[{"id":211725058199,"handle":"25c","title":"25c","updated_at":"2021-10-03T22:10:09+13:00","body_html":"\u003cp\u003eChristchurch band 25 Cents released the single \"Don't Deceive Me\" on Flying Nun Records in 1981. The B-side is a cover of The Sonics' \"The Witch\", which has appeared on several compilations. Mary Heney went on to join The Pin Group, The Terminals and The McGoohans. Sister Susan Heney also played with The Terminals and The McGoohans.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSusan Heney (bass), Melanie Harrison (guitar, backing vocals), Mary Heney (drums, lead vocals), Maria Coates (violin), Sandra Smith (guitar)\u003c\/p\u003e","published_at":"2020-08-09T18:27:54+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"25c"}],"published_scope":"global","image":{"created_at":"2020-08-12T22:19:36+12:00","alt":null,"width":464,"height":463,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/hero_thumb_A1066.jpg?v=1597227577"}},{"id":211727450263,"handle":"builders","title":"Builders","updated_at":"2021-09-09T14:47:46+12:00","body_html":"\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Bill_Direen_Flying_Nun_1024x1024.jpg?v=1598868773\" alt=\"\"\u003e","published_at":"2020-08-09T18:51:56+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Builders"}],"published_scope":"global","image":{"created_at":"2020-08-31T22:12:18+12:00","alt":null,"width":983,"height":983,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/Bill_Direen_Flying_Nun_SQUARE.jpg?v=1598868738"}},{"id":211729285271,"handle":"doublehappys","title":"Doublehappys","updated_at":"2021-09-09T14:31:10+12:00","body_html":"\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Doublehappys_Flying_Nun_600x600.jpg?v=1598954431\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Double Happys first formed sometime in 1983 when former Bored Games vocalist, Shayne Carter, joined forces with The Stones' Wayne Elsey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey had a drum machine called Herbie Fuckface, who lived up to his name by subverting most of the duo's efforts onstage and quickly called for human replacement in the form of another old Kaikorai High schoolmate, John Collie.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe trio set about kicking up a storm, touring up north on the famous Looney Tour of 1984 and recording the Double B-side seven inch while they were in Auckland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEarly in 1985, the band recorded an EP, Cut it Out and in June embarked on a short tour. Towards the end of the tour the band were travelling south from Auckland by train, and Elsey, in high spirits, climbed out of a carriage and was instantly and tragically killed as the train passed under a bridge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two remaining members of the band decided not to continue with the name, but later went on to form the Straitjacket Fits.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-08-09T19:09:11+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Doublehappys"}],"published_scope":"global","image":{"created_at":"2020-09-01T22:00:50+12:00","alt":null,"width":594,"height":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/Doublehappys_Flying_Nun.jpg?v=1598954451"}},{"id":211579109527,"handle":"flying-nun","title":"Flying Nun + Related","updated_at":"2021-10-17T18:20:25+13:00","body_html":"","published_at":"2020-08-08T18:17:51+12:00","sort_order":"manual","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Flying Nun"},{"column":"tag","relation":"equals","condition":"Vinyl"}],"published_scope":"global"},{"id":268276400279,"handle":"flying-nun-vinyl","title":"Flying Nun and Related Vinyl","updated_at":"2021-10-17T18:20:25+13:00","body_html":"","published_at":"2021-06-03T19:09:24+12:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Flying Nun"},{"column":"tag","relation":"equals","condition":"Vinyl"}],"published_scope":"global"},{"id":211732365463,"handle":"look-blue-go-purple","title":"Look Blue Go Purple","updated_at":"2021-10-17T15:35:23+13:00","body_html":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Look_Blue_Go_Purple_Flying_Nun_1024x1024.jpg?v=1604910206\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cstrong\u003eLook Blue Go Purple\u003c\/strong\u003e were part of Flying Nun’s ‘second wave’ (along with \u003cstrong\u003eDoublehappys\u003c\/strong\u003e,\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cstrong\u003e Straitjacket Fits\u003c\/strong\u003e and the \u003cstrong\u003eAbel Tasmans\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e). Formed in 1983\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e, they honed their sound\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e in a Dunedin practice room under a \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003erecord\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e shop, \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewhere they\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e developed a distinctive style \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewith\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e layered vocal harmonies, keyboards (and even flute) over trademark Dunedin guitar strum\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e and solid tribal beats\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e. They released three EPs before calling it a day. Though they'd made a conscious call to play with other women, LBGP never labeled themselves as a “feminist” or “girl” band, and grew tired of\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e being\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e endlessly asked about gender in interviews. “G\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eender has nothing to do with it,\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e”\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e they said.\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cstrong\u003eLook Blue Go Purple\u003c\/strong\u003e comprised Canadian-born bass player, Kathy Bull (now \u003cstrong\u003eFrancisca Griffin\u003c\/strong\u003e) and keyboard player and vocalist, \u003cstrong\u003eNorma O’Malley\u003c\/strong\u003e, who were both in the band Permanent Tourists with Martyn Bull (The Elevators, The Chills). Inspired by British bands such as The Slits and The Raincoats and wanting to play with other women, they drafted guitarists \u003cstrong\u003eDenise Roughan\u003c\/strong\u003e and \u003cstrong\u003eKath Webster\u003c\/strong\u003e, and drummer \u003cstrong\u003eLesley Paris\u003c\/strong\u003e. Whilst the quintet certainly had the distinctive jangly, gently psychedelic, lo-fi Flying Nun sound, the combined vocals of Roughan, Webster and O'Malley found their own striking synthesis that made them stand out from other groups of the time. \u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eThey released their debut EP \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eBewitched\u003c\/span\u003e\u003c\/i\u003e \u003cspan data-contrast=\"auto\"\u003ein 1985, which \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewas \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003erecorded\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e and produced by Terry Moore. It\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e reached \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eNo.21 on \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eNew Zealand’s\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e pop \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003echarts \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eand remained in\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e the Top 50 for eight weeks. Their second EP \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eLBGPEP2\u003c\/span\u003e\u003c\/i\u003e \u003cspan data-contrast=\"auto\"\u003eclimbed to No.26 in January 1987, propelled\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e by the infectious folk pop of “Cactus Cat”\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e and \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003estayed in the pop charts for five weeks.\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eTheir third EP\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eThis is This\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e, \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewas released late 1987 \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003earound the time the band broke\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e up. \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eThey played live frequently and toured New Zealand extensively, often with their label mates including\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eThe Chills, The Bats and Straitjacket Fits.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eNearly thirty years later, \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003esurprised and delighted by the ongoing and renewed interest in the band, \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethey began the\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e process of compiling the reissues. Pulling\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eeverything \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003etogether \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewas\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003echallenging, taking \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003efour years from the \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eoriginal \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eseed\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e of the idea to actual fruition.\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eThis was partly due to\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e the nature of \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethe band’s\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e highly democratic relationship\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e, but\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e also\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003ebecause \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eso much time had\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e passed\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e and \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eall five\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003ewomen \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewere\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e busy with \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003etheir\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e own\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003elives\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e,\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e far, far removed from \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethe \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e1980s Dunedin\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e scene.\u003c\/span\u003e\u003cspan data-ccp-props='{\"335559739\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eWhilst selecting the tracks and going through the archives, \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethe band\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003ehad\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e some\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e quite intense h\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eistory to wade th\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003erough. Despite being a big challenge, it\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e was also \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ea chance to reflect and reconnect\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e with each other\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e. It was ultima\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003etely a very positive experience as they\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eshared in\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e the nostalgia\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eof listening closely to their songs again. With \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ethe wisdom of distance they,\u003c\/span\u003e \u003cspan data-contrast=\"auto\"\u003eas a group\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e,\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e were able \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eto appreciate the part their music \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ehad \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eplayed in that\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e particular time and place – \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eespecially considering the unusual arrangement of being an all-\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewomen\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e band\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e, \u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003ewhich was such a\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e rarity in New Zealand’s legendary Dunedin scene.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props=\"{}\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/XtmlfuEukMs\" height=\"630\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-08-09T19:29:32+12:00","sort_order":"created","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Look Blue Go Purple"}],"published_scope":"global","image":{"created_at":"2020-08-24T22:16:42+12:00","alt":null,"width":1000,"height":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/Look_Blue_Go_Purple.jpg?v=1598264203"}},{"id":211738656919,"handle":"pin-group","title":"Pin Group","updated_at":"2021-10-13T12:19:36+13:00","body_html":"","published_at":"2020-08-09T20:36:51+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Pin Group"}],"published_scope":"global","image":{"created_at":"2020-08-09T21:04:21+12:00","alt":null,"width":433,"height":433,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/FN002_The_Clean_Tally_Ho_Flying_Nun_3.jpg?v=1600768706"}},{"id":211744555159,"handle":"scorched-earth-policy","title":"Scorched Earth Policy","updated_at":"2021-09-09T14:31:08+12:00","body_html":"","published_at":"2020-08-09T21:14:28+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Scorched Earth Policy"}],"published_scope":"global"},{"id":211745079447,"handle":"sneaky-feelings","title":"Sneaky Feelings","updated_at":"2021-09-09T14:51:27+12:00","body_html":"\u003cp\u003e\u003cb\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Sneaky_Feelings_Flying_Nun-4_1024x1024.jpg?v=1598524692\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSneaky Feelings\u003c\/b\u003e\u003cspan\u003e were the poppiest Nun band, preferring poise to noise. They didn't set out to be cool; they set out to make great, hummable records with thoughtful lyrics. Their main musical influences were the Beatles, the Beach Boys, soul music, Fairport Convention, The Brill Building songwriters of the 60s for a start). They formed at Otago University in Dunedin in 1980, where they were all students, and debuted with the Chills in November of that year, mixing original material with covers like Hey Joe played slow like Jimi Hendrix. The line-up eventually settled as a four-piece. David Pine and Matthew Bannister were the guitarists and main songwriters; drummer Martin Durrant also contributed the odd tune. Kat Tyrie played bass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn November 1981 the group played their first out-of-town gig with the Verlaines at the Gladstone Hotel in Christchurch. Roger Shepherd saw one of the gigs and asked both bands to participate in the \u003cb\u003e\"Dunedin Double\" EP \u003c\/b\u003ewith the Chills and the Stones. Three songs; \"Pity's Sake\", \"There's a Chance\" and \"Backroom\" were recorded in a Christchurch bedroom in early 1982. The band weren't happy with the recordings, or with their next single \u003cb\u003eBe My Friend \/ Amnesia\u003c\/b\u003e, which was made during the band's first trip to Auckland in late 82.\u003c\/p\u003e\n\u003cp\u003eThe following year, however, they recorded their debut LP \u003cb\u003eSend You\u003c\/b\u003e at Mascot Studios in Auckland (as were all their subsequent recordings, with a couple of exceptions). The 16 track studio gave the band the sound they'd been looking for, and the album established the band as a major force in NZ music. It was recorded and mixed in four days and cost about $2000. Much of the bass on the album is actually played on a synthesiser, as Kat had a nerve problem in her arm that prevented her from playing bass with her customary vigour.\u003c\/p\u003e\n\u003cp\u003eIn 1984, Kat left the band and was replaced by John Kelcher of Christchurch. The album came out to good reviews, and the band found themselves in demand. They recorded the single\u003cb\u003eHusband House b\/w \"Strange and Conflicting Feelings . . .\"\u003c\/b\u003e and \u003cb\u003eMajor Barbara\u003c\/b\u003e. This came out in 1985 and reached number 17 in the NZ singles charts. It featured cello and horn overdubs and was the group's most complex and accomplished project to date. Another single \u003cb\u003eBetter Than Before b\/w Wouldn't Cry, Here's to the Other Six\u003c\/b\u003e (recorded at Strawberry Sound, Dunedin) came out in 1986. Wouldn't Cry was notable for being the first \"proper\" song David ever wrote!\u003c\/p\u003e\n\u003cp\u003eThe LP \u003cb\u003eSentimental Education\u003c\/b\u003e came out in 1987. It eschewed loud guitars in favour of a more varied musical palette. A single \u003cb\u003e\"Coming True\/Wasted Time\"\u003c\/b\u003e was also released. By this time the band were living in Auckland, except for Martin, who was still in Dunedin, finishing his English Ph D. This tension eventually led to a break-up. In August to October 1987 the Sneakies toured the UK , Netherlands and Germany.\u003c\/p\u003e\n\u003cp\u003eIn 1988, they recorded their final LP \u003cb\u003eHard Love Stories\u003c\/b\u003e and toured Europe again, using Ross Burge (now Mutton Birds drummer) in place of Martin, who was unable to come due to work commitments in Wellington.\u003c\/p\u003e\n\u003cp\u003eAfter the tour, there was a general consensus that members would go their separate ways. David went back to Dunedin to study law, and played in a band called Death Ray Cafe, who recorded for Pagan Records. Matthew stayed in Auckland, where he formed a new band, \u003ca href=\"https:\/\/web.archive.org\/web\/19990218091542\/http:\/\/www.flyingnun.co.nz\/archive\/dribblingdarts.html\"\u003eDribbling Darts of Love\u003c\/a\u003e, who recorded for Flying Nun. John went back to Christchurch, where he made solo tapes for Failsafe Records and recorded with a group called Creeley. Martin stayed in Wellington, working as a civil servant.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Sneaky_Feelings_Flying_Nun_1024x1024.jpg?v=1598524731\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/okYMUMEYQVo\" height=\"720\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-08-09T21:18:46+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Sneaky Feelings"}],"published_scope":"global","image":{"created_at":"2020-08-27T22:24:35+12:00","alt":null,"width":1000,"height":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/Sneaky_Feelings_Flying_Nun-3_SQUARE.jpg?v=1598523875"}},{"id":211745996951,"handle":"tall-dwarfs","title":"Tall Dwarfs","updated_at":"2021-09-09T15:01:29+12:00","body_html":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Tall_Dwarfs_Flying_Nun_1024x1024.jpg?v=1604909974\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eTall Dwarfs\u003c\/strong\u003e are a partnership between New Zealand home recording pioneers \u003cstrong\u003eChris Knox\u003c\/strong\u003e and \u003cstrong\u003eAlec Bathgate\u003c\/strong\u003e. A duo, who have been making music together since 1977, first in New Zealand's early punk band, \u003cstrong\u003eThe Enemy\u003c\/strong\u003e, followed by \u003cstrong\u003eToy Love\u003c\/strong\u003e. In 1981 Chris and Alec returned as the Tall Dwarfs, they purchased a four track, and over the next 30 plus years would release wonderfully demented records and go on to influence bands such as \u003cstrong\u003ePavement\u003c\/strong\u003e, \u003cstrong\u003eYo La Tengo\u003c\/strong\u003e, \u003cstrong\u003eNeutral Milk Hotel\u003c\/strong\u003e and countless more.\u003c\/p\u003e\n\u003cp\u003eMore on Tall Dwarfs coming soon...\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/4DfJc0Une5g\" height=\"630\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-08-09T21:27:31+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Tall Dwarfs"}],"published_scope":"global","image":{"created_at":"2020-08-25T21:21:33+12:00","alt":null,"width":600,"height":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/Tall_Dwarfs_square.jpg?v=1604910631"}},{"id":211727843479,"handle":"the-chills","title":"The Chills","updated_at":"2021-10-15T12:40:23+13:00","body_html":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Chills_Flying_Nun-3_1024x1024.jpg?v=1598867199\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhere \u003cstrong\u003eThe Chills\u003c\/strong\u003e are concerned, there’s no simple summary of who, what and why. Perhaps only ‘when’, and even then the last 30 years seem to blur. This is testament to the physical persistence of Chills founder and centrifugal force \u003cstrong\u003eMartin Phillipps\u003c\/strong\u003e, but also his kaleidoscopic, obsessive and idiosyncratic nature. For no other \u003cstrong\u003eFlying Nun\u003c\/strong\u003e associate had such gumption to reach out overseas, nor was beset by both simple and turbulent twists of fate. Which meant no one could keep up with Phillipps’ wayward path - hence The Chills’ now infamously documented personnel changes (there are over 20 line-ups to peruse if you choose).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/pjW3MT8D9RY\" height=\"630\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt least the music remains, and here there is much more certainty. The Chills were exemplars of the so-called Dunedin Sound – an often moist and melancholy, simultaneously dark and breezy amalgam of Western garage-pop roots but invested with an otherworldly aura, as if those overseas influences had indeed seeped in upside down. But only Phillipps was this quixotic, bridging folk and bubblegum, Bowie and Syd Barrett, with feverish shivers and childlike whimsy. (No one else would have dared wear pixie boots with no irony, only joy.). If music has a psycho-geographical bent, then it’s the air, waves and light of the Otago peninsular, and the spaciousness and remoteness of NZ itself, that glows and thrums through his songs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Chills_Flying_Nun-1_1024x1024.jpg?v=1598867261\"\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-08-09T18:55:26+12:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Chills"}],"published_scope":"global","image":{"created_at":"2020-08-24T18:47:43+12:00","alt":null,"width":874,"height":877,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Chills_Flying_Nun.jpg?v=1598251664"}},{"id":211728040087,"handle":"the-clean","title":"The Clean","updated_at":"2021-10-17T18:20:25+13:00","body_html":"\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Clean_Flying_Nun_1024x1024.jpg?v=1598257731\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat can be said about \u003cstrong\u003eThe Clean\u003c\/strong\u003e? In 1978, they were the seeds of New Zealand punk and the reason for the founding of \u003cstrong\u003eFlying Nun\u003c\/strong\u003e, one of the greatest record labels that ever existed. They carved out a big sandbox for everyone to play in, and their influence resonated not only in New Zealand but around the world. Not only do bands like Yo La Tengo, Guided By Voices, Sonic Youth, Pavement, and their ilk owe a debt to The Clean, but many of today's young upstarts such as Times New Viking, Eat Skull, and a band from China called Carsick Cars have the Dunedin godfathers deeply etched into their DNA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI've personally witnessed four or five waves of rediscovery of \u003cstrong\u003eThe Clean\u003c\/strong\u003e in the years since I first heard them in 1986, and the stuff just continues to educate. Homestead's US issue of Compilation in the late '80s and Merge's double-disc Anthology from 2002 both laid out a complete rulebook, and a pretty in-depth one at that. Nevertheless, if someone else compiles them again in 2015, it's going to resonate just as strongly. Simply put, the music of the brothers \u003cstrong\u003eKilgour\u003c\/strong\u003e and \u003cstrong\u003eBob Scott\u003c\/strong\u003e holds up pretty damn well in 2009 for anyone checking them out for the first or 5,000th time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"1120\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/7tf1wzg4rdE\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat's the sound? It's completely theirs but draws on everything from the psychedelic paste of Barrett\/early Floyd to vintage Velvets propulsiveness to almost everything else under the sun. In the case of the live staple \"Point That Thing Somewhere Else,\" here is a song that levitates any room in a way that makes you swear the band just stepped out of Conny Plank's studio in Germany with all the bulldozing power of Hawkwind. Their jubilance at times (the organ-laced \"Tally Ho,\" \"Beatnik,\" \"Whatever I Do\") makes the Banana Splits sound like Bauhaus while simultaneously exhibiting dark undercurrents, making Bauhaus sound like the Banana Splits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey created both full studio sound and lo-fi recordings before, during, and after the various waves of the 4-track revolution, making both recording modes work with no loss of the band's identity. As far as other influences, you can hear Arthur Lee, Shirley Collins, and the Rolling Stones, among others, but it's never a kind of forced appropriation; while some bands seem to say, \"Look at my record collection,\" in the case of The Clean, it's organic, seamless, and inimitable. Though hardly as prolific as The Fall, another maverick group of originality, The Clean have endured for almost as long while maintaining a completely unique, quality stamp that's often replicated but never quite mastered by anyone but themselves. They're also one of the best (and sometimes loudest) live bands I've had the pleasure of seeing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- \u003cstrong\u003eBrian Turner\u003c\/strong\u003e, New York\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Clean_Flying_Nun_-2_1024x1024.jpg?v=1598867702\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-08-09T18:58:18+12:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Clean"}],"published_scope":"global","image":{"created_at":"2020-08-24T20:29:16+12:00","alt":null,"width":1334,"height":1333,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Clean_Flying_Nun.jpg?v=1598257756"}},{"id":211731054743,"handle":"the-gordons","title":"The Gordons","updated_at":"2021-10-10T19:55:12+13:00","body_html":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Gordons_Flying_Nun_1024x1024.jpg?v=1600762570\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Gordons_Bio_1024x1024.jpg?v=1600330733\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/Gordons_Bio_1024x1024.jpg?v=1600330733\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/DjDcULWE1HY\" height=\"630\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-08-09T19:20:02+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Gordons"}],"published_scope":"global","image":{"created_at":"2020-09-22T20:16:26+12:00","alt":null,"width":1333,"height":1333,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Gordons_Flying_Nun_SQUARE.jpg?v=1600762587"}},{"id":211731218583,"handle":"the-great-unwashed","title":"The Great Unwashed","updated_at":"2021-09-09T14:31:28+12:00","body_html":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Great_Unwashed_Flying_Nun-3_1024x1024.jpg?v=1598674942\"\u003e\u003c\/p\u003e\n\u003cp\u003eTHE GREAT UNWASHED have an important place in Flying Nun's heritage -- a band that, over two very different records, created their own musical space with some swinging psych-pop that still sounds fresh and enjoyable today, over ten years since it was made.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCollection is a CD and tape release that combines the two records made by the Great Unwashed into a single package, fully annotated with their story told in liner notes by Dunedin rock writer, Richard Langston.\u003cbr\u003e\u003cbr\u003eThe first two-thirds of the Collection contain the album Clean Out Of Our Minds. Recorded at home in Christchurch by Hamish and David Kilgour in early 1983, just after they had disbanded their first band, The Clean, the album's eccentric low-key swing makes it -- as Richard Langston says -- \"the ideal soundtrack to a lazy afternoon.\"\u003cbr\u003e\u003cbr\u003eThe electricity is snapped on in the last third of the Collection, however, in the form of Singles. These five songs were recorded at the end of a manic 25 date national tour in January, 1984, by the second line-up of the band in which Hamish and David had been joined by Peter Gutteridge, who they'd played with in the original 1979 line-up of The Clean. The swing is still there, but you can hear the menace particularly in \"Duane Eddy\" and the closer,\"Boat With No Ocean\".\u003cbr\u003e\u003cbr\u003eThe Great Unwashed split after adding another member in Christchurch (nothing was recorded by the group's final line-up featuring former Pin Group member, Ross Humphries). All three members of the band have continued to play -- David for a while in Stephen and now with a solo career; Hamish the reunited Clean with David and Robert Scott, and with a new band in New York, Mad Scene; and Peter in Snapper. The Great Unwashed represent a link in the chain that takes them all from their musical beginnings with The Clean to the music they each make today. Collection also just happens to still sound pretty bloody great.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/DPZb-UjwydM\" height=\"630\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-08-09T19:21:24+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Great Unwashed"}],"published_scope":"global","image":{"created_at":"2020-08-29T16:22:34+12:00","alt":null,"width":1262,"height":1260,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Great_Unwashed_Flying_Nun-SQUARE.jpg?v=1598674955"}},{"id":211743539351,"handle":"the-puddle","title":"The Puddle","updated_at":"2021-09-09T14:58:46+12:00","body_html":"","published_at":"2020-08-09T21:02:01+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Puddle"}],"published_scope":"global","image":{"created_at":"2020-09-22T21:55:07+12:00","alt":null,"width":600,"height":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Puddle_Pop_Lib.jpg?v=1600768508"}},{"id":211744358551,"handle":"the-rip","title":"The Rip","updated_at":"2021-09-09T14:31:08+12:00","body_html":"\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/rip_photo_SQUARE_1024x1024.jpg?v=1600768904\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/rip_photo_SQUARE_1024x1024.jpg?v=1600768904\"\u003e","published_at":"2020-08-09T21:12:52+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Rip"}],"published_scope":"global","image":{"created_at":"2020-09-22T22:01:54+12:00","alt":null,"width":1000,"height":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/rip_photo_SQUARE.jpg?v=1600768914"}},{"id":211745407127,"handle":"the-stones","title":"The Stones","updated_at":"2021-09-09T14:52:55+12:00","body_html":"\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/files\/The_Stones_Flying_Nun-2_1024x1024.jpg?v=1598869314\" alt=\"\"\u003e","published_at":"2020-08-09T21:22:24+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"The Stones"}],"published_scope":"global","image":{"created_at":"2020-08-31T22:22:05+12:00","alt":null,"width":1225,"height":1230,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/The_Stones_Flying_Nun_SQUARE.jpg?v=1598869325"}},{"id":211746554007,"handle":"various","title":"Various","updated_at":"2021-10-09T14:04:02+13:00","body_html":"","published_at":"2020-08-09T21:30:58+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Various"}],"published_scope":"global"},{"id":262153961623,"handle":"various-1","title":"Various","updated_at":"2021-10-09T14:04:02+13:00","body_html":"","published_at":"2021-03-18T22:15:56+13:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Various"}],"published_scope":"global"},{"id":214314778775,"handle":"wreck-small-speakers-on-expensive-stereos","title":"Wreck Small Speakers On Expensive Stereos","updated_at":"2021-09-09T14:31:08+12:00","body_html":"\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/vbBikLUw_YU\" height=\"730\" width=\"1120\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","published_at":"2020-08-22T13:13:33+12:00","sort_order":"best-selling","template_suffix":"","disjunctive":false,"rules":[{"column":"tag","relation":"equals","condition":"Wreck Small Speakers On Expensive Stereos"}],"published_scope":"global","image":{"created_at":"2020-09-23T18:06:54+12:00","alt":null,"width":560,"height":560,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0450\/3165\/3527\/collections\/Wreck_Small_Speakers_On_Expensive_Speakers.jpg?v=1600841215"}}]
["2012","25c","Builders","CD","Doublehappys","Flying Nun","Look Blue Go Purple","Pin Group","Scorched Earth Policy","Sneaky Feelings","Tall Dwarfs","The Chills","The Clean","The Gordons","The Great Unwashed","The Puddle","The Rip","The Stones","Various","Vinyl","Wreck Small Speakers On Expensive Stereos"]
FN514 Various - Time To Go - The Southern Psychedelic Moment: 1981-86 (2012)
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Time To Go - The Southern Psychedelic Moment: 1981-86 (FNCD514/FNLP518, 2012).
Released March 19, 2012
Compiled and curated by Bruce Russell. All tracks on Flying Nun in some way, shape to form - except the Playthings and the Shallows who released their own records. Mastered by Tex Houston. Cover photo: David Kilgour, taken by Louis Russell.
