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Last year, the group named their debut EP Rosepig after the dog that featured on the cover. The cover of their recent single, Touch Me, was adorned by a mouse and a birthday cake. No prizes then for guessing what to look for when you head to the record store to buy their fantastic new album, Tiger.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTiger was created by the same line-up that brought us Rosepig but lead singer\/guitarist Dave Mulcahy, bassist Ben Howe, and drummer Greta Anderson have stretched Superette into a more powerful musical unit than Rosepig would ever have suggested possible. That means the clean instrumental drive of the three-piece band is augmented by vastly more assured arrangement and studio production from the band and engineer Nick Roughan over a set of twelve songs that confirm their quality songwriting talent.\u003cbr\u003e\u003cbr\u003eKiller Clown is the only EP track present on Tiger. Touch Me, also here, gives more indication of what to expect from Tiger -- confident, strident performance and extra throttle added to the group's vocals by Greta and Ben joining Dave at the mic throughout the album.\u003cbr\u003e\u003cbr\u003eComparisons to JPS Experience, Dave's previous band, are inevitable but Superette's smart, distinctive music sounds increasingly like its own thing: a blend of chunky riffs and sweet melodies that makes real comparison hard. But if you blend the attitudes of a certain Sonic Youthness in the second half of Tiger and a hint of T Rex, especially by the slower songs, with your classic Flying Nun songwriting ingredients then you may have it. Add the cryptic lyrical sense that has always characterised Mulcahy's writing and there's definitely something special here.\u003cbr\u003e\u003cbr\u003eWhat's certain is that there is variety aplenty. The ragged rocking of Ugly Things and I Got It Clean are followed by Saskatchewan and Taiwan, each with a bizarre geographical hook. The bright hooks of Touch Me and Kiss Someone contrast with upright heavy riff-monsters like Funny Weather and Felo de se. The mood then extends to gentler moments Bye Bye and Dave's beautiful solo album closer, Waves.\u003cbr\u003e\u003cbr\u003eSuperette's videos for Killer Clown and Touch Me have already received plenty of attention. Killer Clown, a surreal adults-as-children party sequence starred the dog Rosepig. Touch Me features pretty much the same cast involved in some badass peepshow action. Another epic Superette clip is due shortly for album track Kiss Someone, and they're promising this one is a safari video with the usual cast.\u003cbr\u003e\u003cbr\u003eThose twisted visuals match Superette's song sensibility all too well. There are definitely some strange depths in their music. 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“I read a review once where a guy said they played this album every day at a cafe he worked for six months, and never got sick of it.” So says Big Ross from theBird Nest Roysin the liner notes for the deluxe reissue ofSuperette’sinimitable, standalone 1996 albumTiger. Emerging from the dissolution of Jean Paul Sartre Experience in 1993, Dave Mulcahy and Greta Anderson found themselves in New York with a handful of song skeletons. Recruiting childhood friend Ben Howe back in Auckland, Superette was born. The band combined Mulcahy’s signature sound-bending guitar and melodic ear for a pop hook with Anderson’s muscular drumming, triangulated by Howe’s energising, sinewy bass and guitar lines.
One of Flying Nun’s mid-90s gems, this deluxe re-issue of Tiger features the album along with the band’s debut EP, Rosepig, b-sides from the Touch Me and Killer Clown singles plus unreleased demos from the bands’ never released, uncompleted second album – a rare delight for fans of the band’s impeccably slender back catalogue.
Produced with friend and collaborator Nick Roughan (Skeptics), who Mulcahy had worked with on JPSE’sThe Size of Food, Tiger was tracked and mixed in Auckland’s York Street Studios on Auckland’s Shortland Street. The studio permits clarity in engineering; Anderson’s drums sound Albini-esque; guitars soar and chug, at times riding the knife edge of controlled chaos that Roughan has made his hallmark.
From the grunge riffs of I Got It Clean to the soft melodic hooks of Bye Bye; from the slow, melancholic verses of Felo De Se to the overdriven anthemic rock drive of Saskatchewan, Tiger is unique in its deployment of binary functions; aesthetic and thematic. Quiet/loud; soft/hard; smooth/jagged. As Big Ross notes of the band’s name itself, it’s big/small. Super-ette.
Tracks:
1. Kiss Someone 2. Touch Me 3. Ugly Things 4. Saskatchewan 5. Bye Bye 6. Felo De Se 7. Cannibal 8. I Got It Clean 9. Taiwan 10. Funny Weather 11. Killer Clown 12. Waves 13. The Horse 14. Slide 15. Disappear 16. Beetlie 17. Catacombs 18. Anything 19. Blue Hair 20. Oyster 21. Flow Chart 22. Play On 23. Pretty Picture 24. Nothing (vinyl only track)
