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Mort Garson - Music from Patch Cord Productions (Vinyl)
SBR3032LP-C1
Regular price
$54.00
Format
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Music From Patch Cord Productions shows that Mort Garson's knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering tunes.
Were there really account managers out there in the early '70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green?
Regardless, Mort's jingle work laid the groundwork for the future. As Robert Moog himself noted: "The jingles were important because they domesticated the sound." Via Garson's wizardry, the synthesizer transcended novelty to ubiquity and dominance. If "Son of Blob" sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob's father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.
Garson worked and wrote right up until his death in 2008, his daughter and Sacred Bones are still going through all of the material left behind. He wouldn't live to see it, but his renaissance was just around the corner, the seeds that had been scattered in record bins around the world suddenly coming to bear fruit. Take a bite!
Tracklist:
Side A:
Is He Trying To Tell Us Something? (Instrumental)
Rhapsody In Green
Baroque No. 2
This Is My Beloved
Music For Advertising #1
Music For Advertising #2
Music For Advertising #3
Killers Of The Wild
Realizations Of An Aeropolis
Music For Advertising #4
Music For Advertising #5
Z Theme From "Muisc For Sensuous Lovers" Part 1 (Instrumental)
The Blobs Son Of Blob Theme
Side B:
Cathedral Of Pleasure
Ode To An African Violet
The Time Zone Space Walker
Dragonfly
The Lords Of Percussion Geisha Girl
The Electric Blues Society Our Day Will Come
Were there really account managers out there in the early '70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green?
Regardless, Mort's jingle work laid the groundwork for the future. As Robert Moog himself noted: "The jingles were important because they domesticated the sound." Via Garson's wizardry, the synthesizer transcended novelty to ubiquity and dominance. If "Son of Blob" sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob's father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.
Garson worked and wrote right up until his death in 2008, his daughter and Sacred Bones are still going through all of the material left behind. He wouldn't live to see it, but his renaissance was just around the corner, the seeds that had been scattered in record bins around the world suddenly coming to bear fruit. Take a bite!
Tracklist:
Side A:
Is He Trying To Tell Us Something? (Instrumental)
Rhapsody In Green
Baroque No. 2
This Is My Beloved
Music For Advertising #1
Music For Advertising #2
Music For Advertising #3
Killers Of The Wild
Realizations Of An Aeropolis
Music For Advertising #4
Music For Advertising #5
Z Theme From "Muisc For Sensuous Lovers" Part 1 (Instrumental)
The Blobs Son Of Blob Theme
Side B:
Cathedral Of Pleasure
Ode To An African Violet
The Time Zone Space Walker
Dragonfly
The Lords Of Percussion Geisha Girl
The Electric Blues Society Our Day Will Come
Sold out
Sold out
SBR3032LP-C1
Regular price
$54.00
Format
Music From Patch Cord Productions shows that Mort Garson's knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering tunes.
Were there really account managers out there in the early '70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green?
Regardless, Mort's jingle work laid the groundwork for the future. As Robert Moog himself noted: "The jingles were important because they domesticated the sound." Via Garson's wizardry, the synthesizer transcended novelty to ubiquity and dominance. If "Son of Blob" sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob's father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.
Garson worked and wrote right up until his death in 2008, his daughter and Sacred Bones are still going through all of the material left behind. He wouldn't live to see it, but his renaissance was just around the corner, the seeds that had been scattered in record bins around the world suddenly coming to bear fruit. Take a bite!
Tracklist:
Side A:
Is He Trying To Tell Us Something? (Instrumental)
Rhapsody In Green
Baroque No. 2
This Is My Beloved
Music For Advertising #1
Music For Advertising #2
Music For Advertising #3
Killers Of The Wild
Realizations Of An Aeropolis
Music For Advertising #4
Music For Advertising #5
Z Theme From "Muisc For Sensuous Lovers" Part 1 (Instrumental)
The Blobs Son Of Blob Theme
Side B:
Cathedral Of Pleasure
Ode To An African Violet
The Time Zone Space Walker
Dragonfly
The Lords Of Percussion Geisha Girl
The Electric Blues Society Our Day Will Come
Were there really account managers out there in the early '70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green?
Regardless, Mort's jingle work laid the groundwork for the future. As Robert Moog himself noted: "The jingles were important because they domesticated the sound." Via Garson's wizardry, the synthesizer transcended novelty to ubiquity and dominance. If "Son of Blob" sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob's father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.
Garson worked and wrote right up until his death in 2008, his daughter and Sacred Bones are still going through all of the material left behind. He wouldn't live to see it, but his renaissance was just around the corner, the seeds that had been scattered in record bins around the world suddenly coming to bear fruit. Take a bite!
Tracklist:
Side A:
Is He Trying To Tell Us Something? (Instrumental)
Rhapsody In Green
Baroque No. 2
This Is My Beloved
Music For Advertising #1
Music For Advertising #2
Music For Advertising #3
Killers Of The Wild
Realizations Of An Aeropolis
Music For Advertising #4
Music For Advertising #5
Z Theme From "Muisc For Sensuous Lovers" Part 1 (Instrumental)
The Blobs Son Of Blob Theme
Side B:
Cathedral Of Pleasure
Ode To An African Violet
The Time Zone Space Walker
Dragonfly
The Lords Of Percussion Geisha Girl
The Electric Blues Society Our Day Will Come
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