basement hall of First Church Dunedin. There is more synthesizer on this album than the others, mainly an old Juno synth. I do remember having a bath in Brooklyn while Robert was downstairs singing and writing. I thought he was singing “he’s a factory man,” so I dried off and went down and wrote “Factory Man” while thinking heavily of The Kinks. Rainy and Geva from Haunted Love did some great work on backing vocals for “Loog” and “Dreamlife.” And old friend and longtime Clean collaborator Alan Starrett makes an appearance on “Moonjumper.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Scott on\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eMister Pop\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eI remember thinking at the start of the NY sessions with Gary Olson, “Is this the start of a new album?” We were coming up with quite a bit of new stuff, and of course, Gary is great to work with. We carried on at Burlington St in Dunedin with (engineer and Heavy 8) Tex Houston at the controls, good fun from what I remember, lots of mucking around with keyboards and synths. We were going for that Krautrock groove and we sure got it on “Tensile,” one of my faves along with the pure pop of “Dreamlife.” “Loog” was a fun song to put together. “Asleep in the Tunnel” is written \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eabout being stuck in traffic in a tunnel under the Hudson River in NY.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in 2009 on \u003cstrong\u003eArch Hill Recordings\u003c\/strong\u003e (in NZ), \u003cstrong\u003eThe Clean's\u003c\/strong\u003e - \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eMister Pop\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003eis being reissued again \u003cspan\u003eon vinyl, including an exclusive NZ only Opaque Green vinyl version. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e1. Loog\u003cbr\u003e2. Are You Really on Drugs?\u003cbr\u003e3. In the Dreamlife U Need a Rubber Soul\u003cbr\u003e4. Asleep in the Tunnel\u003cbr\u003e5. Back in the Day\u003cbr\u003e6. Moonjumper\u003cbr\u003e7. Factory Man\u003cbr\u003e8. Simple Fix\u003cbr\u003e9. Tensile\u003cbr\u003e10. All Those Notes\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/TfIRuhmY1eI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Clean","offers":[{"title":"Vinyl LP","offer_id":39020985417879,"sku":"MRG325","price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheClean-MisterPop.jpg?v=1721976985"},{"product_id":"chills-the-scatterbrain","title":"The Chills - Scatterbrain (Vinyl)","description":"\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eNew studio album from the Dunedin (NZ) songsmiths helmed by the enigmatic \u003cstrong\u003eMartin Phillipps\u003c\/strong\u003e with artwork by \u003cstrong\u003eTrees’\u003c\/strong\u003e David Costa.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong\u003eThe Chills\u003c\/strong\u003e release their seventh studio album ‘Scatterbrain’, a glorious self-examination of \u003cstrong\u003eMartin Phillipps’\u003c\/strong\u003e songwriting hot (ish) on the heels of the hugely successful ‘Snowbound’ (2018) and the critically-acclaimed movie ‘The Chills: The Triumph And Tragedy Of Martin Phillipps’ a year later.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e“It’s about artistic integrity, self-realisation, self-acceptance and a reflection on mortality.” \u003cstrong\u003eThe Guardian\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eNow in 2021, Phillipps is now taking stock of things – everything. Yes, everything. The result is this triumphant new Chills’ album ‘Scatterbrain’, a thought-provoking and evocative take from a man who has lived through good times and bad.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA mature and honest reflection on life, destiny and the fate of our times delivered in beautiful melodies with Phillipps’ trademarked incisive turn of phrase.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eViewed from the perspective of a man understanding his age and indeed his own mortality, the new album takes a mature look at matters arising with a side order of perspective.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends…\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e“This is what a living legend looks and sounds like” \u003cstrong\u003eRolling Stone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e“An architect of New Zealand’s fabled Dunedin sound” \u003cstrong\u003ePitchfork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eTrack List\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eSide A\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA1 Monolith\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA2 Hourglass\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA3 Destiny\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA4 Caught In My Eye\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eA5 You're Immortal\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eSide B\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eB1 Little Alien\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eB2 Safe and Sound\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eB3 Worlds Within Worlds\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eB4 Scatterbrain\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"\"\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003eB5 The Walls Beyond Abandon\u003c\/span\u003e\u003c\/i\u003e\u003c\/div\u003e","brand":"The Chills","offers":[{"title":"Vinyl LP (Sky Blue Col Vinyl)","offer_id":39291665547415,"sku":"FIRELP581","price":65.0,"currency_code":"NZD","in_stock":true},{"title":"Vinyl LP (Deep Sea Marble Colour)","offer_id":39291665514647,"sku":"FIRELP581X-1","price":65.0,"currency_code":"NZD","in_stock":true},{"title":"CD","offer_id":39291665580183,"sku":"FIRECD581","price":27.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/Chills_Scatterbrain.jpg?v=1727255246"},{"product_id":"kane-strang-two-hearts-and-no-brain-2017","title":"Kane Strang - Two Hearts and No Brain (Vinyl)","description":"\u003cp\u003eA winning blend of careful precision and mercurial abandon,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.flyingnun.co.nz\/collections\/kane-strang\"\u003e\u003cstrong\u003eKane Strang's\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esongs are constantly surprising.\u003c\/p\u003e\n\u003cp\u003eWith a penchant for melodic earworms to rival those of the world's best pop songwriters, this local artist's glittering hooks twist and turn in perfect synch with meticulous band arrangements. Hints of 60s pop (NB:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eZombies\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStooges\u003c\/strong\u003e) and 90s alt-rock shine through; but there's a contemporary crunch, sheen and bald lyrical tone to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStrang's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esound that places him firmly in the here and now.\u003c\/p\u003e\n\u003cp\u003eRecorded in his hometown of Dunedin at the notoriously haunted Chick’s Hotel studio,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKane\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eteamed up with producer Stephen Marr from trip hop group\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDoprah\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eTwo Hearts and No Brain\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eLagoons\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSilence Overgrown\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eNot Quite\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eOh So You’re Off I See\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSee Thru\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSummertime In Your Lounge\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eMy Smile Is Extinct\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eTwo Hearts and No Brain\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eIt’s Not That Bad\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDon’t Follow Me (I’m Lost)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eGood Guy\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e30 June 2017\u003cbr\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pBEv_9t61Xk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Kane Strang","offers":[{"title":"Vinyl LP (LTD Red edition)","offer_id":39461230313623,"sku":"DOC126LP-C1","price":57.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/KaneStrangTwoHeartsandNoBrain.jpg?v=1721976757"},{"product_id":"alastair-galbraith-seconds-mark-iii-2020","title":"Alastair Galbraith - Seconds Mark III (Vinyl)","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003eSeconds Mark III\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis the third iteration of a unique work within the remarkable, ever-sprawling discography of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlastair Galbraith\u003c\/strong\u003e: poet-dilettante, improvisor extraordinaire and one of the most important figures of New Zealand's storied DIY underground.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommencing his collaborative musical activities in the early 1980s as part of\u003cstrong\u003e Flying Nun\u003c\/strong\u003e outfit \u003cstrong\u003eThe Rip\u003c\/strong\u003e (with \u003cstrong\u003eJeff Harford\u003c\/strong\u003e and \u003cstrong\u003eRobbie Muir\u003c\/strong\u003e), it was almost a decade earlier when Galbraith first invested in the violin, an instrument that would accompany him throughout the rest of his career. \"I think it was much like the kind of thing I do now, because it was a solo occupation\". Established at the end of the decade in response to The Nun's growing affiliations with major music labels, Xpressway - a relatively short-lived operation formed together with \u003cstrong\u003eBruce Russell\u003c\/strong\u003e (\u003cstrong\u003eThe Dead C\u003c\/strong\u003e) and \u003cstrong\u003ePeter Jefferies\u003c\/strong\u003e - proved to be crucial in exposing the trio's activities to the rest of the world, forging relationships with US-based labels \u003cstrong\u003eSiltbreeze\u003c\/strong\u003e,\u003cstrong\u003e Drag City\u003c\/strong\u003e and Ajax while releasing seminal sides by the likes of \u003cstrong\u003eSandra Bell\u003c\/strong\u003e, \u003cstrong\u003eScorched Earth Policy\u003c\/strong\u003e, T\u003cstrong\u003ehis Kind Of Punishment\u003c\/strong\u003e and \u003cstrong\u003eThe Terminal\u003c\/strong\u003es. It was during this time that Galbraith honed-in on his intimate, intricate style of songwriting detailed on \u003cem\u003e\u003cstrong\u003eMorse\u003c\/strong\u003e\u003c\/em\u003e (Siltbreeze, 1993), \u003cem\u003e\u003cstrong\u003eTalisman\u003c\/strong\u003e\u003c\/em\u003e (Next Best Way, 1995) and the first Seconds tape (1994).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGathered from source material recorded during a fertile period of touring and collaboration and re-imagined as a brand new work, Seconds Mark III elucidates Galbraith's hushed yet commanding presence felt on \u003cem\u003e\u003cstrong\u003eMirrorwork\u003c\/strong\u003e\u003c\/em\u003e (Emperor Jones, 1998),\u003cem\u003e\u003cstrong\u003e Cry\u003c\/strong\u003e\u003c\/em\u003e (2000) and \u003cem\u003e\u003cstrong\u003eOrb\u003c\/strong\u003e \u003c\/em\u003e(Next Best Way, 2000), culminating in Mass (Siltbreeze, 2010) - his last solo album. Despite being rooted in psychedelic traditions of narcotic time-dilation, Galbraith's dealings are distinctively out of time, out of tune; dismantling and eschewing notions of song and structure for small, affecting gestures and fragmentary glimpses. The result is a world of fragile, quietly enveloping sound and poetry that embraces fleetingness and intimacy and undulates between hope and pain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Pendulum\u003cbr\u003eA2. Dark March\u003cbr\u003eA3. O Lucky Man\u003cbr\u003eA4. Pull My Daisy\u003cbr\u003eA5. Beehive\u003cbr\u003eA6. On Paul's Imp\u003cbr\u003eA7. Hardly\u003cbr\u003eA8. Cemetary Raga\u003cbr\u003eA9. Plattform\u003cbr\u003eA10. Black Flame\u003cbr\u003eA11. Putty\u003cbr\u003eA12. One Two\u003cbr\u003eA13. Nocturnal\u003cbr\u003eB1. Swordfish\u003cbr\u003eB2. Cars\u003cbr\u003eB3. I'm Brave I'm Scared\u003cbr\u003eB4. Hooks 'N Lines\u003cbr\u003eB5. Original Putty\u003cbr\u003eB6. Ooh Everything, Every Little\u003cbr\u003eB7. Sugar Mommy Part 1\u003cbr\u003eB8. Sugar Mommy Part 2\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1 May 2020\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/i5AzCU8JROI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Alastair Galbraith","offers":[{"title":"Vinyl LP","offer_id":39462104989847,"sku":"ACOLOUR028","price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/AlastairGalbraith.jpg?v=1721976692"},{"product_id":"milk-iii-2021-pre-order","title":"Milk - III (Vinyl)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e When \u003cstrong\u003eReuben Samuel Winter\u003c\/strong\u003e (Waitaha\/Kāi Tahu\/Te Aupōuri\/Te Rarawa\/Ngāti Kuri) passed away in September 2020, he left a hole in the New Zealand music community that will never be filled. But like the generous soul he was, he has left behind a glorious gift to us all in \u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e is not the last album that \u003cstrong\u003eReuben\u003c\/strong\u003e recorded, but it is a masterpiece and a culmination of a life immersed in music. A life spent experimenting in a plethora of eclectic genres, and constantly leading the charge of weirdness from the vanguard of the New Zealand underground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e was recorded in January 2019 at \u003cstrong\u003eRed Bull Studios\u003c\/strong\u003e, recorded, and engineered by \u003cstrong\u003eBen\u003c\/strong\u003e \u003cstrong\u003eLawson\u003c\/strong\u003e, with countless layers of overdubs recorded at \u003cstrong\u003eReuben’s\u003c\/strong\u003e home in Titirangi. It features an eclectic cast of musicians including \u003cstrong\u003eReuben Winter, Lachlan Smith, James Thorrington, Emma Hall-Phillips, Victoria Chellew, Charlie (Opi), Jong-Yun J.Y. Lee\u003c\/strong\u003e and \u003cstrong\u003ePeter Ruddell.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e is being released on black vinyl LP and \u003ca href=\"https:\/\/flyingnun.bandcamp.com\/album\/iii\"\u003eBandcamp\u003c\/a\u003e on 20th April, 2021 via New Zealand label \u003cstrong\u003eFlying\u003c\/strong\u003e \u003cstrong\u003eNun\u003c\/strong\u003e \u003cstrong\u003eRecords\u003c\/strong\u003e, with all profits split between \u003cstrong\u003eFibromyalgia Aotearoa New Zealand\u003c\/strong\u003e and Reuben's whānau and future fund. Reuben struggled silently with fibromyalgia and chronic pain for close to a decade, and this incurable and invisible illness affected his hauora on all levels.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ian Jorgensen (A Low Hum) and Reuben's whānau approached Flying Nun late last year and asked if we'd be interested in putting Milk III out on vinyl. We felt very honoured to be asked, and jumped at the opportunity. Reuben's music needs to be shared; it will never stop inspiring creativity in others. Not only is Milk III a sonic masterpiece, Reuben was, and still is, an integral part of New Zealand's independent music community and the impact of his art will be felt for a long time into the future.\" — \u003c\/em\u003e\u003cstrong\u003eFlying Nun Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/30729250_782417745287956_3044921737423618048_o_480x480.jpg?v=1615346698\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe concepts for this work have been present in \u003cstrong\u003eReuben\u003c\/strong\u003e for years. The distinctly layered crunching guitars, the melodies that worm their way into your ears, and bite through them, the complex orchestration and arrangements within each track, lift this record up from being another incredible album from a man with a back catalogue of extraordinary albums to his name, to a stunning reflection of the fire that burned within \u003cstrong\u003eReuben\u003c\/strong\u003e throughout his entire life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReuben\u003c\/strong\u003e's altruism surpassed him, he pushed the limits of what kinds of sounds can come out of this country, and inspired a whole generation of musicians. In saying that, if there is one thing that this album does above all else, it manages to articulate the particular brand of darkness that hovers over this country.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMilk III\u003c\/em\u003e\u003c\/strong\u003e, like it’s maker, cannot be wholly characterized by the darkness it contains. In fact, the presence of this darkness makes the moments of creative purity, of oneness of sound, of light all the more profound. To write about pain with such honesty is what makes this album worthy of absolute attention.\u003c\/p\u003e\n\u003cp\u003eThis record is not a hastily thrown together posthumous release. Every second of sound, every word, every multi-layered overdub was carefully considered, and lovingly crafted by \u003cstrong\u003eReuben\u003c\/strong\u003e. It shows an insight into who \u003cstrong\u003eReuben\u003c\/strong\u003e was in the last few years of his life. A man brave enough to stare his own pain in the face, and who was kind enough to share himself wholly with anyone who would listen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eSIDE A\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDOPEHEAD\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMAPLE\u003c\/li\u003e\n\u003cli\u003e'78\u003c\/li\u003e\n\u003cli\u003eRAM RAID\u003c\/li\u003e\n\u003cli\u003eSTOLEN VALOR\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eSIDE B\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCRIT+\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWIFI USER\u003c\/li\u003e\n\u003cli\u003eAN IMPORTANT MESSAGE\u003c\/li\u003e\n\u003cli\u003eSHIRTS\u003c\/li\u003e\n\u003cli\u003eA LETTER TO SILENT HEAVEN\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eApril 20, 2021 \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Milk","offers":[{"title":"Vinyl LP","offer_id":39479916036247,"sku":"FN597LP","price":40.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/MILKIIIFRONTCOVER.png?v=1725491310"},{"product_id":"floating-points-crush-2019","title":"Floating Points - Crush (Vinyl)","description":"The best musical mavericks never sit still for long. They mutate and morph into new shapes, refusing to be boxed in. \u003cstrong\u003eFloating Points\u003c\/strong\u003e has so many guises that it’s not easy to pin him down. There’s the composer whose 2015 debut album Elaenia was met with rave reviews – including being named Pitchfork’s ‘Best New Music’ and Resident Advisor’s ‘Album of the Year’ – and took him from dancefloors to festival stages worldwide. The curator whose record labels have brought soulful new sounds into the club, and, on his esteemed imprint Melodies International, reinstated old ones. The classicist, the disco guy that makes machine music, the digger always searching for untapped gems to re-release. And then there’s the DJ whose liberal approach to genre saw him once drop a 20-minute instrumental by spiritual saxophonist Pharoah Sanders in Berghain.\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFresh from the release earlier this year of his compilation of lambent, analogous ambient and atmospheric music for the esteemed Late Night Tales compilation series, Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head again. A tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. As a result, Shepherd has made some of his heaviest, most propulsive tracks yet, nodding to the UK bass scene he emerged from in the late 2000s, such as the dystopian low-end bounce of previously shared striking lead single ‘LesAlpx’ (Pitchfork’s ‘Best New Track’), but there are also some of his most expressive songs on Crush: his signature melancholia is there in the album’s sublime mellower moments or in the Buchla synthesizer, whose eerie modulation haunts the album.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhereas Elaenia was a five-year process, Crush was made during an intense five-week period, inspired by the invigorating improvisation of his shows supporting The xx in 2017. He had just finished touring with his own live ensemble, culminating in a Coachella appearance, when he suddenly became a one-man band, just him and his trusty Buchla opening up for half an hour every night. He thought what he’d come out with would \"be really melodic and slow- building\" to suit the mood of the headliners, but what he ended up playing was \"some of the most obtuse and aggressive music I've ever made, in front of 20,000 people every night,\" he says. \"It was liberating.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHis new album feels similarly instantaneous – and vital. It’s the sound of the many sides of Floating Points finally fusing together. It draws from the \"explosive\" moments during his sets, the moments that usually occur when he throws together unexpected genres, for the very simple reason that he gets excited about wanting to \"hear this record, really loud, now!\" and then puts the needle on. It’s \"just like what happens when you’re at home playing music with your friends and it's going all over the place,\" he says.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eToday's newly announced live solo shows capture that energy too, so that the audience can see that what they’re watching isn’t just someone pressing play. Once again Shepherd has teamed up with Hamill Industries, the duo who brought their ground-breaking reactive laser technologies to his previous tours. Their vision is to create a constant dialogue between the music and the visuals. This time their visuals will zoom in on the natural world, where landscapes are responsive to the music and flowers or rainbow swirls of bubbles might move and morph to the kick of the bass drum. What you see on the screen behind Shepherd might \"look like a cosmos of colour going on,\" says Shepherd, \"but it’s actually a tiny bubble with a macro lens on it being moved by frequencies by my Buchla,\" which was also the process by which the LP artwork was made.\" It means, he adds, \"putting a lot of Fairy Liquid on our tour rider\".\u003c\/div\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003cstrong\u003eRelease Date: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e18 October 2019\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Floating Points","offers":[{"title":"Vinyl LP","offer_id":39504098295959,"sku":"ZEN-259","price":68.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/FloatingPointsCrush.jpg?v=1615515138"},{"product_id":"aphex-twin-i-care-because-you-do-1995","title":"Aphex Twin - I Care Because You Do (Vinyl)","description":"\u003cp\u003e \u003cem\u003e\u003cstrong\u003e…I Care Because You Do\u003c\/strong\u003e\u003c\/em\u003e is the third full-length album by Richard D. 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The band - composed of \u003c\/span\u003e\u003cb\u003eElizabeth Stokes\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(vocals\/guitar), \u003c\/span\u003e\u003cb\u003eJonathan Pearce\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(guitar), \u003c\/span\u003e\u003cb\u003eBenjamin Sinclair\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(bass), and \u003c\/span\u003e\u003cb\u003eTristan Deck\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e(drums) - settled down at Pearce’s Auckland studio, where he recorded and produced the album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTouring far from home, The Beths committed to taking care of each other while simultaneously trying to take care of friends living thousands of miles away. That care and attention shines through on \u003ci\u003eJump Rope Gazers\u003c\/i\u003e, where the quartet sounds more locked in than ever. \u003ci\u003eJump Rope Gazers\u003c\/i\u003e stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it.\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTracklisting\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003col\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cem\u003eI’m Not Getting Excited\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eDying to Believe\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eJump Rope Gazers\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eAcrid\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eDo You Want Me Now\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eOut of Sight\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eDon’t Go Away\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eMars, the God of War\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\u003cem\u003eYou Are a Beam of Light\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cem\u003eJust Shy of Sure\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv style=\"text-align: left;\" class=\"content\"\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lRMoE02hp_s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"The Beths","offers":[{"title":"Vinyl LP (Tangerine)","offer_id":39515531968663,"sku":"CAK143-1","price":54.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TheBethsJumpRopeGazers.jpg?v=1721976626"},{"product_id":"troy-kingi-the-ghost-of-freddie-cesar","title":"Troy Kingi - The Ghost of Freddie Cesar (Vinyl)","description":"\u003cp\u003eMulti-award winning artist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTroy Kingi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etake us on a deeply personal discovery through an album dedicated to 70s funk, lost souls and memories.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Ghost of Freddie Cesar\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTroy Kingi’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emost personal work to date – one that invites the listener to share his journey as he combs through recollections of his biological father, who disappeared while driving from Rotorua to Auckland at Christmas time in 2005. And despite extensive search efforts and sporadic reports of sightings, there has been no reliable trace of Troy’s father.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTroy’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ejourney begins in 2007. While going through his missing father’s belongings,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTroy\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efound a cassette tape.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“It looked pretty old and had this scribbled name, Freddie Cesar on it, and on the back was just handwritten names of songs. I recognized some of the songs from my early childhood back when my parents were still together and started writing down the lyrics as a form of therapy. I must have forgotten it for a while – but sometime in 2010, I found the notebook of the songs again, but not the cassette tape, so that's when I decided to find out who Freddie Cesar was. It turns out there is very little out there about him which further compelled me to recreate something.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“It’s kind of a dedication to my dad and Freddie Cesar, this album. Even though the lyrics aren't fully mine and the music’s not fully mine, I feel him when I’m singing these songs.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMuch of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFreddie Cesar’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elife remains a mystery, but listening to the lyrics, it becomes evident that\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFreddie Cesar\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emay have been a Vietnam Vet, struggling with the issues of the day associated with that life: alcohol, drugs, PTSD and his inability to settle back into civilian society.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTroy’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003einterpretation of this time as a funk-filled landscape paints an imagined picture of the life of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFreddie Cesar.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1. Shake That Skinny Ass\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2. Is the Honeymoon Gone?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e3. Caught in the Rain\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e4. Through My Venetians\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e5. Chronophobic Disco\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e6. First Take Strut\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e7. Nam Must Stay\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e8. Skylegs Jackson\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e9. Good Love\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e10. King of the Powder\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e11. All Your Ships Have Sailed\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SHqRZCtkycw\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Troy Kingi","offers":[{"title":"Vinyl LP","offer_id":39515563950231,"sku":"AAA-TK094LP","price":55.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/TroyKingiTheGhostofFreddieCeaser.jpg?v=1721976617"},{"product_id":"autechre-amber-1994","title":"Autechre - Amber (Vinyl)","description":"\u003cstrong\u003e \u003cem\u003eAmber\u003c\/em\u003e,\u003c\/strong\u003e the second full-length from \u003cstrong\u003eAutechre\u003c\/strong\u003e and considered by many to be their ambient opus (though we imagine they wouldn't call it that!) having been out of print on vinyl since 2001. Amber contains eleven tracks of sparse Ae minimalist machine modules that blur the boundaries between isolationist electronica and richly vivid techno soundscapes. Considered by many fans to be the most crucial recording from the group, it contains some of their most immersive soundscapes to date. Steering away from the post-hardcore dynamics that shone through on Incunabula, Amber moves further away from anything resembling 'techno' and moved into more territories of abstract ambience. These eleven crystal-like cubes of sound came together to produce some of the most mind-bendingly hypnotic sounds to be committed to wax during the 90's. Placing Ae up in the ranks of legendary composers such as \u003cstrong\u003eSteve Reich\u003c\/strong\u003e and \u003cstrong\u003eManuel Gottsching\u003c\/strong\u003e as well as their Artificial Intelligence contemporaries with whom they were crafting the building blocks of the future.There is something uniquely immersive about Amber, it's almost as if as you are playing it the sounds are fading away before they even begin, when played from the start you can lose a lot of time within the endless gradients that adorn its cover, before the sounds just seemingly, disappear.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cspan style=\"color: #151515;\"\u003e1. \u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/foil\" style=\"color: #151515; text-decoration: underline;\"\u003eFoil\u003c\/a\u003e\u003c\/span\u003e 06:04\u003c\/span\u003e\u003c\/em\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"cropable\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e2.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/montreal\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eMontreal\u003c\/span\u003e\u003c\/a\u003e 07:15\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e3.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/silverside\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eSilverside\u003c\/span\u003e\u003c\/a\u003e 05:31\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e4.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/slip\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eSlip\u003c\/span\u003e\u003c\/a\u003e 06:21\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e5.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/glitch\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eGlitch\u003c\/span\u003e\u003c\/a\u003e 06:15\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e6.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/piezo\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003ePiezo\u003c\/span\u003e\u003c\/a\u003e 08:00\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e7.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/nine\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eNine\u003c\/span\u003e\u003c\/a\u003e 03:40\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e8.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/further\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eFurther\u003c\/span\u003e\u003c\/a\u003e 10:07\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e9.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/yulquen\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eYulquen\u003c\/span\u003e\u003c\/a\u003e 06:37\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\u003cspan style=\"color: #121111;\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e10.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/nil\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eNil\u003c\/span\u003e\u003c\/a\u003e 07:48\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cspan style=\"color: #121111;\"\u003e\u003cem\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e11.\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/autechre.bandcamp.com\/track\/teartear\" style=\"color: #121111; text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eTeartear\u003c\/span\u003e\u003c\/a\u003e 06:45\u003c\/em\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/azZBpUq7u0I\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Autechre","offers":[{"title":"Vinyl 2LP","offer_id":39557754093719,"sku":"WARPLP25R","price":81.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/products\/AutecheAmber_1.jpg?v=1722311756"},{"product_id":"stereolab-transient-random-noise-bursts-with-announcements-1993","title":"Stereolab – Transient Random-Noise Bursts With Announcements (Vinyl)","description":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003eTransient Random-Noise Bursts With Announcements\u003c\/strong\u003e is among\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStereolab's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emost groove-oriented efforts. There are experiments like the French-pop-flavoured\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePack Yr Romantic Mind\u003c\/i\u003e, but it's mostly a lovely, loud, decadent '90s rock record. The song titles reference obscure equipment, the sounds are made with arcane instruments, the repetitive guitar work is directly lifted from Michael Rother, and the cover image pledges devotion to vinyl (the musical obscurantist's medium of choice), but somehow the band never comes off as snobbish.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStereolab's\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emusic would not only spawn dozens of imitators, but the very stuff they drew inspiration from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEsquivel\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOs\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMutantes\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas suddenly the starting point for any self-respecting hipster's record collection. More important, it totally rocks (\u003ci\u003eOur Trinitone Blast\u003c\/i\u003e) while beaming sunny vibes (\u003ci\u003eJenny Ondioline\u003c\/i\u003e).\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRemastered from original tapes. \u003cmeta charset=\"utf-8\"\u003eAvailable on\u003cstrong\u003e 2LP standard \u003c\/strong\u003eand \u003cstrong\u003edeluxe 3LP\u003c\/strong\u003e, which comes with a Bonus album of unreleased demos, outtakes and alternate mixes. 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At the time of its release, it was simultaneously their most experimental and most accessible release, with the deliberate raw textures of earlier works replaced by a more polished vibe. The album was also their greatest success to date both commercially and critically, and remains a consensus favourite even now. Continuing to mine the music of the '60s and early '70s,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStereolab\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemploys Farfisas and Moogs, melodies from Bacharach and Hardy, soft-rock, bubblegum, dub and hip-hop sounds to augment their core influences of krautrock, punk, jazz and space rock. Odd time-signatures and deft layering techniques are more crucial to the arrangements, and the grooves on tracks like\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMetronomic Underground\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLes Yper-Sound\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eadd a level of funk to the mix, while the album also includes clear and catchy pop songs like\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCybele's Reverie\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Noise of Carpet.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eEmperor Tomato Ketchup\u003c\/i\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebrings many elements to the table, but\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStereolab\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eputs them all together into a coherent vision. 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Their music began as collages made from musical lineages, lost tribes and cultures long since forgotten - and by giving new life to so much from the past, they created a genuinely timeless body of work. They shared vocal responsibilities, and while \u003cstrong\u003ePerry\u003c\/strong\u003e was certainly capable of haunting subtleties and real sonority as a singer, it was more often \u003cstrong\u003eGerrard's\u003c\/strong\u003e rhapsodic vocalizing that drew the attention of critics and fans. In a sense, Gerrard didn't simply sing for \u003cstrong\u003eDead Can Dance\u003c\/strong\u003e: she made sounds with her voice, and turned that experience into something much larger and more far-ranging than mere singing. \u003cstrong\u003eDead Can Dance\u003c\/strong\u003e's second album, \u003cem\u003e\u003cstrong\u003eSpleen And Ideal\u003c\/strong\u003e\u003c\/em\u003e (1985), saw them experiment more with instrumentation, abandoning guitars in favor of cello, trombone and timpani. 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It's probably Fugazi's least digestible record from front to back, but each track has its own attractive qualities, even if not immediately perceptible.\u003c\/p\u003e\n\u003cp\u003e\"Facet Squared\" and \"Public Witness Program\" open the record furiously, but the majority of the following \"Return the Screw\" is hardly audible, aside from occasional vocal tantrums. A good amount of time is spent alternating between low-key guitar noodling and intrusive bursts of aggression. They're smart with their sequencing, placing the gentle instrumental \"Sweet and Low\" (the only track where Lally plays a prominent role) after the exhaustive cacophony of \"23 Beats Off,\" and generally piecing together a set of rather diverse tracks that flows well. 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