Tiny Ruins - Olympic Girls

A rare blend of eloquent lyrical craft and explorative musicianship, the songs of Tiny Ruins are etched into the memories of crowds and critics worldwide. Traversing influences that cross genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop and ebullient psychedelia.
 
Born in Bristol and raised in West Auckland, Fullbrook's debut LP Some Were Meant For Sea (2011) features her alone, and was quickly celebrated by radio playlists and blogs worldwide. The album’s clutch of “gorgeous vignettes” (BBC) put the artist on the map, and she took to the road from her home in New Zealand to tour extensively through the UK, Europe and North America – a passage repeated many times since.

Second album Brightly Painted One earned more accolades, championed by the New York Times, NPR and David Lynch, and winning Best Alternative Album at the New Zealand Music Awards in 2014. “An album of quiet, devastating beauty,” wrote Pop Matters. The album saw Fullbrook join forces with producer Tom Healy, whom, alongside long-time tourmates bassist Cass Basil and drummer Alex Freer, Fullbrook has worked and toured with ever since.

“...an album that both bruises the heart and lifts the soul...songwriting that demonstrates a novelist’s eye for detail.” - Uncut review of Brightly Painted One

While spanning continents, Tiny Ruins became a sought after collaborator. A New York recording session culminated in the EP Hurtling Through (2015) with indie-rock legend Hamish Kilgour (The Clean), while 2016 single Dream Wave was recorded and produced by award-winning cult filmmaker and musician David Lynch: 

“A tranquil, pared-back track [with] a gradually rising sense of the macabre… very special indeed.” - The Line of Best Fit

Building on the sparse minimalism and mesmerising songwriting of earlier releases, third album Olympic Girls comprises a taut and agile quiver of songs, dancing with explorative instrumentation and a pop sensibility that springs with life.