Stef Animal of The Golden Awesome and Mestar fame presents her debut solo release “Top Gear” again – now on vinyl for the first time since the album’s 2018 release. “Top Gear” is a paean to obsolete, entry-level, mostly 1980s synth, computer, and electronic music technology. It’s a concept album of fifteen compositions, each conceived and recorded in one session. Each track was made using a different piece of obsolete or unfashionable music equipment, and the result is a collection of lo-fi epic miniatures.

Even if you didn’t grow up with Atari video games, have no idea what Acorn and Commodore computers are or what acronyms like PCM and MIDI mean, you’ll still find the intricate universe of sound represented on “Top Gear” to be full of adventure, wonder, human emotion and melancholic weight. But there’s a playfulness here too. Not only in the “Top Gear” title, but also in the way an electronic duck caller is hacked to produce a track, and children’s Casio keyboards and entry-level MIDI synth modules are used to deliver dark, sophisticated progressive experimental dream-pop mini-symphonies.

At the time of the technology used on “Top Gear”, Compact Disc technology was being hailed by classic rock musicians as the future of audio formats. However, there’s something intangible and magic about the way those analog microgrooves cut into a spiral groove on vinyl transform the sound into something warm and even more wonderful. (Fishrider)

Tracklist:
A1. Loading (Casio CA-100)
A2. In The Pines (Casio SK-1)
A3. Ducks (Cass Creek Electronic NZ Waterfowl Call)
A4. You Have Powers! (Casio Casiotone MT-800)
A5. Cave Story (Acorn BBC Micro)
A6. The TGV (Roland U-220)
A7. The Ghost (Jaycar Waveform Generator)
A8. Adventure (Yamaha VSS-200)
B1. The Golden Condor (Commodore Amiga 500)
B2. Dragon Swirl (Ploytec PL2)
B3. Owl (Roland MT-32)
B4. The City (Yamaha TX81Z)
B5. Running Music (Atari 2600)
B6. End Credits (Letron MC-38)
B7. Our Spanish Dream (Roland U-110)