[{"id":211579109527,"handle":"flying-nun","title":"Flying Nun + Related","updated_at":"2021-07-23T14:15:17+12:00","body_html":"","published_at":"2020-08-08T18:17:51+12:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Flying Nun"},{"column":"tag","relation":"equals","condition":"Vinyl"}],"published_scope":"global"},{"id":268276400279,"handle":"flying-nun-vinyl","title":"Flying Nun Vinyl","updated_at":"2021-07-23T14:15:17+12:00","body_html":"","published_at":"2021-06-03T19:09:24+12:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Flying Nun"},{"column":"tag","relation":"equals","condition":"Vinyl"}],"published_scope":"global"},{"id":211728040087,"handle":"the-clean","title":"The Clean","updated_at":"2021-07-21T13:07:27+12:00","body_html":"\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Clean_Flying_Nun_1024x1024.jpg?v=1598257731\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat can be said about \u003cstrong\u003eThe Clean\u003c\/strong\u003e? In 1978, they were the seeds of New Zealand punk and the reason for the founding of \u003cstrong\u003eFlying Nun\u003c\/strong\u003e, one of the greatest record labels that ever existed. They carved out a big sandbox for everyone to play in, and their influence resonated not only in New Zealand but around the world. Not only do bands like Yo La Tengo, Guided By Voices, Sonic Youth, Pavement, and their ilk owe a debt to The Clean, but many of today's young upstarts such as Times New Viking, Eat Skull, and a band from China called Carsick Cars have the Dunedin godfathers deeply etched into their DNA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI've personally witnessed four or five waves of rediscovery of \u003cstrong\u003eThe Clean\u003c\/strong\u003e in the years since I first heard them in 1986, and the stuff just continues to educate. Homestead's US issue of Compilation in the late '80s and Merge's double-disc Anthology from 2002 both laid out a complete rulebook, and a pretty in-depth one at that. Nevertheless, if someone else compiles them again in 2015, it's going to resonate just as strongly. Simply put, the music of the brothers \u003cstrong\u003eKilgour\u003c\/strong\u003e and \u003cstrong\u003eBob Scott\u003c\/strong\u003e holds up pretty damn well in 2009 for anyone checking them out for the first or 5,000th time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"1120\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/7tf1wzg4rdE\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat's the sound? It's completely theirs but draws on everything from the psychedelic paste of Barrett\/early Floyd to vintage Velvets propulsiveness to almost everything else under the sun. In the case of the live staple \"Point That Thing Somewhere Else,\" here is a song that levitates any room in a way that makes you swear the band just stepped out of Conny Plank's studio in Germany with all the bulldozing power of Hawkwind. Their jubilance at times (the organ-laced \"Tally Ho,\" \"Beatnik,\" \"Whatever I Do\") makes the Banana Splits sound like Bauhaus while simultaneously exhibiting dark undercurrents, making Bauhaus sound like the Banana Splits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey created both full studio sound and lo-fi recordings before, during, and after the various waves of the 4-track revolution, making both recording modes work with no loss of the band's identity. As far as other influences, you can hear Arthur Lee, Shirley Collins, and the Rolling Stones, among others, but it's never a kind of forced appropriation; while some bands seem to say, \"Look at my record collection,\" in the case of The Clean, it's organic, seamless, and inimitable. Though hardly as prolific as The Fall, another maverick group of originality, The Clean have endured for almost as long while maintaining a completely unique, quality stamp that's often replicated but never quite mastered by anyone but themselves. They're also one of the best (and sometimes loudest) live bands I've had the pleasure of seeing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- \u003cstrong\u003eBrian Turner\u003c\/strong\u003e, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Clean_Flying_Nun_-2_1024x1024.jpg?v=1598867702\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-08-09T18:58:18+12:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Clean"}],"published_scope":"global","image":{"created_at":"2020-08-24T20:29:16+12:00","alt":null,"width":1334,"height":1333,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Clean_Flying_Nun.jpg?v=1598257756"}}]
Every once in a while a record comes along that it is so perfect it almost defies description.
The Clean's first full-length record Vehicle - falls into that bracket. Released in 1990, it is one of the catchiest, most insistent pop records from the Flying Nun discography. Melody Maker at the time described it as; so joyous, so completely unaffected and unpretentious its absurd. And that pretty much sums it up.
Recorded in London's Black Wing Studios, following the New Zealand trios re-union tour in the late 1980s, Vehicle is The Clean at their brilliant best. Right from the openingDrawing To A Whole to the beautiful Diamond Shine, these 13 tracks show a band coming back together in a celebration of noise.
Now available again on Flying Nun Records on double 12 LP and CD, the re-issue also includes the bonus live EP In-A-Live a recording of the one-off 1989 London gig that led to the reformation.
